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In 1891, due to financial difficulties, he returned to
Amsterdam and took a position in his father's photography studio. By 1896, he had established himself as an artist and opened his own studio. Many of his works from this period have a sad feeling to them, and it is possible that he was suffering
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His work was not as successful as most of his associates in the Laren School. After 1903, he went back to
Amsterdam, but stayed there for only one year. Then he retired to Blaricum and lived in a house named "Heide-Weide" (Heide Meadows), which was later occupied by several other well-known artists
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painting in the company of his fellow artists seems to have cheered him up. His portraits and figures were more colorful and lightly rendered, although his interiors still had a touch of melancholy. After a few years his depression returned and he stayed in his studio, doing still lifes of flowers.
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Scheen, Pieter A. (1981): Lexicon
Nederlandse Beeldende Kunstenaars 1750-1950. 2 Volumes, 's-Gravenhage (The Hague), Kunsthandel Pieter A. Scheen N.V., p. 115.
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From the perspective of the art historian he belonged to the 2nd generation of this school. His Œuvre can be assigned to the
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1912 Stedelijke internationale tentoonstelling van kunstwerken van levende meesters, Stedelijk Museum, Amsterdam.
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1907 Stedelijke internationale tentoonstelling van kunstwerken van levende meesters, Stedelijk Museum, Amsterdam.
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1903 Stedelijke internationale tentoonstelling van kunstwerken van levende meesters, Stedelijk Museum, Amsterdam.
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His father was Franz
Wilhelm Heinrich Deutmann (1840–1906), a well known photographer. He studied painting with
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The independence begins with the choice of the themes, the colors and the dutch eyes of the interpretation.
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Tentoonstelling van werken van Franz
Deutman: Laren, (N.H.) Unger + Van Mens, Kunstzalen, 1914, Rotterdam.
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Arti et
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De Wereld in Een Dorp, - schilders, schrijvers en wereldverbeteraars in Laren en
Blaricum
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The Hague School is at the end of the typical dutch development during the time of the
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1916 Tentoonstelling van werken van Franz
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and writers. After a long illness he died there in 1915, aged only forty-eight.
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from 1884 to 1887. During his studies at the academy he was a student of Prof.
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Onstuitbare verzamelaar J.F.S. Esser: Mondriaan, Breitner, Sluijters e.a.
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1914 Tentoonstelling van werken door Franz
Deutman: Laren, Rotterdam.
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artist. After a brief stay in
Germany in 1884, he enrolled at the
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Catalog Muller + Co. (1917): Atelier Franz Deutman, Amsterdam.
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140:) was a Dutch painter and photographer. He was a member of
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1917 Tentoonstelling. Atelier Franz Deutman, Amsterdam.
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The rediscovery of still-life as a subject belongs to
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552:Laren en zijn Schilders, Boekhandel Juli Kluvers
535:Jonkman, Mayken; Raad, Jacqueline de (2005):
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445:@ De Valk Lexicon kunstenaars Laren-Blaricum
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635:Dutch genre painters
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443:Biographical notes
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545:978-90-400-9123-0
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620:1915 deaths
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601:, 1916, # 1
479:Biographies
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