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and six pieces for lute duet. The ricercares are among the most complex of the period; they have no clearly defined form and include several contrasting sections. Particularly notable is
111:
63:
Spinacino was apparently highly regarded by his contemporaries, as his music was widely copied: some of the pieces are found in manuscripts that originated in the
87:. The duets are also historically important, for they present a sample of early 16th century performance practice: one of the lutes is given an intabulation of a
56:(both 1507). These two collections comprise the first known printed lute music, and his first book was the first ever instrumental music book printed with the
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91:'s original tenor and bass, whereas the other plays in free counterpoint to the titular chanson.
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and composer. His surviving output comprises the first two volumes of
101:Nordstrom, Lyle (2001). "Francesco Spinacino". In
48:'s influential series of lute music publications:
112:The New Grove Dictionary of Music and Musicians
8:
20:
7:
54:Intabolatura de lauto libro secondo
67:. There are 81 pieces overall: 46
14:
50:Intabolatura de lauto libro primo
27:Intabolatura de lauto libro primo
150:16th-century Italian composers
1:
16:Italian lutenist and composer
83:, which moves through all
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81:Recercare de tutti li toni
25:First page of Spinacino's
115:(2nd ed.). London:
155:Italian male composers
30:
40:1507) was an Italian
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117:Macmillan Publishers
34:Francesco Spinacino
145:Composers for lute
46:Ottaviano Petrucci
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160:Italian lutenists
126:978-1-56159-239-5
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103:Sadie, Stanley
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107:Tyrrell, John
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69:intabulations
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65:British Isles
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58:movable type
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139:Categories
95:References
73:ricercares
77:bassadans
109:(eds.).
60:system.
42:lutenist
89:chanson
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75:, two
29:(1507)
85:modes
71:, 27
121:ISBN
52:and
38:fl.
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36:(
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