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From 1788 he began to develop much wider themes, illustrating "Views in the
Pacific", based on sketches from Captain Cook's Third Voyage. He also worked on illustrations of New York. Also in the same year (1788) his engravings of the racehorse "Highflyer", "Foxhound Modish" and "Pointer Dash" after
116:
Jukes was based at 3 Hosier Lane in London, between
Holborn and The city, insuring his premises for £50. He lived for 20 years at 10 Howland Street, (off Tottenham Court Road), 1794–1808. Then 57 Upper John Street (now Whitfield Street), Fitzroy Square 1808–1812. He traded alone 1790–1802; later as
73:
At first, a topographical painter, Jukes developed into an etcher and line engraver and later still learned the aquatint process. He was one of the first
British aquatint engravers. It is thought he learnt the method from Sandby; some of his first aquatints are after Sandby's designs.
317:
who gave as his address as '10, Howland Street'. Sarjent had exhibited two works at the Royal
Academy, their titles were 'View of the city of London from the fields below Hampstead' in 1802 and 'A View of Woolwich, looking down the river' in 1803.
240:
1796 saw two nostalgic engravings, "A Visit to the Uncle" and " A Visit to the Aunt" painted by Thomas
Rowlandson in 1786. In the same year he aquatinted and published a view of the Serpentine River, Hyde Park, etched by
321:
Francis Jukes died in 1812 at Upper John Street, London. It's been speculated that the illness towards the end of his life may have been caused by acid fumes used in the aquatinting process. His work is highly
34:. He worked alongside the great illustrators of the late eighteenth century. He contributed numerous plates to various publications of rural scenes. His early prints were published in collaboration with
284:"Views of England", These Nicholson works appeared in "The Beauties of England and Wales", Author: Britton, John & Edward Wedlake Brayley - A book published in 18 volumes from 1801 to 1815.
167:
He recorded current events, "The
Attempt to Assassinate the King" depicts the attempt made by Margaret Nicholson to kill King George III at the entrance to St. James's Palace on 2 August 1786.
146:
In 1785 he produced a fine engraving of
Vauxhall (outer London), drawn by Thomas Rowlandson (1756–1827), engraved by Robert Pollard (1755–1838) and Aquatinto by Jukes himself.
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In 1787 Pollard and Jukes engraved "Courtship" and "Matrimony" and a fine set of "London
Squares" including a highly collectable "View of Hanover Square", by artist
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70:. Sandby and Jukes combined engraving and aquatinting from 1774 onwards. Notable work included Paul Sandby's "A New Drawing Book", published in 1779.
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143:(b. 1752) renowned for his graceful images of horses; his most celebrated work, "Life and Death of a Racehorse", was engraved by Jukes in 1784.
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The same year he produced a pair of high quality engravings of "A Two Year Old Ram" and "A Two Year Old Ewe" of the New
Leicestershire Breed".
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621:
450:"Animal painters of England from the year 1650 : a brief history of their lives and works: illustrated with--specimens of their paintngs"
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The beauties of
Wiltshire: displayed in statistical, historical, and descriptive sketches: interspersed with anecdotes of the arts, Volume 3
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Published in 1789, right; an etching and aquatint by Robert Pollard, by Francis Jukes, after Edward Dayes of "A View of the Tryal of
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illustrations of "A Country Racecourse with horses preparing to start" and "A Country Racecourse with horses running", both after
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In 1804 he issued an aquatint engraving of "A View on Hampstead Heath, looking towards London"; after the Landscape artist
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This was followed by more classically derived work with companion pieces "St. Preux and Julia", "Henry and Jessy" drawn by
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413:"Horse Racing - A Country Race Course with Horses Preparing to Start & A Country Race Course with Horses Running"
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Thereafter he produced a prolific number of engravings and aquatint work, often collaborating with others such as
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He was also concurrently illustrating more of Edward Dayes work, a collection of "Views on The Wye" in 1797.
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647:"Antique Prints - St Vincent's Rock - Clifton - Glocestershire (England) - Copper engraving - 1806"
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604:"Alexander Robertson - Artist, Fine Art Prices, Auction Records for Alexander Robertson"
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At the turn of the century Francis Jukes was fully engaged with rural themes, including
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307:'s "A Journey from Edinburgh to Parts of North Britain" aka "A Journey to Scotland".
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399:"F. Wheatley, R. A., his life and works, with a catalogue of his engraved pictures"
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In 1795 he issued a set of four coloured mezzotints chronicling "The demise of the
218:(1763-1805). Items included views of Llangollen Bridge; and Overton Bridge, right.
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In 1790 he produced a series (eight plates) of horses at full gallop called "The
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During 1792-1794 "Walmsley's Views in North Wales", were completed. The artist
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199:'A View of the Tryal of Warren Hastings Esqr. before the Court of Peers', 1788
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Sawrey Gilpin were produced as part of his continuing work with rural themes.
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Around 1800 he engraved an illustration of Mount Vernon in Virginia, home of
382:
Finberg, Alexander Joseph; Holme, Charles; Taylor, E. A. (30 October 2017).
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and her sister Lady Duncannon. The man seated at the table on the left is
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237:. Engraved and published by Jukes from his shop at No.10 Howland Street.
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185:, aquatints by Jukes from drawings by John Hanks (active 1785-1790).
38:, and later worked in collaboration with the engraver and publisher
359:. Department for Digital, Culture Media & Sport. Archived from
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Another collaborator was the animal genre painter and draughtsman
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384:"The development of British landscape painting in water-colours"
251:"Views of Ireland" (1800–1). A "View of Brielle" (in Holland).
758:. London, Middlesex: Monthly Magazine. 1 June 1812. p. 80
590:"Vernon in Virginia after Alexander Robertson by FrancisJukes"
452:. London : Vinton & Co. – via Internet Archive.
258:. This work drawn in 1800 by a Scottish born American artist
572:"Thomas Rowlandson Reproductions For Sale - 1st Art Gallery"
401:. London : Otto limited – via Internet Archive.
211:. It was originally intended to be a set of six plates.
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Also in 1786 in collaboration with Pollard, he produced
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work, particularly using a technique he developed with
386:. London, "The Studio" – via Internet Archive.
533:"Thomas Walmsley (1763-1806), Gobray Falls, Wales"
105:to his right. To the right the actress and author
515:"Search Results for: Keywords: the pytchley hunt"
58:in 1745. He became famous for his, engraving and
469:. J.D. Dewick for Vernor and Hood. p. 428
8:
109:stands next to the Prince of Wales, later
397:Roberts, W. (William) (30 October 2017).
804:Oxford dictionary of National Biography
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276:, aquatint by Francis Jukes, circa 1800
295:, looking towards London, painted by
181:Published 28 Feb 1789 four prints of
30:and shipping prints, the majority in
26:and publisher, chiefly known for his
7:
834:People from Malvern Hills District
448:Gilbey, Walter (30 October 2017).
89:. The two women in the centre are
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809:Martley Village - Jukes Biography
766:– via NewspaperArchive.com.
207:"; after the artist and horseman
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91:Georgiana, Duchess of Devonshire
192:Esqr. before the Court of Peers
16:English engraver and publisher
1:
547:"The demise of the Ramillies"
117:Jukes and Sargent 1809–1811.
225:View of Overton Bridge, 1794
335:(Dave Cropp Books Nov 1999)
22:(1745–1812) was a prolific
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303:In 1802 he was working on
233:" in 1782 as portrayed by
664:Baynton-Williams, Miles.
651:www.french-engravings.com
493:Government Art Collection
357:Government Art Collection
333:Martley at the Millennium
299:, engraved by Jukes, 1804
756:"Francis Jukes Obituary"
670:www.baynton-williams.com
731:"Francis James Sarjent"
576:www.1st-art-gallery.com
463:Britton, John (1825).
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792:Francis Jukes artwork
787:at Wikimedia Commons
688:personal.strath.ac.uk
513:www.bibliopolis.com.
435:www.artcyclopedia.com
431:"Edward Dayes Online"
315:Francis James Sarjent
297:Francis James Sarjent
290:
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224:
209:Charles Loraine Smith
198:
126:William Sawrey Gilpin
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363:on 21 September 2017
235:Robert Dodd (artist)
81:An entertainment in
282:Francis Nicholson's
274:Alexander Robertson
260:Alexander Robertson
107:Mary Darby Robinson
797:2011-07-10 at the
706:www.martley.org.uk
666:"Baynton-Williams"
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824:English engravers
783:Media related to
489:"Malmsbury Abbey"
417:Sanders of Oxford
353:"Valentine Green"
256:George Washington
243:Jacob Schnebbelie
130:Thomas Rowlandson
87:Thomas Rowlandson
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151:Francis Wheatley
103:Oliver Goldsmith
101:to his left and
83:Vauxhall Gardens
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293:Hampstead Heath
216:Thomas Walmsley
190:Warren Hastings
66:(1725–1809), a
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36:Valentine Green
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141:Charles Ansell
95:Samuel Johnson
68:Watercolourist
56:Worcestershire
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40:Robert Pollard
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760:. Retrieved
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739:. Retrieved
735:the original
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714:. Retrieved
710:the original
705:
702:"Jukes 1802"
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367:20 September
365:. Retrieved
361:the original
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322:collectable.
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270:Mount Vernon
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172:Edward Dayes
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844:1812 deaths
839:1745 births
622:"Nicholson"
305:A. Campbell
64:Paul Sandby
818:Categories
741:2016-11-20
716:2009-09-13
632:2010-08-27
557:2016-11-18
340:References
291:A View on
245:in 1787.
231:Ramillies
158:mezzotint
111:George IV
46:Biography
795:Archived
272:, after
60:aquatint
50:Born in
32:aquatint
24:engraver
684:"tours"
97:, with
52:Martley
762:13 May
132:, and
764:2020
500:2017
475:2017
369:2017
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