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is a "film" without screen, projector or film, which eliminates not only the dictatorship of the image over the word, but abandons the projected image altogether, because it's no longer a matter of perceiving it passively, but rather one of imagining or recreating it. Originally however, Dufrene had
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in 1952, at the
Alexandre III cinema. The scant resources it required enabled the imaginary film to be improvised. The voices were situated in the four corners of the hall and while the performers recited the texts, the house lights flashed on and off and the
138:. The Ultra-Lettrist movement was an art form developed by Dufrene along with Jean-Louis Brau and Gil J Wolman in the 1950s, when they split from Isidore Isou's Lettrism. Dufrene explored vocal possibilities of
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contains an important phonetic work which includes almost all of the compositions and scores that
Dufrene had produced up to that time in the form of lettrist poems and sung aphorisms as experimental
273:) (1952), a fantasy film presented on the sidelines of the Cannes Film Festival the same year. In 1973 it was presented at the Atelier de Création (France Culture), in 1981 as part of the exhibition
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machinery. The frustration of the public's expectations - and its invitation to the viewer's imagination - is what creates a rupture and liberation from the impositions of the standard image.
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in 1946 and continued to participate until 1964. Dufrene's talent was evident in the fact that he was already a member of the
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indeed anticipated a visual part of the film, never taken to fruition, which was not even complete when the
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351:. The compositions renounced any type of discursive content and consisted in improvisations recorded on a
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524:. Bernard Blistène, Fritz Emslander, Esther Schlicht, Didier Semin, Dominique Stella. Snoeck, Köln 2014,
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LP (1975), a disk curated by
Maurizio Nannucci with assistance by Arrigo Lora-Totino and produced by
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in France. Dufrene's abstract poetry has led many to regard him as a member of the first generation
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37:) (born Paris, 21 September 1930; died Paris, 12 December 1982) was a French
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Hains, Villegle, Dufrene, Rotella, Decollage: les affichistes
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in 1954. In 1957 he discovered décollage and in 1960 - with
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was published. The weight of the work lay clearly in its
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work inspired generations of experimental poets, such as
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poetry which breaks the structures of language he called
185:. He is considered one of the important artists in that
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Lettrist, Ultra-Lettrist and
Nouveau réalisme movements
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205:different from those of his contemporaries. The
197:Dufrene earned fame for his performances called
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283:Thirty Years of Experimental Cinema in France
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493:Dufrene, Hains, Rotella, Villegle, Vostell:
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483:, Paris, Éditions Hazan, 2006, p. 217
336:medium, situating itself as a film beyond
481:Dictionary of Modern and Contemporary Art
328:opened and closed repeatedly. Dufrene's
52:. He is primarily known as a pioneer in
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265:Dufrene is the author of a film called
518:, Verlag Der Kalender, Wuppertal 1961.
522:Poesie der Großstadt. Die Affichisten
495:Plakatabrisse aus der Sammlung Cremer
317:imaginary film without screen or film
285:also at the Centre Georges Pompidou.
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514:, François Dufrêne, Alain Jouffroy,
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818:20th-century French male writers
201:, which was in a vocal style of
88:- following in the footsteps of
332:is a play on the exhaustion of
542:François Dufrene official site
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692:Hurlements en faveur de Sade
345:Tambours du jugement premier
330:Tambours du jugement premier
313:Tambours du jugement premier
289:Tambours du jugement premier
267:Tambours du jugement premier
153:Dufrene became friends with
127:Group at only 16 years old.
808:French contemporary artists
308:in the conventional sense.
271:Drums of the first judgment
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768:French mixed-media artists
508:, Zabriskie, New York 1990
311:The first presentation of
813:20th-century male writers
798:20th-century French poets
90:Filippo Tommaso Marinetti
27:French artist (1930–1982)
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115:Francois Dufrene joined
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499:Staatsgalerie Stuttgart
279:Centre Georges Pompidou
130:Dufrene then created a
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193:Crirythme performances
146:of sound, meaning and
261:Film without a screen
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424:François Dufrene bio
413:François Dufrene bio
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343:The soundtrack for
223:Charles Amirkhanian
94:Richard Huelsenbeck
56:and for his use of
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463:2013-10-15 at the
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393:Giancarlo Bigazzi
281:, and in 1982 at
247:Ada Verdun Howell
231:Gregory Whitehead
215:Bernard Heidsieck
157:in 1950 and with
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16:(Redirected from
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112:(among others).
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251:Mitch Corber
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54:sound poetry
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29:
778:1982 deaths
773:1930 births
726:Hypergraphy
635:Jan Kubíček
275:Paris-Paris
227:Bob Cobbing
144:noise music
86:sound poets
78:Brion Gysin
757:Categories
607:Guy Debord
399:References
385:Crirythmes
371:Art Museum
298:soundtrack
255:Jaap Blonk
219:Ake Hodell
199:Crirythmes
171:Yves Klein
155:Yves Klein
746:TPL, 1961
444:Crirythme
302:sound art
207:Crirythme
203:sound art
98:Hugo Ball
58:décollage
592:Lettrism
461:Archived
436:Archived
377:Archived
235:bpNichol
187:Neo-Dada
148:nonsense
132:phonetic
125:Lettrist
119:and the
43:Lettrist
704:Related
599:Artists
475:Sources
277:at the
60:within
695:(1952)
685:(1951)
556:Ubuweb
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448:Ubuweb
369:Toulon
365:Bottom
321:Cannes
315:as an
294:script
82:poetry
673:Works
359:Works
179:Arman
526:ISBN
501:1971
306:film
253:and
161:and
108:and
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50:poet
45:and
554:at
512:TPL
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20:)
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