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Frankfurter Museumsgesellschaft

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270: 280: 22: 733: 721: 321:, had a concert hall with 1800 seats and a small hall for lectures and chamber concerts, plus the necessary ancillary rooms, as well as a banquet hall in the bridge building over Junghofstraße. The large hall measured 42 by 24 metres, was 14 metres high and had excellent acoustics. It was opened on 18 November 1861 with a performance of Haydn's 494:, which, as the "Großes Haus", has been the venue for the opera ever since. The chamber concerts were first held in the "Sendesaal" of the old broadcasting centre, later in the "Cantatesaal" and finally in the "Saal der Deutschen Bank" in Junghofstraße, where the hall had been located until the war. 316:
In 1860, Carl Müller took over the direction of the Museum Concerts, who succeeded Messer as conductor of the Cäcilienchor Frankfurt. In 1861, the concerts of the society were moved to the newly built hall building in Junghofstraße and thus made accessible to the general public. The Saalbau, a work
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was permanent guest conductor of the museum concerts for five years, which were temporarily merged with the concerts of the "Reichssender Frankfurt" (formerly "Südwestdeutscher Rundfunk"). It was not until the 1937/38 season that Frankfurt was given a new general music director in the person of
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After the Nazi seizure of power, the new Lord Mayor Friedrich Krebs (mayor) became an ex officio member of the Museum Society's board of directors and in this capacity attempted, among other things, to install Hermann Abendroth, who had proved to be true to his principles, as the new museum
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In 1891 Carl Müller retired. When his successor was elected, the personal union with the Cäcilienverein, which had become a tradition, was broken for the first time. Gustav Kogel took over the museum concerts, while August Grüters, recommended by
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conducted 16 museum concerts. However, he did not accept the call of the Museums-Gesellschaft, which would have liked to have him as chief conductor, but went to Berlin instead. The museum then entrusted his concerts to the young conductor
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from Cologne, who had previously directed a Prague stage. The Museums-Gesellschaft, however, refused to accept Steinberg's appointment as permanent conductor and instead negotiated with
540: 204:. The statutes of the society limited the number of members to 150. Since its foundation, the society has also had symphonic music performed in its events known as the 261:
since 1837, now also conducted the museum concerts. Until 1924, the municipal orchestra retained two artistic directors, one for the theatre and one for the concerts.
39: 364:, became director of the Cäcilienchor. Kogel modernised the programme of the museum concerts, which now included works by contemporary and foreign composers such as 168:, a society for the "care of the muses" and the promotion of the fine arts: literature, arts and music. Among the founders were the librarian of the 763: 134: 86: 238:
conducted the orchestra. When he died in July of the revolutionary year 1848, the Museum Society decided to appoint its own director of the
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as his successor, but he moved to Munich in 1906. The museum concerts experienced a heyday between 1907 and 1920 under the direction of
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or Paul Hindemiths disturbed the audience. In 1924 Scherchen turned away from the Museums-Gesellschaft and turned to the newly founded
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After 1848 the Museums-Gesellschaft focused more and more on music, although it continued to organise lectures with speakers such as
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When Mengelberg left in 1920 after a conflict with the press, a two-year interregnum followed, during which
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Festschrift zur Feier des hundertjährigen Bestehens der Frankfurter Museumsgesellschaft 1808 bis 1908
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After the Second World War, the museum concerts were resumed in 1946, initially in the hall of the
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of 1931/32, the Museums-Gesellschaft also got into financial difficulties, especially since the
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In addition to the orchestral concerts, the chamber music series was launched in 1870, in which
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was engaged, the later opera orchestra. Frankfurt's musical life took a great upswing after the
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until 1886. From 1832 to 1860, the museum concerts took place in the Great Dining Hall of the
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since 1929, had become a competitor which had poached numerous subscribers from the museum.
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and responsible initially for literature, arts and music in Frankfurt, and for the museums.
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took over the direction of the orchestra, and in the same year the pastor and historian
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The Saalbau der Museums-Gesellschaft, site of many world premieres, destroyed in 1944
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appeared several times as a pianist and premiered some of his works. From 1887
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that was still unusual at the time, was not able to make a name for himself.
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Concert programs, beginning in 1848, have been held by the library of the
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Das Frankfurter Museums-Orchester – zwei Jahrhunderte Musik für Frankfurt
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Das "Museum" : 150 Jahre Frankfurter Konzertleben 1808 – 1958
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Programme booklet archive of the Frankfurter Museums-Gesellschaft
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of the Oper Frankfurt. Since the 2008/2009 season, this has been
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conductor. The Museums-Gesellschaft, however, refused to accept
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frequently conducted the museum concerts. His symphonic poems
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concert hall. The orchestra is regarded as an important German
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Since 1981, all concerts of the Society have been held in the
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became chairman of the museum society. From 1821 to 1848
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Literature by and about Frankfurter Museumsgesellschaft
474:, who remained in office until the destruction of the 709: 250:, while Franz Messer, who had been director of the 46:. Unsourced material may be challenged and removed. 309:, which had room for 1000 visitors. In 1851, the 379:In 1903, Kogel took his leave. The museum chose 313:took over the important painting collections. 152:The organisation was founded in 1808, called 8: 664:Museum – Geschichte der Museums-Gesellschaft 605:Das Frankfurter Opern- und Museumsorchester 501:, which was rebuilt as a concert hall. The 482:The museum concerts in the post-war period 465:and refused to fill the position quickly. 505:of the museum concerts is the respective 391:was the concertmaster at the first desk. 208:. For this purpose, the orchestra of the 106:Learn how and when to remove this message 535: 533: 453:, which had been under the direction of 451:Frankfurter Rundfunk-Symphonie-Orchester 164:In 1808, Frankfurt citizens founded the 716: 529: 135:Frankfurter Opern- und Museumsorchester 7: 173:Karl Theodor Anton Maria von Dalberg 44:adding citations to reliable sources 478:and the Saalbau on 22 March 1944. 265:The museum concerts in the Saalbau 14: 387:. From 1915 to 1922 the composer 55:"Frankfurter Museumsgesellschaft" 731: 719: 624:Universitätsbibliothek Frankfurt 565:Linke, Hans Jürgen (June 2012). 123:Frankfurter Museums-Gesellschaft 20: 195:Johann Friedrich Christian Hess 31:needs additional citations for 764:1808 establishments in Germany 1: 186:, the chief building officer 141:. Concerts take place in the 125:is a cultural association in 417:Frankfurter Orchesterverein 317:of the Frankfurt architect 118:German cultural association 780: 188:Clemens Wenzeslaus Coudray 488:Frankfurt Stock Exchange 704:German National Library 676:Hildegard Weber (ed.): 518:University of Frankfurt 341:Also sprach Zarathustra 319:Rudolf Heinrich Burnitz 432:Hans Wilhelm Steinberg 381:Siegmund von Hausegger 286: 276: 252:Cäcilienchor Frankfurt 246:of the theatre became 299:Richard von Helmholtz 282: 272: 248:Louis Schindelmeisser 507:Generalmusikdirektor 430:. His successor was 40:improve this article 652:, Frankfurt, 2002, 544:kultur-frankfurt.de 467:Georg Ludwig Jochum 396:Wilhelm Furtwängler 353:Symphonia domestica 754:Music in Frankfurt 648:Paul Bartholomäi: 620:"Konzertprogramme" 287: 277: 147:symphony orchestra 759:German orchestras 680:, Frankfurt, 1958 673:, Frankfurt, 1908 666:, Frankfurt, 1937 572:Neue Musikzeitung 503:artistic director 472:Franz Konwitschny 428:Wiener Staatsoper 401:Hermann Scherchen 385:Willem Mengelberg 303:Hotel Weidenbusch 116: 115: 108: 90: 771: 736: 735: 734: 724: 723: 722: 715: 696: 695: 693:Official website 662:Helene de Bary: 636: 635: 633: 631: 616: 610: 602: 596: 591: 585: 584: 582: 580: 562: 556: 555: 553: 551: 537: 511:Sebastian Weigle 447:Great Depression 409:Arnold Schönberg 274:The Saalbau 1890 260: 233: 203: 185: 111: 104: 100: 97: 91: 89: 48: 24: 16: 779: 778: 774: 773: 772: 770: 769: 768: 744: 743: 742: 732: 730: 726:Classical music 720: 718: 710: 691: 690: 687: 645: 643:Further reading 640: 639: 629: 627: 618: 617: 613: 603: 599: 592: 588: 578: 576: 564: 563: 559: 549: 547: 539: 538: 531: 526: 484: 463:Gleichschaltung 413:Igor Stravinsky 362:Johannes Brahms 347:Ein Heldenleben 336:Richard Strauss 332:Johannes Brahms 285: 275: 267: 254: 227: 217:Napoleonic Wars 197: 179: 162: 119: 112: 101: 95: 92: 49: 47: 37: 25: 12: 11: 5: 777: 775: 767: 766: 761: 756: 746: 745: 741: 740: 728: 708: 707: 697: 686: 685:External links 683: 682: 681: 674: 667: 660: 644: 641: 638: 637: 611: 608:Oper Frankfurt 597: 586: 557: 528: 527: 525: 522: 492:Schauspielhaus 483: 480: 440:Otto Klemperer 436:Issay Dobrowen 424:Clemens Krauss 389:Paul Hindemith 283: 273: 266: 263: 225:Anton Kirchner 170:Prince-primate 161: 158: 139:Oper Frankfurt 117: 114: 113: 28: 26: 19: 13: 10: 9: 6: 4: 3: 2: 776: 765: 762: 760: 757: 755: 752: 751: 749: 739: 729: 727: 717: 713: 705: 701: 698: 694: 689: 688: 684: 679: 675: 672: 668: 665: 661: 659: 658:3-87626-224-0 655: 651: 647: 646: 642: 625: 621: 615: 612: 609: 606: 601: 598: 595: 590: 587: 574: 573: 568: 561: 558: 545: 542: 536: 534: 530: 523: 521: 519: 514: 512: 508: 504: 500: 495: 493: 489: 481: 479: 477: 473: 468: 464: 458: 456: 452: 448: 443: 441: 437: 433: 429: 425: 420: 418: 414: 410: 406: 402: 397: 392: 390: 386: 382: 377: 375: 371: 367: 363: 357: 355: 354: 349: 348: 343: 342: 337: 333: 328: 326: 325: 324:Die Schöpfung 320: 314: 312: 308: 304: 300: 296: 292: 281: 271: 264: 262: 258: 253: 249: 245: 244:Kapellmeister 241: 237: 231: 226: 222: 218: 214: 213: 212:Comoedienhaus 207: 206:Großes Museum 201: 196: 193: 189: 183: 178: 177:Nikolaus Vogt 174: 171: 167: 159: 157: 155: 150: 148: 144: 140: 136: 132: 128: 124: 110: 107: 99: 96:November 2020 88: 85: 81: 78: 74: 71: 67: 64: 60: 57: –  56: 52: 51:Find sources: 45: 41: 35: 34: 29:This article 27: 23: 18: 17: 677: 670: 669:Iwan Knorr: 663: 649: 628:. Retrieved 623: 614: 600: 589: 577:. Retrieved 570: 560: 548:. Retrieved 543: 515: 496: 485: 459: 455:Hans Rosbaud 444: 421: 416: 393: 378: 358: 351: 345: 339: 329: 322: 315: 302: 295:Alfred Brehm 288: 239: 211: 205: 191: 165: 163: 153: 151: 122: 120: 102: 93: 83: 76: 69: 62: 50: 38:Please help 33:verification 30: 630:24 November 626:(in German) 579:24 November 575:(in German) 550:24 November 546:(in German) 445:During the 366:Tchaikovsky 344:(1896) and 255: [ 240:music class 228: [ 221:Louis Spohr 219:. In 1817, 198: [ 180: [ 748:Categories 524:References 422:Thereupon 291:Felix Dahn 210:Frankfurt 192:Baumeister 66:newspapers 706:catalogue 499:Alte Oper 476:Opernhaus 405:new music 356:in 1904. 236:Carl Guhr 143:Alte Oper 127:Frankfurt 370:Bruckner 307:Steinweg 160:Founding 738:Germany 712:Portals 702:in the 80:scholar 656:  374:Dvořák 372:, and 311:Städel 166:Museum 154:Museum 82:  75:  68:  61:  53:  259:] 232:] 202:] 184:] 131:Hesse 87:JSTOR 73:books 654:ISBN 632:2020 581:2020 552:2020 411:'s, 297:and 190:and 121:The 59:news 442:. 305:in 42:by 750:: 622:. 569:. 532:^ 520:. 513:. 419:. 368:, 293:, 257:de 230:de 200:de 182:de 175:, 149:. 129:, 714:: 634:. 583:. 554:. 109:) 103:( 98:) 94:( 84:· 77:· 70:· 63:· 36:.

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