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In 1860, Carl Müller took over the direction of the Museum
Concerts, who succeeded Messer as conductor of the Cäcilienchor Frankfurt. In 1861, the concerts of the society were moved to the newly built hall building in Junghofstraße and thus made accessible to the general public. The Saalbau, a work
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was permanent guest conductor of the museum concerts for five years, which were temporarily merged with the concerts of the "Reichssender
Frankfurt" (formerly "Südwestdeutscher Rundfunk"). It was not until the 1937/38 season that Frankfurt was given a new general music director in the person of
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After the Nazi seizure of power, the new Lord Mayor
Friedrich Krebs (mayor) became an ex officio member of the Museum Society's board of directors and in this capacity attempted, among other things, to install Hermann Abendroth, who had proved to be true to his principles, as the new museum
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In 1891 Carl Müller retired. When his successor was elected, the personal union with the Cäcilienverein, which had become a tradition, was broken for the first time. Gustav Kogel took over the museum concerts, while August Grüters, recommended by
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conducted 16 museum concerts. However, he did not accept the call of the
Museums-Gesellschaft, which would have liked to have him as chief conductor, but went to Berlin instead. The museum then entrusted his concerts to the young conductor
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from
Cologne, who had previously directed a Prague stage. The Museums-Gesellschaft, however, refused to accept Steinberg's appointment as permanent conductor and instead negotiated with
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204:. The statutes of the society limited the number of members to 150. Since its foundation, the society has also had symphonic music performed in its events known as the
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since 1837, now also conducted the museum concerts. Until 1924, the municipal orchestra retained two artistic directors, one for the theatre and one for the concerts.
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364:, became director of the Cäcilienchor. Kogel modernised the programme of the museum concerts, which now included works by contemporary and foreign composers such as
168:, a society for the "care of the muses" and the promotion of the fine arts: literature, arts and music. Among the founders were the librarian of the
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conducted the orchestra. When he died in July of the revolutionary year 1848, the Museum
Society decided to appoint its own director of the
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as his successor, but he moved to Munich in 1906. The museum concerts experienced a heyday between 1907 and 1920 under the direction of
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or Paul
Hindemiths disturbed the audience. In 1924 Scherchen turned away from the Museums-Gesellschaft and turned to the newly founded
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After 1848 the
Museums-Gesellschaft focused more and more on music, although it continued to organise lectures with speakers such as
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567:"Von der Veränderung des Hörens / Rezension / Eine Publikation zum Thema 200 Jahre Frankfurter Museums-Gesellschaft"
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350:(1899) were premiered here. He conducted the European premiere, after the world premiere in New York, of his
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When
Mengelberg left in 1920 after a conflict with the press, a two-year interregnum followed, during which
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Festschrift zur Feier des hundertjährigen
Bestehens der Frankfurter Museumsgesellschaft 1808 bis 1908
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After the Second World War, the museum concerts were resumed in 1946, initially in the hall of the
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of 1931/32, the Museums-Gesellschaft also got into financial difficulties, especially since the
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In addition to the orchestral concerts, the chamber music series was launched in 1870, in which
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was engaged, the later opera orchestra. Frankfurt's musical life took a great upswing after the
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until 1886. From 1832 to 1860, the museum concerts took place in the Great Dining Hall of the
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since 1929, had become a competitor which had poached numerous subscribers from the museum.
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and responsible initially for literature, arts and music in Frankfurt, and for the museums.
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took over the direction of the orchestra, and in the same year the pastor and historian
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The Saalbau der Museums-Gesellschaft, site of many world premieres, destroyed in 1944
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133:, Germany, which is responsible for the Frankfurt museum concerts. It manages the
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appeared several times as a pianist and premiered some of his works. From 1887
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that was still unusual at the time, was not able to make a name for himself.
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Concert programs, beginning in 1848, have been held by the library of the
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Das Frankfurter Museums-Orchester – zwei Jahrhunderte Musik für Frankfurt
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Das "Museum" : 150 Jahre Frankfurter Konzertleben 1808 – 1958
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Programme booklet archive of the Frankfurter Museums-Gesellschaft
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of the Oper Frankfurt. Since the 2008/2009 season, this has been
403:, a brilliant musician, who, however, with his commitment to the
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conductor. The Museums-Gesellschaft, however, refused to accept
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frequently conducted the museum concerts. His symphonic poems
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concert hall. The orchestra is regarded as an important German
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Since 1981, all concerts of the Society have been held in the
490:. From 1952, the symphony concerts were held in the renovated
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541:"Konzertreihen der Frankfurter Museums-Gesellschaft e.V."
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became chairman of the museum society. From 1821 to 1848
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Literature by and about Frankfurter Museumsgesellschaft
474:, who remained in office until the destruction of the
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250:, while Franz Messer, who had been director of the
46:. Unsourced material may be challenged and removed.
309:, which had room for 1000 visitors. In 1851, the
379:In 1903, Kogel took his leave. The museum chose
313:took over the important painting collections.
152:The organisation was founded in 1808, called
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664:Museum – Geschichte der Museums-Gesellschaft
605:Das Frankfurter Opern- und Museumsorchester
501:, which was rebuilt as a concert hall. The
482:The museum concerts in the post-war period
465:and refused to fill the position quickly.
505:of the museum concerts is the respective
391:was the concertmaster at the first desk.
208:. For this purpose, the orchestra of the
106:Learn how and when to remove this message
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453:, which had been under the direction of
451:Frankfurter Rundfunk-Symphonie-Orchester
164:In 1808, Frankfurt citizens founded the
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135:Frankfurter Opern- und Museumsorchester
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173:Karl Theodor Anton Maria von Dalberg
44:adding citations to reliable sources
478:and the Saalbau on 22 March 1944.
265:The museum concerts in the Saalbau
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387:. From 1915 to 1922 the composer
55:"Frankfurter Museumsgesellschaft"
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624:Universitätsbibliothek Frankfurt
565:Linke, Hans Jürgen (June 2012).
123:Frankfurter Museums-Gesellschaft
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195:Johann Friedrich Christian Hess
31:needs additional citations for
764:1808 establishments in Germany
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186:, the chief building officer
141:. Concerts take place in the
125:is a cultural association in
417:Frankfurter Orchesterverein
317:of the Frankfurt architect
118:German cultural association
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188:Clemens Wenzeslaus Coudray
488:Frankfurt Stock Exchange
704:German National Library
676:Hildegard Weber (ed.):
518:University of Frankfurt
341:Also sprach Zarathustra
319:Rudolf Heinrich Burnitz
432:Hans Wilhelm Steinberg
381:Siegmund von Hausegger
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252:Cäcilienchor Frankfurt
246:of the theatre became
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248:Louis Schindelmeisser
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40:improve this article
652:, Frankfurt, 2002,
544:kultur-frankfurt.de
467:Georg Ludwig Jochum
396:Wilhelm Furtwängler
353:Symphonia domestica
754:Music in Frankfurt
648:Paul Bartholomäi:
620:"Konzertprogramme"
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147:symphony orchestra
759:German orchestras
680:, Frankfurt, 1958
673:, Frankfurt, 1908
666:, Frankfurt, 1937
572:Neue Musikzeitung
503:artistic director
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96:November 2020
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38:Please help
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630:24 November
626:(in German)
579:24 November
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550:24 November
546:(in German)
445:During the
366:Tchaikovsky
344:(1896) and
255: [
240:music class
228: [
221:Louis Spohr
219:. In 1817,
198: [
180: [
748:Categories
524:References
422:Thereupon
291:Felix Dahn
210:Frankfurt
192:Baumeister
66:newspapers
706:catalogue
499:Alte Oper
476:Opernhaus
405:new music
356:in 1904.
236:Carl Guhr
143:Alte Oper
127:Frankfurt
370:Bruckner
307:Steinweg
160:Founding
738:Germany
712:Portals
702:in the
80:scholar
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374:Dvořák
372:, and
311:Städel
166:Museum
154:Museum
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131:Hesse
87:JSTOR
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654:ISBN
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552:2020
411:'s,
297:and
190:and
121:The
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305:in
42:by
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