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does not easily translate in
English. "Free composition" apparently implies that there may exist a "strict composition", but Schenker considered that composition, by definition, is free, as opposed to strict counterpoint. The French translation proposes
147:), it was first published posthumously by Universal Edition in Vienna in 1935. A second German edition by Oswald Jonas appeared in Vienna in 1956. The American translation by Ernst Oster was published by Longman, New York and London, in 1979.
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