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tape recorders. The machines are configured so that the tape travels from the supply reel of the first machine to the take-up reel of the second, allowing sound recorded by the first machine to be played back on the second machine. The audio of the second machine is then routed back to the first,
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Fripp had first used the technique when Brian Eno introduced him to it in Eno's home studio, combining Fripp's guitar performance with the two-machine tape delay, on the 21-minute piece "The
Heavenly Music Corporation" recorded on 8 September 1972 and released on the
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causing the delayed signal to repeat, while new audio is mixed in with it. The length of the delay (usually three to five seconds) is controlled by the distance between the two machines, and the number of repeats is controlled by the volume on the second machine.
284:, ranging from almost 7 minutes to over 24 minutes. The titles of the pieces are most certainly not given by Fripp. This bootleg has also been issued by persons unknown as a single CD. It is most likely a CD-R recording of the vinyl 2-LP set. Of course
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Fripp also used
Frippertronics in more conventional rock recordings, replacing what could be viewed as musical parts normally served by orchestral backing. He referred to this as "Applied Frippertronics". Several of Fripp's albums, as well as albums by
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was not and is not authorized by Fripp. However, the Sound
Warehouse recording was issued by Fripp as an MP3 file through his DGM web page, though he makes clear that the recording is an audience bootleg and was not originally authorized by him.
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Frippertronics was later expanded to different situations. In what he called "Pure
Frippertronics", Fripp created loops in real time without additional editing. Sometimes he rewound the recorded tape, to be played back while improvising a
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on top of it. Fripp used this type of
Frippertronics to perform live solo concerts in small, informal venues. It allowed him to be what he referred to as a "small, mobile, intelligent unit", as opposed to being part of a massive
168:(1975), one side of which features looping. Eno mentions in the liner notes that "here is the long delay echo system with which I have experimented since I became aware of the musical possibilities of tape recorders in 1964."
350:). Fripp has released several albums of this type under the title "Music for Quiet Moments" culled from live recordings. He began releasing these in 2007 though some of the source tapes are from earlier than that.
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The term "Frippertronics" (or "frippertronics") was coined around May 1977 by poet Joanna Walton, Fripp's girlfriend at the time, for a performance they planned to do together at
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sounds in real time. An added advantage was that, by nature of the technique, the complete performances were recorded in their entirety on the original looped tape.
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Baldwin, Douglas (November 2007). "Guitar Heroes: How to Play Like 26 Guitar Gods from Atkins to Zappa", edited by Jude Gold and Matt
Blackett,
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The delay system was first used in live situations for a short
European Fripp & Eno tour in May–June 1975 promoting
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recorded at The
Kitchen in New York City on 5 February 1978, containing five tracks (in order of appearance;
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159:(in 2011 the concert was officially released as a download, along with Eno's original backing loops).
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After returning from this tour Eno released his own version of the open loop tape system with
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Fripp used this technique to dynamically create recordings containing layer upon layer of
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The
Ambient Century: From Mahler to Trance: The Evolution of Sound in the Electronic Age
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was the B side of a League Of
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Only one and a half albums of Pure Frippertronics were officially produced: Side A of
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According to Eric Tamm, the first album to feature "proper" Frippertronics was
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616:"Watch Looping Innovator Robert Fripp's 1979 Frippertronics TV Demonstration"
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included what Fripp termed "Discotronics", mixing Frippertronics and a
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In the mid-1990s, Fripp revamped the Frippertronics concept into "
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496:(tracks "Urban Landscape," "The Farther Away I Am") recorded 1977
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was the pure Frippertronics side, containing three compositions;
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touring company. One such show was in a room at Faunce House at
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56:(1975). The effect is now routinely found in many commercial
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There is also a 2-LP bootleg of live Frippertronics entitled
519:(tracks "Gone to Earth", "Wave", "River Man", "Silver Moon")
483:- "Marriagemuzic" (side B of "Heptaparaparshinokh" single)
660:"Interview with Robert Fripp by Dick Tooley - ETWiki"
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Set of recording techniques developed by Robert Fripp
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463:(DGM official bootleg, 18 June 1979, FLAC or MP3)
1569:Bewitched (Andy Summers and Robert Fripp album)
1415:The Cheerful Insanity of Giles, Giles and Fripp
194:, in a venue built to be a tiered classroom.
505:Let The Power Fall: An Album of Frippertronics
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127:in 1973. A subsequent Fripp & Eno album,
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765:"Robert Fripp's 20 greatest guitar moments"
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614:Scapelliti, Christopher (23 March 2022).
836:A Young Person's Guide to Frippertronics
34:studios of the early 1960s by composers
846:Frippertronics Live Performance Archive
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1390:God Save the Queen/Under Heavy Manners
473:God Save the Queen/Under Heavy Manners
311:God Save the Queen/Under Heavy Manners
200:God Save the Queen/Under Heavy Manners
148:, with the 28 May 1975 concert at the
80:system consisting of two side-by-side
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1316:List of experimental music festivals
42:and made popular through its use in
26:technique used by English guitarist
589:"Electronic Music and Synthesizers"
1321:List of electronic music festivals
685:. Bloomsbury Publishing. pp.
427:(bootleg) live NYC 5 February 1978
334:From Frippertronics to Soundscapes
14:
1520:Scary Monsters (And Super Creeps)
309:, featured this usage. Side B of
739:Liner notes to "Discreet Music".
461:The Sound Warehouse, Chicago USA
403:(bootleg) live Paris 28 May 1975
330:(recorded 1977; released 1980).
1255:Experimental musical instrument
640:Osborne, Luka (6 August 2022).
1326:List of experimental musicians
229:left off, with works entitled
225:in 1981, which takes up where
76:Frippertronics is an analogue
1:
1300:Electroacoustic improvisation
717:. 28 May 1975. Archived from
528:The Essential Fripp & Eno
1674:H to He, Who Am the Only One
763:Reed, Ryan (11 April 2022).
604:, Vol. 3 No. 2, Summer 1979.
172:Frippertronics and its types
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1604:Peter Gabriel (1980 album)
1597:Peter Gabriel (1978 album)
1590:Peter Gabriel (1977 album)
677:Prendergast, Mark (2001).
1786:Sunday All Over the World
564:Live in Paris 28 May 1975
1822:Discipline Global Mobile
1775:King Crimson discography
1492:Before and After Science
841:Looper's Delight Article
192:Providence, Rhode Island
1665:Van der Graaf Generator
1541:The League of Gentlemen
1532:The League of Gentlemen
1485:Here Come the Warm Jets
1478:Beyond Even (1992–2006)
1076:Intelligent dance music
552:Beyond Even (1992-2006)
481:The League of Gentlemen
317:-style rhythm section.
104:performing arts space.
1837:California Guitar Trio
1795:Kneeling at the Shrine
1755:Fear of a Blank Planet
1436:A Scarcity of Miracles
1422:The Lady or the Tiger?
797:18 August 2007 at the
440:(track "Hammond Song")
1397:The Gates of Paradise
664:www.elephant-talk.com
1471:The Equatorial Stars
1407:Collaborative albums
1260:Experimental luthier
970:Experimental popular
750:"King Crimson Facts"
540:The Equatorial Stars
416:(track "Slow Water")
219:. He then produced
155:being bootlegged as
1827:New standard tuning
1653:Approaching Silence
1181:Extended techniques
788:Tamm, Eric (1991).
570:with backing loops)
566:(official issue of
425:Pleasures in Pieces
286:Pleasures In Pieces
262:Pleasures In Pieces
1908:Musical techniques
1285:Sound installation
1132:Free improvisation
1024:Deconstructed club
882:Experimental music
594:4 May 2008 at the
227:God Save The Queen
222:Let the Power Fall
213:God Save The Queen
205:God Save The Queen
96:Origin of the term
50:, as on his album
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1457:(No Pussyfooting)
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1270:Progressive music
1250:Data sonification
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1034:Experimental rock
992:Avant-garde metal
711:"Fripp & Eno"
366:(No Pussyfooting)
124:(No Pussyfooting)
110:(No Pussyfooting)
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1748:The Thunderthief
1632:Jean the Birdman
1562:I Advance Masked
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1852:Bill Bruford
1847:Adrian Belew
1832:Guitar Craft
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972:music genres
892:contemporary
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772:. Retrieved
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723:. Retrieved
719:the original
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493:Sacred Songs
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64:such as the
58:loop station
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46:by composer
28:Robert Fripp
24:tape looping
19:
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1812:Discography
1681:Pawn Hearts
1504:David Bowie
1224:Turntablism
1167:Witch house
1127:Drone metal
916:Avant-garde
769:guitarworld
715:dgmlive.com
385:David Bowie
354:Discography
340:Soundscapes
299:David Bowie
179:guitar solo
141:were done.
135:overdubbing
102:The Kitchen
36:Terry Riley
1892:Categories
1857:Tony Levin
1720:The Roches
1295:Soundscape
1219:Scordatura
1189:3rd bridge
1152:Industrial
1117:Avant-funk
1059:noise rock
1014:Avant-punk
1009:Avant-prog
997:Post-metal
936:Tape music
575:References
488:Daryl Hall
476:(side one)
437:The Roches
432:The Roches
322:Daryl Hall
307:The Roches
303:Daryl Hall
278:The Fourth
266:The Second
112:recordings
72:Technology
1872:The Vicar
1741:Lifeforms
1448:Brian Eno
1275:Sound art
1162:Punk jazz
1137:Free jazz
1069:post-rock
1064:post-punk
1044:math rock
1039:krautrock
1004:Avant-pop
904:Aleatoric
646:Happy Mag
408:Brian Eno
282:The Fifth
274:The Third
270:The First
203:in 1980;
48:Brian Eno
1513:"Heroes"
1383:Exposure
1240:Cymatics
1147:Hyperpop
1112:Art rock
1107:Art punk
1049:neo-prog
1019:Biomusic
980:By style
890:Related
822:, p.111.
795:Archived
774:31 March
625:30 March
592:Archived
450:Exposure
390:"Heroes"
1639:Darshan
1122:Ambient
1102:Art pop
1095:Related
1081:Neofolk
1054:no wave
943:Minimal
139:editing
1265:Fluxus
1142:Glitch
958:Danger
896:genres
805:
693:
344:delays
305:, and
215:, and
137:, and
121:album
68:RC-3.
1784:With
1765:With
1663:With
1614:With
1579:With
1551:With
1530:With
1502:With
1446:With
953:Noise
921:Drone
725:5 May
558:2011
545:2007
533:2004
522:1994
509:1986
499:1981
486:1980
479:1980
466:1980
455:1979
443:1979
430:1979
419:1978
406:1978
395:1977
383:1977
371:1975
359:1973
315:disco
150:Paris
78:delay
22:is a
1429:FFWD
1245:Dada
1086:Wave
803:ISBN
776:2024
727:2014
691:ISBN
627:2024
346:and
251:1989
249:and
247:1988
243:1987
239:1986
235:1985
231:1984
217:1983
108:The
66:Boss
38:and
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1894::
1877:G3
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