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From A to B (Octopus album)

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288:. Many songs were recorded during the several sessions with the band pulling in a more psychedelic direction and the label looking for pop hits like "Jealousy" which Shearer had written as a wry comment on pop singles. When the initial singles, "Magazine", "Your Smile" and "Saved" were not major hits, EMI pushed for the release of "Jealousy" believing it to be radio friendly but it also failed to perform well in the charts. 268:, using the natural creek as echo and recording in tents. The backwards guitar solo on "Your Smile" is from the original 4-track recording done in Shearer's kitchen in Glasgow and the album is a mixture of high and low production values. Other contributing musicians include both core members of Blowpipe (Robin and Andrew Blick, the latter of whom was part of Octopus' live brass section), singer 219:
was recorded in various sessions in six different studios. The band was signed on the strength of Shearer's home 4-track recordings before the label had even seen them play live. Mike Smith, then of EMI publishing was impressed with the depth and breadth of Shearer's writing, comparing him to Julian
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During the recording, various external musicians were brought in to add to the band's sound, with Shearer being particularly influenced by The Beach Boys and The Beatles as well as The Pink Floyd and Syd Barrett (where they get their name). Only five of the album's fifteen tracks do not feature a
264:, percussion, samples and various noises throughout the album. Francolini also co-wrote six of the album's songs, including the single "Magazine" although Marc Shearer wrote every song on the album. The recording process was long and expensive with the band experimenting in 31: 449:, samples, "morse code", "psychedelic diagnosis"; mixing on all tracks except "Your Smile","If You Want to Give Me More","Saved","Wait and See","Theme from Joy Pop" & "Night Song" 244:
guest bass guitar player: the other ten tracks feature bass playing by sessions musician Dave Quinn, Francolini's former Levitation colleague Robert White (also of
378:(Tracks 6 and 10 did not have printed titles, being represented by pictograms of a car and an airplane respectively. They were written by Shearer and McSeveney.) 613: 208:. The album contained four singles, all of which charted within the British Top 100 (although only one, "Saved", scraped into the Top 40). 590: 556: 310:
featured a striking CD booklet/record inner sleeve design, consisting of a specially designed board game and cut-out pieces.
618: 510:- mixing on "Your Smile", "If You Want to Give Me More", "Saved", "Wait and See", "Theme from Joy Pop", "Night Song" 452:
Dave Quinn - bass guitar on "Your Smile", "If You Want to Give Me More", "Adrenaline", "Jealousy", & "Saved"
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on "Everyday Kiss", "If You Want to Give Me More", "Jealousy", "Wait and See" & "Theme from Joy Pop",
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who wanted to produce the album. These were used as the sketch of the album. The band's producer was
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Sawmill, Nomis, Townhouse III, Strong Room, The Church, The Free Movement Mobile studios, London
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on "Saved" & "Wait and See", piano on "Theme from Joy Pop"; also credited with percussion,
586: 552: 229: 438: 434: 326: 273: 257: 233: 225: 221: 197: 120: 80: 248:), or the original Octopus bass guitarist Steven McSeveney. In addition, Francolini plays 115: 76: 455:
Steven McSeveney - bass guitar on "Everyday Kiss", "Magazine" & "Theme from Joy Pop"
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Chris Tombling, Jane Harris - violins on "Saved" & "Theme from Joy Pop"
461:- bass guitar on "From a to b", "Wait and See", additional piano on "Saved" 569: 527: 492:- cello & string arrangements on "Saved" & "Theme from Joy Pop" 442: 249: 72: 464:
Robin Blick - trumpet on "Everyday Kiss" & "Theme from Joy Pop"
253: 38: 295:, encoded in the sequencing of the tracks which was done at 367:"Theme from Joy Pop" (Shearer/McSeveney/Francolini) – 4:05 498:
Sue Dench - viola on "Saved" & "Theme from Joy Pop"
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and John Cornfield assisting with several of the mixes.
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The album has a secret message, based on the works of
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Cope. Shearer offered a box of 4-track recordings to
351:"From A to B" (Shearer/McSeveney/Francolini) – 3:52 130: 114: 102: 86: 66: 58: 50: 37: 23: 348:"Magazine" (Shearer/McSeveney/Francolini) – 2:37 549:The Virgin Encyclopedia of Indie & New Wave 393:Marc Shearer - vocals, guitar, piano, keyboards 504:- backing vocals on "Adrenaline" & "Saved" 486:The Tentaculars - percussion on "From a to b" 8: 345:"Jealousy" (Shearer/Alan McSeveney) – 2:38 29: 20: 429:Additional musicians and production staff 396:Alan McSeveney - guitar, piano, keyboards 412:Andrew Blick, James Donaldson (trumpets) 370:"Night Song" (Shearer/Francolini) – 3:01 335:"Adrenalina" (Shearer/Francolini) – 3:26 519: 325:"If You Want to Give Me More" (Shearer/ 232:and later performing the same role for 7: 572:", Chart Stats, retrieved 2010-10-30 480:Effie Fenton - flute on "Untitled" 204:, released on 30 September 1996 on 402:Oliver Grasset - drums, percussion 361:"Saved" (Shearer/McSeveney) – 4:04 319:"Your Smile" (Marc Shearer) – 3:55 14: 332:"King for a Day" (Shearer) – 4:52 196:is the only album by the British 373:"In This World" (Shearer) – 6:03 322:"Everyday Kiss" (Shearer) – 2:52 299:, but nobody has worked it out. 260:on five tracks and contributing 18:1996 studio album by Octopus 364:"Wait and See" (Shearer) – 3:50 256:on another, as well as playing 614:Octopus (Scottish band) albums 421:Steven McSeveney (bass guitar) 399:Steven McSeveney - bass guitar 1: 424:Cameron Miller (bass guitar) 583:The Great Indie Discography 228:(formerly the drummer with 635: 581:Strong, Martin C. (2003) 470:- dulcimer on "Untitled" 418:Nick Reynolds (harmonica) 185: 141: 126: 28: 168:Released: September 1996 246:The Milk and Honey Band 177:Released: November 1996 407:Octopus live musicians 547:Larkin, Colin (1998) 415:Mike Servent (piano) 150:Released: March 1996 619:Food Records albums 476:(a.k.a. "Airplane") 356:(a.k.a. "Airplane") 159:Released: June 1996 468:Nigel Mazlyn Jones 282:Nigel Mazlyn Jones 278:Miranda Sex Garden 252:on two tracks and 474:& "Untitled" 280:), folk musician 189: 188: 54:30 September 1996 626: 594: 579: 573: 566: 560: 551:, Virgin Books, 545: 539: 538: 536: 534: 524: 439:Moog synthesizer 435:David Francolini 327:David Francolini 274:Mediaeval Baebes 266:Sawmill's Studio 258:Moog synthesizer 226:David Francolini 222:David Francolini 198:alternative rock 178: 175: 169: 166: 160: 157: 151: 148: 121:David Francolini 98: 97: 93: 81:alternative rock 33: 21: 634: 633: 629: 628: 627: 625: 624: 623: 599: 598: 597: 580: 576: 567: 563: 546: 542: 532: 530: 526: 525: 521: 517: 502:Katherine Blake 431: 409: 390: 385: 316: 305: 270:Katherine Blake 214: 181: 176: 173: 172: 167: 164: 163: 158: 155: 154: 149: 146: 145: 95: 91: 90: 77:psychedelic pop 46: 19: 12: 11: 5: 632: 630: 622: 621: 616: 611: 601: 600: 596: 595: 574: 561: 540: 528:"Chart Log UK" 518: 516: 513: 512: 511: 505: 499: 496: 493: 487: 484: 482:(a.k.a. "Car") 478: 472:(a.k.a. "Car") 465: 462: 456: 453: 450: 437:- production; 430: 427: 426: 425: 422: 419: 416: 413: 408: 405: 404: 403: 400: 397: 394: 389: 386: 384: 381: 375: 374: 371: 368: 365: 362: 359: 352: 349: 346: 343: 340:(a.k.a. "Car") 336: 333: 330: 323: 320: 315: 312: 304: 303:Package design 301: 293:J. D. Salinger 213: 210: 187: 186: 183: 182: 180: 179: 170: 161: 152: 142: 139: 138: 128: 127: 124: 123: 118: 112: 111: 106: 100: 99: 88: 84: 83: 70: 64: 63: 60: 56: 55: 52: 48: 47: 42: 35: 34: 26: 25: 17: 13: 10: 9: 6: 4: 3: 2: 631: 620: 617: 615: 612: 610: 607: 606: 604: 592: 591:1-84195-335-0 588: 585:, Canongate, 584: 578: 575: 571: 565: 562: 558: 557:0-7535-0231-3 554: 550: 544: 541: 529: 523: 520: 514: 509: 508:Chris Sheldon 506: 503: 500: 497: 494: 491: 488: 485: 483: 479: 477: 473: 469: 466: 463: 460: 457: 454: 451: 448: 444: 440: 436: 433: 432: 428: 423: 420: 417: 414: 411: 410: 406: 401: 398: 395: 392: 391: 387: 382: 380: 379: 372: 369: 366: 363: 360: 357: 353: 350: 347: 344: 341: 337: 334: 331: 328: 324: 321: 318: 317: 314:Track listing 313: 311: 309: 302: 300: 298: 294: 289: 287: 283: 279: 275: 271: 267: 263: 259: 255: 251: 247: 241: 239: 238:Chris Sheldon 235: 231: 227: 223: 218: 211: 209: 207: 203: 199: 195: 194: 184: 171: 162: 153: 144: 143: 140: 137: 133: 129: 125: 122: 119: 117: 113: 110: 107: 105: 101: 89: 85: 82: 78: 74: 71: 69: 65: 61: 57: 53: 49: 45: 40: 36: 32: 27: 22: 16: 582: 577: 564: 548: 543: 531:. Retrieved 522: 490:Audrey Riley 481: 475: 471: 459:Robert White 377: 376: 355: 339: 307: 306: 290: 286:Audrey Riley 284:and cellist 242: 216: 215: 206:Food Records 192: 191: 190: 156:"Your Smile" 136:From A to B 135: 39:Studio album 15: 609:1996 albums 354:"Untitled" 338:"Untitled" 308:From a to b 217:From A to B 193:From A to B 24:From A to B 603:Categories 593:, p. 898-9 515:References 297:Abbey Road 230:Levitation 174:"Jealousy" 147:"Magazine" 447:keyboards 383:Personnel 262:keyboards 234:Dark Star 212:Recording 559:, p. 307 329:) – 3:38 116:Producer 59:Recorded 51:Released 41: by 570:Octopus 533:8 March 388:Octopus 236:) with 202:Octopus 165:"Saved" 132:Singles 73:Britpop 44:Octopus 589:  555:  358:– 0:21 342:– 2:15 87:Length 443:drums 254:piano 250:drums 200:band 134:from 104:Label 68:Genre 587:ISBN 553:ISBN 535:2011 109:Food 605:: 276:, 96:37 92:51 79:, 75:, 568:" 537:. 272:( 94::

Index


Studio album
Octopus
Genre
Britpop
psychedelic pop
alternative rock
Label
Food
Producer
David Francolini
Singles
alternative rock
Octopus
Food Records
David Francolini
David Francolini
Levitation
Dark Star
Chris Sheldon
The Milk and Honey Band
drums
piano
Moog synthesizer
keyboards
Sawmill's Studio
Katherine Blake
Mediaeval Baebes
Miranda Sex Garden
Nigel Mazlyn Jones

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