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286:. He alternated between Hobart, Launceston an Melbourne in the first months of 1890. Then followed a period of perhaps eighteen months when he was solely occupied with operatic work, broken briefly over Easter 1891 for a series of concerts in Melbourne, after which he took a break in Tasmania. He resumed his "Music, Song and Story" concerts in Melbourne in July 1891, then spent October, November and December in Adelaide before returning to Melbourne and Tasmania.
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116:, Surrey in 1848 or London in 1850, by his own account the son of a Jewish carpenter (". . . just like Jesus"). This may have been one of his jokes, as elsewhere his father is described as an architect and surveyor, and Snazelle as training for the same career. He sang part-time while working as a bank clerk for
213:. Two pieces are noteworthy: "How Bill Adams Won the Battle of Waterloo" and "(My Awful) Experiences with a Whistler", which he must have recounted hundreds of times in every part of the world, and have been revived many times since. One of his boasts was that he had sung Gounod's
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on 26 January 1901. The film toured the east coast of
Australia, including five weeks in Sydney. At each screening "Snazzy" provided additional entertainment. He returned to London at the end of September 1901.
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Snazelle was above all else a supreme egotist, and generally affable, but when crossed had a violent temper, which would also manifest itself when preparing himself for the part of
Mephistopheles.
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805:
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In August 1893 he left for a world tour beginning with South Africa He was accompanied by Mrs
Snazelle, a son Lionel Snazelle, and a kangaroo, which he intended presenting to Sir
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to good houses. He then made a tour of Canada and
America and returned to England in mid-1895. Among other work he received during this time was a new opera,
282:, where his show was entitled "Music, Mirth, Song and Story". He returned to Melbourne in time for the Christmas season, having changed his management to
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433:(1898). The book, a collection of anecdotes picked up in Australia, sold rather poorly, and was lampooned for its lack of originality by
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voice. He played with the company for nine years as second baritone, on a salary of £5 per week. Early parts were the King of Spain in
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to uneven reviews, and the tour was curtailed. A critic mourned the decline of the great artist, hinting at an addiction to drink.
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Snazelle made one last visit to
Australia with the National Opera Company for George Musgrove from 29 August 1908, appearing in
342:, arriving at Fremantle on 27 December 1900 and Melbourne a few days later. Rather than a theatre troupe, he brought with him a
293:; also R. Gourlay, J. Truegold and M. Mackmunro. While in London for his daughter's wedding he presented a few concerts at the
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Snazelle suffered from a painful illness in his last few months, and died at his home, 1 Stockwell Park
Crescent, London SW.
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No connection with "snazzy" meaning "excellent" or "stylish", for which the OED gives a much later (1932) US origin.
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120:, later absorbed by Lloyds Bank, but had ambitions for a stage career, so resigned when he landed a position with
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335:, and George Snazelle, all old Sydney favorites. A great number of Australians were in the first night audience.
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Snazelle's last appearance on the London stage was as Mr Dixon, the aging circus proprietor, in a revival of
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Snazelle was married twice, and had two sons by the first. His second wife accompanied him to
Australia.
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96:(1848 – 17 May 1912) was an English singer and raconteur who enjoyed a great popularity in Australia.
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Whatever his merits as an operatic singer, his fame rested on his stage appearances as a
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Mabel
Eleanor Snazelle married Arthur Redmond Pilkington in London on 7 May 1894
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952:. Vol. XXV, no. 7, 115. Western Australia. 13 January 1909. p. 8
840:. Vol. LVIII, no. 6, 665. Tasmania, Australia. 4 July 1891. p. 3
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Why chafe against the exile's chain, though fast our lives it's cooping ?
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YouTube tribute to
Snazelle by Harry George with the original lantern slides.
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896:. Vol. 38, no. 11654. Victoria, Australia. 8 August 1893. p. 4
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671:. Vol. LXXVII, no. 20, 480. South Australia. 2 July 1912. p. 6
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1036:. Vol. II, no. 92. Western Australia. 17 September 1899. p. 5
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278:. He was brought to Sydney in October by John Solomon, proprietor of the
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924:. No. 9503. New South Wales, Australia. 19 November 1897. p. 6
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For here, across the mighty main, old friends to-day are trooping ;
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724:. No. 10291. New South Wales, Australia. 20 May 1912. p. 10
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After an absence of six years, Snazelle returned by the mail steamer
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Where seasoned swagmen fear inspire within the guileless chum ;
780:. No. 158. New South Wales, Australia. 8 April 1906. p. 8
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Full many a yarn has ceased to roam to find at last a peaceful home
1008:. No. 14, 698. Victoria, Australia. 5 August 1893. p. 15
752:. No. 13, 462. Victoria, Australia. 15 August 1889. p. 8
691:"Bill Adams, The Hero of Waterloo by Alf G. Lumsden (1915 review)"
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We've met the yarns that here to-day within your pages lurk ;
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868:. No. 11, 258. Victoria, Australia. 26 March 1891. p. 8
809:. No. 12, 192. Queensland, Australia. 29 May 1912. p. 5
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We march again with dogged tramp to reach each yarn-infested camp
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Some drawn from out a misty age, but all must help to fill a page
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Some old and bent — some deadly dull — some sharp as banderilla —
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Lionel J. "Ensign" Snazelle ( – ) was a banker and investor in
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This article has much on the operetta and the historical Jones
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From bush and plain you come to cheer baronial hall and villa,
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So welcome, ancient comrades all, strike root secure and deep,
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From
Kosciusko, cold and grey, to Hell's twin-brother, Bourke,
640:. No. 251. Victoria, Australia. 11 April 1890. p. 6
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O'er tropic seas that curl and dance from York to far Manilla
415:) in 1906. He also served for a time as singing tutor at the
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as "the insect" Petit Pierre. The hit song of the piece was
980:. No. 584. Western Australia. 14 March 1909. p. 1
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Through summer's sun and winters gloom perennial shall the
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Where high the willy-willy rears its dread cyclonic pillar,
611:. No. 749. Western Australia. 26 May 1912. p. 17
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Obedient to the Master's call, the Rubicon you leap ;
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Oft have we met them by the fire, beneath the scented gum,
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in April 1884. He also "created" the role of Bobadillo in
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Maryborough Chronicle, Wide Bay and Burnett Advertiser
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164:. His first roles in new works were Clopin in
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1044:– via National Library of Australia.
1016:– via National Library of Australia.
988:– via National Library of Australia.
960:– via National Library of Australia.
932:– via National Library of Australia.
904:– via National Library of Australia.
876:– via National Library of Australia.
848:– via National Library of Australia.
817:– via National Library of Australia.
788:– via National Library of Australia.
760:– via National Library of Australia.
732:– via National Library of Australia.
679:– via National Library of Australia.
648:– via National Library of Australia.
619:– via National Library of Australia.
346:projector and crew and a copy of the film
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1059:How Bill Adams Won the Battle of Waterloo
225:Snazelle was brought out to Australia by
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270:as Jones, Snazelle as Bouillabaisse and
16:English singer and raconteur (1848–1912)
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1000:"The Troubles of a Theatrical Manager"
944:"Reminiscences of an Operating Artist"
888:"MR Snazelle's Farewell Entertainment"
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84:Baritone singer, comic entertainer
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716:"MR. G. H. Snazelle, Entertainer"
350:, a documentary on life on board
583:. Theatre Heritage Australia Inc
217:in a dozen different languages.
507:Oswald Snazelle jr (c. 1890 – )
94:George Harry "Snazzy" Snazelle
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581:"Snazelle, G. H. (1850–1912)"
504:Oswald Snazelle (c. 1870 – )
500:Coolgardie, Western Australia
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1085:19th-century English singers
1033:West Australian Sunday Times
721:The Daily Telegraph (Sydney)
663:"The Late Mr G. H. Snazelle"
112:Born George Henry Snazel in
74:1912 (aged 63–64)
484:To thee — Snazelleparilla.
381:and other favorites at the
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470:In thee — Snazelleparilla.
460:In thee — Snazelleparilla.
450:In thee — Snazelleparilla.
76:Stockwell, London, England
921:The Evening News (Sydney)
417:Guildhall School of Music
387:Criterion Theatre, Sydney
367:Athenaeum Hall, Melbourne
252:brought to Australia the
241:, sharing the stage with
235:Athenaeum Hall, Melbourne
124:that suited his powerful
66:Sydenham, Surrey, England
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383:Theatre Royal, Melbourne
777:The Sunday Sun (Sydney)
772:""Paul Jones" Memories"
668:The Register (Adelaide)
375:The Bells of Corneville
313:Williamson and Musgrove
185:The Canterbury Pilgrims
144:, Sir John Falstaff in
916:""The Firm" in London"
638:Table Talk (Melbourne)
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254:Nellie Stewart Company
154:and Mephistopheles in
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49:Background information
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239:Music, Song and Story
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560:. Opera Scotland.org
319:. The cast included
118:Herries and Farquhar
1028:""Snazelleparilla""
949:The West Australian
634:"Mr G. H. Snazelle"
317:Shaftesbury Theatre
299:The Scarlet Feather
174:in March 1883 and
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972:"Peeps at People"
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260:'s musical
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1069:Categories
537:References
291:Henry Loch
263:Paul Jones
207:monologist
401:Last days
393:Character
237:entitled
221:Australia
211:raconteur
202:in 1888.
171:Esmeralda
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363:Southsea
357:made by
248:In 1890
215:Nazareth
176:Geoffrey
131:Maritana
126:baritone
114:Sydenham
865:The Age
695:AustLit
354:Jupiter
340:Orizaba
315:at the
266:, with
231:Garonne
136:Wallace
100:History
59: (
490:Family
303:Lecocq
195:Carina
156:Gounod
517:Notes
482:bloom
161:Faust
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413:film
385:and
352:HMS
209:and
71:Died
61:1848
57:1848
54:Born
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