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384:"While not as widely known as that of her prolific husband, work is also beautiful and typographically vital, and her career has also been long and productive. And speaking as a woman who has worked for years in a male-dominated type industry, Gudrun Zapf von Hesse’s example has given me much inspiration and faith that good work is worth doing". – Linnea Lundquist
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method she was taught during her apprenticeship. After receiving her Master's
Diploma in bookbinding, she developed a style "simple and pure in decoration, carefully executed in every detail". Her speciality was the flexible binding. Her binding style differentiated itself from both traditional and avant-garde binding styles by being "fresh and modern".
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calligraphy". Her calligraphic art ranges from "elegant traditional hands to free lettering with pen or brush, bordering on the abstract… blackletter, italic, roman, majuscules, roman miniscules, and experimental lettering". The most comprehensive collection of examples of Gudrun Zapf von Hesse's artistic work is the book
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by August
Rosenberger. Diotima was redesigned for photocomposition by Linotype/Stempel and Berthold; Zapf von Hesse was not consulted for this redesign and felt "there was a big loss in appearance of this Diotima version in comparison to the original letterpress type". Diotima was named after a Greek
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For typefaces, Zapf von Hesse's foundation is calligraphy. The influence of calligraphy is noticeable in her typefaces
Diotima and Columbine. In her acceptance speech for the 1991 Frederic Goudy Award, she stated, "In my opinion, the best foundation for creating new alphabets is an intensive study of
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In general, Zapf von Hesse's work has "elegant simplicity" and "technical precision". Her use of decoration is "refined by moderation… both understated and unpretentious". For bookbinding technique, she utilized "the flexible method with thin boards and very small borders", which was contrary to the
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and cut her first complete brass alphabet, Hesse
Antiqua, under the guidance of Bauer's chief punchcutter, Joseph Spahn. The alphabet was made specifically for gold-tooling on book bindings. The titling face was digitized in 2018 by Ferdinand Ulrich. She also made decorating tools with Spahn's help.
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from 1934 to 1937. Her calligraphy practice began during this apprenticeship; in her acceptance address for the
Frederic W. Goudy Award, she said "One afternoon a week we had to write very simple letters. I was not satisfied with this form of instruction; therefore, I taught myself at home, from a
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After completing her apprenticeship in 1937, Zapf von Hesse stayed on as an assistant in
Dorfner's bindery until 1940. She received a Master's Diploma in bookbinding in 1940. She completed further studies at the Berlin Graphic Arts School in 1941 with Johannes Boehland (German painter and graphic
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in 1948. Zapf was the art director for D. Stempel AG type foundry. She was invited to visit
Stempel's offices after Zapf and Dr. Lepold (Stempel's director) had seen her letterforms at an exhibition in Frankfurt. She and Zapf married on 1 August 1951, and the two managed thereafter to keep their
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Zapf von Hesse and
Hermann Zapf had a son, Christian (1955–2012). During her acceptance address for the Frederic W. Goudy award, she commented that she was "a little sorry" about not having time to do bookbinding when her son was young. After some years passed, however, she was able to focus on
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Zapf von Hesse's typeface
Diotima italic has been called "one of the finest italic types ever" and a "perfect masterpiece." Zapf von Hesse and her husband Herman lent support to the Cary Graphic Arts Collection at the Rochester Institute of Technology, which houses a large collection of their
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In 1941, Zapf von Hesse worked as a bookbinder in Berlin. From 1944 to 1945, she taught bookbinding and calligraphy as therapy for soldiers with head injuries at a hospital in Bad Ischl, Austria. After World War II, in 1946, she opened her own book bindery on the premises of the
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to prepare bitmaps by hand for his alphabet designs
Marconi and Edison. As technologies changed in the second half of the 20th century, she continued to design typefaces for photocomposition and digital production. She was actively designing typefaces into the 1990s for
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was shown shortly before her death in Germany, with Zapf von Hesse in attendance. The documentary was also shown at the Zapf Centennial celebrations which included an exhibit of her life and work and the Zapf Centennial Symposium at The Grolier Club in New York City.
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Zapf von Hesse, Gudrun (2001). "Bookbinding, Calligraphy and Type Design: Remarks and Musings About My Design Process (excerpted from Goudy award acceptance address by Gudrun Zapf von Hesse)".
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Manuale Zapficum: typographic arrangements of words by and about the work of Hermann Zapf & Gudrun Zapf von Hesse : set in typefaces by both, In honor of their ninetieth birthdays
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Calligraphic type design in the digital age: an exhibition in honor of the contributions of Hermann and Gudrun Zapf : selected type designs and calligraphy by sixteen designers
605:– 1968): Zapf von Hesse received a private commission from Hallmark Cards, resulting in her Shakespeare typeface, used for a 1968 Hallmark publication of Shakespeare’s Sonnets.
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in late 1945 or 1946. Potsdam was under the Soviet occupation after World War II, and according to Zapf von Hesse it was "not a good place at all to start a new life". She met
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2019: "Alfabetos Magicos: Cien Anos Con Hermann & Gudrun Zapf." ("Magic Alphabets: 100 Years With Hermann and Gudrun Zapf.") Escola Llotja Sant Andreu (Spain).
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building. Her bindery at Stempel closed in 1955 when her son Christian Ludwig was born, but she continued designing typefaces "as time and family duties allowed."
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Zapf von Hesse's career as a type designer began after Lepold and Zapf commissioned her to design typefaces for Stempel. Her first typeface for Stempel was
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Duroselle-Melish, Caroline (2006). "Review of Gudrun Zapf von Hesse: Bindings, Handwritten Books, Typefaces, Examples of Lettering, and Drawings".
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The documentary "Alphabet Magic" about the life and work of Gudrun Zapf von Hesse and Herman Zapf, conceived and produced by her niece professor
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2019. "Alphabet Magic: A Centennial Exhibition of the Work of Hermann & Gudrun Zapf. Curated by Jerry Kelly." Grolier Club (New York).
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Manuele Zapficum: Typographic Arrangements of the Words by and About the Work of Hermann Zapf & Gudrun Zapf von Hesse
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396:, Rochester, New York. In 2001, she was recognized with a Lifetime Achievement Award from the Friends of Calligraphy.
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Calligraphic Type Design in the Digital Age: An Exhibition in Honor of the Contributions of Hermann and Gudrun Zapf
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Calligraphic Type Design in the Digital Age: An Exhibition in Honor of the Contributions of Hermann and Gudrun Zapf
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Calligraphic Type Design in the Digital Age: An Exhibition in Honor of the Contributions of Hermann and Gudrun Zapf
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exhibit in 1948, which caused them to invite Zapf von Hesse to Stempel and thus began her type design career.
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279:. The director of the foundry, Georg Hartmann, gave her permission to operate her bindery on the premises.
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2007: Melbert B. Cary, Jr. Graphic Art Collection, Rochester Institute of Technology (for which the book
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Gudrun Zapf von Hesse: Bindings, Handwritten books, Type Faces, Examples of Lettering and Drawings
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Gudrun Zapf von Hesse: bindings, handwritten books, type faces, examples of lettering and drawings
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Gudrun Zapf von Hesse: Bindings, Handwritten Books, Type Faces, Examples of Lettering and Drawing
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calligraphy and type design. Zapf von Hesse died in December 2019 at the age of 101.
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was modelled from Zapf von Hesse's calligraphy used for her handlettered version of
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Bio of Gudrun Zapf von Hesse by Ferdinand Ulrich, published on her 100th birthday
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TYPO Talks: Video: Ferdinand Ulrich, Ein Leben fĂĽr die Schrift (A Life for Type)
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In 1948, Zapf von Hesse opened a bookbinding studio with one apprentice in the
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She became an apprentice and assistant at the bookbindery of Otto Dorfner in
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506:. Reference for the categorization of typefaces is Jerry Kelly's review in
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In 1991, Zapf von Hesse was the second woman to receive the prestigious
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1319:"The RIT Frederic W. Goudy Award | Cary Graphic Arts Collection | RIT"
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1060:[Typo-magic: an obituary for type designer Hermann Zapf].
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While working at Bauer in the late 1940s, Zapf von Hesse learned
1352:"Calligraphic Type Design in the Digital Age: Honoring Friends"
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Zapf von Hesse, Gudrun; Taylor-Batty, Mark (1 January 2002).
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Kelly, Jerry (2002). "Gudrun Zapf von Hesse (Book Review)".
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Images of Zapf von Hesse's typefaces are available from the
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From 1946 to 1954, Zapf von Hesse taught calligraphy at the
1058:"Typo-Magie: Ein Nachruf auf Schriftgestalter Hermann Zapf"
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Exhibition honoring Gudrun Zapf-Von Hesse and Herman Zapf
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1289:"Zapf Centenary | Cary Graphic Arts Collection | RIT"
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was published in honor of their ninetieth birthdays.
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In the 1970s, Zapf von Hesse worked with her husband
217:, Mecklenburg-Schwerin (then part of German Empire).
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The Papers of the Bibliographical Society of America
693:– 1992): The typeface, Alcuin, was inspired by the
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1562:Personal Designer Portrait – Gudrun Zapf-von Hesse
1164:Prestianni, John (2001). "Gudrun Zapf von Hesse".
974:. Corte Madera, CA: Gingko Press. pp. 31–35.
171:(2 January 1918 – 13 December 2019) was a German
1475:"Zapf Centennial Symposium at The Grolier Club"
1254:. Rochester N.Y.: RIT Cary Graphic Arts Press.
213:Gudrun von Hesse was born on 2 January 1918 in
1008:ABC of lettering and printing types, Volume C
205:released the titling typeface Hesse Antiqua.
8:
820:. West New York, NJ: Mark Batty, publisher.
327:, and it was also used for headings in the
1088:"Traueranzeigen von Gudrun Zapf von Hesse"
878:10.1093/gao/9781884446054.article.t2021723
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1419:GmbH, Echo Zeitungen (15 November 2018).
1383:. Rochester: RIT Cary Graphic Arts Press.
764:"Hesse Antiqua – Typeface release at 100"
558:priestess in Plato's dialogue about love.
451:Hessische Landes– und Hochschulbibliothek
1277:. Corte Madera: Gingko Press. p. 7.
1064:(in German). 8 June 2015. Archived from
1230:Halby, Hans A. (2002). "Introduction".
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321:used Diotima for advertisements in the
151: 1951; died 2015)
1622:German typographers and type designers
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504:Klingspor Museum's Online Font Library
245:Zapf von Hesse moved from her home in
1550:Font Designer – Gudrun Zapf-von Hesse
1500:"ExposiciĂłn Hermann y Gudrun Zapf.es"
1450:"Past Exhibitions - The Grolier Club"
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1510:from the original on 5 December 2019
1421:"SchriftkĂĽnstler mit Herz und Seele"
1379:Kelly, Jerry; Pankow, David (2007).
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1010:. Sweden: Askim. pp. 114–115.
626:was named after the Egyptian queen
76:Grand Duchy of Mecklenburg-Schwerin
1168:. San Francisco: Gingko Press: 73.
537:. Gunther Lepold, the director of
473:International Typeface Corporation
302:, Gunther Lepold, the director of
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1329:from the original on 27 July 2020
1323:Rochester Institute of Technology
1299:from the original on 27 July 2020
1293:Rochester Institute of Technology
1092:Frankfurter Allgemeine Lebenswege
864:Sherin, Aaris (12 January 2018),
774:from the original on 10 June 2020
462:Rochester Institute of Technology
394:Rochester Institute of Technology
375:published by Mark Batty in 2002.
193:. She was the 1991 winner of the
1567:Typophile: Gudrun Zapf von Hesse
638:was used to print Alex Osborne's
1395:"Alphabet Magic - Films - home"
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1642:German women graphic designers
1538:MyFonts: Gudrun Zapf von Hesse
438:2001: Skylight Gallery of the
298:. At a calligraphy exhibit in
27:German typographer (1918–2019)
1:
1533:Gudrun Zapf von Hesse Website
1381:Spend Your Alphabets Lavishly
433:Spend Your Alphabets Lavishly
400:materials. In 2008, the book
1234:. West New York: Mark Batty.
440:San Francisco Public Library
1196:10.1086/pbsa.100.2.24293675
872:, Oxford University Press,
489:1952: Grafiska Institutet (
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1612:20th-century calligraphers
1273:Lundquist, Linnea (2001).
539:D. Stempel AG Type Foundry
304:D. Stempel AG Type Foundry
106:Bookbinder and Typographer
1543:27 September 2008 at the
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1637:German graphic designers
1006:Lindegren, Erik (1965).
866:"Hesse, Gudrun Zapf von"
711:, with Ferdinand Ulrich)
471:1985: ITC-Center of the
209:Early life and education
1504:www.alfabetosmagicos.es
1479:The Type Directors Club
1399:german-documentaries.de
1062:regionalBraunschweig.de
390:Frederic W. Goudy award
195:Frederic W. Goudy Award
1555:6 October 2015 at the
722:List of type designers
695:advisor to Charlemagne
653:as its house typeface.
647:Fachhochschule Hamburg
630:, and was released by
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379:Impact and recognition
317:, issued in 1951. The
48:Zapf von Hesse in 2016
1250:Kelly, Jerry (2009).
699:Carolingian minuscule
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169:Gudrun Zapf von Hesse
36:Gudrun Zapf von Hesse
18:Gudrun Zapf-von Hesse
442:(for which the book
336:Stempel Type Foundry
331:in-flight magazine.
237:artist, 1903–1964).
1627:Women calligraphers
1617:German centenarians
1572:Birthdate Reference
1454:www.grolierclub.org
1030:"Johannes Boehland"
762:Ulrich, Ferdinand.
641:Your Creative Power
535:Friedrich Holderlin
508:Letter Arts Review.
362:Style and Technique
319:New York City Opera
1632:Women centenarians
1425:www.echo-online.de
1124:Letter Arts Review
273:Bauer type foundry
199:hundredth birthday
186:She also designed
97:Darmstadt, Germany
870:Oxford Art Online
547:Stadel Art School
531:From the Hyperion
484:Offenbach am Main
201:in January 2018,
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111:Years active
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