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The majority of
Brunetti's output (thought to number over 400 pieces) consists of chamber music designed for small ensembles and symphonies for the royal chamber orchestra. Brunetti's prolific output reflects the duties of an 18th-century court composer who was required to craft engaging music for
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of his works (compiled by Germán
Labrador) has been available since 2005, which provides details of 346 attributed works with available scores, and lists various other named pieces that are thought to have been lost. This catalogue revealed that the U.S.
89:), who unlike his father was an avid music lover. In 1788, when Charles IV came to the throne, Brunetti took charge of a newly formed royal ensemble, for which he composed prolifically and also programmed works by European composers of the day, such as
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daily performances at his patron's chamber. With its graceful melodies and periodic phrasing, Brunetti's music respects early classical forms and conventions but also incorporates more progressive and eclectic elements.
31:, Parma). Like many of his compositions, Brunetti's six late oboe sextets were written for the private entertainment of King Charles IV of Spain and were not eligible for publication during his lifetime.
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Due to the constraints of his court service, little of
Brunetti's music was published during his lifetime, thereby largely precluding knowledge of his music for almost two centuries. A
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70:. As well as being musically influential at court, Brunetti was a key contributor to the modernization of Spanish musical culture in the late 18th century.
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Fontes Artis
Musicae – Journal of the International Association of Music Libraries, Archives, and Documentation Centres
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as a violinist in the Royal Chapel in 1769. He also became violin teacher to the future
Charles IV (then
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Pesic, Peter (2019). "Music, melancholia, and mania: Gaetano
Brunetti's obsessional symphony".
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312:"Gaetano Brunetti (1744-1798), compositor y maestro de mĂşsica de Carlos IV"
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Gaetano
Brunetti (1744-1798): catálogo crĂtico, temático y cronolĂłgico
81:, before moving to Madrid with his parents by 1762. He joined the
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Belgray, Alice B; Jenkins, Newell (2001). "Brunetti , Gaetano".
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Score of
Brunetti's oboe sextet no. 1 of 1796 (Spanish copy
290:"Gaetano Brunetti manuscript scores: about this collection"
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Nine symphonies : 9, 16, 20, 21, 26, 28, 34, 35, 36
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houses almost half of the surviving manuscript scores.
73:As a boy, he appears to have studied the violin in
430:Brunetti, Gaetano (1979). Jenkins, Newell (ed.).
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128:"Cayetano Brunetti: complete oboe sextets"
468:International Music Score Library Project
408:(in Spanish and English). Madrid: AEDOM.
404:Labrador López de Azcona, Germán (2005).
310:Labrador López de Azcona, Germán (2019).
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583:18th-century Italian male musicians
292:. Library of Congress, Washington.
573:Italian Classical-period composers
516:. You can help Knowledge (XXG) by
50:, Italy – 16 December 1798,
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598:Italian string quartet composers
588:Italian male classical composers
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487:Bibliothèque nationale de France
434:. New York: Garland Publishing.
464:Free scores by Gaetano Brunetti
177:"Cayetano Brunetti (1744-1798)"
578:18th-century Italian composers
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593:Spanish classical composers
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126:Sutcliffe, W Dean (2022).
387:10.1017/S1478570614000244
147:10.1017/S1478570622000033
375:Eighteenth-Century Music
369:Griffin, Thomas (2014).
261:10.1525/ncm.2019.43.2.67
135:Eighteenth-Century Music
58:who was active in Spain
54:, Madrid, Spain) was an
213:Oxford University Press
603:Italian composer stubs
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183:(in Spanish). 2013.
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107:Library of Congress
29:Biblioteca Palatina
343:Pile, Joy (2007).
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181:MĂşsica de Hispania
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102:catalogue
62:of kings
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