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Garcia de Resende

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126: 275: 413: 25: 367:. As a rule the compositions were improvised at palace entertainments, at which the poets present divided into two bands, attacking and defending a given theme throughout successive evenings. At other times these poetical soirées took the form of a mock trial at law, in which 305:. Under these conditions, Resende grew as a poet, and moreover distinguished himself by his skill in drawing and music; while he collected into an album the best court verse of the time. This was the 295:
He began to cultivate the making of verses in the palace of John II, and he reported that how one night when the king was in bed he caused him Resende to repeat some "trovas" (troubador songs) of
428: 437: 379: 35: 500: 495: 371:, the queen of John II, acted as judge. Resende was mocked by other rhymesters about his corpulence, but he repaid all their gibes with interest. 485: 480: 505: 309:(General Songbook), probably starting in 1483, though not printed until 1516, which includes the compositions of some three hundred 93: 65: 490: 50: 510: 72: 364: 360: 215: 79: 351:
careless. The Spanish language is largely employed, because the literary progenitors of the whole collection were
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as a page and private secretary. After John's death, he continued to enjoy the same favour with
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One or more of the preceding sentences incorporates text from a publication now in the
368: 301: 274: 207: 125: 424: 356: 344: 340: 296: 464: 432: 419: 198:(1470 – 3 February 1536) was a Portuguese poet and editor. He served 352: 233:. In 1516 he was given the rank of a nobleman of the royal household, and became 229:, as secretary and treasurer of the embassy sent by the king to offer tribute to 283: 24: 230: 249: 241:, afterwards King John III, from whom he received further pensions in 1525. 42: 268: 265: 257: 164: 142: 441:. Vol. 23 (11th ed.). Cambridge University Press. p. 182. 348: 331: 311: 327: 245: 211: 273: 299:, saying it was as needful for a man to know them as to know the 222: 18: 374:
The linguist Edgar Prestage gives an assessment of the
46: 185: 175: 153: 135: 116: 334:; and most of them are written in the national 8: 51:introducing citations to additional sources 326:The main subjects of its pieces are love, 124: 113: 451: 406: 404: 402: 400: 398: 41:Relevant discussion may be found on the 394: 286:as the "father of Portuguese theatre". 16:Portuguese poet and editor (1470–1536) 210:in 1498, and from whom he obtained a 7: 278:Works of Garcia de Resende. In the 14: 130:House of Garcia de Resende, Évora 411: 34:relies largely or entirely on a 23: 501:15th-century Portuguese writers 496:Portuguese Renaissance writers 1: 486:16th-century Portuguese poets 481:15th-century Portuguese poets 527: 506:16th-century male writers 221:In 1514, Resende went to 206:, whom he accompanied to 123: 438:Encyclopædia Britannica 381:Encyclopædia Britannica 315:of the reigns of kings 271:, where he was buried. 287: 491:Portuguese male poets 347:is irregular and the 277: 47:improve this article 235:escrivĂŁo de fazenda 62:"Garcia de Resende" 429:Resende, Garcia de 288: 511:People from Évora 376:Cancioneiro Geral 307:Cancioneiro Geral 196:Garcia de Resende 193: 192: 161:(aged 65–66) 118:Garcia de Resende 112: 111: 97: 518: 455: 449: 443: 442: 417: 415: 414: 408: 383:Eleventh Edition 244:Resende built a 227:TristĂŁo da Cunha 160: 128: 114: 107: 104: 98: 96: 55: 27: 19: 526: 525: 521: 520: 519: 517: 516: 515: 461: 460: 459: 458: 450: 446: 425:Prestage, Edgar 423: 412: 410: 409: 396: 391: 319:, John II, and 293: 216:Order of Christ 189:Poet and editor 171: 162: 158: 157:3 February 1536 149: 140: 131: 119: 108: 102: 99: 56: 54: 40: 28: 17: 12: 11: 5: 524: 522: 514: 513: 508: 503: 498: 493: 488: 483: 478: 473: 463: 462: 457: 456: 444: 433:Chisholm, Hugh 393: 392: 390: 387: 357:Jorge Manrique 297:Jorge Manrique 292: 289: 191: 190: 187: 183: 182: 177: 173: 172: 163: 155: 151: 150: 141: 137: 133: 132: 129: 121: 120: 117: 110: 109: 45:. Please help 31: 29: 22: 15: 13: 10: 9: 6: 4: 3: 2: 523: 512: 509: 507: 504: 502: 499: 497: 494: 492: 489: 487: 484: 482: 479: 477: 474: 472: 469: 468: 466: 453: 452:Prestage 1911 448: 445: 440: 439: 434: 430: 426: 421: 420:public domain 407: 405: 403: 401: 399: 395: 388: 386: 384: 382: 377: 372: 370: 366: 362: 358: 354: 350: 346: 342: 339: 338: 333: 329: 324: 322: 318: 314: 313: 308: 304: 303: 298: 290: 285: 282:, he defends 281: 276: 272: 270: 267: 263: 259: 255: 251: 247: 242: 240: 236: 232: 228: 224: 219: 217: 213: 209: 205: 201: 197: 188: 186:Occupation(s) 184: 181: 178: 174: 170: 166: 156: 152: 148: 144: 138: 134: 127: 122: 115: 106: 103:February 2012 95: 92: 88: 85: 81: 78: 74: 71: 67: 64: â€“  63: 59: 58:Find sources: 52: 48: 44: 38: 37: 36:single source 32:This article 30: 26: 21: 20: 447: 436: 380: 375: 373: 353:Juan de Mena 335: 325: 310: 306: 302:Pater Noster 300: 294: 279: 243: 234: 220: 195: 194: 159:(1536-02-03) 100: 90: 83: 76: 69: 57: 33: 476:1536 deaths 471:1470 births 284:Gil Vicente 239:Prince John 176:Nationality 465:Categories 389:References 343:, but the 337:redondilha 280:Miscelânia 254:Espinheiro 231:Pope Leo X 212:knighthood 180:Portuguese 73:newspapers 427:(1911). " 365:Garcilaso 250:monastery 43:talk page 321:Manuel I 317:Afonso V 312:fidalgos 269:nobility 266:Alentejo 262:pantheon 204:Manuel I 169:Portugal 147:Portugal 435:(ed.). 422::  378:in the 369:Eleanor 349:rhyming 332:epigram 264:of the 248:in the 214:in the 208:Castile 200:John II 87:scholar 431:". In 416:  361:Boscán 328:satire 291:Poetry 260:, the 246:chapel 89:  82:  75:  68:  60:  345:metre 341:verse 258:Évora 256:near 225:with 165:Évora 143:Évora 94:JSTOR 80:books 363:and 330:and 223:Rome 154:Died 139:1470 136:Born 66:news 252:of 237:to 49:by 467:: 397:^ 385:. 359:, 355:, 323:. 218:. 167:, 145:, 454:. 105:) 101:( 91:· 84:· 77:· 70:· 53:. 39:.

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