126:
275:
413:
25:
367:. As a rule the compositions were improvised at palace entertainments, at which the poets present divided into two bands, attacking and defending a given theme throughout successive evenings. At other times these poetical soirées took the form of a mock trial at law, in which
305:. Under these conditions, Resende grew as a poet, and moreover distinguished himself by his skill in drawing and music; while he collected into an album the best court verse of the time. This was the
295:
He began to cultivate the making of verses in the palace of John II, and he reported that how one night when the king was in bed he caused him
Resende to repeat some "trovas" (troubador songs) of
428:
437:
379:
35:
500:
495:
371:, the queen of John II, acted as judge. Resende was mocked by other rhymesters about his corpulence, but he repaid all their gibes with interest.
485:
480:
505:
309:(General Songbook), probably starting in 1483, though not printed until 1516, which includes the compositions of some three hundred
93:
65:
490:
50:
510:
72:
364:
360:
215:
79:
351:
careless. The
Spanish language is largely employed, because the literary progenitors of the whole collection were
61:
475:
470:
320:
316:
238:
203:
226:
199:
168:
146:
336:
253:
202:
as a page and private secretary. After John's death, he continued to enjoy the same favour with
86:
261:
179:
418:
One or more of the preceding sentences incorporates text from a publication now in the
368:
301:
274:
207:
125:
424:
356:
344:
340:
296:
464:
432:
419:
198:(1470 – 3 February 1536) was a Portuguese poet and editor. He served
352:
233:. In 1516 he was given the rank of a nobleman of the royal household, and became
229:, as secretary and treasurer of the embassy sent by the king to offer tribute to
283:
24:
230:
249:
241:, afterwards King John III, from whom he received further pensions in 1525.
42:
268:
265:
257:
164:
142:
441:. Vol. 23 (11th ed.). Cambridge University Press. p. 182.
348:
331:
311:
327:
245:
211:
273:
299:, saying it was as needful for a man to know them as to know the
222:
18:
374:
The linguist Edgar
Prestage gives an assessment of the
46:
185:
175:
153:
135:
116:
334:; and most of them are written in the national
8:
51:introducing citations to additional sources
326:The main subjects of its pieces are love,
124:
113:
451:
406:
404:
402:
400:
398:
41:Relevant discussion may be found on the
394:
286:as the "father of Portuguese theatre".
16:Portuguese poet and editor (1470–1536)
210:in 1498, and from whom he obtained a
7:
278:Works of Garcia de Resende. In the
14:
130:House of Garcia de Resende, Évora
411:
34:relies largely or entirely on a
23:
501:15th-century Portuguese writers
496:Portuguese Renaissance writers
1:
486:16th-century Portuguese poets
481:15th-century Portuguese poets
527:
506:16th-century male writers
221:In 1514, Resende went to
206:, whom he accompanied to
123:
438:Encyclopædia Britannica
381:Encyclopædia Britannica
315:of the reigns of kings
271:, where he was buried.
287:
491:Portuguese male poets
347:is irregular and the
277:
47:improve this article
235:escrivĂŁo de fazenda
62:"Garcia de Resende"
429:Resende, Garcia de
288:
511:People from Évora
376:Cancioneiro Geral
307:Cancioneiro Geral
196:Garcia de Resende
193:
192:
161:(aged 65–66)
118:Garcia de Resende
112:
111:
97:
518:
455:
449:
443:
442:
417:
415:
414:
408:
383:Eleventh Edition
244:Resende built a
227:TristĂŁo da Cunha
160:
128:
114:
107:
104:
98:
96:
55:
27:
19:
526:
525:
521:
520:
519:
517:
516:
515:
461:
460:
459:
458:
450:
446:
425:Prestage, Edgar
423:
412:
410:
409:
396:
391:
319:, John II, and
293:
216:Order of Christ
189:Poet and editor
171:
162:
158:
157:3 February 1536
149:
140:
131:
119:
108:
102:
99:
56:
54:
40:
28:
17:
12:
11:
5:
524:
522:
514:
513:
508:
503:
498:
493:
488:
483:
478:
473:
463:
462:
457:
456:
444:
433:Chisholm, Hugh
393:
392:
390:
387:
357:Jorge Manrique
297:Jorge Manrique
292:
289:
191:
190:
187:
183:
182:
177:
173:
172:
163:
155:
151:
150:
141:
137:
133:
132:
129:
121:
120:
117:
110:
109:
45:. Please help
31:
29:
22:
15:
13:
10:
9:
6:
4:
3:
2:
523:
512:
509:
507:
504:
502:
499:
497:
494:
492:
489:
487:
484:
482:
479:
477:
474:
472:
469:
468:
466:
453:
452:Prestage 1911
448:
445:
440:
439:
434:
430:
426:
421:
420:public domain
407:
405:
403:
401:
399:
395:
388:
386:
384:
382:
377:
372:
370:
366:
362:
358:
354:
350:
346:
342:
339:
338:
333:
329:
324:
322:
318:
314:
313:
308:
304:
303:
298:
290:
285:
282:, he defends
281:
276:
272:
270:
267:
263:
259:
255:
251:
247:
242:
240:
236:
232:
228:
224:
219:
217:
213:
209:
205:
201:
197:
188:
186:Occupation(s)
184:
181:
178:
174:
170:
166:
156:
152:
148:
144:
138:
134:
127:
122:
115:
106:
103:February 2012
95:
92:
88:
85:
81:
78:
74:
71:
67:
64: –
63:
59:
58:Find sources:
52:
48:
44:
38:
37:
36:single source
32:This article
30:
26:
21:
20:
447:
436:
380:
375:
373:
353:Juan de Mena
335:
325:
310:
306:
302:Pater Noster
300:
294:
279:
243:
234:
220:
195:
194:
159:(1536-02-03)
100:
90:
83:
76:
69:
57:
33:
476:1536 deaths
471:1470 births
284:Gil Vicente
239:Prince John
176:Nationality
465:Categories
389:References
343:, but the
337:redondilha
280:Miscelânia
254:Espinheiro
231:Pope Leo X
212:knighthood
180:Portuguese
73:newspapers
427:(1911). "
365:Garcilaso
250:monastery
43:talk page
321:Manuel I
317:Afonso V
312:fidalgos
269:nobility
266:Alentejo
262:pantheon
204:Manuel I
169:Portugal
147:Portugal
435:(ed.).
422::
378:in the
369:Eleanor
349:rhyming
332:epigram
264:of the
248:in the
214:in the
208:Castile
200:John II
87:scholar
431:". In
416:
361:Boscán
328:satire
291:Poetry
260:, the
246:chapel
89:
82:
75:
68:
60:
345:metre
341:verse
258:Évora
256:near
225:with
165:Évora
143:Évora
94:JSTOR
80:books
363:and
330:and
223:Rome
154:Died
139:1470
136:Born
66:news
252:of
237:to
49:by
467::
397:^
385:.
359:,
355:,
323:.
218:.
167:,
145:,
454:.
105:)
101:(
91:·
84:·
77:·
70:·
53:.
39:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.