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301:"Edward the VIII" or "Roosevelt in Trinidad" made into small skits with pantomime and dance. Matons and his calypso crew traveled the US and beyond performing shows. Calypso was still a fairly niche market until Joe Miller a radio comic brought the song, "Rum and Coco-Cola" to the US in 1945. A calypso craze swept the nation following this. Many of the songs were banned from radio play at the time due to the earthy nature of many calypso songs.
555:, which involved placing a horizontal hand on his navel then moving his arm out horizontally. There was a case brought by General Hershy Bar regarding the use of his image in the Altamont concert movie by the Rolling Stones. In that case he says it was not him, but General Wastemoreland that appears in the movie. Details of this case are at the link below.
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moved shortly to Racine, Wisconsin where Matons went to grade school. The family then moved to
Milwaukee where he attended a semester of high school before going to work in the steel mills. After this job he was a steeple-jack, coast guardsman, cook on a yacht, and also sold jewelry. He read books on dancing and found notice of
300:
Late 1938 he brought calypso to New York City night life at the
Village Vanguard with the Duke of Iron, Gerald Clark and his Calypso Serenaders and a half dozen dancers. The show included satirical acts on important issues of the day. The Calypso Kid stages the revues at the Vanguard with the songs
73:
He was born
William Arthur Matons in September 1906 and died October 13, 1993 (dates not verified). Bill Matons danced under his birth name in the 1930s in the Modern Dance worlds of New York. During the Calypso Craze of the 1940s, Matons performed as The Calypso Kid on stage and on the radio. He
371:
In Los
Angeles he self-published several monographs and booklets using the publishing company he created, Handicap Publications. The PeaceNut cartoons were published by Handicap, showing a business location of 5420 Carlton Way, Hollywood, CA. Handicap Pictures was established for producing short
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Matons was adopted and raised by
Lithuanian parents who encouraged his ad-lib performing talents. He was a modern dancer and choreographer in New York in the 1930s. He was born in Cleveland Ohio, the son of gypsy immigrants. His father settled down to a life making violins in Cleveland, and then
533:(1938), by Ann Barzel filmed during a performance at the Auditorium Theater Chicago. The featured the dancers, Doris Humphrey, Charles Weidman, José Limón, Bill Matons, Katherine Litz, Katherine Manning, and Sybil Shearer. The film has short excerpts from 7 works. Matons appears in
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owned by
Costellanos Molinas, brought some music home, and made up some dances in 1938. He coached performers from the West Indies in dances and stage techniques to improve their showmanship. He started to import singers to the US and began to have a monopoly on calypso there.
402:
In 1972 he became the manager of an apartment building in
Hollywood (Los Angeles), California. The 42-unit Afton Arms Apartments was built in 1924 at 6141 Afton Place and El Centro by architect Leland Bryant. The building was the site of many important dissident activities,
78:
dancer, promoter, night club owner in the 1940s and '50s. Finally, in the 1960s he adopted the name
General Hershy Bar. He kept the name the rest of his life, and most of the time in public he stayed 'in character' as part of his anti-war street-theater.
308:" by Lara Ivette Lopez de Jesus; "...there never was any organized dance for the calypso; therefore no calypso dance ever existed in reality, only in name...The first person who organized such a dance was an American named Bill Maton [
456:. Tom Dunphy (aka "General Waste More Land") still lives in Berkeley Ca (see video below). He would greet people on the street he met as "General" and salute often as well, which was saying that we are all Generals and so complicit in war.
272:
while with
Humphrey-Weidman. Burt notes that Matons used the motif of "...poignant speeches by anonymous witnesses in the crowd...derived from the tradition of agit-prop Living Newspapers with origins in the Soviet Union".
391:, who burned herself instead of others! —like phony politicians", by Thomas Michael Dunphy (aka "General Wastemoreland"), Handicap Publications 1968. This work also contains sections written by General Hershy Bar.
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singers and operating a night club in NY where he used the name
Calypso Kid and then Calypso Joe. A picture of him as Calypso Joe in costume in 1952 is on the Dallas Library Site. A notice in
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In 1938 while with Humphrey and Weidman he began to focus on calypso dance and music. Earlier in his life, while working on a boat, he heard the music while working on a ship stopped in
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He appeared in many dance performances in the 1930s until the 1950s. Starting out in Modern Dance in New York and ending with Calypso Dancing in venues across the Western Hemisphere.
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in Pasadena. Through the late 1970s to early 1980s he lived on Harvard Blvd in Hollywood, CA. In Hollywood he would 'perform' his anti-war guerrilla street theater for tourists to
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The character's name was also spelled as "Hershey Bar" or "HersheyBar" among Matons' own publications and those of the general public when referring to him. Matons also performed
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locations, including while on the RTD bus he got around on. He died October 13, 1993. He was frequently seen partnered with General Waste More Land (aka Tom Dunphy), a parody of
19:
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for the Worlds Fair show and as he could pay a decent wage, uncommon at during the depression, Lepkoff used this money to buy her first camera, starting her photography career.
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234:, a work with a Spanish theme, opened April 4, 1939, at Daly's Theater and had 16 performances and Matons created the leading role and danced it. The show included
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Matons' importance in the start of the Calypso Craze is noted in the book, "Encuentros sincopados: el caribe contemporáneo a través de sus prácticas musicales -
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with the theme song "your lyin’ cheat in’ heart" and he mentions his saying "give war no quarter because it ain’t worth a dime" in one. He published his book,
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He appeared in the 1967 movie, Something's Happening, chronicling the youth movement on the Sunset Strip in LA and in San Francisco's Haight Ashbury.
261:. Weil had started the score in spring 1938. It was written as a Circus Opera using the elements of theater music from opera to circus. Matons hired
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Encuentros sincopados: el caribe contemporáneo a través de sus prácticas musicales Historia (Siglo Veintiuno Editores) Pensamiento caribeño
551:. The movie made of the concert shows Bar's work partner General Wastemoreland in full regalia, making a gesture he satirically called a
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163:. He was director of the experimental unit of the New Dance League, which evolved from the Workers Dance League between 1931 and 1935.
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among others. Papers noted that it did not include Matons, or compensate him for the use of the name he had spent years building up.
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was found dead in his apartment in the building where he lived. The General renamed the building "The Happy Malaga Castle" in 1972
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and closed Sept 8, 1934, with 400 performances by the Charles Weidman dancers Letitia Ide and Jose Limon with Matons and others.
562:, in which he appeared as Doctor Everest Word. (Bluemonkey Films by Martin Cohen, also starring Evonne Pizzoni, aired in 1991).
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for April 7, 1945, mentions him coming to Hollywood, "...now that Rum and Coca Cola is hot..." with his revue of calypso stars
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Photographer Richard Friedman wrote of encountering General Hershy Bar at a so-called War Is Over march in the late 1960s:
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Get off your apathy!: a biography of Florence Beaumont, who burned herself instead of others! -- like phony politicians!
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687:"Wisconsin Man Became America's "Calypso King": Concert Dancer Matons First Introduced Trinidad Folk Music to New York"
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He appeared in uniform on the street in a 1986 music documentary, "X - The Unheard Music" by the LA punk band,
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Article on the legal cases he filed for using his image in the Altamont Speedway movie by the Rolling Stones
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He appears on the cover of Ellen Graf's book, 'Stepping Left Dance and Politics in New York City 1928-1942'.
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Island Sounds in the Global City: Caribbean Popular Music and Identity in New York, ISAM MONOGRAPHS.34
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Matons was choreographer for the Lenin Peace Pageant at Madison Square Garden in 1937. Performed with
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292:(1935), but he had not considered the dance aspect at that time. He found a Spanish music store in
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dance scholarships in New York City. After only three months with Weiman's group he appeared in
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in 1967 (Handicap Publications). Another publication was "Get off your apathy!: a biography of
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with choreography by Charles Weidman. Danced by Charles Weidman, José Limón, and Bill Matons.
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in New York and is mentioned in Patchen's papers at the UCSC special collections archive.
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The rally started in Washington Square and went up Fifth Avenue.... At the rally I found
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On July 25, 1936, at Bennington, Vermont, the New Dance League presented performances by
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1073:""Calypso Joe Film Irks Calypso Joe", Washington Afro-American, April 9th, 1957, page 6"
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Matons led the Experimental Dance Group in the late 1930s. His dancers included a young
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The characters of General Hershy Bar and General Waste More Land were made into a 1967
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He also made a cameo appearance in a low-budget movie made for public access, entitled
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Federal Dance Project and believed strongly in using dance to explore social themes.
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Alien Bodies: Representations of Modernity, 'Race' and Nation in Early Modern Dance
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Humphrey-Weidman Company (1938 motion picture) filmed by Ann Barzel 16mm B&W.
184:, Matons, Fara Lynn, and Eva Desca. On April 25, 1937, New Dance League presented
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The Afton Arms Apartments, 6141 Afton Place, Los Angeles CA (aka Malaga Castle)
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in the 1950s. By 1957 he had a calypso night club act appearing in Las Vegas.
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company in New York, from 1933 to 1936 and again in 1940. He appeared in the
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José Limón: An Unfinished Memoir - Volume 17 of Studies in dance history
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Photo of General Hershey Bar with his colleague General Waste More Land
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The author Ramsay Burt described how Matons choreographed and produced
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Life on the Lower East Side: Photographs by Rebecca Lepkoff, 1937-1950
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performances and demonstrations against U.S. military involvement in
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Video of General WasteMoreLand talking about Himself and Hershy Bar
1048:"General Hershey Bar LC Linked Data Service (Library of Congress)"
628:"General Hershey Bar LC Linked Data Service (Library of Congress)"
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432:, an irreverent alternative to the traditional formality of the
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General Hershy Bar on Hollywood Boulevard, Hollywood CA 1979-81
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Stepping Left: Dance and Politics in New York City, 1928–1942
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Examples of the 'peacenut' characters done by William Stout
1159:. Thomas Michael Dunphy: Handicap Publications. p. 234
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films in "true bloody color", as he said. Titles included,
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Stepping Left Dance and Politics in New York City 1928–1942
120:. Matons appears on the cover of this book in the center.
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also used Calypso Joe, a stage name created when he was a
190:
Songs of Protest - Lay Down Late and Sistern and Brethern
1208:. San Francisco EXAMINER, August 2, 1976. Archived from
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In 1969 General Hershey Bar supposedly showed up at the
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Historia (Siglo Veintiuno Editores) Pensamiento caribeño
83:
Early life: Wisconsin to New York (1920s to early 1930s)
838:"1939 NY Worlds Fair Play Bill for Railroads on Parade"
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Damn the constitution-undeclared wars-full speed ahead
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General Hershy Bar on Hollywood Boulevard in front of
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Richard Friedman's photos from the War Is Over march
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In 1978 he was one of the participants at the first
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198:Under the Swastika: Germans Think with Your Blood
188:at St. James Theater. Included at this show were
1346:Story of Happy Malaga Castle naming in Hollywood
333:and others. He operated a calypso night club in
329:, Lord Caresser, Lord Dignity, Chief Eagle Eye,
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317:In the 1940s and '50s he was performing with
38:-era Anti-War protest movement, portrayed by
8:
547:in California where performers included the
238:among others. Tamiris was important in the
96:. In his twenties he was dance director of
922:Days on Earth: The Dance of Doris Humphrey
656:"Matons, William - LC Linked Data Service"
1421:Cultural depictions of military officers
417:both used the Grand Ball room. In 1987,
255:Railroads on Parade – Drama of Transport
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108:Modern dance career in New York (1930s)
1426:Cultural depictions of American people
785:"As Thousands Cheer PlaybillVault.com"
276:In 1939 Matons was still working with
211:In 1938 he danced some early poems of
847:. 1939 NY Worlds Fair Play Bill. 1939
810:"Guide to the Kenneth Patchen Papers"
100:at the NY World's Fair and danced in
7:
974:Lopez de Jesus, Lara Ivette (2003).
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284:Calypso period (late 1930s to 1950s)
257:. The music for this was written by
253:in New York, creating the dance for
230:sponsored Broadway musical in 1939.
206:Letter to a Policeman in Kansas City
173:, opened September 30, 1933, at the
1381:American anti–Vietnam War activists
1124:Kiss Don't Kill (book) WorldCat.org
693:. The Journal Company. pp. 1–2
341:Allied Artists Pictures Corporation
691:The Milwaukee Journal: Green Sheet
685:Dornbrook, Don (4 February 1047).
14:
1094:"Those Lovable Peace-Nuts page 7"
367:General Hershey Bar brochure 1970
280:in the Humphrey-Weidman company.
34:was a satirical character of the
953:. University of Illinois Press.
448:. The characters were common at
1153:Dunphy, Thomas Michael (1968).
1202:"No Copyrights for Characters"
606:during the song "Los Angeles".
359:Anti-war work (1960s to 1990s)
42:, in a parody of U.S. General
1:
1261:"IMDb X: The Unheard Musical"
872:Princeton Architectural Press
343:in Los Angeles came out with
228:Works Progress Administration
1431:20th-century American people
814:Online Archive of California
446:General William Westmoreland
1367:List of dance personalities
529:-minute B&W 16mm film,
249:. He choreographed for the
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1232:"Those Lovable Peace-Nuts"
1142:– via OCLC WorldCat.
920:Siegel, Marcia B. (1993).
597:. Also General Hersheybar.
204:. Matons also appeared in
1127:. Handicap Publications.
866:Lepkoff, Rebecca (2006).
761:Wesleyan University Press
560:Broadcast From The Future
438:Grauman's Chinese Theater
194:Song for Soviet Youth Day
25:Grauman's Chinese Theatre
1000:"Dallas Library Catalog"
571:Those Lovable Peace-Nuts
531:Humphrey-Weidman Company
157:As Thousands Cheer(1933)
1416:American street artists
1391:American choreographers
1362:List of peace activists
1279:"Something's Happening"
1236:www.berkeleycitizen.org
1098:www.berkeleycitizen.org
377:the Defoliate President
169:, by Irving Berlin and
123:Matons danced with the
46:, then Director of the
1357:List of choreographers
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414:Los Angeles Free Press
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270:One Sixth of the Earth
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1386:American male dancers
1004:Dallas Public Library
926:Duke University Press
895:Ramsay, Burt (2002).
729:Duke University Press
719:Graff, Ellen (1997).
545:Altamont free concert
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423:Red Hot Chili Peppers
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40:William "Bill" Matons
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755:Limon, Jose (2001).
202:Though we be flogged
1206:berkeleycitizen.org
1052:Library of Congress
949:Allen, Ray (1998).
845:1939 NY Worlds Fair
660:Library of Congress
632:Library of Congress
500:(1936) as well as
486:Studies in Conflict
476:He appeared in the
442:Hollywood Boulevard
151:(1936) as well as
137:Studies in Conflict
98:Railroads on Parade
16:Satirical character
1396:Fictional generals
1339:2016-03-04 at the
1327:2015-12-22 at the
789:The Playbill Vault
506:As Thousands Cheer
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102:As Thousands Cheer
32:General Hershy Bar
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567:underground comic
510:Everywhere I Roam
405:The Hollywood Ten
389:Florence Beaumont
375:President Johnson
175:Music Box Theater
161:Everywhere I Roam
48:Selective Service
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1246:2016-01-01
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