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299:, a five-piece experimental rock/jazz/electronic group with Hilary Jeffery (trombone), John Richards (double and electric bass), Neil Griffiths (guitar and films) and Rowan Oliver (drums/percussion). Sand performed live for the first time at The Spotted Cow in
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style bass-lines and tight house-influenced drum parts. Still active to date, two full-length albums have been released, "Shift" (2003 on
Sativae Recordings) and "Fold" (1999 on iLL Recordings) as well as a number of remixes and vinyl only EPs.
146:), Germ was initially a solo bedroom project but grew with the aid of engineer John Dalby at Finsbury Park Studios to encompass collaborations with Hilary Jeffery (trombone), Matt Miles (double bass) and
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Germ released three EPs and two albums, "Gone" and "Parrot" on
General Productions Recordings (GPR) in 1995. Wright continues to use the Germ name for the occasional remix, the most recent being of
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When GPR ceased trading in 1996 Wright was temporarily forced to abandon the Germ name and went on to pursue a more dance-floor friendly sound with his solo project
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which commissioned Wright to produce two 12" vinyl EPs "Searcher/The Walk" (2001) and "Going Down/ The Lunge" (2002) under his own name. These EPs fused a
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aesthetic, with Wright's role primarily one of manipulating the acoustic sound of the instrumentalists in real time. As a relationship developed with
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owner Stuart Baker the sound became more focussed and guitar oriented, whilst maintaining an improvisatory approach to recording and performing.
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Sand's collaboration with noted choreographer Saburo
Teshigawara resulted in the creation of the piece Green which has been performed at the
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has been active as a musician and composer since the early 1990s, working predominantly at the experimental end of the spectrum of
130:, a five-piece experimental rock/jazz/electronic group. Other pseudonyms he has used include Pin, Moondog, Asphere, Speed Baby.
177:/club audience with the Tube Jerk project. The Tube Jerk sound was instantly recognisable with its use of enormous rolling
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The two most commonly cited examples of the Tube Jerk sound are "Eight" on the album Fold, and the Tube Jerk remix of
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2004 where his laptop crashed in front of 12,000 people. He continues to write and perform live under his own name.
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and breaks audiences alike. The tracks were licensed widely, appearing on compilations from the
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Wright also worked as head engineer at Parrot Music (formerly
Finsury Park Studios) in
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Sand have released three albums, Beautiful People Are Evil (1999 Satellite
Records/
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in 2004, featuring vocal contributions from
Toastie Tailor and Juice Aleem (from
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Wright's first commercially available releases were under the pseudonym
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UK offshoot iLL Recordings, persuaded Wright to tailor his sound for a
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Wright went on to record an album "Thirst" which was released on
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Parallel to his solo work Wright was also a founder member of
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rhythmic sensibility with the darkness and power of Wright's
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233:"Urban Underground - The Break Beat Elite" to Player and
157:' "Suite for Piano and Electronics" (2007 Nonclassical).
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64:but its sources remain unclear because it lacks
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95:Learn how and when to remove this message
406:University of York: Department of Music
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376:He studied for a PhD in composition of
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263:. Notable live performances were at
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356:. Described as a "private
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261:Mediengruppe Telekommander
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340:(2000, 2002) and the
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252:group New Flesh).
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116:dance music
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77:introducing
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411:28 October
388:References
362:UK hip hop
267:by Night,
250:UK hip hop
197:Tim Wright
108:Tim Wright
384:in 2013.
305:Ben Clark
271:2004 and
269:Barcelona
257:Goldfrapp
231:Plump DJs
227:UK garage
215:UK garage
167:Tube Jerk
161:Tube Jerk
124:Tube Jerk
366:Big Dada
344:(2005).
246:Novamute
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144:Allmusic
85:May 2008
380:at the
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235:Remady
223:techno
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265:Sónar
211:2step
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