113:
227:. The latter, a somewhat anti-feminine figure who killed her children, was the subject of a series of textile works made using scraps of cloth given to Brătescu by her mother, reflecting Brătescu's complex relationship with feminism. Throughout Brătescu's works the line is a dominant feature, functioning as a mode of definition, measurement and movement, from the classical draughtsmanship of
44:
192:
The
Romanian public sphere in the 1970s and 1980s was one of fragmented socialism, where radical forms of aesthetic provocation were not tolerated. This pressure of censorship pushed Brătescu and other artists to work solely within the privacy of their own studios. Perhaps the work most reflective of
200:
Following exclusion from her fine art course, Brătescu worked as an arts editor, illustrator and animator, and also carried out documentation trips both in
Romania and abroad for the Artist's Union. Once she returned to university, as a fine art student she had access to a studio which became the
185:. She was expelled from the latter before completing her degree due to the rise of the Communist party - since her parents owned property, she was deemed 'of bad origins'. In 1969 she returned to university, and studied at the Institute of Fine Arts "
242:. She had participated in the Biennale twice before – in 1960 as part of a group exhibition, and in 2013 at the Central Pavilion, alongside fellow Romanian artists Ștefan Bertalan and Andra Ursuta.
197:
In these photographs, Brătescu depicted herself with her mouth and eyes sealed by a paper strip, to metaphorically express her inability to speak freely in the current public sphere at the time.
1238:
1158:
598:
446:
1170:
650:
1228:
1067:
Album Geta Brătescu, Muzeul de Artă al României- secția Artă Contemporană, București, Editat de
Centrul Internațional Pentru Artă Contemporană, 1999
130:(4 May 1926 – 19 September 2018) was a Romanian visual artist with works in drawing, collage, photography, performance, illustration and film.
141:
for "her outstanding contributions to the development of contemporary
Romanian art". Brătescu was artistic director of literature and art magazine
1233:
238:
In 2017, Romania's
Culture Ministry selected Brătescu to represent Romania at the 57th Venice Biennale. She presented a piece of work entitled
208:
Other works by
Bratescu from this period raise questions of self-identity and dematerialisation, such as the performance and photography work
201:
subject of a series of works throughout the 1970s that looked at the studio as a place to redefine the self. In perhaps her most famous film,
1243:
772:
689:
557:
178:
138:
1127:
205:(1978), made with Ion Grigorescu in a new studio at the Artist's Union, she measures her size in the space, marking her place in the world.
235:(1978). Creating lines through material continued within Brătescu's practice within the series of collages Jeu des Formes (Game of Forms).
1223:
751:
1140:
410:
193:
Brătescu's experience of censorship and politically motivated performances was her 1978 collage of provocative self-portraits titled
189:" until 1971. She studied literature alongside art, and a close relationship between art and writing is present in much of her work.
532:
146:
1213:
733:
1184:
1082:
In search of
Balkania /În căutarea Balcaniei,Geta Brătescu Neue Galeria Graz, autori:Roger Gonver, Cufer Peter, Peter Weibel;
624:
1073:
Catalogul Expoziției Geta Brătescu și Ion
Grigorescu "Resurse", M.N.A.C.,București, curator Ruxandra Balaci, Magda Radu;
121:
447:"Geta Bratescu – Doctor Honoris Causa al Universitatii Nationale de Arte din Bucuresti, Educatie / Cultura, UNAgaleria"
344:
1079:
Alexandra Titu, Experimentul în arta românească după 1960, Geta Brătescu p. 8,72,101,106,Editura
Meridiane, 2003;
1168:
658:
522:
212:. In the 1980s Brătescu began working with textiles, describing this practice as 'drawing with a sewing machine'.
112:
1218:
43:
166:
496:
1104:
1208:
1203:
1088:
Geta Brătescu, Dicționarul de Artă Modernă, p. 65–66 de
Constantin Prut, Editura Albatros, 1982;
1070:
Geta Brătescu, Ateliere de artiști din București, Vol.al 2 lea, p. 11–15,Editura Noimediaprint;
1109:
Gatalogul Expoziției "Vestigii" 1982, Geta Brătescu, Zona Maco. Mexico Arte Contemporaneo, curator
1098:
Geta Brătescu, Catalogul Expoziției, "Economia darului", Galeria The Blade Factory Liverpool, 2010;
170:
780:
1124:
420:
186:
134:
1047:
1018:
983:
948:
913:
878:
843:
808:
755:
710:
685:
553:
528:
406:
259:
1085:
Octavian Barbosa, Dicționarul Artistilor Români Contemporani, București, Ed. Meridiane, 1976;
573:
1137:
705:
1174:
1144:
1131:
1110:
432:
278:
154:
271:
2018 – Geta Brătescu. The Leaps of Aesop, Hauser & Wirth, Los Angeles, Los Angeles CA
351:
150:
1197:
524:
Performance Art in the Second Public Sphere: Event-based Art in Late Socialist Europe
377:
1092:
357:
979:
Ziua si noaptea : [proza scurta] (Book, 2004) [WorldCat.org]
182:
174:
944:
Peisaj cu om : [proză scurtă] (Book, 2002) [WorldCat.org]
149:
in December 1999. In 2015 Brătescu's first UK solo exhibition was held at the
1022:
987:
952:
917:
882:
812:
17:
847:
1101:
Geta Brătescu, Frieze Magazine, Published on 24/09/08 By Burkhard Meltzer;
872:
1033:
1012:
998:
977:
963:
942:
928:
907:
893:
858:
837:
823:
802:
274:
2017 – Geta Brătescu. The Leaps of Aesop, Hauser & Wirth, New York NY
737:
1105:
http://www.contemporaryartdaily.com/2011/01/geta-bratescu-at-mezzanin/
373:
340:
752:
Geta Brătescu, Romanian multidisciplinary artist, has died, aged 92
224:
220:
216:
111:
215:
Brătescu was interested in numerous literary figures, including
625:"Artist Geta Bratescu, Giant of Romanian Art Scene, Dies at 92"
277:
2017 – Geta Brătescu – Apariţii (Geta Brătescu – Apparitions),
1159:
Un atelier al incercarilor continue. Interviu cu Geta BRATESCU
1076:
Catalogul Expoziției Geta Brătescu, Galeria Taxispalais, 2008;
1014:
Copacul din curtea vecină (Book, 2009) [WorldCat.org]
804:
De la Veneţia la Veneţia. (Book, 1970) [WorldCat.org]
153:. In 2017, she was selected to represent Romania at the 57th
773:"Artists — Geta Brătescu — Biography — Hauser & Wirth"
471:
1138:
http://www.galeriebarbaraweiss.de/index.php?w=aw&id=2
360:, Revista "Secolul 20", p. 75–165, Nr.6, Annul 1964
1095:,Revista "Secolul 20",p. 75–165,Nr.6,Annul 1964;
909:
A.R. : roman (Book, 2000) [WorldCat.org]
521:
Cseh-Varga, Katalin; Czirak, Adam (1 February 2018).
347:
illustrations by Geta Brătescu, Editura Univers, 1983
250:
Brătescu died on 19 September 2018 at the age of 92.
874:
Atelier vagabond (Book, 1994) [WorldCat.org]
145:. A major retrospective of her work was held at the
102:
94:
78:
55:
49:
Self-Portrait – Mrs Oliver in her traveling costume
34:
1188:The Studio is Myself: Interview with Geta Brătescu
396:
394:
392:
324:(Fundația Culturală Secolul 21, Bucharest, 2004)
318:(Fundația Culturală Secolul 21, Bucharest, 2002)
312:(Fundația Culturală Secolul 21, Bucharest, 2000)
734:Hauser & Wirth Now Represents Geta Bratescu
330:(Fundația Culturală Secolul 21, Bucharest 2009)
839:Atelier continuu (1985) [WorldCat.org]
684:. Berlin: Sternberg Press. pp. 80, 140.
292:De la Veneția la Veneția. Jurnal de calatorie
231:(1974–76) to the body performing in space in
8:
1239:Bucharest National University of Arts alumni
680:Şerban, Geta Brătescu. Ed. de Alina (2013).
548:Şerban, Geta Brătescu. Ed. de Alina (2013).
165:Brătescu studied at the Faculty of Letters,
1113:, Centro Banamex, Hall D, Mexico City, 2011
363:Layout, Concept and Review in Secolul 20/21
42:
31:
750:Gabriella Angeleti (September 19, 2018),
552:. Berlin: Sternberg Press. p. 322.
623:Greenberger, Alex (19 September 2018).
388:
428:
418:
767:
765:
139:Bucharest National University of Arts
7:
732:Maximilíano Durón (April 28, 2017),
376:celebrated her 95th birthday with a
306:(Cartea Românească, Bucharest, 1994)
300:(Cartea Românească, Bucharest, 1985)
1229:20th-century Romanian women artists
25:
258:Brătescu has been represented by
147:National Museum of Art of Romania
281:Romanian Pavilion, Venice, Italy
1048:"Geta Brătescu's 95th Birthday"
1234:University of Bucharest alumni
651:"Interview with Geta Brătescu"
169:, between 1945 and 1949 under
133:In 2008, Brătescu received an
1:
405:. Phaidon Press. p. 75.
1244:Romanian women photographers
1179:Interview with Geta Brătescu
294:(Meridiane, Bucharest, 1970)
122:Museum of Modern Art, Warsaw
706:"Geta Brătescu (1926–2018)"
240:Geta Brătescu — Appearances
1260:
1224:20th-century women artists
1134:", Ivan Gallery, Bucharest
316:Peisaj cu om, proză scurtă
120:, 1970. Collection of the
328:Copacul din curtea vecină
41:
1130:27 February 2018 at the
401:Phaidon Editors (2019).
1173:6 December 2018 at the
1161:, Raluca Alexandrescu,
1143:21 January 2020 at the
599:"Medea's Hypostases II"
195:Censored Self Portrait.
167:University of Bucharest
682:Atelierul = The studio
550:Atelierul = The studio
345:Ștefan Augustin Doinaș
343:-Faust, translated by
335:Selected illustrations
124:
29:Romanian visual artist
115:
1214:People from Ploiești
266:Selected exhibitions
179:Academy of Fine Arts
1163:Observator cultural
777:www.hauserwirth.com
714:. 19 September 2018
451:Comunicate de presa
403:Great women artists
1190:, 15 February 2015
1186:Christoph Cherix,
1181:, 24 December 2013
661:on 6 December 2018
655:Art Margins Online
431:has generic name (
350:Mother Courage by
260:Hauser & Wirth
187:Nicolae Grigorescu
135:honorary doctorate
125:
89:Bucharest, Romania
60:Georgina Comanescu
756:The Art Newspaper
691:978-3-956790-16-4
559:978-3-956790-16-4
110:
109:
82:19 September 2018
73:Ploiești, Romania
16:(Redirected from
1251:
1219:Romanian artists
1165:, 24 August 2000
1056:
1055:
1044:
1038:
1037:
1031:
1029:
1009:
1003:
1002:
996:
994:
974:
968:
967:
961:
959:
939:
933:
932:
926:
924:
904:
898:
897:
891:
889:
869:
863:
862:
856:
854:
834:
828:
827:
821:
819:
799:
793:
792:
790:
788:
783:on 25 March 2018
779:. Archived from
769:
760:
748:
742:
730:
724:
723:
721:
719:
702:
696:
695:
677:
671:
670:
668:
666:
657:. Archived from
649:Oprea, Adriana.
646:
640:
639:
637:
635:
620:
614:
613:
611:
609:
595:
589:
588:
586:
584:
570:
564:
563:
545:
539:
538:
518:
512:
511:
509:
507:
493:
487:
486:
484:
482:
468:
462:
461:
459:
457:
443:
437:
436:
430:
426:
424:
416:
398:
372:On May 4, 2021,
304:Atelier Vagabond
298:Atelier Continuu
171:George Călinescu
85:
69:
67:
46:
32:
21:
1259:
1258:
1254:
1253:
1252:
1250:
1249:
1248:
1194:
1193:
1177:Adriana Oprea,
1175:Wayback Machine
1145:Wayback Machine
1132:Wayback Machine
1120:
1111:Adriano Pedrosa
1064:
1059:
1046:
1045:
1041:
1027:
1025:
1011:
1010:
1006:
992:
990:
976:
975:
971:
957:
955:
941:
940:
936:
922:
920:
906:
905:
901:
887:
885:
871:
870:
866:
852:
850:
836:
835:
831:
817:
815:
801:
800:
796:
786:
784:
771:
770:
763:
749:
745:
731:
727:
717:
715:
704:
703:
699:
692:
679:
678:
674:
664:
662:
648:
647:
643:
633:
631:
622:
621:
617:
607:
605:
603:MoMA Collection
597:
596:
592:
582:
580:
574:"Towards White"
572:
571:
567:
560:
547:
546:
542:
535:
520:
519:
515:
505:
503:
497:"Geta Brătescu"
495:
494:
490:
480:
478:
472:"Secolul 20/21"
470:
469:
465:
455:
453:
445:
444:
440:
427:
417:
413:
400:
399:
390:
386:
370:
337:
322:Ziua și Noaptea
288:
279:Venice Biennale
268:
256:
248:
163:
155:Venice Biennale
116:Geta Brătescu,
90:
87:
83:
74:
71:
65:
63:
62:
61:
51:
37:
30:
23:
22:
15:
12:
11:
5:
1257:
1255:
1247:
1246:
1241:
1236:
1231:
1226:
1221:
1216:
1211:
1206:
1196:
1195:
1192:
1191:
1182:
1166:
1148:
1147:
1135:
1119:
1118:External links
1116:
1115:
1114:
1107:
1102:
1099:
1096:
1089:
1086:
1083:
1080:
1077:
1074:
1071:
1068:
1063:
1060:
1058:
1057:
1039:
1004:
969:
934:
899:
864:
829:
794:
761:
743:
725:
697:
690:
672:
641:
615:
590:
565:
558:
540:
533:
513:
501:Tate Liverpool
488:
463:
438:
412:978-0714878775
411:
387:
385:
382:
369:
366:
365:
364:
361:
356:The Plague by
354:
352:Bertolt Brecht
348:
336:
333:
332:
331:
325:
319:
313:
307:
301:
295:
287:
284:
283:
282:
275:
272:
267:
264:
262:since 2017.
255:
252:
247:
244:
162:
159:
151:Tate Liverpool
108:
107:
106:Conceptual art
104:
100:
99:
96:
92:
91:
88:
86:(aged 92)
80:
76:
75:
72:
59:
57:
53:
52:
47:
39:
38:
35:
28:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1256:
1245:
1242:
1240:
1237:
1235:
1232:
1230:
1227:
1225:
1222:
1220:
1217:
1215:
1212:
1210:
1207:
1205:
1202:
1201:
1199:
1189:
1185:
1183:
1180:
1176:
1172:
1169:
1167:
1164:
1160:
1157:
1156:
1155:
1154:
1153:
1146:
1142:
1139:
1136:
1133:
1129:
1126:
1125:Geta Brătescu
1122:
1121:
1117:
1112:
1108:
1106:
1103:
1100:
1097:
1094:
1090:
1087:
1084:
1081:
1078:
1075:
1072:
1069:
1066:
1065:
1061:
1054:. 4 May 2021.
1053:
1049:
1043:
1040:
1035:
1024:
1020:
1016:
1015:
1008:
1005:
1000:
989:
985:
981:
980:
973:
970:
965:
954:
950:
946:
945:
938:
935:
930:
919:
915:
911:
910:
903:
900:
895:
884:
880:
876:
875:
868:
865:
860:
849:
845:
841:
840:
833:
830:
825:
814:
810:
806:
805:
798:
795:
782:
778:
774:
768:
766:
762:
758:
757:
753:
747:
744:
740:
739:
735:
729:
726:
713:
712:
707:
701:
698:
693:
687:
683:
676:
673:
660:
656:
652:
645:
642:
630:
626:
619:
616:
604:
600:
594:
591:
579:
575:
569:
566:
561:
555:
551:
544:
541:
536:
534:9781351757072
530:
527:. Routledge.
526:
525:
517:
514:
502:
498:
492:
489:
477:
473:
467:
464:
452:
448:
442:
439:
434:
422:
414:
408:
404:
397:
395:
393:
389:
383:
381:
379:
378:Google Doodle
375:
367:
362:
359:
355:
353:
349:
346:
342:
339:
338:
334:
329:
326:
323:
320:
317:
314:
311:
308:
305:
302:
299:
296:
293:
290:
289:
285:
280:
276:
273:
270:
269:
265:
263:
261:
253:
251:
245:
243:
241:
236:
234:
230:
226:
222:
218:
213:
211:
210:Towards White
206:
204:
198:
196:
190:
188:
184:
180:
177:, and at the
176:
172:
168:
160:
158:
156:
152:
148:
144:
140:
136:
131:
129:
128:Geta Brătescu
123:
119:
114:
105:
101:
97:
93:
81:
77:
58:
54:
50:
45:
40:
36:Geta Brătescu
33:
27:
19:
18:Geta Bratescu
1187:
1178:
1162:
1151:
1150:
1149:
1093:Albert Camus
1062:Bibliography
1051:
1042:
1032:– via
1026:. Retrieved
1013:
1007:
997:– via
991:. Retrieved
978:
972:
962:– via
956:. Retrieved
943:
937:
927:– via
921:. Retrieved
908:
902:
892:– via
886:. Retrieved
873:
867:
857:– via
851:. Retrieved
838:
832:
822:– via
816:. Retrieved
803:
797:
785:. Retrieved
781:the original
776:
754:
746:
736:
728:
718:19 September
716:. Retrieved
709:
700:
681:
675:
663:. Retrieved
659:the original
654:
644:
634:19 September
632:. Retrieved
628:
618:
606:. Retrieved
602:
593:
581:. Retrieved
577:
568:
549:
543:
523:
516:
504:. Retrieved
500:
491:
479:. Retrieved
475:
466:
454:. Retrieved
450:
441:
429:|last1=
402:
371:
358:Albert Camus
327:
321:
315:
309:
303:
297:
291:
257:
249:
239:
237:
232:
228:
214:
209:
207:
202:
199:
194:
191:
164:
142:
132:
127:
126:
117:
84:(2018-09-19)
48:
26:
1209:2018 deaths
1204:1926 births
578:Wikiart.org
183:Camil Ressu
175:Tudor Vianu
95:Nationality
1198:Categories
1152:Interviews
476:Secolul 21
310:A.R. Roman
254:Art market
233:The Studio
203:The Studio
143:Secolul 21
70:4 May 1926
66:1926-05-04
1091:Ciuma de
1023:935615887
988:895804854
953:317693326
918:895037927
883:804914167
813:935440856
421:cite book
161:Biography
137:from the
118:Traveller
1171:Archived
1141:Archived
1128:Archived
1034:WorldCat
999:WorldCat
964:WorldCat
929:WorldCat
894:WorldCat
859:WorldCat
848:24430491
824:WorldCat
787:24 March
286:Writings
103:Movement
98:Romanian
738:ARTnews
665:8 March
629:ARTnews
608:8 March
583:8 March
506:8 March
481:8 March
456:8 March
368:Tribute
1052:Google
1028:31 May
1021:
993:31 May
986:
958:31 May
951:
923:31 May
916:
888:31 May
881:
853:31 May
846:
818:31 May
811:
711:Apollo
688:
556:
531:
409:
374:Google
341:Goethe
181:under
384:Notes
246:Death
229:Hands
225:Medea
221:Faust
217:Aesop
1030:2022
1019:OCLC
995:2022
984:OCLC
960:2022
949:OCLC
925:2022
914:OCLC
890:2022
879:OCLC
855:2022
844:OCLC
820:2022
809:OCLC
789:2018
720:2018
686:ISBN
667:2015
636:2018
610:2015
585:2015
554:ISBN
529:ISBN
508:2015
483:2015
458:2015
433:help
407:ISBN
223:and
173:and
79:Died
56:Born
1200::
1050:.
1017:.
982:.
947:.
912:.
877:.
842:.
807:.
775:.
764:^
708:.
653:.
627:.
601:.
576:.
499:.
474:.
449:.
425::
423:}}
419:{{
391:^
380:.
219:,
157:.
1123:"
1036:.
1001:.
966:.
931:.
896:.
861:.
826:.
791:.
759:.
741:.
722:.
694:.
669:.
638:.
612:.
587:.
562:.
537:.
510:.
485:.
460:.
435:)
415:.
68:)
64:(
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
