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and he chose rather to turn to better account his fluent and smooth style of rendering and expression: he has thus remained famous as a sentimental and gentle singer, but he also always kept a condition of absolute excellence at vocal virtuosity, even though not so acrobatic as, for instance, that of
41:
91:, rode post-haste to Rome from Naples just to attend incognito his debut; and full of enthusiasm eventually yelled at him: "Bravo, bravissimo Gizziello, it’s Caffariello who's telling you!" Whatever the case, at the beginning of 1732 he was urgently called upon to replace the castrato
403:
Caruselli, I, p. 295. Conti always remained in good terms with
Farinelli, who repeatedly invited him to Spain, terming him "Antiguo amigo" (longtime friend) (Sandro Cappelletto,
345:
65:, after whom he would later be nicknamed, he made his debut in Rome at an early age, around 1730. According to some modern encyclopedic sources, it took place in
262:
Artaserse. Drama per Musica di Pietro
Metastasio Romano tra gli Arcadi Artino Corasio. Da rappresentarsi nel Teatro detto delle Dame nel Carnevale dell'anno 1730
79:. However, his name does not appear in the cast of the original libretto, and his theatrical debut ought probably to be dated instead in 1731, in revivals of
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His subsequent career led him throughout Italy, as well as abroad. In 1736–37 he was in London, where he had been engaged by
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After 1759, Conti left the stage and settled in Rome, where he spent the last two years of his life.
140:, with whom he would build a profitable collaboration. Conti performed in many of his works, such as
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Memorie dei compositori di musica del Regno di Napoli raccolte dal
Marchese di Villarosa
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He sang at many premieres for the best and most famous musicians of his time, including
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87:, both by Vinci. A colourful anecdote relates how another overweening castrato star,
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Being a very sharp soprano for his time (Handel got him repeatedly to reach up to
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Biographie universelle des musiciens et bibliographie générale de la musique
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264:, Rome, Zempel e de Mey, s.d. (1730), p. 8 (accessible for free online at
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in 1714, possibly the son of the composer Nicola Conti. After studying in
659:
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472:, New York, Grove (Oxford University Press), 1997, I, pp. 927–928.
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493:(second edition), Paris, Didot, 1866, II, pp. 350–352 (article:
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54:
312:, Naples, Rocco, 1869, II, p. 2042 (accessible for free online at
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390:, Napoli, Pierro, 1891, p. 298 (accessible for free online at
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531:, Naples, Stamperia Reale, 1840, pp. 53–54 (article:
438:, Fiesole, Discanto Edizioni, 1983, pp. 105–106, 125.
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Cf. catalogue of the performances by Conti in the website
95:, who suddenly died on 1 January during the rehearsals of
333:, Milan, Baldini Castoldi Dalai, 2007, pp. 1176-1177,
218:), Conti was not quite well disposed towards abuse of
448:, Rome, Longanesi &C. Periodici S.p.A. (article:
22:(28 February 1714 – 25 October 1761), best known as
405:
La voce perduta: vita di
Farinelli, evirato cantore
279:, Hillsdale NY, Pendragon Press, 2007, p. 304,
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310:Cenno storico sulla Scuola musicale di Napoli
8:
329:, in Piero Gelli and Filippo Poletti (eds),
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517:, Volume 28, 1983, accessible online at
277:The Operas of Leonardo Vinci, Napoletano
446:Grande enciclopedia della musica lirica
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75:, which premiered on 4 February at the
341:(the article is reproduced online at
7:
514:Dizionario Biografico degli Italiani
388:I teatri di Napoli. Secolo XV-XVIII
450:Conti, Gioacchino, detto Gizziello
14:
469:The New Grove Dictionary of Opera
275:). See also Kurt Sven Markstrom,
716:18th-century Italian male actors
535:; accessible for free online at
497:; accessible for free online at
296:FĂ©tis, p. 351; Villarosa, p. 54.
726:Musicians from the Papal States
316:). It is likely to be a legend.
223:his contemporary (and friend)
1:
125:, and in revivals of Vinci's
407:, Turin, EDT, 1995, p. 108.
164:, as well as in revivals of
444:Salvatore Caruselli (ed.),
204:) and Johann Adolph Hasse (
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527:Carlantonio di Villarosa,
331:Dizionario dell'opera 2008
93:Nicolò Grimaldi (Nicolini)
721:Italian male stage actors
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670:Giusto Fernando Tenducci
252:Caruselli; Dean; Lisena.
374:Conti's appearances in
138:George Frideric Handel
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706:Italian opera singers
487:François-Joseph Fétis
363:GFH (Handel for ever)
107:Teatro San Bartolomeo
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645:Gaspare Pacchierotti
620:Giambattista Velluti
16:Italian opera singer
436:Storia del belcanto
325:Maria Grazia SitĂ ,
115:Johann Adolph Hasse
701:People from Arpino
460:Conti, Gioacchino
452:, I, p. 295).
348:2015-11-17 at the
271:2015-11-17 at the
195:Baldassare Galuppi
81:Didone abbandonata
53:Conti was born in
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509:Conti, Gioacchino
478:978-0-19-522186-2
339:978-88-6073-184-5
306:Francesco Florimo
285:978-1-57647-094-7
123:Francesco Mancini
77:Teatro delle Dame
30:, was an Italian
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615:Gaetano Guadagni
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484:(in French)
456:Winton Dean
102:La Salustia
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655:Sciroletto
605:Farfallino
585:Caffarelli
231:References
220:coloratura
89:Caffarelli
28:Egizziello
625:Gizziello
610:Farinelli
380:Artaserse
225:Farinelli
208:, 1747).
200:Artaserse
193:, 1746),
173:Partenope
167:Ariodante
131:Artaserse
97:Pergolesi
85:Artaserse
72:Artaserse
49:Biography
24:Gizziello
711:Castrati
660:Senesino
640:Nicolini
595:Cusanino
574:Castrati
346:Archived
327:Salustia
269:Archived
206:Demetrio
155:Berenice
149:Giustino
143:Atalanta
35:castrato
466:(ed.),
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161:Arminio
105:at the
32:soprano
665:Siface
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202:, 1751
191:Manlio
179:Alcina
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55:Arpino
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243:Dean.
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