203:, a travelling theatre initiative supported by the Fascist regime, Forzano came to the attention of Benito Mussolini who, in 1929 suggested an artistic collaboration. This eventually resulted in the composition of three plays, the joint authorship of which was never explicitly acknowledged in Italy, but which nonetheless was common knowledge. Although Forzano derived a certain amount of kudos from the association with the Dictator, it does not seem that he received any direct financial benefit, unlike many other cultural figures of the time who received subsidies of various kinds from the fascist authorities. Unfortunately, however, Forzano became associated indissolubly with Mussolini and the regime, both as a result of these plays, the last of which
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Forzano's plays were light-weight, but extremely popular and he was one of the most frequently performed playwrights of the period. The subjects of his plays were many and varied: some were historical with settings as different as early
Renaissance Florence or France during the Revolution; others
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were contemporary, comedies of manners often dealing with issues around societal preconceptions with regard to the role of women or the nature of relationships. As a result of his success in the world of popular theatre, his high-profile directing of a well-received open-air performance of
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in 1933, all of which were staunchly supportive of the regime. Following the Fall of
Fascism Forzano was never able to free himself from this association and, consequently, never able to capture his former position, either as a dramatist or cultural figure.
84:. He then began studying law and, after finishing his diploma, became a freelance journalist, contributing regularly to several of Italy's major newspapers. In 1914 he met and befriended Puccini who asked him to write the librettos for his
45:, stage and film director. A resourceful writer, he authored numerous popular plays and produced opera librettos for most of the major Italian composers of the early twentieth century, including the librettos for
159:, serving in that capacity through 1930. During the 1920s he became one of the most successful and frequently performed dramatists of his day. He later became a producer and director of propaganda films for the
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was first performed in 1939, and on account of the films which
Forzano produced and directed during the 1930s, beginning with
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C.E.J.Griffiths, 'Italian Cinema in the
Thirties: Camicia nera and other films by Giovacchino Forzano',
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The
Theatrical Works of Giovacchino Forzano: Drama for Mussolini's Italy
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He studied medicine before embarking on a brief career as an operatic
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41:; 19 November 1884 – 28 October 1970) was an Italian playwright,
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on 14 December 1918 to high acclaim. With the success of
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438:ed. L. Macy (Accessed 4 March 2009),
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504:Italian dramatists and playwrights
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529:20th-century Italian male writers
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38:[dʒovakˈkinoforˈtsano]
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494:People from Borgo San Lorenzo
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331:Principal theatrical works
286:(Alberto Franchetti, 1922)
509:Italian theatre directors
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434:: "Giovacchino Forzano",
178:He died at Rome in 1970.
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410:(with Mussolini; 1939)
402:(with Mussolini; 1931)
394:(with Mussolini; 1930)
280:(Pietro Mascagni, 1921)
260:(Giacomo Puccini, 1918)
108:wrote the libretto for
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161:National Fascist Party
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368:Ginevra degli Almieri
169:Come li ho conosciuti
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356:I fiordalisi d'oro
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122:Il trittico
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478:Categories
414:References
197:Vittoriale
110:Il tabarro
101:Il tabarro
43:librettist
348:Lorenzino
233:Lodoletta
73:, in the
65:Biography
265:Edipo re
157:La Scala
82:baritone
406:(1937)
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