20:
106:) is dedicated to her. Maccioni remained in Munich until 1662, writing libretti for various court celebrations and ballets by other composers. He then left for Rome, where for the next 12 years he continued to serve Ferdinand Maria and Henriette Adelaide as their agent, engaging Italian musicians for the court theatre in Munich. There are no further records of him after 1674. The date and place of his death are unknown.
333:
285:
250:
63:
Nothing is known about
Maccioni's early life nor the date and place of his birth. The first record of him was in 1651 when he was hired as the court chaplain, poet and musician to
71:
in 1652, Maccioni, who was considered an outstanding harpist, became her harp teacher. It was she who encouraged him to write and compose a work to celebrate the visit of
113:
was performed by the Neue
Hofkapelle München orchestra conducted by Christopher Hammer in October 2003 to mark the 350th anniversary of opera in Germany. The modern day
228:
206:
363:
353:
79:, often referred to as the first opera to be wholly written and produced in Germany, although it was closer in its form and length to a dramatic
373:
68:
184:
64:
19:
358:
72:
143:
301:
238:
216:
194:
272:
323:
368:
87:
was an integrated musical drama with recitatives, solo arias, duets and a final chorus. The score is held in the
88:
83:. Nevertheless, it differed from previous court entertainments which had been plays with musical interludes.
98:
and is said to have collaborated with
Maccioni on several of his other libretti. His libretto for the opera
309:
327:
52:
118:
234:
212:
190:
103:
94:
Princess
Henriette Adelaide herself portrayed the role of Feminine Beauty in the prologue of
322:, an elaborate court entertainment with music and tournaments celebrating the visit of
55:
and is often described as the first opera to be wholly written and produced in
Germany.
347:
114:
268:
315:
151:
40:
168:
80:
35:
18:
167:
In the past he has been confused with an
Italian dramatist from
51:), first performed in 1653, inaugurated what was to become the
255:
F. X. Weizinger. Online version retrieved 29 March 2013
23:
Title page of
Maccioni's libretto for the 1657 ballet
8:
230:German Opera: From the Beginnings to Wagner
189:, p. 231. University of California Press.
138:
136:
134:
102:, performed in 1660 (probably to music by
273:L'arpa festante - Barockorchester München
154:. Online version retrieved 29 March 2013
75:to Munich in August 1653. The result was
208:The Oxford Illustrated History of Opera
179:
177:
130:
171:with the same name. See Daolmi (2007).
39:1651 – 1674) was an Italian composer,
233:, p. 28. Cambridge University Press.
7:
316:Illustrated libretto for Maccioni's
148:Dizionario biografico degli italiani
69:Princess Henriette Adelaide of Savoy
302:Maccioni's libretto for the ballet
65:Ferdinand Maria, Elector of Bavaria
211:, p. 32. Oxford University Press.
14:
73:Ferdinand III, Holy Roman Emperor
364:Italian male classical composers
121:, takes its name from the work.
354:17th-century Italian composers
1:
324:Leopold I, Holy Roman Emperor
144:"Maccioni, Giovanni Battista"
252:Geschichte der Münchner Oper
374:17th-century male musicians
286:About the Hofkapelle Munich
390:
288:. Retrieved 29 March 2013.
275:. Retrieved 29 March 2013.
186:Companion to Baroque Music
183:Sadie, Julie Anne (1998).
31:Giovanni Battista Maccioni
359:Italian Baroque composers
284:Neue Hofkapelle München.
89:Austrian National Library
67:. When Ferdinand married
340:(Bavarian State Library)
334:Maccioni's libretto for
328:Herzog August Bibliothek
338:: Dramma musicale, 1660
142:Daolmi, Davide (2007).
326:to the Munich court. (
310:Bavarian State Library
227:Warrack, John (2001).
205:Parker, Roger (2001).
27:
109:Maccioni's music for
22:
249:Zenger, Max (1923).
53:Bavarian State Opera
43:, and musician. His
369:Italian librettists
304:Li quattro elementi
25:Li quattro elementi
28:
104:Francesco Cavalli
381:
318:Applausi Festivi
289:
282:
276:
266:
260:
258:
247:
241:
225:
219:
203:
197:
181:
172:
165:
159:
157:
140:
49:The Festive Harp
16:Italian composer
389:
388:
384:
383:
382:
380:
379:
378:
344:
343:
298:
293:
292:
283:
279:
267:
263:
256:
248:
244:
226:
222:
204:
200:
182:
175:
166:
162:
155:
141:
132:
127:
119:L'arpa festante
111:L'arpa festante
96:L'arpa festante
85:L'arpa festante
77:L'arpa festante
61:
45:L'arpa festante
17:
12:
11:
5:
387:
385:
377:
376:
371:
366:
361:
356:
346:
345:
342:
341:
331:
313:
297:
296:External links
294:
291:
290:
277:
261:
242:
220:
198:
173:
160:
129:
128:
126:
123:
60:
57:
15:
13:
10:
9:
6:
4:
3:
2:
386:
375:
372:
370:
367:
365:
362:
360:
357:
355:
352:
351:
349:
339:
337:
332:
329:
325:
321:
319:
314:
311:
307:
305:
300:
299:
295:
287:
281:
278:
274:
270:
265:
262:
254:
253:
246:
243:
240:
236:
232:
231:
224:
221:
218:
214:
210:
209:
202:
199:
196:
192:
188:
187:
180:
178:
174:
170:
164:
161:
153:
150:, Volume 67.
149:
145:
139:
137:
135:
131:
124:
122:
120:
116:
115:Baroque music
112:
107:
105:
101:
97:
92:
90:
86:
82:
78:
74:
70:
66:
58:
56:
54:
50:
46:
42:
38:
37:
32:
26:
21:
335:
317:
303:
280:
269:Carus-Verlag
264:
251:
245:
229:
223:
207:
201:
185:
163:
156:(in Italian)
147:
110:
108:
99:
95:
93:
84:
76:
62:
48:
44:
34:
30:
29:
24:
257:(in German)
348:Categories
239:0521235324
217:0192854453
195:0520214145
125:References
117:ensemble,
41:librettist
336:L'Ardelia
100:L'Ardelia
152:Treccani
169:Orvieto
81:cantata
36:floruit
320:, 1658
306:, 1657
237:
215:
193:
235:ISBN
213:ISBN
191:ISBN
59:Life
350::
271:.
176:^
146:.
133:^
91:.
330:)
312:)
308:(
259:.
158:.
47:(
33:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
