133:, Chiaramonte's approach to photography aimed at conflating ethics, aesthetics and theology. He considered photography as an instrument of both meditation and knowledge, and as a meeting point between the exteriority of the world and the interiority of the person. Often described as a "photographer of the thought", he gave a strong importance to light, which in his work had a philosophical and even metaphisical metaphorical significance.
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Chiaramonte was professor of
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