297:
251:
282:
266:
312:
113:
20:
153:
Giovanni's work between 1302 and 1310 at the new pulpit for the
Cathedral of Pisa shows his distinct preference for animation in his characters and moved his father's style even further away. This pulpit with its dramatic scenes has become his masterwork. It shows nine scenes from the New Testament,
296:
127:, sculpting the statues in the two rows of traceried gables at the exterior of the Baptistry (1277–1284). The vivacity of these statues is a new confirmation that he had left the serene style of his father behind. Between 1287 and 1296 he was appointed chief architect of
250:
131:. The architectural design and elegant sculptures for the facade of the cathedral in Siena show his tendency to blend Gothic art with reminders of Roman art. The work was continued after his death, with still greater Gothic elaboration, by
265:
281:
225:
311:
139:
142:
which he had already started in 1297. The pulpit has five reliefs: the
Annunciation and Nativity; the Adoration, the Dream of the Magi and the Angel warning Joseph; the
168:
470:
437:
413:
502:
497:
517:
507:
397:
454:
105:. These first works were made in Nicola's style and it is difficult to separate the contributions of the two artists. However the
522:
512:
383:
Clario Di Fabio, Gianluca Ameri, Francesca
Girelli, Giovanni Pisano, Art e Dossier, 376, Firenze-Milano, Giunti Editore 2020
196:
176:. After the fire of 1595, it was packed away during the redecoration and was not rediscovered and re-erected until 1926.
101:(completed 1278). Nicola Pisano is thought to have died either around 1278 or in 1284 when Giovanni took up residence in
109:
can be attributed with certainty to
Giovanni, showing a new style with a certain familiarity between Mother and Child.
532:
188:
527:
143:
86:
138:
In 1296 he returned to Pisa to begin work on the Church of San
Giovanni. In 1301 he continued his work on the
112:
85:. He received his training in the workshop of his father and in 1265–1268 he worked with his father on the
208:
73:, referring to his statues for the facade of Siena Cathedral, called him "the first modern sculptor".
492:
487:
132:
192:
464:
431:
407:
450:
393:
341:
331:
216:
212:
180:
66:
390:
Die
Madonnenskulpturen des Giovanni Pisano. Stilkritik, Kulturtransfer und Materialimitation
272:
128:
90:
24:
158:
effect. It contains even a bold, naturalistic depiction of a naked
Hercules. His figure
361:
220:
147:
124:
117:
481:
191:. His last major work dates probably from 1313 when he made a monument in memory of
187:, perhaps by the design of Giovanni Pisano. He was also responsible of the façade of
82:
184:
155:
70:
62:
61:. He is best known for his sculpture which shows the influence of both the
46:
233:
173:
98:
58:
19:
336:
211:, who also became a famous sculptor, and the architect and sculptor
111:
102:
54:
18:
81:
Born in Pisa, Giovanni Pisano was the son of the famous sculptor
50:
259:
from the cathedral, Pisa (Museo dell'Opera del Duomo de Pisa)
27:
and provided its sculptures. (The sculptures are replicas.)
226:
Le vite dei più eccellenti pittori, scultori, e architetti
195:(who died in 1311) at the request of her husband emperor
93:. His next major work with his father was the fountain
49:, painter and architect, who worked in the cities of
162:in the pulpit may have been an inspiration for the
362:"Giovanni Pisano | Italian sculptor | Britannica"
239:was named to honour Nicola and Giovanni Pisano.
8:
223:included a biography of Pisano in his book
469:: CS1 maint: location missing publisher (
436:: CS1 maint: location missing publisher (
412:: CS1 maint: location missing publisher (
305:from the pulpit of Sant' Andreas, Pistoia
215:. He also had an influence on the painter
183:was enlarged between 1297 and 1313 by the
320:from the pulpit of Sant' Andrea, Pistoia
424:Il pulpito di Giovanni Pisano a Pistoia
353:
275:, (Museo dell'Opera del Duomo de Siena)
246:
462:
429:
405:
290:from Siena Cathedral (V&A, London)
169:The Expulsion from the Garden of Eden
7:
23:Giovanni Pisano began the facade of
14:
310:
295:
280:
264:
249:
503:14th-century Italian architects
498:13th-century Italian architects
140:Pulpit of Sant' Andrea, Pistoia
518:14th-century Italian sculptors
508:13th-century Italian sculptors
154:carved in white marble with a
1:
271:The statues of the facade of
35:
123:Giovanni's next work was at
146:; the Crucifixion; and the
549:
144:Massacre of the Innocents
388:Hohenfeld, Kai (2014).
189:San Paolo a Ripa d'Arno
523:Sculptors from Tuscany
513:Italian male sculptors
422:Mellini, G.L. (1969).
207:One of his pupils was
120:
28:
209:Giovanni di Balduccio
115:
22:
445:Carli, Enzo (1966).
133:Memmo di Filippuccio
193:Margaret of Brabant
366:www.britannica.com
288:The Prophet Haggai
181:San Nicola in Pisa
121:
107:Madonna with Child
29:
533:Artists from Pisa
399:978-3-89739-821-4
342:Arnolfo di Cambio
332:Giovanni di Cecco
257:Madonna and Child
217:Pietro Lorenzetti
213:Agostino da Siena
67:Ancient Roman art
45:) was an Italian
540:
528:Gothic sculptors
474:
468:
460:
441:
435:
427:
417:
411:
403:
376:
375:
373:
372:
358:
318:The Annunciation
314:
299:
284:
268:
253:
166:in the painting
95:Fontana Maggiore
44:
40:
37:
16:Italian sculptor
548:
547:
543:
542:
541:
539:
538:
537:
478:
477:
461:
457:
447:Giovanni Pisano
444:
428:
421:
404:
400:
387:
380:
379:
370:
368:
360:
359:
355:
350:
328:
321:
315:
306:
303:The Crucifixion
300:
291:
285:
276:
273:Siena Cathedral
269:
260:
254:
245:
205:
129:Siena Cathedral
91:Siena Cathedral
79:
42:
38:
32:Giovanni Pisano
25:Siena Cathedral
17:
12:
11:
5:
546:
544:
536:
535:
530:
525:
520:
515:
510:
505:
500:
495:
490:
480:
479:
476:
475:
455:
442:
398:
385:
384:
378:
377:
352:
351:
349:
346:
345:
344:
339:
334:
327:
324:
323:
322:
316:
309:
307:
301:
294:
292:
286:
279:
277:
270:
263:
261:
255:
248:
244:
241:
221:Giorgio Vasari
204:
201:
179:The church of
148:Last Judgement
125:Pisa Cathedral
118:Pisa Cathedral
116:The pulpit of
78:
75:
15:
13:
10:
9:
6:
4:
3:
2:
545:
534:
531:
529:
526:
524:
521:
519:
516:
514:
511:
509:
506:
504:
501:
499:
496:
494:
491:
489:
486:
485:
483:
472:
466:
458:
456:88-7781-045-9
452:
448:
443:
439:
433:
425:
420:
419:
418:
415:
409:
401:
395:
392:. Kromsdorf.
391:
382:
381:
367:
363:
357:
354:
347:
343:
340:
338:
335:
333:
330:
329:
325:
319:
313:
308:
304:
298:
293:
289:
283:
278:
274:
267:
262:
258:
252:
247:
242:
240:
238:
235:
230:
228:
227:
222:
218:
214:
210:
202:
200:
198:
194:
190:
186:
182:
177:
175:
171:
170:
165:
161:
157:
151:
149:
145:
141:
136:
134:
130:
126:
119:
114:
110:
108:
104:
100:
96:
92:
88:
84:
83:Nicola Pisano
76:
74:
72:
68:
64:
63:French Gothic
60:
56:
52:
48:
33:
26:
21:
446:
423:
389:
386:
369:. Retrieved
365:
356:
317:
302:
287:
256:
236:
231:
224:
206:
185:Augustinians
178:
167:
163:
159:
152:
137:
122:
106:
94:
80:
31:
30:
493:1315 deaths
488:1250 births
426:. Florence.
237:7313 Pisano
156:chiaroscuro
71:Henry Moore
43: 1315
39: 1250
482:Categories
371:2022-04-12
348:References
41: – c.
465:cite book
449:. Milan.
432:cite book
408:cite book
197:Henry VII
326:See also
234:asteroid
174:Masaccio
160:Prudence
65:and the
47:sculptor
243:Gallery
99:Perugia
77:History
59:Pistoia
453:
396:
337:Duccio
203:Legacy
87:pulpit
103:Siena
55:Siena
471:link
451:ISBN
438:link
414:link
394:ISBN
232:The
57:and
51:Pisa
172:by
164:Eve
97:in
89:in
69:.
484::
467:}}
463:{{
434:}}
430:{{
410:}}
406:{{
364:.
229:.
219:.
199:.
150:.
135:.
53:,
36:c.
473:)
459:.
440:)
416:)
402:.
374:.
34:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.