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the ending, but several other fictional characters appear and several members of the audience begin to run amok at the breakdown of reality. Eventually, all the other actors leave and
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involves
Diabetes playing a slave who is forced to courier a message to the king. He is nervous after being told that if the message is bad news, the king will execute him; he opens the message, but is not reassured when it reads only the word "Yes". He eventually reaches the king's castle and
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realises that "Yes" is an affirmative, and thus fundamentally good. However, the king reveals that the question that the message provides the answer for is: "Is there a God?", which enrages the king as it means that he will go to
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for his sins. Just as the king is to execute
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Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask)
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good ending, suggesting that the entire play exists in an infinite loop.
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enters, saying that she is tired of the brutality of
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51:. Unsourced material may be challenged and removed.
144:, and Allen's short stories in Woody Allen's book
138:. It was first published in 1975, along with
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790:Men of Crisis: The Harvey Wallinger Story
111:Learn how and when to remove this message
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244:Lingeman, Richard R. (9 July 1975).
49:adding citations to reliable sources
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36:needs additional citations for
619:The Curse of the Jade Scorpion
451:A Midsummer Night's Sex Comedy
188:for advice on how to proceed.
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1085:Monument (Oviedo, Spain)
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369:What's Up, Tiger Lily?
350:Awards and nominations
916:Bullets Over Broadway
852:Don't Drink the Water
817:Don't Drink the Water
563:Bullets Over Broadway
1139:Plays by Woody Allen
994:Woody Allen Volume 2
825:Crisis in Six Scenes
587:Deconstructing Harry
45:improve this article
1134:Metafictional plays
1081:, 2021 documentary)
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467:Broadway Danny Rose
208:Tennessee Williams'
131:A Comedy in One Act
16:Play by Woody Allen
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