463:
669:, released a year later, is seen by many as the band's most focused work, owing much to the strong contributions once again of Carson, Laswell, and Skopelitis. Tracks such as "No Skin" and "Pure" continue in the dance/ambient style of the previous album. The CD also stirred a minor controversy over the bare female breast on its cover, with some stores carrying a version of the CD with a booklet and the cover replaced by simple, text-based artwork. Another remix EP (
36:
369:, elaborating: "Each record was an experiment and some lasted for two records, never longer than that. I chalk it up to my short attention span and the fact that there were lots of people I wanted to work with and ways to explore areas of music I was interested in, and certain combos wouldn't fit with others, so one record would be this and another record would be something else."
551:(1989) carried on in the sound of its predecessors slightly, but some of the songs crossed into a darker, more ambient and ethereal sound that dominated the Palomino records of the 1990s. Syd Straw had moved on and was no longer in the band, with most of the vocals now handled by Amanda Kramer, formerly of the
758:
on the
Internet, made available via Nicole Blackman's website and through a fan-created band appreciation website (since decommissioned). The EP consisted of five remixes, each released sequentially for download from the sites for one month only, as per Fier's instructions:
873:
In 2010, the Golden
Palominos played two shows in New York City: a May 7 show at Le Poisson Rouge and a May 11 show at The Living Room. Both shows were an unqualified success and speculation began as to if more dates or a re-formation of the band was in the future.
364:
While the
Palominos' records usually featured a core set of musicians and a certain emotional continuity throughout the bulk of an album, various guest appearances resulted in stylistic changes from track to track. Fier stated that he thought of himself as a
742:
a challenging record; its sound and tone stand out as decidedly unlike any of the others. The album's opener is a brutal, spoken-word track, "Victim", which details a woman's thoughts as she is abducted and eventually murdered by her kidnapper.
910:
stating the "...resulting music is raw and lovely and real as hell." While this represents the first music from the
Palominos in nearly 15 years, any additional projects exclusively under the Golden Palominos moniker have not materialized.
844:
Both Syd Straw and Lori Carson have gone on to moderately successful and critically acclaimed solo careers, with Carson a frequent contributor to television shows and movies. A compilation of some of Carson's contributed songs, titled
580:
and using more processed and electronic sounds, giving some of its songs an ethereal feel. This album is arguably more influenced by its guest appearances than are any of the previous albums. Guests included
1012:
Much of the Golden
Palominos' work has become increasingly hard to find, and compilations do not provide a complete overview of their work. A few best-of compilations are available: two
687:
showed the same sparse sound, production, and strong yet quiet vocals (albeit less electronic) that influenced Carson's solo work. Anton Fier produced Carson's 1995 solo record,
629:, who co-wrote nine of the CD's tracks with Anton Fier. Bill Laswell also returned to contribute on this record, and his production work on this and on the following record,
1507:
593:
the following year), Richard
Thompson, and Michael Stipe, who provided (along with a forceful solo by Thompson) one of the band's finer moments, the opening track "
1574:
1283:
1440:
951:
511:
1569:
1564:
1032:
is also extremely rare in its original release and is a prized possession of Fier aficionados. However, Fier re-released it and his other solo record,
1604:
1144:
894:, was released on February 21, 2012, and is billed as 'Kevn Kinney and The Golden Palominos' (composed of Fier on drums, Scherr on guitars, and
1579:
1198:
57:
1599:
1255:
1276:
1171:
1589:
1584:
1472:
983:
866:
665:
123:
104:
923:
650:
76:
1225:
431:, courtesy of Laswell and M.E. Miller. M.E. Miller also used vocal splitting technique to create harmony on the song he sings.
479:, sounded vastly different. Of the band members that were on the first album, only Fier, Laswell and Arto Lindsay remained.
1061:
61:
83:
1269:
1594:
1464:
1424:
975:
935:
613:
451:
884:
Fier and Kinney rekindled their friendship and began rehearsing together again, which then progressed into starting a
734:. Blackman's dark and deliberate lyrics (tellingly, Blackman had also recently worked with the industrial German band
500:
90:
719:(1996) was another stylistic turnaround for the Palominos, and their last proper album. This record had a deathly,
556:
1523:
1515:
46:
625:, but also incorporated elements of club and trance music. It also marked the introduction of new lead vocalist
72:
53:
1024:
onward. The later albums on
Restless are growing harder to find on CD, with the earliest CDs on Celluloid and
327:, first formed in 1981. Aside from Fier, the Palominos membership has been wildly elastic, with only bassist
1016:
collections on
Celluloid both released in 1992; a German collection released in 1997; and 2002's collection
1379:
724:
590:
410:
281:
1542:
594:
576:
marked the first album not on
Celluloid Records, taking cues from some of the darker sounds heard on
532:
1090:
730:(who before joining the Palominos, was also in a band with Lori Carson), Nicky Skopelitis, and poet
265:
1488:
1480:
1230:
999:
991:
890:
828:
813:
715:
462:
454:, although all of the core members apart from Zorn were guests on subsequent Palominos recordings.
439:
337:
523:'s Lowell George, both sung by Syd Straw. The record also featured prominent guest appearances by
97:
1456:
967:
881:, and Kevn Kinney, the lead singer of Drivin' 'n' Cryin', re-connected with Fier at these shows.
699:
572:
487:, whose songwriting and vocals were featured prominently, as well as on the group's next album.
417:
406:
168:
597:". Nicky Skopelitis also became more of a cornerstone of the band, contributing to the bulk of
877:
At around the same time, Fier began drumming again in New York City as a sideman to his friend
519:
and with appearances by many of the same personnel. It included covers of two songs written by
1432:
1117:
943:
683:
was also the last
Palominos record for Lori Carson. However, the song "Little Suicides", from
475:
402:
200:
1394:
1384:
903:
720:
618:
366:
358:
350:
332:
233:
208:
204:
180:
164:
1326:
775:
731:
536:
313:
289:
269:
582:
1402:
1037:
861:
822:
by John Van Eaton (another Blackman collaborator who also worked with NiN for 10 years)
779:
646:
540:
285:
1558:
1364:
1354:
1336:
899:
799:
789:
727:
528:
524:
488:
466:
305:
261:
245:
237:
176:
172:
653:". To further highlight the album's dance elements, an EP of remixes of songs from
633:, heavily influenced Laswell's own remix work of the late 1990s, as seen on the CDs
1448:
1374:
1369:
959:
547:
394:
383:
354:
328:
249:
229:
601:
s songs along with Fier and Kramer. In 1992, Fier released his first solo record,
1359:
1346:
1331:
1311:
906:
on guitars and backing vocals). Initial reviews of the album were positive with
885:
878:
767:
694:
1994 also saw the release of what was essentially Fier's second solo recording,
626:
552:
520:
504:
414:
387:
342:
277:
253:
241:
35:
17:
1341:
1304:
833:
771:
496:
492:
443:
424:
421:
398:
324:
293:
225:
1407:
1389:
1318:
1226:"Drummer Anton Fier, Drummer for the Feelies and Lounge Lizards, Dies at 66"
895:
809:
586:
484:
428:
390:
273:
257:
149:
850:
321:
317:
450:
stylings that became Zorn's trademark. This line-up lasted only for the
1261:
435:
346:
309:
64: in this article. Unsourced material may be challenged and removed.
515:
was released the following year, continuing in much the same vein as
735:
461:
826:
Fier brought the Golden Palominos to an end after the release of
832:, as he was unhappy with Restless Records and struggling with a
447:
335:
appearing on every album through 1996. Their final work, 2012's
153:
1265:
1149:
a good country mile: kevn kinney & anton fier album project
1145:"A Country & Folk project in New York, NY by Kenneth Green"
605:, which is partially a reworking of the Palomino's next album,
755:
29:
1203:
Kevn Kinney & The Golden Palominos — A Good Country Mile
860:
Anton Fier reappeared on the music scene in 2009, producing
438:
music (Arto Lindsay had played in the seminal no-wave band
401:. Their self-titled debut album was released on New York's
754:. The EP, in a novelty for its time, was released as free
914:
Anton Fier died on September 22, 2022, at the age of 66.
888:
campaign to fund a new Kevin Kinney album. The album,
645:, an ethereal, drum-machine-laced re-interpretation of
559:. Fier later was a guest on Straw's first solo record,
641:. The album also contains the first cover song since
420:
and others. The album has some of the first recorded
1534:
1499:
1416:
469:– Former Golden Palominos singer in Concert in 2009
405:in 1983, and featured guest appearances by bassist
219:
215:
196:
186:
160:
145:
138:
746:In 1997, The Palominos released another EP, named
1508:Thundering Herd: The Best of The Golden Palominos
723:sound, with the line-up consisting only of Fier,
870:, which was the band's first album in 12 years.
382:The group first featured Fier, singer-guitarist
661:, was released shortly after the CD's release.
442:), but their music also contained elements of
1277:
1122:Flashback: A Broken-Up Band Reunites, Briefly
1062:"Anton Fier: A toast to the restless drummer"
345:. The band's early work developed out of the
8:
1441:Blast of Silence (Axed My Baby for a Nickel)
952:Blast of Silence (Axed My Baby for a Nickel)
512:Blast of Silence (Axed My Baby for a Nickel)
409:, guitarist Nicky Skopelitis, percussionist
1284:
1270:
1262:
1020:. However, none include any material from
750:, composed of five remixes of tracks from
434:They were heavily influenced by so-called
135:
124:Learn how and when to remove this message
671:No Thought, No Breath, No Eyes, No Heart
621:in 1993, continued the ambient sound of
52:Relevant discussion may be found on the
1084:
1082:
1055:
1053:
1049:
1575:Musical groups disestablished in 2022
7:
62:adding citations to reliable sources
1170:Robbins, Brian (22 February 2012).
853:in 2003, and her last solo record,
349:scene, but later branched out into
1570:Musical groups established in 1981
1224:Arcand, Rob (September 22, 2022).
802:(a frequent Blackman collaborator)
473:The Palominos' next album, 1985's
25:
1565:Alternative rock groups from Ohio
867:The Great American Bubble Factory
499:took turns on lead vocals, while
924:The Golden Palominos discography
483:also marked the debut of singer
34:
45:needs additional citations for
1605:2022 disestablishments in Ohio
507:were featured on lead guitar.
1:
1580:Musical groups from Cleveland
1060:Gross, Jason (October 2022).
1028:being nearly non-existent. (
1116:Ratliff, Ben (12 May 2010).
1091:"A Good Country Mile review"
702:), which used outtakes from
698:(released under the moniker
1600:1981 establishments in Ohio
706:for much of its framework.
446:and of the improvisational
1621:
1258:at Yahoo! Music (archived)
1176:A Good Country Mile review
921:
1299:
786:Ride: Pragmatic Spasmatic
1590:Charisma Records artists
1585:Restless Records artists
1178:. Relix Media Group, LLC
857:, was released in 2004.
397:and violinist/guitarist
308:musical group headed by
770:(whose credits include
796:Belfast: Empty as Wire
764:Victim: The Last Thing
470:
73:"The Golden Palominos"
1524:A History (1986–1989)
1516:A History (1982–1985)
1040:label in late 2003.)
902:, on bass as well as
782:) with John Van Eaton
725:multi-instrumentalist
589:(who formed the band
465:
192:1981–1996, 2010, 2012
1543:Alive and Living Now
1465:This Is How It Feels
1425:The Golden Palominos
1293:The Golden Palominos
1205:. Ticket Alternative
1124:. The New York Times
976:This Is How It Feels
936:The Golden Palominos
820:Victim: Interference
792:(of KMFDM & Pig)
659:Prison of the Rhythm
655:This Is How It Feels
614:This Is How It Feels
607:This Is How It Feels
595:Alive and Living Now
302:The Golden Palominos
140:The Golden Palominos
58:improve this article
1595:Musical collectives
1489:A Good Country Mile
1000:A Good Country Mile
891:A Good Country Mile
862:Drivin' 'n' Cryin's
599:Drunk with Passion'
557:Information Society
338:A Good Country Mile
1457:Drunk with Passion
1151:. Kickstarter, Inc
1097:. Rovi Corporation
1026:Drunk with Passion
1022:Drunk with Passion
968:Drunk with Passion
849:, was released by
623:Drunk with Passion
573:Drunk with Passion
471:
407:Jamaaladeen Tacuma
341:features vocalist
1552:
1551:
1433:Visions of Excess
1197:Eldridge, Ellen.
1036:, on John Zorn's
944:Visions of Excess
517:Visions of Excess
481:Visions of Excess
476:Visions of Excess
403:Celluloid Records
393:, bass guitarist
299:
298:
134:
133:
126:
108:
16:(Redirected from
1612:
1399:Eleanor Whitmore
1395:Aaron Lee Tasjan
1385:Nicky Skopelitis
1286:
1279:
1272:
1263:
1243:
1242:
1240:
1238:
1221:
1215:
1214:
1212:
1210:
1194:
1188:
1187:
1185:
1183:
1167:
1161:
1160:
1158:
1156:
1143:Green, Kenneth.
1140:
1134:
1133:
1131:
1129:
1113:
1107:
1106:
1104:
1102:
1086:
1077:
1076:
1074:
1072:
1057:
904:Aaron Lee Tasjan
855:The Finest Thing
834:drinking problem
643:Blast of Silence
619:Restless Records
501:Richard Thompson
367:casting director
359:electronic music
351:alternative rock
333:Nicky Skopelitis
234:Nicky Skopelitis
222:
189:
165:Alternative rock
136:
129:
122:
118:
115:
109:
107:
66:
38:
30:
21:
18:Golden Palominos
1620:
1619:
1615:
1614:
1613:
1611:
1610:
1609:
1555:
1554:
1553:
1548:
1530:
1495:
1412:
1327:Nicole Blackman
1295:
1290:
1252:
1247:
1246:
1236:
1234:
1223:
1222:
1218:
1208:
1206:
1196:
1195:
1191:
1181:
1179:
1169:
1168:
1164:
1154:
1152:
1142:
1141:
1137:
1127:
1125:
1115:
1114:
1110:
1100:
1098:
1088:
1087:
1080:
1070:
1068:
1059:
1058:
1051:
1046:
1034:Absence of Time
1010:
926:
920:
842:
776:Nine Inch Nails
732:Nicole Blackman
712:
696:Absence of Time
569:
537:Peter Holsapple
460:
380:
375:
292:
290:Michael Hampton
288:
284:
280:
276:
272:
270:Nicole Blackman
268:
264:
260:
256:
252:
248:
244:
240:
236:
232:
228:
220:
211:, Almost Loaded
187:
141:
130:
119:
113:
110:
67:
65:
51:
39:
28:
23:
22:
15:
12:
11:
5:
1618:
1616:
1608:
1607:
1602:
1597:
1592:
1587:
1582:
1577:
1572:
1567:
1557:
1556:
1550:
1549:
1547:
1546:
1538:
1536:
1532:
1531:
1529:
1528:
1520:
1512:
1503:
1501:
1497:
1496:
1494:
1493:
1485:
1477:
1469:
1461:
1453:
1445:
1437:
1429:
1420:
1418:
1414:
1413:
1411:
1410:
1405:
1403:Bernie Worrell
1400:
1397:
1392:
1387:
1382:
1377:
1372:
1367:
1362:
1357:
1352:
1351:Lydia Kavanagh
1349:
1344:
1339:
1334:
1329:
1323:
1322:
1315:
1308:
1300:
1297:
1296:
1291:
1289:
1288:
1281:
1274:
1266:
1260:
1259:
1251:
1250:External links
1248:
1245:
1244:
1216:
1189:
1162:
1135:
1118:"Music Review"
1108:
1078:
1048:
1047:
1045:
1042:
1009:
1006:
1005:
1004:
996:
988:
980:
972:
964:
956:
948:
940:
931:
930:
922:Main article:
919:
916:
898:, formerly of
841:
838:
824:
823:
817:
803:
793:
783:
780:Marilyn Manson
711:
708:
673:) accompanied
647:Jackson Browne
617:, released on
568:
565:
541:T-Bone Burnett
459:
456:
379:
378:Initial lineup
376:
374:
371:
331:and guitarist
297:
296:
286:Bernie Worrell
266:Lydia Kavanagh
223:
217:
216:
213:
212:
198:
194:
193:
190:
184:
183:
162:
158:
157:
147:
143:
142:
139:
132:
131:
114:September 2008
56:. Please help
42:
40:
33:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
1617:
1606:
1603:
1601:
1598:
1596:
1593:
1591:
1588:
1586:
1583:
1581:
1578:
1576:
1573:
1571:
1568:
1566:
1563:
1562:
1560:
1544:
1540:
1539:
1537:
1533:
1526:
1525:
1521:
1518:
1517:
1513:
1510:
1509:
1505:
1504:
1502:
1498:
1491:
1490:
1486:
1483:
1482:
1478:
1475:
1474:
1470:
1467:
1466:
1462:
1459:
1458:
1454:
1451:
1450:
1446:
1443:
1442:
1438:
1435:
1434:
1430:
1427:
1426:
1422:
1421:
1419:
1417:Studio albums
1415:
1409:
1406:
1404:
1401:
1398:
1396:
1393:
1391:
1388:
1386:
1383:
1381:
1378:
1376:
1373:
1371:
1368:
1366:
1365:Amanda Kramer
1363:
1361:
1358:
1356:
1355:Robert Kidney
1353:
1350:
1348:
1345:
1343:
1340:
1338:
1337:Knox Chandler
1335:
1333:
1330:
1328:
1325:
1324:
1321:
1320:
1316:
1314:
1313:
1309:
1307:
1306:
1302:
1301:
1298:
1294:
1287:
1282:
1280:
1275:
1273:
1268:
1267:
1264:
1257:
1254:
1253:
1249:
1237:September 23,
1233:
1232:
1227:
1220:
1217:
1204:
1200:
1193:
1190:
1177:
1173:
1166:
1163:
1150:
1146:
1139:
1136:
1123:
1119:
1112:
1109:
1096:
1092:
1089:Jurek, Thom.
1085:
1083:
1079:
1067:
1066:thewire.co.uk
1063:
1056:
1054:
1050:
1043:
1041:
1039:
1035:
1031:
1027:
1023:
1019:
1015:
1007:
1002:
1001:
997:
994:
993:
989:
986:
985:
981:
978:
977:
973:
970:
969:
965:
962:
961:
957:
954:
953:
949:
946:
945:
941:
938:
937:
933:
932:
929:Studio albums
928:
927:
925:
917:
915:
912:
909:
905:
901:
897:
893:
892:
887:
882:
880:
875:
871:
869:
868:
863:
858:
856:
852:
848:
847:Stolen Beauty
839:
837:
835:
831:
830:
821:
818:
815:
811:
807:
804:
801:
797:
794:
791:
790:Raymond Watts
787:
784:
781:
777:
773:
769:
765:
762:
761:
760:
757:
753:
749:
744:
741:
737:
733:
729:
728:Knox Chandler
726:
722:
718:
717:
709:
707:
705:
701:
697:
692:
690:
689:Where It Goes
686:
682:
678:
676:
672:
668:
667:
662:
660:
656:
652:
648:
644:
640:
639:City of Light
636:
635:Emerald Ather
632:
628:
624:
620:
616:
615:
610:
608:
604:
600:
596:
592:
588:
584:
579:
575:
574:
566:
564:
562:
558:
554:
550:
549:
544:
542:
538:
534:
530:
529:Matthew Sweet
526:
525:Peter Blegvad
522:
518:
514:
513:
508:
506:
502:
498:
494:
490:
489:Michael Stipe
486:
482:
478:
477:
468:
467:Amanda Kramer
464:
457:
455:
453:
449:
445:
441:
437:
432:
430:
426:
423:
419:
416:
412:
408:
404:
400:
396:
392:
389:
385:
377:
372:
370:
368:
362:
360:
356:
352:
348:
344:
340:
339:
334:
330:
326:
323:
319:
315:
311:
307:
303:
295:
291:
287:
283:
279:
275:
271:
267:
263:
262:Peter Blegvad
259:
255:
251:
247:
246:Knox Chandler
243:
239:
238:Amanda Kramer
235:
231:
227:
224:
218:
214:
210:
206:
202:
199:
195:
191:
185:
182:
178:
174:
170:
166:
163:
159:
155:
151:
148:
144:
137:
128:
125:
117:
106:
103:
99:
96:
92:
89:
85:
82:
78:
75: –
74:
70:
69:Find sources:
63:
59:
55:
49:
48:
43:This article
41:
37:
32:
31:
27:American band
19:
1522:
1514:
1506:
1500:Compilations
1487:
1479:
1471:
1463:
1455:
1449:A Dead Horse
1447:
1439:
1431:
1423:
1375:Arto Lindsay
1370:Bill Laswell
1317:
1310:
1303:
1292:
1235:. Retrieved
1229:
1219:
1207:. Retrieved
1202:
1192:
1180:. Retrieved
1175:
1172:"CD Reviews"
1165:
1153:. Retrieved
1148:
1138:
1126:. Retrieved
1121:
1111:
1099:. Retrieved
1095:allmusic.com
1094:
1071:December 22,
1069:. Retrieved
1065:
1033:
1029:
1025:
1021:
1018:Run Pony Run
1017:
1013:
1011:
1008:Compilations
998:
990:
982:
974:
966:
960:A Dead Horse
958:
950:
942:
934:
913:
907:
889:
883:
876:
872:
865:
859:
854:
846:
843:
827:
825:
819:
805:
795:
785:
763:
751:
748:Dead Outside
747:
745:
739:
714:
713:
703:
695:
693:
688:
684:
680:
679:
674:
670:
664:
663:
658:
654:
642:
638:
634:
630:
622:
612:
611:
606:
602:
598:
578:A Dead Horse
577:
571:
570:
560:
548:A Dead Horse
546:
545:
516:
510:
509:
480:
474:
472:
452:first record
433:
395:Bill Laswell
384:Arto Lindsay
381:
363:
355:country rock
336:
329:Bill Laswell
301:
300:
250:Arto Lindsay
230:Bill Laswell
221:Past members
188:Years active
169:experimental
120:
111:
101:
94:
87:
80:
68:
47:verification
44:
1481:Dead Inside
1360:Kevn Kinney
1347:Jody Harris
1332:Lori Carson
1312:Tony Scherr
1209:25 February
1199:"CD Review"
1182:25 February
1155:21 February
1128:21 February
1101:21 February
992:Dead Inside
918:Discography
886:Kickstarter
879:Tony Scherr
829:Dead Inside
808:remixed by
768:Sean Beavan
752:Dead Inside
740:Dead Inside
716:Dead Inside
700:Blind Light
677:s release.
657:, entitled
627:Lori Carson
553:dance music
521:Little Feat
505:Jody Harris
427:outside of
418:M.E. Miller
415:turntablist
388:saxophonist
343:Kevn Kinney
278:Tony Scherr
254:Jody Harris
242:Lori Carson
1559:Categories
1380:David Moss
1342:Fred Frith
1305:Anton Fier
1044:References
1030:Dreamspeed
900:Gov't Mule
721:industrial
651:These Days
603:Dreamspeed
497:Jack Bruce
493:John Lydon
425:scratching
411:David Moss
399:Fred Frith
325:Anton Fier
294:Fred Frith
282:David Moss
226:Anton Fier
181:industrial
84:newspapers
1408:John Zorn
1390:Syd Straw
1319:Andy Hess
1231:Pitchfork
1014:A History
896:Andy Hess
840:2000–2012
810:Mark Walk
710:1995–2000
587:Bob Mould
583:Hüsker Dü
567:1990–1995
533:Don Dixon
485:Syd Straw
458:1985–1989
429:rap music
422:turntable
391:John Zorn
274:Andy Hess
258:Syd Straw
203:, Nation/
201:Celluloid
150:Cleveland
54:talk page
908:Jambands
851:Rykodisc
561:Surprise
322:composer
318:arranger
314:producer
306:American
304:were an
209:Restless
205:Charisma
1535:Singles
1256:Profile
800:Scanner
738:) made
436:no wave
373:History
347:No Wave
310:drummer
177:country
173:ambient
98:scholar
1527:(1992)
1519:(1992)
1511:(1991)
1492:(2012)
1484:(1996)
1476:(1994)
1468:(1993)
1460:(1991)
1452:(1989)
1444:(1986)
1436:(1985)
1428:(1983)
1038:Tzadik
1003:(2012)
995:(1996)
987:(1994)
979:(1993)
971:(1991)
963:(1989)
955:(1986)
947:(1985)
939:(1983)
864:album
778:, and
555:group
197:Labels
161:Genres
146:Origin
100:
93:
86:
79:
71:
736:KMFDM
675:Pure'
591:Sugar
105:JSTOR
91:books
1473:Pure
1239:2022
1211:2012
1184:2012
1157:2012
1130:2012
1103:2012
1073:2022
984:Pure
814:Ruby
812:(of
806:Ride
756:MP3s
704:Pure
685:Pure
681:Pure
666:Pure
649:'s "
637:and
631:Pure
539:and
503:and
495:and
448:jazz
444:funk
357:and
320:and
156:, US
154:Ohio
77:news
798:by
788:by
772:8MM
766:by
585:'s
440:DNA
60:by
1561::
1228:.
1201:.
1174:.
1147:.
1120:.
1093:.
1081:^
1064:.
1052:^
836:.
774:,
691:.
609:.
563:.
543:.
535:,
531:,
527:,
491:,
413:,
386:,
361:.
353:,
316:,
312:,
207:,
179:,
175:,
171:,
167:,
152:,
1545:"
1541:"
1285:e
1278:t
1271:v
1241:.
1213:.
1186:.
1159:.
1132:.
1105:.
1075:.
816:)
127:)
121:(
116:)
112:(
102:·
95:·
88:·
81:·
50:.
20:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
