Knowledge (XXG)

Gosos

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397: 409:
approximately 30x20 cm where the text is printed in two or three columns, an image of the religious figure being worshipped in the centre, and a decorative frame around the page. They might include the musical notation at the bottom of the page. The melodies are simple and often based on repetitive structures. In the 19th century, bibliophiles and collectors searched for printed
408:
have existed in Catalonia as manuscripts since at least the 14th century, printing them did not become generalized until the 17th century. Their graphic composition has not changed much through the centuries, and they are still printed to look virtually the same as in the 17th century: a page of
697:. The oldest association dedicated to this is Amics dels Goigs, founded in 1921 by Francesc de P. BaldellĂł. Amics dels Goigs has about 600 members. It publishes a trimestral journal, celebrates an annual conference circle, and funds the publication of 908:
Singers from the Iberian Peninsula arriving in Iglesias in 1326 and Bonaria in at least 1346, during the first wave of ... among the most significant examples of Iberian cultural influences on Sardinia are the gosos/goggius (connected with
1025:
Infatti la etimohogia fa derivare la voce più da "gozo" (godimento in spagnolo) che da "gaudium", parola latina. Essi sono presenti in Sardegna già dal Quattrocento come si è già visto nelle "Laudes" di Borutta, nelle composizioni
416:
This genre has been cultivated for centuries in Catalan culture without interruption until the present day. There is no chapel, parochial church or hermitage that does not have -or has not had until recently- their own printed
1480: 814:
Novena del glorioso principe y sagrado arcangel San Rafael, médico y medicina de los dolientes, guía y defensor de los caminantes, abogado y protector de los pretendientes, consuelo y alivio de los afligidos
204:
seem to constitute "an hagiographic genre of dramatic kind", stresses the "clear influence of the Hispano-Catalan culture" and the "rather close linguistic relationship with the
1805: 573:
in Sardinian became widespread and were soon handed out to all the local communities. Some pieces written in Spanish have also been saved, such as the one in the parish of
224: 567:
imposed a ban on theatrical performances in 1649; however, the tradition in Sardinia was kept alive and, from the 18th century onwards, manuscripts documenting the
1338: 1237: 52:
and paraliturgical songs sang pertaining to the folk tradition that are dedicated to the Virgin Mary, Jesus Christ, or a saint. They are typical of the
291:
evolved from the liturgical songs sung during the period of formation of Romance languages, and in their origin they were exclusively dedicated to the
1578: 666:
collectionists was Salvador Roca i Ballvé, who collected 21,927 compositions from the 17th to the 19th centuries. His collection was acquired by the
223: 1777: 1655: 1430: 1371: 1213: 1101: 1049: 970: 932: 894: 679: 750:
transcribed, some of them being reported in the single local varieties, and all of them reporting the name of whoever collected them first.
551:; while Sardinian was still retained in the 15th century, the Spanish language overall prevailed. A temporary halt is attested when the 1455:"AttualitĂ  e vitalitĂ  dei "gosos".I "gosos" e la paraliturgia: incrocio fra tradizione popolare e tradizione colta. Due casi di studio" 1813: 1701: 1533:
Il laudario lirico quattrocentista e la vita religiosa dei Disciplinati bianchi di Sassari: con Officio e Statuti italiani inediti
670:
in 1936. The Library has continued receiving donations and buying collections, and nowadays it preserves more than 30,000 Catalan
222: 994:
Mele, Giampaolo (2004). "Il canto dei Gosos tra penisola iberica e Sardegna, Medio Evo, epoca moderna". In Caria, Roberto (ed.).
682:, the Library of Montserrat, the Historical Archive of the City of Barcelona. Outside of Catalonia, the Vallat collection in the 1750:
Gosos e ternuras : testi e musiche religiose popolari sarde secondo l'antica e ininterrotta tradizione di pregare cantando
754: 1063:
Sergio Bullegas nella sua Storia del teatro in Sardegna, tali forme (chiamate Goigs in lingua catalana, Gosos e Gozos al ...
1262: 396: 1299:
Gosos e ternuras: testi e musiche religiose popolari sarde secondo l'antica e ininterrotta tradizione di pregare cantando
946:
Spread all over Sardinia, the gozos are religious texts devoted to a Lady or Saint that are performed with different ...
378: 1330: 1203: 1856: 836:. Biblioteca de autores espanoles desde la formacion del lenguaje hasta nuestros dias (in Spanish). M. Rivadeneyra 303:). Starting on the 14th century, it became popular to write them in honour of other saints, at the same time that 1846: 493: 788: 296: 98: 400:
Goigs to Our Lady of Mount Carmel, printed in 1810 in PerpinyĂ  (Northern Catalonia) in the Catalan language.
1505: 1574: 608: 588: 1564:. Biblioteca Nazionale delle Tradizioni Popolari Italiane (in Italian). Forzani e C. tipografi del Senato 315: 292: 483:
in terms of the metre structure and the strophes with the chorus at the end. It is also known from the
1789: 659: 667: 323: 1177: 1851: 552: 534:
style of singing might actually be of autochthonous origin, with sonorities typical of the ancient
463: 274: 1312: 97:, meaning "joy" or "delight". The term comes from the origin of these songs, which celebrated the 1124: 1012:
Comenti nascit e crescit sa poesia de Sardigna: elementus de cumposizioni poetica in lingua sarda
564: 440: 270: 237: 65: 35: 858:, see "Lettera degli Arcivescovi e Vescovi di Sardegna al loro Clero e Popolo", 31 May 1924 in 1651: 1454: 1426: 1367: 1361: 1209: 1097: 1091: 1045: 976: 966: 928: 922: 890: 884: 778: 525: 456: 389:. However, an earlier manuscript known as Ms. 486 kept in Catalonia's National Archive titled 319: 318:, a text written between the years 1325 and 1328 narrating the events since the birth of king 265:, which also comprise some other genres related to the improvised poetry in some areas around 134: 53: 1622:
Canti e racconti del popolo italiano. 9 : Canti popolari in dialetto logudorese : 1
555:
operated, but the genre of religious drama spread on the island in the 17th century, and the
1366:. Beihefte zur Zeitschrift fĂĽr romanische Philologie (in Italian). De Gruyter. p. 162. 655: 651: 626: 386: 165: 138: 69: 61: 45: 1077:
Il teatro in Sardegna fra Cinque e Seicento â€“ Da Sigismondo Arquer ad Antioco del Arca
307:
acquired a prominent role in folk culture that kept increasing in the following centuries.
1582: 497: 490: 448: 49: 1730:
L'ile de Sardaigne par Auguste Boullier: L'ile de Sardaigne dialecte et chants populaires
1595: 831: 101:. Thus, the word is always used in plural, even when referring to a single composition. 1693: 1555: 1400:. Centro Studi Biellese: Pubblicazione (in Italian). Centro studi biellesi. p. 132 783: 720: 629:
and discouraged the use of the non-Italian dialects and languages, Sardinian included.
622: 509: 505: 373:
was a popular form of dancing and "vulgar" refers to a vehicular language that is not
1840: 647: 535: 485: 413:, giving more importance to their aesthetic value than to their religious character. 339: 519: 468: 444: 347: 233: 740:), as they were reported to her in the prolific collector Giuseppe Ferraro's work 1738: 1728: 1645: 1620: 1559: 1531: 1420: 1395: 1297: 1153: 1128: 1039: 1010: 812: 763:
edited by the priests Giovanni Carta and Pietro Muggianu, with one hundred or so
295:. In the 12th century, literature written in Latin already has poems that praise 996:
I gosos: fattore unificante nelle tradizioni culturali e cultuali della Sardegna
683: 621:
being declared illegal, in accordance with a series of policies that favoured
501: 479:
actually lie in the Byzantine models: they are in fact identical to the Greek
73: 601:). These popular Sardinian chants were forbidden once more in 1924, when the 1828: 980: 598: 584:
They became the subject of censorship again in 1763, when the archbishop of
480: 963:
Gosos : poesia religiosa popolare della Sardegna centro-settentrionale
674:. Many other local archives and libraries have their own set collection of 524:, which made its way to Sardinia and the other regions of Europe thanks to 1778:"Audio â€“ "Gozos to our Lady (Vivat Maria)", poliphonic group singing 924:
European Voices: Multipart singing in the Balkans and the Mediterranean. I
693:
There are also associations around Catalonia that collect and popularize
612: 331: 57: 615:
and put a ban on this kind of singing. The following years also saw the
597:
in favour of a sterner style (the prelate had favourable views towards
585: 452: 330:
to Saint Peter, asking him to make it rain on the day before attacking
254: 174: 1133:. Sammlung romanischer Elementar- und Handbuecher (in Italian). Winter 1806:"Audio â€“ "Gozos to our Lady of Gonare", polyphonic female group" 769:
that were scattered across the various parishes of central Sardinia.
574: 548: 1096:. Cittá e lo spettacolo (in Italian). Vita e Pensiero. p. 495. 381:, written in the late 14th century, and which shows the relation of 395: 374: 335: 326:. This chronicle explains that the whole Catalan army was singing 266: 220: 190: 359:
Ballada dels goyts de nostre dona en vulgar cathallan a ball redo
1600:. Canti e racconti del popolo italiano (in Italian). E. Loescher 137:) used in the central-northern part of Sardinia derive from the 1757:
Laudes immortales : gosos e devozione mariana in Sardegna
1205:
Les quatre grans croniques: Llibre dels feits del rei En Jaume
889:. Brill's Companions to European History. Brill. p. 457. 1740:
I canti popolari della Sardegna: traduzione italiana con note
1247:– via Generalitat de Catalunya, Departament de Cultura. 642:
In Catalonia, there is a significant tradition of collecting
528:' spiritual influence; it has also been theorised that the 269:, and especially where the conventional boundaries of the 998:(in Italian). Ed. Provincia di Oristano. pp. 11–34. 650:
movement. Famous collectors include the poet and priest
1762:
Licheri, Bonaventura (edited by Mario Cubeddu, 2016).
1302:(in Italian). Istituto superiore regionale etnografico 393:
is considered older than the Red Book of Montserrat.
72:
languages. They are sung during religious ceremonies,
1263:"La col·lecció de Goigs a la Biblioteca de Catalunya" 1755:(Ed. by Sara Chirra and Maria Grazia Farris, 2002). 547:
were already mentioned as a fundamental part of the
1158:. L'altra parola (in Italian). Iniziative Culturali 1752:, Istituto superiore regionale etnografico, Nuoro. 607:(Plenary Council of Sardinia) congregated at the 1743:(in Italian). Stabilimenti poligrafici riuniti. 1647:Antologia delle tradizioni popolari in Sardegna 1236:Costa i ViarnĂ©s, Immaculada (28 October 2019). 1093:La drammaturgia della settimana santa in Italia 764: 758: 745: 724: 710: 616: 592: 568: 556: 542: 529: 513: 474: 434: 199: 159: 153: 147: 128: 122: 116: 110: 28: 20: 1155:Crobbes: poesie del 700 dalla tradizione orale 830:Sánchez, T.A.; Pidal, P.J.; Janer, F. (1864). 817:(in Spanish). por la viuda de Miguel de Ortega 1324: 1322: 1320: 956: 954: 602: 248: 205: 184: 178: 173:, which has been kept as such in the city of 168: 146:, whereas in southern Sardinia the varieties 141: 8: 1735:(translated into Italian by Raffa Garzia as 1291: 1289: 1287: 1285: 1283: 678:, being particularly important those in the 646:since the 19th century, often linked to the 310:The earliest written document that mentions 247:A minor denomination comes from the Catalan 1208:(in Catalan). Institut d'Estudis Catalans. 577:by Jaime Zonquelo Espada, who composed the 193: 1678:Carta, Giovanni; Muggianu, Pietro (2004). 886:A Companion to Sardinian History, 500–1500 212: 833:Poetas castellanos anteriores al siglo XV 439:include religious pieces of music in the 1650:(in Italian). C. Delfino. p. 1141. 1561:Tradizioni popolari di Nuoro in Sardegna 860:Monitore Ufficiale dell'Episcopato Sardo 76:, pilgrimages and the votive festivals. 1044:(in Italian). C. Delfino. p. 141. 875: 800: 561:were an integral part of such rituals. 385:and dancing inside churches before the 1680:Novenas e Gosos della Diocesi di Nuoro 500:Porphyrogenitus, sent a delegation of 377:), preserved in the manuscript of the 1597:Canti popolari in dialetto logudorese 1506:"Amics dels Goigs | enciclopedia.cat" 1341:from the original on 16 February 2006 1256: 1254: 1231: 1229: 1227: 1225: 965:(in Italian). Cagliari: Della Torre. 742:Canti popolari in dialetto logudorese 680:Episcopal Public Library of Barcelona 7: 1619:Ferraro, G.; Comparetti, D. (1891). 744:. Said collection by Ferraro has 37 715:text known is the collection of the 541:Starting from the 14th century, the 512:. Some other authors think that the 1759:, Grafica del Parteolla, Dolianova. 1485:BibliothĂ©que NumĂ©rique Patrimoniale 1015:(in Italian). Castello. p. 119 927:. Böhlau Verlag Wien. p. 113. 734: 686:library includes several thousands 391:Flor de lir e de gog e de legranssa 357:in Catalan is considered to be the 189:seem to originate in turn from the 1425:(in Italian). Ilisso. p. 71. 1261:SadurnĂ­, Maria (9 November 2016). 738: Popular traditions of Nuoro 443:and all its dialects, following a 14: 1737:Boullier, A.; Garzia, R. (1916). 1704:from the original on 15 June 2018 1459:INSULA: Quaderno di Cultura Sarda 1422:Storia dell'UniversitĂ  di Sassari 1363:Storia linguistica della Sardegna 1329:Spada, Antonio Francesco (2005). 421:sung in the local festivity day. 365:of Our Lady in Vulgar Catalan in 1764:Gaudia : gosos e lodi sacre 1700:(in Italian). 24 January 2016. 1644:Atzori, M.; Paulis, G. (2005). 1041:Musiche e musicisti in Sardegna 921:Ahmedaja, A.; Haid, G. (2008). 579:Gosos de la Virgen de la Piedad 198:. Sergio Bullegas, to whom the 1182:Gran Enciclopèdia de la MĂşsica 486:De cerimoniis aulae Byzantinae 1: 1733:(in French). Paris: E. Dentu. 1682:(in Italian). Ed. L'Ortobene. 473:, the roots of the Sardinian 369:" in Medieval Catalan, where 322:until the coronation of king 93:means "joys", from the Latin 1812:(in Italian). Archived from 1788:(in Italian). Archived from 1453:Pinna, Antonio (July 2010). 1130:Dizionario Etimologico Sardo 731:Tradizioni popolari di Nuoro 717:Laudes a sa Rejna de sa Rosa 1397:Il giansenismo nel Biellese 1331:"I gosos di San Costantino" 811:de San Antonio, J. (1742). 807:For the original use, see: 361:, (meaning "Dancing of the 320:James I of Catalonia-Aragon 1873: 1202:Soldevila, Ferran (2007). 496:, in honor of the Emperor 1075:Bullegas, Sergio (1976). 961:Turtas, Raimondo (2004). 757:released a collection of 729:in a chapter of her work 462:According to the scholar 1245:Arxiu Històric de Girona 854:For details on the 1924 789:Seven Joys of the Virgin 654:, the poet and linguist 518:derive from the Italian 99:Seven Joys of the Virgin 1810:Sardegna DigitalLibrary 1786:Sardegna DigitalLibrary 1748:Dore, Giovanni (1983). 1296:Dore, Giovanni (1983). 1267:Biblioteca de Catalunya 856:Concilio Plenario Sardo 765: 759: 746: 725: 711: 617: 604:Concilio Plenario Sardo 593: 569: 557: 543: 530: 514: 475: 435: 200: 160: 154: 148: 129: 123: 117: 111: 29: 21: 1625:(in Italian). Loescher 1581:6 January 2012 at the 1536:(in Italian). Gallizzi 1394:Bessone, A.S. (1976). 662:. One of the greatest 609:Santa Giusta Cathedral 603: 589:Giulio Cesare Viancini 401: 379:Red Book of Montserrat 249: 240: 228:Fragment of a popular 206: 194: 185: 179: 169: 142: 1727:Boullier, A. (1865). 1360:Ferrer, E.B. (1984). 1090:Bernardi, C. (1991). 1038:Quaquero, M. (2005). 623:cultural assimilation 399: 316:Chronicle of Muntaner 314:in this sense is the 227: 60:, and written in the 1594:Ferraro, G. (1891). 1510:www.enciclopedia.cat 1419:Mattone, A. (2010). 1152:Sedda, P.G. (1987). 1009:Solinas, G. (1997). 723:has documented some 668:Library of Catalonia 658:and the philologist 504:who sang a peculiar 346:to their respective 1238:"Els goigs a l'AHG" 1079:(in Italian). Edes. 883:Hobart, M. (2017). 828: • 809: • 553:Spanish Inquisition 115:and its varieties ( 1530:Filia, D. (1935). 1481:"Recherche: goigs" 441:Sardinian language 402: 241: 238:Valencia Cathedral 1857:Music in Sardinia 1657:978-88-7138-388-0 1432:978-88-6202-071-8 1373:978-3-11-132911-6 1215:978-84-7283-901-4 1103:978-88-343-2902-3 1051:978-88-7138-350-7 972:978-88-7343-384-2 934:978-3-205-78090-8 896:978-90-04-34124-1 779:Music of Sardinia 709:The most ancient 353:The oldest known 245: 244: 225: 54:Catalan Countries 1864: 1847:Genres of poetry 1829:Amics dels Goigs 1825: 1823: 1821: 1801: 1799: 1797: 1766:, Ilisso, Nuoro. 1744: 1734: 1714: 1713: 1711: 1709: 1690: 1684: 1683: 1675: 1669: 1668: 1666: 1664: 1641: 1635: 1634: 1632: 1630: 1616: 1610: 1609: 1607: 1605: 1591: 1585: 1575:Available online 1573: 1571: 1569: 1552: 1546: 1545: 1543: 1541: 1527: 1521: 1520: 1518: 1516: 1502: 1496: 1495: 1493: 1491: 1477: 1471: 1470: 1468: 1466: 1450: 1444: 1443: 1441: 1439: 1416: 1410: 1409: 1407: 1405: 1391: 1385: 1384: 1382: 1380: 1357: 1351: 1350: 1348: 1346: 1335:Diritto @ Storia 1326: 1315: 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Index

Sardinian
Catalan
devotional
Catalan Countries
Sardinia
Catalan
Sardinian
Spanish
processions
Seven Joys of the Virgin
Gallurese
Castilian
Catalan
Alghero
Latin
Holy Chalice
Valencia Cathedral
strophe
Nuoro
Logudorese
Campidanese
Virgin Mary
Mary's Joys
Chronicle of Muntaner
James I of Catalonia-Aragon
Alphonse IV
Gallipoli
Guilds
confraternities
patron saints

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