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Greek poetry meters are based on patterns of long and short syllables (in contrast to
English verse, which is determined by stress), and lyric poetry is characterized by a great variety of metrical forms. Apart from the shift between long and short syllables, stress must be considered when reading
189:
offers the following clarification: "'melic' is a musical definition, 'elegy' is a metrical definition, whereas 'iambus' refers to a genre and its characteristics subject matter. (...) The fact that these categories are artificial and potentially misleading should prompt us to approach Greek lyric
219:, "maiden-songs," were sung by choruses of maidens at festivals. Love poems praise the beloved, express unfulfilled desire, proffer seductions, or blame the former lover for a breakup. In this last mood, love poetry might blur into
328:) are usually less regular than non-lyric meters. The lines are made up of feet of different kinds, and can be of varying lengths. Some lyric meters were used for monody (solo songs), such as some of the poems of
227:, the earliest known Greek lyric poet, excelled. The themes of Greek lyric include "politics, war, sports, drinking, money, youth, old age, death, the heroic past, the gods," and hetero- and
298:, with the first book alone containing more than 1,300 lines of verse. Today, only one of Sappho's poems exists intact, with fragments from other sources that would scarcely fill a
363:
were composed in complex triadic forms of strophe, antistrophe, and epode, with the first two parts of the triad having the same metrical pattern, and the epode a different form.
138:("drinking party") was one setting in which lyric poems were performed. "Lyric" was sometimes sung to the accompaniment of either a string instrument (particularly the
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There are two main divisions within the meters of ancient Greek poetry: lyric and non-lyric meters. "Lyric meters (literally, meters sung to a
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were written in verse in ancient Greece.) Culturally, Greek lyric is the product of the political, social and intellectual milieu of the Greek
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Modern surveys of "Greek lyric" often include relatively short poems composed for similar purposes or circumstances that were not strictly "
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is an integral part of the poetry. It allows the poet to stress certain words and shape the meaning of the poem.
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150:). Whether the accompaniment was a string or wind instrument, the term for such accompanied lyric was
134:, composed for public or private performance by a soloist or chorus to mark particular occasions. The
77:. It is primarily associated with the early 7th to the early 5th centuries BC, sometimes called the "
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336:; others were used for choral dances, such as the choruses of tragedies and the victory odes of
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201:, commemorate the dead, exhort soldiers to valor, and offer religious devotion in the forms of
158:). Lyric could also be sung without any instrumental accompaniment. This latter form is called
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poetry with an open mind, without preconceptions about what 'type' of poetry we are reading."
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within melic poetry, since they had different metres and different musical instruments. The
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in the early nineteenth century. (Drama is considered a form of poetry here because both
1317:(2000), "The Strangeness of "Song Culture": Archaic Greek Poetry", in O. Taplin (ed.),
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356:
283:
239:
182:
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42:
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Greek poetry. The interplay between the metric "shifts", the stressed syllables and
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118:
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70:
518:
Greek Lyric, Volume II: Anacreon, Anacreontea, Choral Lyric from
Olympus to Alcman
223:, a poetic attack aimed at insulting or shaming a personal enemy, an art at which
1654:
1509:
1066: — translated from the French original of 1977 by D. Collins & J. Orion.
1551:, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo:
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279:
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224:
196:
166:
106:
102:
17:
1126:
730:
49:
1113:
Davies, M. (1988), "Monody, Choral Lyric, and the
Tyranny of the Hand-Book",
617:
Greek Lyric, Volume V: The New School of Poetry and
Anonymous Songs and Hymns
1553:
https://fflch.usp.br/sites/fflch.usp.br/files/2017-11/LiricaGregaArcaica.pdf
275:
220:
210:
135:
1029:
286:, the period when it first flourished, survives. For example, the poems of
1565:"Greek Poetry: Elegiac and Lyric – Classics – Oxford Bibliographies – obo"
783:
Poetarum
Melicorum Graecorum Fragmenta, vol. I. Alcman Stesichorus Ibycus
355:, which can generate varied kinds of verse, such as the glyconian or the
352:
318:
299:
255:
52:
924:
Bowie, E.L. (1986), "Early Greek Elegy, Symposium and Public
Festival",
109:, according to the scheme of the "natural forms of poetry" developed by
291:
34:
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1016:
Calame, C. (1998), "La poésie lyrique grecque, un genre inexistant?",
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Barron, J.P.; Easterling, P.E.; Knox, B.M.W. "Elegy and Iambus". In
939:
689:, Loeb Classical Library, vol. 259, Cambridge, Massachusetts,
656:, Loeb Classical Library, vol. 258, Cambridge, Massachusetts,
619:, Loeb Classical Library, vol. 144, Cambridge, Massachusetts,
586:, Loeb Classical Library, vol. 461, Cambridge, Massachusetts,
553:, Loeb Classical Library, vol. 476, Cambridge, Massachusetts,
551:
Greek Lyric, Volume III: Stesichorus, Ibycus, Simonides, and Others
520:, Loeb Classical Library, vol. 143, Cambridge, Massachusetts,
487:, Loeb Classical Library, vol. 142, Cambridge, Massachusetts,
206:
123:
29:
652:
Greek
Elegiac Poetry: From the Seventh to the Fifth Centuries BC
325:
202:
139:
1159:
The
Cambridge History of Classical Literature: Greek Literature
687:
Greek Iambic Poetry: From the
Seventh to the Fifth Centuries BC
1319:
Literature in the Greek & Roman Worlds: A New
Perspective
1226:
Segal, C. (1985b). "Choral Lyric in the Fifth Century". In
1283:
Greek Lyric Poetry: A Commentary on Selected Larger Pieces
27:
Body of lyric poetry written in dialects of Ancient Greek
1353:(2007), "Lyric and Greek Myth", in R.D. Woodward (ed.),
584:
Greek Lyric, Volume IV: Bacchylides, Corinna, and Others
146:) or a wind instrument (most often the reed pipe called
162:
and it is recited rather than sung, strictly speaking.
996:
Budelmann, F. (2009a). "Introducing Greek Lyric". In
97:
Lyric is one of three broad categories of poetry in
649:
1270:Gerber, D.E. (1997a). "General Introduction". In
1107:Armas e Varões; A Guerra na Lírica de Arquíloco.
1005:Carey, C. "Genre, Occasion and Performance". In
193:Greek lyric poems celebrate athletic victories
1587:Edinburgh Companion to Ancient Greece and Rome
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1218:
1217:Segal, C. (1985a). "Archaic Choral Lyric". In
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1200:
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187:Edinburgh Companion to Ancient Greece and Rome
871:Iambi et Elegi Graeci ante Alexandrum cantati
282:. Only a small sampling of lyric poetry from
8:
1490:
1488:
1486:
1423:. Hoboken (NJ): John Wiley & Sons, Inc.
895:Poetarum elegiacorum testimonia et fragmenta
1614:(Brill, 1997), pp. 161, 201, 217, 224, 230.
1590:. Edinburgh University Press. p. 313.
1514:. Cambridge University Press. p. 20.
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1039:Choruses of Young Women in Ancient Greece
1006:
997:
485:Greek Lyric, Volume I: Sappho and Alcaeus
1453:Greek Lyric: An Anthology in Translation
412:Greek Lyric: An Anthology in Translation
177:. The Greeks themselves did not include
81:", but continued to be written into the
1444:
1199:Bulloch, A.W. "Hellenistic Poetry". In
154:poetry (from the Greek word for "song"
1549:Para Conhecer a "Lírica" Grega Arcaica
1511:Cambridge Companion to Greek Mythology
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1388:Oxford Readings in Greek Lyric Poetry
893:Gentilli, B.; Prato, C. (1988–2002),
7:
1612:A Companion to the Greek Lyric Poets
1239:A Companion to the Greek Lyric Poets
1109:2nd ed. São Paulo: Editora da UNESP
343:The lyric meters' families are the
236:encyclopedic movement at Alexandria
25:
1653:William S. Annis (January 2006).
359:), and the Dactylo-epitrite. The
927:The Journal of Hellenic Studies
897:(2nd enlarged ed.), Berlin
169:" in the modern sense, such as
873:(2nd revised ed.), Oxford
814:Page, D.L.; Lobel, E. (1955),
1:
1655:"Introduction to Greek Metre"
1357:, Cambridge, pp. 19–51,
290:are said to have filled nine
56:
1228:Easterling & Knox (1985)
1219:Easterling & Knox (1985)
1210:Easterling & Knox (1985)
1208:Campbell, D.A. "Monody". In
1201:Easterling & Knox (1985)
1192:Easterling & Knox (1985)
840:Sappho et Alcaeus: fragmenta
816:Poetarum Lesbiorum fragmenta
759:Supplementum lyricis Graecis
615:Campbell, David A. (1993),
582:Campbell, David A. (1992),
549:Campbell, David A. (1991),
516:Campbell, David A. (1988),
483:Campbell, David A. (1982),
234:In the 3rd century BC, the
1711:
1676:Greek Lyric: An Anthology,
1638:Greek Lyric: An Anthology,
1625:Greek Lyric: An Anthology,
1536:Greek Lyric: An Anthology,
1496:Greek Lyric: An Anthology,
1478:Greek Lyric: An Anthology,
1421:A companion to Greek lyric
1321:, Oxford, pp. 58–87,
309:
1419:Swift, Laura Ann (2022).
1281:Hutchinson, G.O. (2001),
1127:10.1017/s0009838800031268
75:dialects of Ancient Greek
1584:Bispham, Edward (2010).
1508:Woodlard, Roger (2007).
1074:(2nd ed.), London,
1070:Campbell, D.A. (1982a),
1455:(Hackett, 1996), p. xi.
1386:Rutherford, I. (2012),
130:Much of Greek lyric is
1030:10.3406/litt.1998.2492
963:Budelmann, F. (2009),
869:West, M.L. (1989–92),
685:Gerber, D.E. (1999b),
648:Gerber, D.E. (1999a),
477:Loeb Classical Library
63:
1237:Gerber, D.E. (1997),
838:Voigt, E.-M. (1971),
410:Miller, A.M. (1996),
296:Library of Alexandria
33:
1695:Ancient Greek poetry
1041:, Lanham, Maryland,
735:Poetae Melici Graeci
1221:, pp. 165–201.
1203:, pp. 541–621.
1115:Classical Quarterly
1037:Calame, C. (2001),
781:Davies, M. (1991),
757:Page, D.L. (1974),
443:West, M.L. (2008),
99:classical antiquity
79:Lyric Age of Greece
1451:Andrew W. Miller,
1230:, pp. 222–44.
1212:, pp. 202–21.
1194:, pp. 117–64.
1072:Greek Lyric Poetry
445:Greek Lyric Poetry
361:Doric choral songs
64:
1610:David E. Gerber,
1597:978-0-7486-2714-1
1521:978-0-521-84520-5
1364:978-0-521-60726-1
1328:978-0-192-10020-7
1292:978-0-19-924017-3
1248:978-9-004-09944-9
1168:978-0-521-21042-3
1081:978-0-86292-008-1
1009:, pp. 21–38.
974:978-0-521-84944-9
792:978-0-19-814046-7
719:Critical editions
132:occasional poetry
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244:nine melic poets
127:("city-state").
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351:(based on the
310:Main article:
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372:Translations
367:Bibliography
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1018:Littérature
918:Scholarship
842:, Amsterdam
377:Anthologies
280:Stesichorus
260:Bacchylides
238:produced a
225:Archilochus
167:song lyrics
83:Hellenistic
73:written in
67:Greek lyric
1570:2018-01-26
1439:References
1390:, Oxford,
1285:, Oxford,
1241:, Leiden,
785:, Oxford,
731:Page, D.L.
447:, Oxford,
216:Partheneia
211:dithyrambs
93:Background
50:red-figure
1315:Kurke, L.
1143:170579271
956:162738189
934:: 13–35,
390:, Chicago
276:Simonides
221:invective
136:symposium
89:periods.
1689:Category
1674:Miller,
1636:Miller,
1627:p. xiii.
1623:Miller,
1547:Ragusa,
1534:Miller,
1494:Miller,
1476:Miller,
1405:citation
1372:citation
1351:Nagy, G.
1336:citation
1300:citation
1256:citation
1176:citation
1157:(1985),
1089:citation
1056:citation
982:citation
903:citation
879:citation
848:citation
824:citation
818:, Oxford
800:citation
767:citation
761:, Oxford
743:citation
737:, Oxford
733:(1962),
704:citation
671:citation
634:citation
601:citation
568:citation
535:citation
502:citation
462:citation
429:citation
396:citation
386:(1955),
353:choriamb
319:caesuras
300:chapbook
256:Anacreon
197:epinikia
87:Imperial
53:kalathos
1498:p. xii.
334:Alcaeus
292:papyrus
248:Alcaeus
242:of the
179:elegies
175:iambics
171:elegies
144:kithara
115:tragedy
35:Alcaeus
1662:Aoidoi
1640:p. xv.
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1480:p. xi.
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306:Meters
288:Sappho
278:, and
272:Sappho
268:Pindar
264:Ibycus
252:Alcman
209:, and
207:paeans
183:iambus
119:comedy
111:Goethe
39:Sappho
1658:(PDF)
1139:S2CID
1131:JSTOR
952:S2CID
944:JSTOR
724:Lyric
345:Ionic
240:canon
203:hymns
160:meter
156:melos
152:melic
148:aulos
124:polis
103:drama
47:Attic
1592:ISBN
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1425:ISBN
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