Knowledge

Grupo Frente

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Grupo Frente was a small collective group of geometric abstract artists. The group has been called a loose group of official collective concrete artists, which has been interpreted as a group that allowed people to enter and leave. The movement of Concrete art pushed them towards Neo- Concrete art.
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paintings. Oiticia joined to work under the leadership of Ivan Serpa. While Oiticia was part of Grupo Frente, his artwork focused on shapes, colors, and lines. Along with Clark, Oiticica then moved to
292:, as well as, multiple rectangles and squares. Many of their artworks portray these shapes. In this artwork there are nine different colors. This artwork shows no representation of anything. 186:. They were under the leadership of Ivan Serpa. Ivan started the group in 1952. The group pushed for Neo Concrete art, which was described in the overview. Grupo Frente dispersed in 1956. 219:
During her Concrete Art phase, when the Grupo Frente was operative, Lygia Clark made paintings that were very geometric in nature, but had a strong sense of dynamism due to her use of
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on cardboard and is 409mm x 409mm. This artwork is relevant to Grupo Frente because it reflects the different colors, lines, and shapes. There are both horizontal and
211:. He helped shape the Concrete and Neo-Concrete art. He was seen as the leader of Grupo Frente. Many people worked under him to receive some of his art knowledge. 247:
outs that focused on the spectator's perception. During the Grupo Frente time, Pape focused on lines and shapes and the way they work with one another.
432: 427: 183: 227:, she moved onto working with metals and making pieces out of them that involved the spectator. After that, Clark focused more on 165:. Many of them studied under Ivan Serpa. Each of them came from different styles of art, but they all embraced the ideals of 223:. Unlike others in the group, her works created the illusion of three-dimensionality. When she broke off to found the 422: 300:
Grupo Frente organized two solo exhibitions. One of them was at the MAM, which is The Museum of Modern Art.
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by Helio Oiticia in 1955 This artwork was done by Helio Oiticia, one of the five members, a drawing on an
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Each member brought a different aspect to the group as a whole. They got together in museums as the MAM
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The majority of Lygia Pape's work was focused on the spectator and not the artwork itself. Pape made
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New York: El Museo Del Barrio and The Museum of Modern Art, 2014. Print.
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Ivan Serpa did many different types of art in his time, such as
353:. New York: Dickinson Roundell, Incorporated, 2012. Print. 255:
While participating with Grupo Frente, Helio Oiticia made
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New Haven and London: Yale University Press, 2004. Print.
383:. Second Ed. New York: Thames and Hudson, 2004. Print. 235:, which means the spectator interacts with the art. 103: 93: 83: 75: 60: 49: 39: 24: 395:Inverted Utopias: Avant-Garde Art in Latin America 390:. New York: The Museum of Modern Art, 1993. Print. 338:Latin American and Caribbean Art MoMa at El Museo. 145:which existed from 1952-64. The group was led by 388:Latin American Artists of the Twentieth Century 141:was a group of Brazilian artists originated in 8: 351:Ivan Serpa: Pioneering Abstraction in Brazil 19: 284:by Hélio Oiticica in 1956 This artwork is 18: 402:Time and Place: Rio de Janeiro 1952-1964. 319: 317: 315: 313: 327:Austin: University of Texas Press, 2001. 418:Brazilian artist groups and collectives 404:London: Thames and Hudson, 2008. Print. 325:Twentieth-Century Art of Latin America. 309: 381:Latin America Art of the 20th Century 7: 149:, and was formed by artists such as 16:Defunct group of Brazilian artists 14: 433:1964 disestablishments in Brazil 1: 428:1952 establishments in Brazil 366:. London: Tate, 2007. Print. 449: 362:Oiticia, Helio and et al. 169:, or what is now called 400:Venancio Filho, Paulo. 349:Serpa, Ivan and et al. 379:Lucie-Smith, Edward. 323:Barnitz, Jacqueline. 225:Neo-Concrete Movement 184:Museu de Arte Moderna 171:geometric abstraction 336:Montgomery, Harper. 267:Analysis of Artworks 233:mind body dualities 21: 386:Rasmussen, Waldo. 364:Oiticica in London 136: 135: 440: 423:Abstract artists 367: 360: 354: 347: 341: 334: 328: 321: 71: 69: 64:August 1964 35: 33: 22: 448: 447: 443: 442: 441: 439: 438: 437: 408: 407: 376: 371: 370: 361: 357: 348: 344: 335: 331: 322: 311: 306: 298: 269: 253: 241: 217: 197: 192: 179: 132: 106: 86: 79:Art and culture 67: 65: 31: 29: 17: 12: 11: 5: 446: 444: 436: 435: 430: 425: 420: 410: 409: 406: 405: 398: 391: 384: 375: 372: 369: 368: 355: 342: 329: 308: 307: 305: 302: 297: 294: 290:vertical lines 268: 265: 252: 251:Helio Oiticica 249: 240: 237: 221:diagonal lines 216: 213: 209:figurative art 196: 193: 191: 188: 178: 175: 155:Aluisio Carvão 151:Helio Oiticica 143:Rio de Janeiro 134: 133: 131: 130: 125: 120: 118:Aluisio Carvão 115: 113:Helio Oiticica 109: 107: 104: 101: 100: 95: 91: 90: 87: 84: 81: 80: 77: 73: 72: 62: 58: 57: 54:Rio de Janeiro 51: 47: 46: 41: 37: 36: 26: 15: 13: 10: 9: 6: 4: 3: 2: 445: 434: 431: 429: 426: 424: 421: 419: 416: 415: 413: 403: 399: 396: 392: 389: 385: 382: 378: 377: 373: 365: 359: 356: 352: 346: 343: 339: 333: 330: 326: 320: 318: 316: 314: 310: 303: 301: 295: 293: 291: 287: 283: 279: 277: 273: 266: 264: 262: 258: 257:monochromatic 250: 248: 246: 238: 236: 234: 230: 226: 222: 214: 212: 210: 206: 205:expressionism 202: 194: 189: 187: 185: 176: 174: 172: 168: 164: 160: 156: 152: 148: 144: 140: 129: 126: 124: 121: 119: 116: 114: 111: 110: 108: 102: 99: 96: 92: 88: 82: 78: 74: 63: 59: 55: 52: 48: 45: 42: 38: 27: 23: 401: 394: 387: 380: 363: 358: 350: 345: 337: 332: 324: 299: 281: 280: 271: 270: 261:Neo-Concrete 254: 242: 218: 198: 180: 167:Concrete art 139:Grupo Frente 138: 137: 85:Membership 20:Grupo Frente 296:Exhibitions 229:sensory art 215:Lygia Clark 201:abstraction 159:Lygia Clark 123:Lygia Clark 412:Categories 304:References 272:Sem Titulo 239:Lygia Pape 195:Ivan Serpa 163:Lygia Pape 147:Ivan Serpa 128:Lygia Pape 105:Key people 98:Ivan Serpa 50:Founded at 44:Ivan Serpa 393:Ramirez. 276:oil board 68:1964-1952 61:Dissolved 25:Formation 282:Untitled 245:wood cut 231:and the 56:, Brazil 374:Sources 286:gouache 190:Artists 177:History 76:Purpose 66: ( 40:Founder 30: ( 207:, and 161:, and 94:Leader 32:1952 28:1952 414:: 312:^ 263:. 203:, 173:. 157:, 153:, 89:5 70:) 34:)

Index

Ivan Serpa
Rio de Janeiro
Ivan Serpa
Helio Oiticica
Aluisio Carvão
Lygia Clark
Lygia Pape
Rio de Janeiro
Ivan Serpa
Helio Oiticica
Aluisio Carvão
Lygia Clark
Lygia Pape
Concrete art
geometric abstraction
Museu de Arte Moderna
abstraction
expressionism
figurative art
diagonal lines
Neo-Concrete Movement
sensory art
mind body dualities
wood cut
monochromatic
Neo-Concrete
oil board
gouache
vertical lines

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