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215:. This misunderstanding has led to some misguided performances and recordings. In a letter to Willy Strecker, Hindemith further confirms that "The 'Hérodiade' is not to be spoken! The melodic lines in the orchestra ... are themselves the recitation." Likewise, Hindemith did not set the text as a song because he felt the voice would be a distraction from the dance. He chose to give the melodic lines of the singer to the instruments of the orchestra, often giving the instruments rhythms that mimic the cadences of French poetry and the declamation of the Mallarmé poem. It is this that results in the subtitle "orchestral recitation" and not any intent to actually include a recitation of the poem.
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A short Prèlude in the strings, followed be a wide-spun melody with the full ensemble, ending with a wind instrument repetition of the opening phrase
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Ouvertüre zum "Fliegenden Holländer", wie sie eine schlechte
Kurkapelle morgens um 7 am Brunnen vom Blatt spielt
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in the leading roles. The choreography was by Martha Graham, stage design was by the
Japanese American sculptor
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Section 7 – Hérodiade's scene before the mirror, "O miroir! Eau froide par l'ennui dans ton cadre gelée"
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Untitled announcement of a performance of Martha Graham's commission by the
Coolidge Foundation
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in
Washington DC. The premiere took place on 30 October 1944, sharing the program with
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Section 9 – Hérodiade: "Oui, c'est pour moi, pour moi, que je fleuris, déserte!"
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Section 3 – Hérodiade: "Reculez. Le blond torrent de mes cheveux immaculés...")
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Article by Jürgen Thym in the
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The music is in one continuous movement but divided into 11 sections.
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Section 2 – Nurse: "Tu vis! ou vois-je ici l'ombre d'une princesse?"
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The
Concise Edition of Baker's Biographical Dictionary of Musicians
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Hérodiade de Stéphane
Mallarmé ; récitation orchestrale
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Section 11 – "Vous mentez, ô fleur nue de mes lèvres"
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Hérodiade de Stéphane
Mallarmé: Recitation orchestrale
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For the Hérodiade Ballet Suite by Jules
Massenet, see
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739:"Literature, Modernism, and Dance" at Google Books
294:Another return to the string quartet Nurse's music
285:A longer section (Modéré), flute and oboe featured
955:Konzertmusik für Streichorchester und Blechbläser
565:Herodiade (Ballet Choreographed by Martha Graham)
668:The New Grove Dictionary of Music and Musicians
457:Section 8 – Hérodiade: "Arrête dans ton crime"
403:Section 5 – Hérodiade: "Laisse la ces parfums"
640:. Corby: Oxford University Press. p. 41.
606:New Haven: Yale University Press, 1995. p. 204
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493:Section 10 – Hérodiade: "Non, pauvre aieule"
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421:Section 6 – Nurse: "Pardon! l'âge effaçait"
288:A return to the string quartet Nurse's music
223:The instrumentation is similar to Copland's
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147:. The ballet premiered under the title of
1270:Adaptations of works by Stéphane Mallarmé
760:International Music Score Library Project
139:written in June 1944 on commission from
109:Learn how and when to remove this message
1104:When Lilacs Last in the Dooryard Bloom'd
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1275:Cultural depictions of John the Baptist
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554:, 8th ed. New York: G. Schirmer, 1994.
385:Section 4 – "Sinon la myrrhe gaie..."
291:A loud outburst, full ensemble, (Vif)
157:Elizabeth Sprague Coolidge Auditorium
145:Elizabeth Sprague Coolidge Foundation
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1188:Hindemith Prize of the City of Hanau
47:adding citations to reliable sources
697:Library of Congress review clipping
604:Selected Letters of Paul Hindemith.
303:Triumphant waltz, (Vif et passioné)
1255:Ballets with sets by Isamu Noguchi
195:, and costumes by Edythe Gilfond.
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300:Energetic, full ensemble, (Agité)
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679:. London: Macmillan Publishers.
638:Literature, Modernism, and Dance
151:(but had originally been titled
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34:needs additional citations for
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143:, supported by funds from the
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732:and list of performances,
187:), with Martha Graham and
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892:The Long Christmas Dinner
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713:Christian Science Monitor
636:Susan Jones, ed. (2013).
1245:Ballets by Martha Graham
725:Letter to Willy Strecker
716:for a Boston performance
309:A brief, pathetic Finale
297:An aria for the clarinet
16:Ballet by Paul Hindemith
1177:Ghosts Before Breakfast
521:download the audio file
503:download the audio file
485:download the audio file
467:download the audio file
449:download the audio file
431:download the audio file
413:download the audio file
395:download the audio file
377:download the audio file
359:download the audio file
341:download the audio file
323:download the audio file
306:An aria for the bassoon
58:"Hérodiade" ballet
748:Choreography and Dance
282:A short string quartet
1260:1944 ballet premieres
924:The Four Temperaments
878:Die Harmonie der Welt
622: : 1944. Mainz:
598:Hindemith, Paul, and
1165:Adolescence (ballet)
1052:String Quartet No. 4
807:List of compositions
313:Section 1 – Prèlude
135:is a composition by
43:improve this article
1042:Violin Sonata No. 2
917:Nobilissima Visione
910:Triadisches Ballett
331:Section 1 – Melody
161:Library of Congress
1139:Other compositions
1080:Piano Sonata No. 2
1075:Piano Sonata No. 1
1047:Viola Sonata No. 1
1013:Der Schwanendreher
702:The New York Times
663:Schubert, Giselher
586:The New York Times
225:Appalachian Spring
170:Appalachian Spring
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36:verification
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1096:Vocal music
1068:Piano music
1020:Trauermusik
1006:Kammermusik
991:Concertante
577:John Martin
265:string bass
261:violoncello
199:Composition
99:August 2015
1239:Categories
960:Symphony:
746:, journal
530:References
69:newspapers
931:Hérodiade
885:Lehrstück
850:Cardillac
754:Hérodiade
646:857232769
271:Structure
213:melodrama
209:Hérodiade
207:'s poem "
155:) in the
149:Herodiade
1204:Category
237:clarinet
902:Ballets
626:, 1955.
253:violins
241:bassoon
159:at the
83:scholar
1215:Portal
821:Operas
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730:Score
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699:from
535:Notes
257:viola
249:piano
229:flute
90:JSTOR
76:books
681:ISBN
675:and
642:OCLC
263:, 1
259:, 1
255:, 1
251:, 2
247:, 1
245:horn
243:, 1
239:, 1
235:, 1
233:oboe
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