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Hubert du Plessis

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Tien klavierwerke vir kinders en jongmense, op. 41, 1975 (Afd. I (vir kinders): 1. Heimwee van 'n Amerikaanse teddiebeer, 2. Angus en oom Koos maak maats, 3. Wispelturige Wilhelmina, 4. Ouboet en Kleinboet voel olik, 5. In die pretpark Afd. II (vir jongmense): 6. Hartseerwals, 7. KwĂȘla, 8. Mars, 9.
185:, and upon his return to South Africa he accepted a teaching position at Stellenbosch University, quickly becoming senior lecturer of the music department. In 1963 he was honored for his musical contributions by the South African Academy of Science and Art (commonly known as 33: 259:
Inspiré par mes chats, suite, op. 27. (1. Déplotarion sur la mort de Dodo, 2. L'allégresse et la sagesse de Josquin, 3. Les petits pas amoureux de Tristan, 4. La tendresse d'Isolde, 5. Gaspard et sa souris, pas de deux, 6. Tombeau de
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Du Plessis' compositions were varied and included both choral and instrumental pieces. He is noted for his contributions to both South African chamber music and orchestral music. Initially opposed to the idea, du Plessis included
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government, which he actively supported. He attributed his nationalistic music to a "growing consciousness" of his Afrikaner heritage, and therefore was not opposed to his music being used for political purposes.
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When I was a child-Toe ek 'n kind was, suite, op. 33, 1972 (1. Speeldoos, 2. Die tjellis, 3. Vleivolk, 4. Klawerliefde, 5. Rivierdroom, 6. Die skool sluit, 7. Kaleidoskoop, 8. Naggeluide)
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South Africa, du Plessis was spared public disgrace and legal troubles by the government, and lived unashamedly as an outspoken and openly gay man. He appeared in front of the
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on 7 June 1922. A musical prodigy from a young age, he began writing his own piano compositions by the time he was seven years old. In 1940 he enrolled in
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Vier klavierstukke, op. 28 in opdrag van UNISA, 1964 (1. Hommage à Fauré, 2. Hommage à Ravel, 3. Hommage à Chopin, 4. Hommage à François Couperin)
487: 497: 406: 379: 126:(7 June 1922 – 12 March 2011) was a South African composer, pianist, and professor of music whose career spanned several decades. Along with 452: 507: 472: 166: 421:
James May (2011) Obituary – Hubert du Plessis, Journal of the Musical Arts in Africa, 8:1, 115-116, DOI: 10.2989/18121004.2011.652401
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Musiek by drie skilderye van Henri Rousseau, op. 24, for the SABC, 1962 (1. Un soir de carnaval, 2. Pour fĂȘter le bĂ©bĂ©, 3. Le rĂȘve)
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Vier antieke danse vir fluit en klavesimbel, op. 35 (1. Siciliano, 2. Tambourin, 3. Sarabande, 4. Gigue)
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Drie stukke vir fluit en klavier, op. 25, 1962-1963 (1. Sarabande, 2. Wals, 3. Wiegelied)
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Vier klavierstukke, op. 1, 1944-1945 (1. Prelude, 2. Studie, 3. Elegie, 4. Dans)
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Sonate vir klavierduet, op. 10, 1954 "Composed for H. Ferguson and D. Matthews"
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to campaign against tightening of anti-homosexuality laws in the late 1960s.
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Cunctipotens genitor Deus, fantasie oor 'n 11de-eeuse organum, 1956
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in some of his later compositions. In the 1960s, he composed some
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Sounding the Cape: Music, Identity and Politics in South Africa
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Variasies op 'n volkswysie, vir harpsolo, op. 31, 1967-1968
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Sonate no. 2, op. 40, in opdrag van SAMRO, 1974-1975.
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Drie outas het in die haai Karoo, for the SABC, 1973
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Index


Malmesbury
Cape Province
Union of South Africa
Stellenbosch
Western Cape
Republic of South Africa
OMSG
Arnold van Wyk
Stefans Grové
Afrikaner
Malmesbury
Western Cape
Stellenbosch University
Bachelor of Music
South African Broadcasting Company
Cape Town
Rhodes University
Royal Academy of Music
London
Afrikaans folk music
nationalist
National Party
Apartheid
South African Parliament
Stellenbosch
SABC
Sounding the Cape: Music, Identity and Politics in South Africa
ISBN
978-1-920489-82-3

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