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101:. The sound is smoother and more connected than in a normally picked phrase, due to the absence of the necessity to synchronize the plucking of one hand with the fingering on the fingerboard with the other hand; however, the resulting sounds are not as brightly audible, precisely due to the absence of the plucking of the string, the vibration of the string from an earlier plucking dying off.
20:
145:
In the Banjo tutor book "Ellis's
Thorough School For 5 String Banjo" published prior to 1900, the term 'Hammer on' is used to describe the action of performing an embellishment called 'the Shake'. The description is "The Shake, which is marked 'tr', is played in the following manner. Strike(pick) the
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The technique also facilitates very fast playing because the picking hand does not have to move at such a high speed, and coordination between the hands only has to be achieved at certain points. Multiple hammer-ons and pull-offs together are sometimes also referred to colloquially as
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first note only with the right hand & the remainder of the passage with the 2nd finger of the left hand, by 'hammering on' the string while it is vibrating". In the same tutor book, the action 'pull off' is termed the 'snap'.
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Passages in which a large proportion of the notes are performed as hammer-ons and pull-offs instead of being
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A rapid series of alternating hammer-ons and pull-offs between a single pair of notes is called a
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65:) by sharply bringing a fretting-hand finger down on to the
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in the usual fashion are known in classical terminology as
116:(especially that created by computer) by a letter h.
109:", a reference to the fluid sound of the technique.
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Ellis's
Thorough School for the Five Stringed Banjo
77:to sound. This technique is the opposite of the
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112:A hammer-on is usually represented in guitar
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45:contains both hammer-ons and a pull-off.
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130:was first invented and popularized by
53:is a playing technique performed on a
16:Stringed instrument playing technique
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235:. Mel Bay Publications. p. 24.
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196:. Oak Publications. p. 25.
138:. Seeger also invented the term
136:How to Play the 5-String Banjo
1:
598:Guitar performance techniques
265:. J.A. Turner. Archived from
61:string instrument, such as a
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256:Ellis, Herbert J. (1898).
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321:
232:Southern Mountain Banjo
229:Erbsen, Wayne (2010).
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326:Carter Family picking
190:Traum, Happy (1974).
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55:stringed instrument
572:Neoclassical metal
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585:
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557:Instrumental rock
451:Alternate picking
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402:
311:Guitar techniques
242:978-1-60974-047-4
218:Give Me the Banjo
203:978-0-8256-0153-8
57:(especially on a
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577:Progressive rock
437:Guitar shredding
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346:Guitar harmonics
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496:Tremolo picking
481:String skipping
456:Economy picking
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272:on 2008-05-11.
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166:Guitar picking
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486:Sweep picking
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506:Pick tapping
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267:the original
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134:in his book
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73:, causing a
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567:Jazz fusion
552:Heavy metal
542:Power metal
341:Fingerstyle
132:Pete Seeger
67:fingerboard
461:Hammer-ons
444:Techniques
381:Ska stroke
366:Pick slide
177:References
33:variation
547:Hard rock
527:Bluegrass
522:Classical
476:Pull-offs
376:Rasgueado
356:Palm mute
351:Hammer-on
171:Shredding
128:hammer-on
126:The term
114:tablature
69:behind a
51:hammer-on
592:Category
537:Flamenco
371:Pull-off
331:Chanking
156:Pull-off
150:See also
140:pull-off
79:pull-off
532:Country
491:Tapping
386:Tapping
361:Picking
161:Tapping
99:phrases
86:plucked
59:fretted
515:Genres
471:Legato
315:strums
239:
200:
95:legato
90:picked
63:guitar
270:(PDF)
263:(PDF)
121:trill
107:rolls
31:major
24:G run
562:Jazz
336:Chop
313:and
237:ISBN
198:ISBN
75:note
71:fret
39:Play
88:or
26:in
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81:.
49:A
429:e
422:t
415:v
303:e
296:t
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245:.
206:.
105:"
28:G
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