1656:
512:
482:
820:
500:
798:
31:
1112:. She notes that Lecca had not created either situations or types, but that, as a "fine connoisseur of the stage", he was able to dose conflict, and usually resolved it in tragedy; the social critique is "vehement, but lacks clarity." As Faust-Mohr notes, "some theater reviewers and some in the public were disappointed by the resolution of : a father killing his son, who had been driven astray by gambling addiction."
739:
critic and theatrologist Rodica Florea writes, Lecca did have an "exotic nuance" and a preference for the standards of
Symbolist verse, but altogether "exterior, lacking in significance". His poetry stood out for its "physiological detail" and "interminable sadism", with Lecca "gratuitously insisting on sketching out hideous, terrifying or pitiful portraits", on "stenches", "cancer", "pus and fetid dressings".
1106:, who saw Lecca as an industrious and "profoundly different from his peers", but noted that he nonetheless failed at his main project: dramatizing the rise of an industrial, urbanized, Romanian aristocracy. Although she recognizes his skill, Florea cautions that his success was conditioned by him having this prestigious troupe at his disposal, as well as by an "emptiness" in Romanian drama of the
1848:, Lecca was, according to Florea, "forgotten even before he stopped writing"—this, "even though the history of Romanian drama at that particular moment cannot abstract him. Lecca's writing for the stage opened the way for urban-themed drama." He died on March 9, 1920, at his home in Bucharest (on Strada Suvenir, No 9); his brother Octav was present. He was buried at
1877:), still enjoyed success and, critic Paul I. Prodan noted, would still be relevant "for as long as social laws remain the same." According to Aderca, it was still well-liked only because "tearjerkers and lampoons always will enjoy great success among the masses." Lecca, he notes, had "the prestige of the recently deceased". Also in the 1920s, an attempt to stage
1029:, and features his "spiteful address to mankind". According to literary historian Mircea Popa, the series contains little of artistic value, featuring characters with unclear psychological states and plots not always sufficiently endowed with motive. His actor friend Livescu nevertheless recalled that they enjoyed success at the National Theater, in particular
1647:, though, according to reviewer Al. Cobuz, he only provoked unintentional laughter: "his voice was coarse and not modulated, his gesturing abrupt and rough." The two directors had already had a major row over Filotti's contract, and the collaboration between them did not last long, with Davila becoming one of Lecca's "violent critics".
1363:, responded for them: "I'd urgently get you sacked from the theaters". He was finally relieved of his position when disgruntled actors, who knew him since his days at Iași Theater, expressed their opposition. Subsequently, Lecca was also one of the writers commissioned to translate for the National Theater by its chairman,
1245:. According to philologist Remus Zăstroiu, his role there was "not at all negligible", but rather contributed to an interval of "artistic fulfillment." As "one of the most competent men of the stage", Lecca undertook "to modernize the program and reform acting techniques." The same was also noted by actress
1860:
In 1933, at
Caracal, Lecca's fellow citizens put up his bust, sculpted by Ioan C. Dimitriu-Bârlad. This reverence contrasted with his posthumous decline in literary importance. Sturdza argued that, "of all that Lecca wrote—in verse and drama—, and he wrote a lot for his day, today nothing endures,
568:
Haralamb Lecca was an
Oltenian by birth, his work sometimes included in regionalist anthologies. However, as noted by Oltenian scholar C. D. Fortunescu, this was a stretch. Lecca, he argues, "do not owe anything to this region, only the happenstance of birth here, or a short period in childhood,
1197:, called Haralamb "the most artistic of the younger poets". Lecca, however, kept away from the literary clubs, and especially the coffeehouses, and was perceived as bitter or glacial—but, according to friend N. I. Apostolescu, was in fact moved "by all of life's misery, injustice, and pettiness".
1599:
and, in this, inferior to his regular poetry, "without any literary interest other than—to a certain degree—a stylistic interest." Although he had largely given up on poetry, he was still noted as an author in the epigram genre, for instance ridiculing the state of public transport in
Bucharest.
1068:
and social theater. Livescu also notes that Lecca's preferred method included "savaging our social forms and flagellating our lack of character within a melancholy atmosphere, sometimes depressing, sometimes carried by discreet poetry". In 1902, he contributed such criticism in an unprecedented
738:
asserts that he had "all the qualities that one might pick up working in cabinets". However, journalist Mihail Mora defended Lecca against accusations that he had no poetic soul, suggesting that his lyrical "objectivity" and precision were studied, and alternated with "sentimental outbursts." As
1216:
reported that
Caragiale saw his cousin as culturally irrelevant, deeming his plays as "attempts, but not literature." According to Florea: "A strange figure, interesting for its epoch, regarded as an arbiter of elegance, 'the man of extremities and extremes', Haralamb Lecca either indignantly
1571:
immigrants, for "posing as martyrs" and "bit by bit form their own state within the state"; state employees, for being "somnolent" and interested in social gatherings more than actual work; and amateur actors, for "dishonor the work" of professionals. His hostility for amateurs was shared by
1387:
Lecca's threat to Eliade, that he would no longer allow his own work to be performed in
Bucharest, was taken seriously by its recipient, who effectively banned him from setting foot the National Theater. However he was again employed in December, when he prepared a stage version of
1249:(discovered and employed by Lecca), who summarized his tenure as "short productive". However, he was also ruthless and "almost brutally sincere" with his employees and, as noted by Sturdza, who toured with the company, "pointlessly insulted comrades." According to the local daily
354:; this work later led him to contribute translations of Western European prose, in which he was prolific. Lecca also worked directly with the actors, as director of his and others' plays, and sometimes even took up roles on the stage; both his own performance and his insistence on
1060:
were commercial hits on their first staging. The latter, contrasting a cynical seducer to an idealistic lady, won Lecca another
Adamachi award, in 1901. Hoping for international success since at least 1900, Lecca had the play translated into Hungarian and French.
1220:
Driven by material needs and his pedagogical principles, the writer, using the pseudonym "Sybil", took up roles in his own plays—although, Livescu recalls, "he had no talent for this". In 1903, he toured
Oltenia as the protagonist of his
1342:, who believed that Lecca, an "intelligent poet", had "outstanding talent in translation arts"; Aderca found them "mediocre", while literary historian Barbu Theodorescu noted their "multitude of errors" and their "hasty weakness".
746:("impeccable", according to Mora), but even his skill was panned by Iorga, who noted that Lecca had "nothing to surprise us with in his rhymes or rhythms". Lecca was appreciated by critics in his 1890s context, winning the
1087:, Lecca, who directed his own plays (with "taste and mastery of scenography", according to Livescu), had stabilized his preferred team of actors, which included Demetriade, Livescu, Romanescu, and Nottara. Another actor,
1204:, who maintained that he was a nonentity (although he conceded that Lecca wrote good dialogue). His staunchest defenders include Apostolescu, who analyzed Lecca in studies of comparative literature, and dramatist
481:
1116:
was a topic of controversy "with the crudeness one finds in some of its scenes." It "showed the adulating intriguer sponging off a politician, and wasting no time in denouncing him once his star has waned."
730:, these works featured verses that were "odiously interpreted" from French models, and with numerous "trivialities". Philosopher Mihail Iorgulescu, "the only man to have wept for ", also finds that in his
641:, Lecca's "poetic fecundity" soon took over, turning that magazine into a literary tribune rather than the scientific organ designed by Hasdeu. Following this, Lecca, an occasional literary columnist at
511:
4650:
765:
protested against Lecca's "deranged inspiration", he qualified his verdict by insisting that it was nonetheless the inspiration of a "refined artist". Inspiring in turn fellow authors such as
4435:
4430:
1904:
had been revived and were routinely staged by
Bucharest theaters. This lack of comparable, more recent, plays, meant that Lecca was "a classic against his will." In a 1942 column, writer
1102:. However, Iorga also notes Lecca stood out in this family of dramatists in the "French fashion" for his "savvy web of movements and dialogues". The same was also noted by novelist
318:, but was discarded by later critics as uninspired and ultimately insignificant. As a dramatist, Lecca impressed his contemporaries. His numbered set of tragicomedies, veering into
1268:
employed Lecca at the
Grigoriu Association, an independent troupe. In February 1907, he toured the country alongside Romanescu, reaching his native Caracal. Lecca's rendition from
1345:
Having obtained a government position as deputy director of theaters, then also inspector general of theaters, Lecca was highly unpopular. During Easter 1908, with an article in
964:, though "not so much of a poet". In May 1900, the satirical poet Vasile Dumbrăveanu referred to him as a "loser", noting that he was driving the National Theater into debt. The
3876:
4655:
3766:, "Cronica teatrală. Teatrul Modern.—Compania Marioara Voiculescu — Deschiderea stagiunei: Seara de pomină, dramă în 3 acte de Leopold Kampf, tradusă de d. H. G. Lecca", in
4585:
4675:
4610:
4575:
1655:
1627:
argued that Lecca (billed as "Câmpinaru") was "very witty" in his portrayal of Cyrill, who "fits him wonderfully." He also began working with actress and manager
1912:, one of Dauș's newer works for the stage, was needlesly prolonging Lecca's brand of "salon drama", a genre that "requires neither observational skill nor wit".
4600:
4440:
1555:("Us Romanians"), where he attacked the mores and psychology of his era. Lecca pined for what he saw as better days, referring to the cultural work of Hasdeu,
885:. In January 1899, when Hasdeu created his "Society of the Press", a pioneering writers' syndicate, Lecca, Ascanio and Chendi were among the founding members.
606:
4660:
4540:
499:
4565:
4560:
4555:
4475:
4605:
4470:
4530:
2381:
4635:
106:
dramaturge, translator, stage director, theater manager, actor, screenwriter, journalist, publisher, illustrator, artillery officer, civil servant
1098:" and "disgusting gentlemen", with little relevancy for people living in later times. The settings were "vague and false", evoking the worst of
385:, and died soon after this ended, following a losing battle with paralysis. He had been largely forgotten as a writer, and was being derided by
4645:
419:
4590:
4480:
4460:
3157:
1833:("The Simple One"). Almost completely paralyzed in 1918, he continued to be conscious and responsive although, as Iorgulescu recalls, he was
4147:
Lucreția Angheluță, Eva-Maria Marian, Tamara Teodorescu, Grigore Goanță, Liana Miclescu, Marilena Apostolescu, Marina Vazaca, Rodica Fochi,
3748:, "Cronica teatrală. Teatrul Modern.—Pentru întâia oară: 'Înconjurul', comedie în 3 acte de Henri Bernstein, tradusă de d. H. G. Lecca", in
1253:, "stubborn" Lecca tried to pressure theatergoers into accepting Romanian plays, which they constantly rejected. He also exaggerated in his
4410:
4405:
3943:
590:
1143:
for the popularization of foreign and domestic literature. His own literary work had diversified, and came to be hosted in such venues as
2351:
1685:, and published a memoir of his experience—this was strange, according to Iorga: "few expected to be interested in such topics". Titled
377:. His contribution to screenwriting, albeit pioneering, was shaded by revelations of plagiarism from Caragiale. By then a veteran of the
4570:
4505:
4670:
1889:(who raised aesthetic objections). Mora claimed in 1929 that "the time shall come for the work of Haralamb Lecca to impose itself".
1583:
Such fragmentary memoirs, admired by Florea for their "moving portrayal of Hasdeu", were nevertheless dismissed in 1913 by chronicler
1536:
as having "some skill", as opposed to his generation colleague, Rosetti, who was "untalented". They both were prominently featured by
769:, Lecca's poems were held in high regard by Hasdeu. Although he initially rejected Lecca as a mere "imitator", he welcomed him at his
734:, Lecca remained epic and melodramatic, which made his poetic work dated, "once the setting that contained it fell apart." Similarly,
1121:
was laughed at for its morbid title, although, Mora claims, its critics "never seemed to have the time, not the skill, to analyze ".
4520:
4515:
4490:
4455:
4160:
2389:
2152:
2038:
2168:
578:
687:, from a French version. He printed this in 1896, followed a while after by selected verses from Romania's German-speaking queen,
4665:
4640:
4500:
4425:
4371:
3643:
670:
415:
3828:
1852:, in Plot 92b, with no cultural official on show. By the 1930s, his tomb was untended, the marble plaque on it having cracked.
1844:
argued in 1921: "It took Haralamb Lecca ten years to realize how much his art was fake." While a noted influence on comedies by
4545:
4510:
4445:
4305:
2680:
2505:
1510:
4630:
4580:
4181:
961:
530:
347:
294:
140:
4354:
855:, 18 of which were copied from other artists. He and Hasdeu shared this preoccupation, as well as a passion for the occult,
4525:
4495:
4152:
4107:
3441:
2703:
2632:
2144:
2108:
1184:
569:
has ever put into contact with us." From 1880, Haralamb was listed among the interns of Pontbriant–Schewitz Institute of
308:
242:
4485:
4415:
1480:
1312:
558:
1801:, Lecca was a Captain of the Ammunition Department in the 22nd Division, which withdrew with the rest of the army into
4465:
4450:
2234:
1665:
1419:
1282:(1907), was probably done from a French intermediary. Other such contributions followed, with works by: Shakespeare (
1173:, a magazine published for the community of stage actors and theatergoers, later followed by similar contributions in
1095:
450:
4625:
4595:
1892:
In 1930, Rosetti also proposed that Lecca's plays be revived "with today's actors, costumes, techniques", and that
1825:
that he was slowly dying, but still hoping to find a miracle cure. Decommissioned in summer 1917, he was living in
1783:
1130:
1091:, worked with Romanescu and Lecca ca. 1907, recalling that the latter was "treasured for his techniques in drama".
905:
366:
2360:
1821:
in winter 1916, Lecca showed signs of a debilitating illness (sometimes described as a war injury), confessing to
1135:
978:
published in 1896 an essay which gave appreciation to Lecca as a poet, but his verdicts were ridiculed by fellow
653:
4316:
3881:
3676:
3582:
1157:
4615:
4420:
4281:
3854:
1882:
1379:, by the same Dumas, was modified by the managers, and, after his public protest, was pulled out of rehearsal.
1175:
626:
561:—the setting of at least one poem by his son. From a later marriage, he had a much younger son, the magistrate
282:
3560:
1538:
1414:
called it "useless and absurd torture", concluding that Lecca was "one giant prankster". At around that time,
1238:
1226:
1217:
repelled or eulogized, with sympathies and antipathies bearing the same seal of disproportionate partiality."
1074:
974:—came to regard Lecca as an occasional ally, despite his debut with their rival Hasdeu. In the same magazine,
362:
2676:
1289:
1018:
819:
602:
1548:, the more left-wing Symbolist review, was more categorical, describing Lecca as "overreaching and trite".
1064:
Many of the plays veered from social into political commentary, progressively influenced by the schools of
4338:
Dicționar de pseudonime, anonime, anagrame, astronime, criptonime ale scriitorilor și publiciștilor români
4120:
3029:
1905:
1874:
1798:
1705:
and starring Voiculescu, premiered upon Lecca's return to Bucharest, in June 1913. A scandal ensued, when
1678:
1660:
936:
797:
609:. He graduated from the law faculty in Bucharest, but only after along hiatus, and reportedly held both a
565:, later locally famous as a genealogist, heraldist, and anthropologist, and a daughter, Elvira Yga Lecca.
382:
4167:
3948:
3532:
3361:
Botar & Tîlvănoiu, p. 53; Filotti, p. 71; Livescu, pp. 62–63; Nae Saltinbancu, "Știri. Teatrale", in
2090:
2030:
1628:
1556:
1151:
1034:
786:
327:
30:
4297:
3927:
3504:
3468:
3363:
3285:
1368:
1359:
1265:
678:
562:
538:
436:
335:
266:
2949:
1886:
1475:
1088:
1038:
719:
2820:
1721:
with only minor changes of names and settings. Together, Lecca and Voiculescu wrote a film version of
1560:
1497:
for failing to render Maupassant's meanings and turns of phrase, a "perseverance in bad translation."
957:
851:
in each one's newspaper. Lecca was also an amateur draftsman, who contributed 89 vignettes to his own
4535:
4400:
4395:
4237:
3235:
2103:
1451:
1398:, published as a book in 1915. Over the following months, Lecca also pursued engagements abroad, his
1213:
1065:
386:
319:
314:
Lecca's poetry, recognized as formally accomplished in its context, won him literary awards from the
278:
202:
3301:
2574:
1693:: "Sure enough, talent is beyond the scope of Mr Lecca's work." By then, interested in the emerging
1411:
261:
poet, playwright and translator. He belonged to an upper-class family, being the grandson of artist
4209:
4195:
3837:
3648:
3639:
3398:
Virgil Tempeanu, "Agata Bârsescu și Franz Grillparzer. Traducătorii români ai lui Grillparzer", in
3231:
2685:
1866:
1814:
1741:
1632:
1438:
1423:
1307:
1201:
1140:
941:
920:
915:
910:
874:
856:
825:
770:
727:
594:
491:
351:
331:
3240:
1901:
1702:
1584:
4620:
4550:
4273:
4214:
Istoria literaturii române în secolul XX, după o nouă metodă. Sămănătorism, poporanism, criticism
3689:
Remus Zăstroiu, "Elemente de critică literară în periodicele socialiste dintre 1900 și 1916", in
2627:
2578:
1753:
1592:
1525:
1456:
1434:
1389:
1258:
1209:
1189:
1070:
864:
778:
758:
735:
610:
574:
550:
542:
440:
427:
339:
270:
61:
2698:
1169:, sometimes signed with the pen name Câmpeanu. From 1903, he joined Livescu as a contributor to
1079:
57:
1016:("Cancer of the Heart", 1903). Another work, published in 1904 (and again in 1905), was titled
4341:
4253:
4156:
3909:
3426:
3153:
2828:
2586:
2544:
2385:
2325:
2288:
2265:
2148:
2034:
1791:
1775:
1711:
1694:
1682:
1466:
1461:
1446:
1394:
1338:
1336:, 1913). Reprinted throughout the 1910s, these works earned accolades from Albert Honigman of
1269:
982:
975:
889:
688:
614:
453:
378:
237:
1717:
369:, leaving him to seek work with private companies. In the early 1910s, he also collected his
4236:
Rodica Florea, "Reviste și scriitori în ultimele două decenii ale secolului al XIX-lea", in
4102:
3982:
2400:
Botar & Tîlvănoiu, p. 53; Dragomirescu, p. 52; Florea, pp. 955, 958; Iorga (1934), p. 44
1897:
1841:
1802:
1604:
1484:
1403:
1317:
1284:
1274:
1234:
1230:
1108:
747:
723:
605:, where he studied law. However, in January 1901, he was reportedly studying letters at the
546:
487:
423:
411:
403:
315:
298:
262:
198:
53:
2445:, p. 45; Botar & Tîlvănoiu, p. 51; Florea, pp. 955–956; Livescu, p. 163; Rosetti, p. 95
1840:
Upon the end of the war, his writing was no longer considered relevant. As poet and critic
458:
4375:
4322:
4287:
4241:
4203:
4185:
2864:
2557:
1749:
1715:
noticed that Lecca had plagiarized from his recently deceased uncle, Caragiale, rehashing
1612:
1364:
1194:
1023:
930:
882:
774:
755:
374:
323:
156:
144:
2283:
2049:
Botar & Tîlvănoiu, p. 51; Călinescu, pp. 592, 1008; Florea, p. 955; Țilică, pp. 30–31
1822:
1504:. His move there was announced on July 13, 1911. That year, Lecca rendered into Romanian
782:
900:. It saw print in Ascanio's magazine (1896), being followed in 1897 by a five-act play,
273:. He had an unsettled youth, studying medicine and law for a while, and also reaching a
4245:
3998:
3922:
3573:
3499:
3463:
3280:
1849:
1817:—it was cancelled after reports that it was mocking the occupiers. While recovering at
1779:
1736:
1731:—postponed by Popescu's furious withdrawal from the project, its release came in 1915.
1494:
1354:
1205:
1099:
934:, which was used by the National Theater in the 1898 repertoire. Also then, he adapted
766:
743:
731:
666:
658:
586:
554:
534:
188:
87:
4368:
4178:
2869:
T. Maiorescu și posteritatea lui critică. I: V. Alecsandri, M. Eminescu, A. D. Xenopol
1829:, with Natalia Lecca as his nurse. Among his last works was another volume of poetry,
1762:(published after his death, in 1926). Around 1915, he released another work in drama,
1500:
At around that time, Lecca married Natalia Botezat, with whom he lived for a while in
1433:
His other translation work, published independently, covered prose: in 1904, texts by
4389:
4259:
4226:
4071:
3859:
3108:
2488:
2409:
1758:
1706:
1640:
1489:
1350:
1322:
1254:
1246:
762:
638:
355:
346:, he increased the repertoire with numerous but unequal translations, beginning with
1037:
and "included no banalities or filler". Upon rediscovering the play in 1933, critic
545:. His aunt Cleopatra was married to Colonel Grigore Poenaru, nephew of the polymath
4062:
3099:
1834:
1818:
1568:
1103:
648:
445:
326:, were the height of fashion in ca. 1898–1908, propelled by a troupe that included
132:
694:
His collections of poetry, generally known by numbered titles, began in 1896 with
2902:, pp. 44–45; Botar & Tîlvănoiu, pp. 53–54; Călinescu, p. 1008; Florea, p. 958
1410:(March 1909). Although Lecca and the Romanian press claimed it was a hit, critic
4267:
4264:
Istoria literaturii românești contemporane. II: În căutarea fondului (1890–1934)
4221:
Amintirile unui spectator. Mișcarea teatrală în capitală între anii 1899 și 1910
3768:
3763:
3750:
3745:
2954:
1674:
1624:
1520:
1505:
1297:
1049:
925:
683:
643:
637:("In the Graveyard"), and awarded Lecca its annual literary prize. According to
557:. Haralamb's father, George Lecca, a cavalryman, had fought with distinction in
410:
Mănăstireanu or Mănăstiriceanu); his grandfather was the painter and journalist
274:
164:
136:
1865:, at Regina Maria Theater, played to an "almost empty" venue, despite starring
944:, who, as Rosetti writes, was also his artistic muse for the following decade.
4369:"Teatrul Nostru. Contribuții la istoricul Teatrului Național din Caracal (II)"
3610:
2416:, pp. 12, 14. Vălenii de Munte: Așezământul Tipografic Datina Românească, 1939
1896:
be reprised by the Bucharest National Theater. As noted in 1936 by playwright
1845:
1596:
1577:
1515:
1327:
1233:, whom he even provoked to a duel. As a protégé of the influential politician
1145:
996:"The most productive auteur of the time", he produced a long string of plays:
953:
897:
878:
860:
839:
As Rosetti reports, Lecca was for a while employed as a regular journalist by
598:
370:
343:
286:
160:
4049:, Nr. 69–70/1933, p. 426; "Desvelirea monumentului lui Haralamb G. Lecca" in
4330:
3037:
1587:, who found them "monotonous". Lecca also wrote short stories, collected as
1048:
s second act is almost entirely constructed from quick exchanges around the
908:(1897). He was also interested in translating foreign drama, and printed in
589:
in the 6th Artillery Regiment, he may also have had a stint clerking in the
570:
431:
373:, also producing memoirs and essays that outlined his ideas on society, and
311:, and spent his later life in relative isolation from all literary circles.
184:
148:
77:
1975:
Elena Siupiur, "Rapports littéraires roumano-bulgares entre 1878–1916", in
1723:
1580:, which reduced the number of roles from "a great number" to "seven–nine".
1542:, which, the chronicler noted, was "exaggerated" for poets of such status.
1501:
869:
463:
2832:
1770:
was again performed that year, while also working on staging and adapting
456:, and possibly also Michael's brother-in-law. His direct male descendant,
3530:
Eugen Porn, "Noutăți. 'Succesele' D-lui Haralamb G. Lecca în Italia", in
2373:
1861:
not even in the memory of his own generation." In 1921, his rendition of
1766:("Ten Monologues"). He returned to the National Theater Bucharest, where
1407:
1332:
1026:
468:
4345:
1563:, whose work he introduced for the public. In part written as a satire,
718:, 1904), it showed strong influences from French writers, in particular
4292:
Istoria literaturii române contemporane, II. Evoluția criticei literare
1826:
1786:, he ran for the presidency of the Writers' Union, but lost to his old
1607:, who managed a private company of actors, he acted in his versions of
1302:
989:, as its "playwright par excellence", then with its partial successor,
970:
848:
582:
533:, and Grigore, a career soldier; he was also very distantly related to
526:
307:
society, then of its dissident wings, Lecca never joined the fledgling
303:
290:
258:
207:
172:
114:
418:, and, according to family legend, was established in Ancient Rome by
3604:"Renseignements utiles. Déplacements et villégiatures des abonnés de
2301:
Botar & Tîlvănoiu, p. 51; Florea, pp. 941–942, 955; Țilică, p. 30
2087:
Petrache Poenaru, ctitor al învățământului în țara noastră. 1799–1875
577:, but later finished primary school in his native town, attended the
180:
168:
2562:
Istoria literaturii române contemporane, II. Evoluția poeziei lirice
1229:. While there, he reportedly got into a brawl with a troupe member,
881:, where he later displayed a group photograph of Lecca, Rosetti and
863:, with Lecca going into trances, attempting to draw for Hasdeu the "
361:
His conflicts with actors and managers resulted in his sacking from
3317:
Remus Zăstroiu, "Orașul Iași la 1900. O perspectivă culturală", in
2130:
Botar & Tîlvănoiu, p. 56; Călinescu, p. 1008; Țilică, pp. 30–31
1806:
1544:
389:, even though his plays continued to be performed into the 1930s.
176:
152:
2583:
Istoria literaturii române. II: De la Școala Ardeleană la Junimea
985:. Eventually, Lecca remained with the ideologically incompatible
3985:, "Par delà les frontières. Roumanie: un siècle de théâtre", in
2548:, No. 174, November 4/16, 1899, p. 6010. See also Rosetti, p. 97
2542:"Parte oficială. Ministerul cultelor instrucțiuneĭ publice", in
406:, his parents were George (or Gheorghe) Lecca and his wife Zoe (
2164:
1551:
Lecca also contributed the political essays and conferences in
1727:, first shown in a private screening around the same time as
1208:, who proclaimed (controversially so) that Lecca stood above
517:
Cleopatra Lecca-Poenaru, Haralamb's aunt; by Constantin Lecca
3049:
Livescu, pp. 61–63, 78, 102. See also Faust-Mohr, pp. 41, 57
1697:, had also been working on a screenplay the "peasant drama"
1183:. From 1905, his brother was marginally affiliated with the
3558:"Cronică. Constituirea Societății scriitorilor români", in
2220:
Botar & Tîlvănoiu, p. 51; Florea, p. 955; Țilică, p. 30
1069:
form, at a National Theater recital given by Romanescu and
245:
February 10] 1873 – March 9, 1920), also known as
4149:
Bibliografia românească modernă (1831–1918). Vol. III: L–Q
2827:, pp. 147–148. Bucharest: Editura Casei Școalelor, 1940.
2486:
Mihail Iorgulescu, "Cronica dramatică. Haralamb Leca", in
1052:. Similarly, the impresario M. Faust-Mohr reminisces that
956:
for the National Theater by 1900, and, according to actor
742:
Lecca attained superior technical quality when it came to
2121:
Botar & Tîlvănoiu, pp. 51, 52. See also Țilică, p. 30
466:
in 1730; it was there that his grandson, the painter and
4200:
Istoria literaturii române de la origini pînă în prezent
3130:
Faust-Mohr, p. 12. See also Botar & Tîlvănoiu, p. 54
698:, prefaced by Hasdeu. Like the following installments (
4250:
Istoria literaturii române. III: Epoca marilor clasici
4216:. Bucharest: Editura Institutului de Literatură, 1934.
4014:
Botar & Tîlvănoiu, p. 56; Călinescu, pp. 592, 1008
2920:
Biserica Orthodoxă Romană. Jurnal Periodic Eclesiastic
2232:"Salon. Literatura. Haralamb G. Leca franțuzeșce", in
1261:, being ultimately forced to resign in December 1906.
1257:
requirements, which notoriously included disposing of
1225:, and, for a while in 1905, was stage director of the
1083:, lyrics of his own, with political hints. Already by
529:, were Constantin Lecca Jr, a clerk and member of the
4367:
Ion D. Tîlvănoiu, Floriana Tîlvănoiu, Dumitru Botar,
4179:"140 de ani de la nașterea dramaturgului H. G. Lecca"
1782:(premiered March 1916). In July 1916, shortly before
1681:, then eventually under arms. He participated in the
873:, attended by the poet, Hasdeu was inspired to build
4651:
Romanian military personnel of the Second Balkan War
3439:
Barbu Theodorescu, "Teatrul francez în România", in
2914:
Victor N. Popescu, "Cronica Internă. Idei și Fapte.
2025:
Mircea Popa, "Lecca Haralamb", in Aurel Sasu (ed.),
1932:
Antologia poeților olteni, de I. C. Popescu-Polyclet
289:. His early work was in poetry, often outstandingly
3238:, "Pietre de Vad. Idei literare macedonskiene", in
3139:
Botar & Tîlvănoiu, pp. 53–54; Faust-Mohr, p. 41
904:("For a Woman", 1897), presented for review to the
847:; the two would jibe at each other using notes and
214:
194:
128:
120:
110:
102:
94:
83:
67:
40:
21:
4165:N. I. Apostolescu, "Critica. Lecca — Rosetti", in
3186:Dragomirescu, p. 98; Straje, p. 392; Țilică, p. 30
3168:Botar & Tîlvănoiu, p. 53; Straje, pp. 153, 392
1591:("Branches", 1914), and episodes from the life of
940:. In 1896, he began his relationship with actress
549:. She was also a maternal cousin of the dramatist
4053:, Nr. 45/1933, p. 12. See also Rosetti, pp. 93–94
4005:, p. 61. Bucharest: Editura Casei Școalelor, 1940
3727:, p. 45; Călinescu, p. 1008; Florea, pp. 956, 958
2645:Octav Oncea, "B. P. Hașdeu și Octav Băncilă", in
2506:"Un model de critică științifică: H. Sanielevici"
1813:("The Mishap") was being staged by Maximilian in
1528:. Returning the same year with the retrospective
281:. He debuted in literature under the guidance of
4436:20th-century Romanian dramatists and playwrights
4431:19th-century Romanian dramatists and playwrights
3736:Botar & Tîlvănoiu, pp. 54–55; Rosetti, p. 96
3204:Florea, p. 958. See also Dragomirescu, pp. 54–56
2871:, pp. 92–93, 99. Bucharest: Casa Școalelor, 1943
2414:Tennyson (conferință la Societatea Anglo-Română)
2202:Botar & Tîlvănoiu, p. 56; Călinescu, p. 1008
1022:—sometimes described as a poem, it is in fact a
2529:
2527:
2198:
2196:
2194:
1885:(who found it blasphemous) and critics such as
1873:, also at Regina Maria (with Bulandra and wife
968:editors—and ultimately their literary society,
3877:"Scriitori străini în lumea filmului românesc"
3627:, p. 46. See also Botar & Tîlvănoiu, p. 54
2610:
2608:
2606:
2604:
2424:
2422:
2211:Călinescu, pp. 592, 1008; Florea, pp. 955, 956
1349:, he asked his readers "what they would do if
1237:, he was simultaneously stage director of the
553:, and, for a while, the love interest of poet
358:by others were often repudiated or ridiculed.
3944:"Duiliu Zamfirescu — pagini de corespondență"
3152:, p. 112. Bucharest: Noi Media Print, 2011.
2701:, "Spiritul german în literatura română", in
1701:("Revenge"). The eponymous film, produced by
1041:upheld Lecca as the "master of incisiveness"—
647:, became was one of the main contributors to
8:
3701:
3699:
2842:
2840:
2806:Botar & Tîlvănoiu, p. 53; Florea, p. 955
2717:
2715:
2713:
2188:Botar & Tîlvănoiu, p. 51; Florea, p. 955
1677:, Lecca was recalled into active service at
4036:, p. 13. Bucharest: Tipografia Litera, 1940
3820:
3818:
3150:Istorii și imagini din Bucureștiul Evreiesc
3095:
3093:
3091:
2816:
2814:
2812:
2669:
2667:
2319:
2317:
2315:
2313:
2311:
2309:
2307:
2027:Dicționarul biografic al literaturii române
1946:
1944:
1689:("Beyond"), it was dismissed with a pun by
1129:Around 1900, Lecca was under contract with
896:, which showed moral dilemmas leading to a
892:, Lecca published his first work in drama,
581:in Bucharest, and completed high school in
4656:Romanian military personnel of World War I
2482:
2480:
2478:
2279:
2277:
2275:
2259:
2257:
2255:
2253:
2228:
2226:
677:. At the time, Lecca was translating from
285:, who also employed Lecca's services as a
18:
4586:Writers who illustrated their own writing
4306:Editura de stat pentru literatură și artă
4105:, "Notă despre literatura dramatică", in
3283:, "Duelul de la Teatrul din Craiova", in
2910:
2908:
2789:
2787:
2768:, Nr. 6/1905, p. 168. See also Angheluță
2751:
2749:
2747:
2745:
2743:
2741:
2731:
2729:
2727:
2657:
2655:
2564:, p. 160. Bucharest: Editura Ancona, 1927
1971:
1969:
434:, the family patriarch was allegedly the
4359:Revista Bibliotecii Naționale a României
3969:
3967:
3691:Anuar de Lingvistică și Istorie Literară
3297:
3295:
2855:Dragomirescu, p. 52; Iorga (1934), p. 20
2454:Călinescu, pp. 592, 1008; Florea, p. 956
1926:
1924:
1881:failed, due to opposition from both the
1654:
297:and hinting at a vague affiliation with
269:, as well as nephew and rival of writer
16:Romanian poet, playwright and translator
4611:Members of the Romanian Orthodox Church
4576:Romanian theatre managers and producers
4313:Teatrul românesc contimporan, 1920–1927
4131:, piesă în 3 acte de Ludovic Dauș", in
3894:Călinescu, p. 1008. See also Angheluță
3254:
3252:
3250:
2286:, "Amintiri despre Haralamb Lecca", in
2021:
2019:
2017:
2015:
2013:
2011:
2009:
2007:
2005:
1920:
505:The Lecca children, by Constantin Lecca
477:
2987:Albina. Revistă Enciclopedică Populară
2003:
2001:
1999:
1997:
1995:
1993:
1991:
1989:
1987:
1985:
1576:was being "mutilated" by a company in
601:), but returned to matriculate at the
593:. In 1897, he studied medicine at the
490:, Haralamb's grandfather. Portrait by
4676:Cantemir Vodă National College alumni
4355:"Familia Lecca în texte și documente"
4340:. Bucharest: Editura Minerva, 1973.
4045:"Oltenia culturală. Din Caracal", in
2323:Mihail Mora, "Haralamb G. Lecca", in
1734:In 1914, Lecca published versions of
1639:. In October 1912, Lecca appeared in
1487:. He also put out his translation of
1008:("Quinta. The Force Supreme", 1901);
960:, was superlative as a translator of
236:
7:
4601:Romanian people of Bulgarian descent
4441:Symbolist dramatists and playwrights
4153:Editura științifică și enciclopedică
3011:Florea, p. 958; Iorga (1934), p. 199
2952:, "Carnetul nostru. Cartoforii", in
2825:Amintiri: patruzeci de ani de teatru
2573:Ion C. Chițimia, "B. P. Hasdeu", in
2533:Florea, p. 956; Iorga (1934), p. 138
2145:Editura științifică și enciclopedică
1977:Revue Des Études Sud-est Européennes
1094:Iorga found his a literature about "
750:'s V. Adamachi Prize in 1898, and a
597:(inspiring him to write poems about
422:; their roots may also lead back to
4317:Fundația Culturală Principele Carol
3367:, Nr. 119, December 1906, pp. 10–11
2793:Vasile Dumbrăveanu, "Epigrame", in
1952:Unirea. Foaie Bisericească-Politică
1663:(drawing by H. C. Seppings-Wright,
1567:attacked particular social groups:
365:, and then his banishment from the
4661:Romanian writers with disabilities
4541:Translators of William Shakespeare
4294:. Bucharest: Editura Ancora, 1926.
4223:. Bucharest: Leopold Geller, 1937.
4127:Teatru. Cronica teatrală. Studio:
3907:"Viața artistică și literară", in
3304:, "Teatrul Național din Iași", in
3036:, Vol. III, pp. 24–25. Bucharest:
2382:Editura Fundației Culturale Române
1514:, while his earlier work inspired
1000:("Tertia. Chaste Goddess", 1899);
293:, evidencing his familiarity with
238:[haraˈlambˈdʒe̯ordʒeˈleka]
14:
4566:20th-century Romanian male actors
4561:19th-century Romanian male actors
4556:Romanian book publishers (people)
4476:Romanian male short story writers
4278:Amintiri și scrieri despre teatru
4177:Dumitru Botar, Ion D. Tîlvănoiu,
3595:Călinescu, p. 592; Florea, p. 955
3466:, "Dac'ar renviea Christos?", in
803:Lecca's illustration to the poem
621:Symbolist debut and Hasdeu circle
4606:Romanian people of Greek descent
4471:20th-century short story writers
4171:, Nr. 13/1912, pp. 197–200.
3521:, p. 45. See also Florea, p. 958
3321:, Vol. IV, Issue 2, 2008, p. 273
2681:"Secolul breslei scriitoricești"
2029:, Vol. I, pp. 842–843. Pitești:
1004:("Quarta. Card Players", 1900);
818:
796:
537:, who held major offices in the
510:
498:
480:
29:
4252:, pp. 919–979. Bucharest:
3863:, Nr. 6 (723), June 2012, p. 34
3576:, "Recenzii. Haralamb G. Leca,
3502:, "Sport-petreceri-teatru", in
3415:, pp. 45–46; Călinescu, p. 1008
3244:, Vol. VI, Issue 4, 1975, p. 41
1930:C. D. Fort., "Recenzii. Cărți.
1805:. Also during that interval, a
1595:. As noted by Florea, they are
1532:("Poems"), he was described by
1511:Around the World in Eighty Days
1483:, then under the presidency of
1479:. The same year, he joined the
1212:. In 1902, the Symbolist doyen
1200:Lecca had quarrels with critic
4636:University of Bucharest alumni
4380:Memoria Oltului și Romanaților
3148:Felicia Waldman, Anca Ciuciu,
2169:Cantemir Vodă National College
2106:, "Caragiale și Eminescu", in
2093:, 1963. See also Țilică, p. 30
1950:"Noutăți. Știri literare", in
1659:Romanian artillery during the
1375:. In 1908, his translation of
633:published Lecca's first poem,
525:Haralamb's uncles, settled in
295:19th-century French literature
1:
4646:Romanian Land Forces officers
4382:, Nr. 7/2016, pp. 65–81.
4361:, Nr. 1/2003, pp. 29–31.
4233:, Nr. 7/1957, pp. 63–75.
4192:, Nr. 2/2013, pp. 51–56.
3772:, September 15, 1912, pp. 1–2
3754:, September 20, 1912, pp. 1–2
3454:Florea, p. 955; Țilică, p. 30
3289:, Nr. 63, November 1905, p. 6
3213:Lovinescu (1926), pp. 201–202
2263:"Note bio-bibliografice", in
1426:, opening to poor reviews in
1012:("Septima. The Dogs", 1902);
843:, while he himself worked at
665:, his work also appearing in
657:from 1894 and, from 1899, to
625:While he was still in Paris,
573:, in the same class as actor
559:Romania's war of independence
383:Romanian front of World War I
4591:People from Caracal, Romania
4481:Romanian short story writers
4461:Romanian opinion journalists
3973:Botar & Tîlvănoiu, p. 56
3693:, Vol. 18, 1967, pp. 143–144
2846:Botar & Tîlvănoiu, p. 55
2721:Botar & Tîlvănoiu, p. 53
2649:, Vol. 10, 1997, pp. 318–320
2380:, pp. 29, 37–39. Bucharest:
2361:Adevărul Literar și Artistic
2247:Botar & Tîlvănoiu, p. 51
1799:the campaigns of World War I
1784:Romania's declaration of war
1278:, appearing in Issue 270 of
301:. Briefly a collaborator of
4531:French–Romanian translators
4411:20th-century Romanian poets
4406:19th-century Romanian poets
4229:, "Am ales teatrul...", in
3989:, Vol. I, 1921–1922, p. 227
3549:, p. 46; Călinescu, p. 1008
3472:, Nr. 189, April 1908, p. 3
3424:V. Albert, "Ex-libris", in
1683:1913 expedition to Bulgaria
1666:The Illustrated London News
1651:Wartime, illness, and death
1619:. Reviewing the latter for
1518:, who adapted his Romanian
1185:Romanian Symbolist movement
1133:and was coordinating their
607:Free University of Brussels
265:and brother of genealogist
218:Adamachi Prize (1898, 1901)
4692:
4571:Romanian theatre directors
4506:20th-century screenwriters
4108:Revista Fundațiilor Regale
3931:, Nr. 30, March 1916, p. 2
3508:, Nr. 195, June 1908, p. 6
3445:, Nr. 2/1940, pp. 332, 345
3442:Revista Fundațiilor Regale
3352:, September 26, 1907, p. 2
3348:"Litere-Științe-Arte", in
2704:Revista Fundațiilor Regale
2633:Revista Fundațiilor Regale
2492:, Nr. 51/1920, pp. 566–568
2109:Revista Fundațiilor Regale
2089:, pp. 12, 214. Bucharest:
1471:Tale of the Idle Millstone
1383:Marginalization and return
1367:, who used his version of
1002:Quarta. Jucătoriĭ de cărțĭ
906:National Theater Bucharest
888:Being heavily indebted to
367:National Theater Bucharest
4671:Burials at Bellu Cemetery
4282:Editura pentru literatură
4111:, Nr. 9/1936, pp. 679–680
3855:"'Scenaristul' Caragiale"
3674:"Revista revistelor", in
3586:, Nr. 9/1909, pp. 468–469
3085:Iorga (1934), pp. 199–200
2985:"Cronica Săptămâniĭ", in
2636:, Nr. 3/1942, pp. 525–626
1815:German-occupied Bucharest
1695:Romanian school of cinema
1481:Romanian Writers' Society
987:Literatură și Artă Română
675:Literatură și Artă Română
462:Radu Lecca, emigrated to
414:. The family belonged to
28:
4521:20th-century translators
4516:19th-century translators
4491:20th-century biographers
4456:19th-century journalists
4135:, October 19, 1942, p. 2
4034:Din alte vremi. Articole
3812:, December 4, 1913, p. 1
3705:Apostolescu, pp. 197–198
3195:Lovinescu (1926), p. 251
2958:, October 24, 1933, p. 1
2766:Albina. Revistă Populară
2581:, Eugen Todoran (eds.),
2112:, Nr. 10/1938, pp. 11–12
1938:, Nr. 45–46/1929, p. 546
1883:Romanian Orthodox Church
1752:, as well as working on
1572:Livescu, who notes that
1227:National Theater Craiova
627:Bogdan Petriceicu Hasdeu
283:Bogdan Petriceicu Hasdeu
241:; February 23 [
4666:Poets with disabilities
4641:Romanian civil servants
4501:Romanian travel writers
4426:Romanian epigrammatists
4069:: Hero și Leandru", in
4032:Gheorghe G. Bezviconi,
4003:Fum de fantome. Evocări
3665:, p. 46; Florea, p. 956
3034:Bucureștii de altă dată
2880:Dragomirescu, pp. 52–54
2143:, Vol. II, pp. 55, 65.
1473:; in 1909, book two of
1443:Intelligence of Flowers
807:("A Woman Damned"), in
773:salon, where Lecca met
603:University of Bucharest
234:Romanian pronunciation:
4511:Romanian screenwriters
4446:20th-century essayists
4065:, "Cronica dramatică.
3925:, "Piesa Reginei", in
3319:Philologica Jassyensia
3102:, "Cronica dramatică.
2967:Faust-Mohr, pp. 12, 23
2922:, Nr. 5–6/1939, p. 371
2677:Cassian Maria Spiridon
2141:Din Bucureștii de ieri
1670:
1631:, translating for her
1420:National Theater Sofia
1280:Biblioteca pentru toți
1136:Biblioteca pentru toți
937:The Pillars of Society
785:, and the more senior
4631:Romanian esotericists
4581:Romanian illustrators
4075:, Nr. 16/1921, p. 388
3680:, Nr. 12/1911, p. 491
3614:, July 13, 1911, p. 4
3580:(Boule de suif)", in
3564:, Nr. 19/1909, p. 443
3536:, Nr. 24/1909, p. 370
3308:, Nr. 11/1932, p. 552
3106:: Suprema Forță", in
3058:Maximilian, pp. 45–46
2989:, Nr. 27/1901, p. 746
2585:, p. 701. Bucharest:
2356:, prin filele vremii"
2329:, Nr. 36/1929, p. 362
2292:, Nr. 36/1929, p. 363
2269:, Nr. 36/1929, p. 363
1954:, Nr. 28/1907, p. 253
1900:, plays by Lecca and
1797:Subsequently, during
1658:
1493:, much criticized by
1418:was performed at the
1239:Iași National Theater
1006:Quinta. Suprema forță
952:Lecca became a staff
539:United Principalities
420:Publius Porcius Laeca
363:Iași National Theater
230:Haralamb George Lecca
23:Haralamb George Lecca
4526:Romanian translators
4496:Romanian biographers
4353:Dana-Silvia Țilică,
4093:Rosetti, pp. 101–102
4067:Teatrul Regina Maria
4051:Ilustrațiunea Română
3808:"Mici polemici", in
3799:Iorga (1934), p. 248
3481:Livescu, pp. 95, 138
3402:, Nr. 8/1941, p. 322
3236:Alexandru Macedonski
3222:Florea, pp. 958, 959
3112:, Nr. 8/1921, p. 198
3104:Teatrul Regina Maria
3076:Iorga (1934), p. 300
3067:Iorga (1934), p. 199
3030:Constantin Bacalbașa
2707:, Nr. 4/1941, p. 127
2630:, "Mărturisiri", in
2147:, Bucharest, 1990.
1979:, Nr. 4/1972, p. 704
1603:Under contract with
1290:Théodore de Banville
1241:, producing his own
1214:Alexandru Macedonski
754:medal, conferred by
615:doctorate in letters
579:Cantemir High School
531:Assembly of Deputies
4546:Adevărul columnists
4486:Romanian memoirists
4416:Romanian male poets
4210:Mihail Dragomirescu
4168:Noua Revistă Română
4121:Alexandru Kirițescu
4084:Prodan, pp. 145–146
3913:, Nr. 36/1915, p. 7
3875:Călin Stănculescu,
3838:Convorbiri Literare
3790:Florea, pp. 959–960
3649:Convorbiri Literare
3533:Noua Revistă Română
3430:, Nr. 45/1913, p. 6
3400:Preocupări Literare
3121:Florea, pp. 958–959
2976:Prodan, pp. 146–148
2797:, Nr. 19/1900, p. 3
2781:Rosetti, pp. 99–100
2764:"Bibliografii", in
2686:Convorbiri Literare
2661:Apostolescu, p. 197
2577:, Ion C. Chițimia,
2338:Iorga (1934), p. 11
2238:, Nr. 3/1901, p. 33
2102:Călinescu, p. 445;
2091:Editura științifică
2031:Editura Paralela 45
1963:Iorga (1934), p. 97
1906:Alexandru Kirițescu
1629:Marioara Voiculescu
1559:, and psychologist
1557:George Ionescu-Gion
1439:Maurice Maeterlinck
1424:Kingdom of Bulgaria
1308:Pierre Beaumarchais
1264:Immediately after,
1202:Mihail Dragomirescu
1152:Noua Revistă Română
1035:Aristide Demetriade
966:Convorbiri Literare
942:Aristizza Romanescu
921:Taming of the Shrew
916:William Shakespeare
911:Convorbiri Literare
865:real face of Christ
826:Aristizza Romanescu
787:George Ionescu-Gion
595:University of Paris
591:Ministry of Finance
492:Gheorghe Tattarescu
381:, he fought on the
352:William Shakespeare
332:Aristizza Romanescu
328:Aristide Demetriade
4466:Romanian humorists
4451:Romanian essayists
4374:2016-09-01 at the
4298:Velimir Maximilian
4184:2016-06-23 at the
3961:Maximilian, p. 209
3490:Faust-Mohr, p. 127
3376:Maximilian, p. 131
3330:Filotti, pp. 69–71
2931:Rosetti, pp. 97–98
2628:Cincinat Pavelescu
2598:Rosetti, pp. 95–96
2512:, Nr. 70, May 2007
1887:Garabet Ibrăileanu
1754:Giovanni Boccaccio
1671:
1609:La Femme de Claude
1593:Napoleon Bonaparte
1476:Gulliver's Travels
1457:Henryk Sienkiewicz
1435:Camille Flammarion
1390:Arthur Conan Doyle
1377:La Femme de Claude
1266:Velimir Maximilian
1210:Ion Luca Caragiale
1171:Revista Theatrelor
1071:Constantin Nottara
998:Tertia. Casta diva
779:Cincinat Pavelescu
736:Henric Sanielevici
563:Octav-George Lecca
551:Ion Luca Caragiale
543:Kingdom of Romania
428:Barony of Gritzena
424:Byzantine Bulgaria
340:Constantin Nottara
336:Velimir Maximilian
309:Symbolist movement
271:Ion Luca Caragiale
267:Octav-George Lecca
62:Kingdom of Romania
4626:Spiritual mediums
4596:Romanian nobility
4254:Editura Academiei
4238:Șerban Cioculescu
4047:Arhivele Olteniei
3987:Choses de Théâtre
3910:Universul Literar
3427:Universul Literar
3158:978-606-572-000-8
2587:Editura Academiei
2545:Monitorul Oficial
2463:Călinescu, p. 592
2326:Universul Literar
2289:Universul Literar
2266:Universul Literar
2104:Șerban Cioculescu
2076:Țilică, pp. 30–31
2067:Țilică, pp. 29–30
1936:Arhivele Olteniei
1792:Duiliu Zamfirescu
1679:Bucharest Arsenal
1467:Hermann Sudermann
1447:Guy de Maupassant
1339:Universul Literar
1313:Barber of Seville
1270:Franz Grillparzer
1131:Alcaly publishers
1089:Velimir Maximilan
1077:'s classic poem,
991:Revista Idealistă
983:Duiliu Zamfirescu
976:Dumitru Evolceanu
890:Hermann Sudermann
761:, in 1899. While
454:Michael the Brave
379:Second Balkan War
324:political theater
227:
226:
195:Literary movement
145:political theater
51:February 23, 1873
4683:
4366:
4352:
4311:Paul I. Prodan,
4268:Editura Adevĕrul
4196:George Călinescu
4176:
4136:
4118:
4112:
4103:Mihail Sebastian
4100:
4094:
4091:
4085:
4082:
4076:
4060:
4054:
4043:
4037:
4030:
4024:
4021:
4015:
4012:
4006:
3996:
3990:
3980:
3974:
3971:
3962:
3959:
3953:
3949:România Literară
3942:
3938:
3932:
3920:
3914:
3905:
3899:
3892:
3886:
3882:Viața Românească
3874:
3870:
3864:
3852:
3848:
3842:
3833:cinematografice"
3826:
3822:
3813:
3806:
3800:
3797:
3791:
3788:
3782:
3779:
3773:
3761:
3755:
3743:
3737:
3734:
3728:
3721:
3715:
3712:
3706:
3703:
3694:
3687:
3681:
3677:Viața Romînească
3672:
3666:
3659:
3653:
3638:
3634:
3628:
3621:
3615:
3602:
3596:
3593:
3587:
3583:Viața Romînească
3571:
3565:
3556:
3550:
3543:
3537:
3528:
3522:
3515:
3509:
3497:
3491:
3488:
3482:
3479:
3473:
3461:
3455:
3452:
3446:
3437:
3431:
3422:
3416:
3409:
3403:
3396:
3390:
3383:
3377:
3374:
3368:
3359:
3353:
3346:
3340:
3337:
3331:
3328:
3322:
3315:
3309:
3299:
3290:
3281:Jorjŭ Delamizilŭ
3278:
3272:
3265:
3259:
3256:
3245:
3229:
3223:
3220:
3214:
3211:
3205:
3202:
3196:
3193:
3187:
3184:
3178:
3175:
3169:
3166:
3160:
3146:
3140:
3137:
3131:
3128:
3122:
3119:
3113:
3097:
3086:
3083:
3077:
3074:
3068:
3065:
3059:
3056:
3050:
3047:
3041:
3027:
3021:
3018:
3012:
3009:
3003:
2996:
2990:
2983:
2977:
2974:
2968:
2965:
2959:
2947:
2941:
2938:
2932:
2929:
2923:
2916:Teatrul religios
2912:
2903:
2896:
2890:
2889:Faust-Mohr, p. 6
2887:
2881:
2878:
2872:
2862:
2856:
2853:
2847:
2844:
2835:
2821:Petre I. Sturdza
2818:
2807:
2804:
2798:
2791:
2782:
2779:
2773:
2762:
2756:
2753:
2736:
2733:
2722:
2719:
2708:
2696:
2690:
2675:
2671:
2662:
2659:
2650:
2643:
2637:
2625:
2619:
2612:
2599:
2596:
2590:
2571:
2565:
2555:
2549:
2540:
2534:
2531:
2522:
2519:
2513:
2503:
2499:
2493:
2484:
2473:
2470:
2464:
2461:
2455:
2452:
2446:
2439:
2433:
2426:
2417:
2407:
2401:
2398:
2392:
2371:
2365:
2364:, April 19, 2011
2349:
2345:
2339:
2336:
2330:
2321:
2302:
2299:
2293:
2281:
2270:
2261:
2248:
2245:
2239:
2230:
2221:
2218:
2212:
2209:
2203:
2200:
2189:
2186:
2180:
2179:
2177:
2175:
2161:
2155:
2137:
2131:
2128:
2122:
2119:
2113:
2100:
2094:
2083:
2077:
2074:
2068:
2065:
2059:
2056:
2050:
2047:
2041:
2023:
1980:
1973:
1964:
1961:
1955:
1948:
1939:
1928:
1898:Mihail Sebastian
1863:Hero and Leander
1842:Benjamin Fondane
1803:Western Moldavia
1742:Honoré de Balzac
1605:Alexandru Davila
1561:Nicolae Vaschide
1534:Viața Romînească
1485:Mihail Sadoveanu
1404:Italia Vitaliani
1357:, a satirist at
1318:Pierre Corneille
1285:Romeo and Juliet
1275:Hero and Leander
1231:Petre Locusteanu
1193:, whose editor,
1158:Viața Romînească
1047:
1033:, which starred
958:Petre I. Sturdza
875:his folly castle
841:Gazeta Poporului
822:
800:
748:Romanian Academy
728:George Călinescu
547:Petrache Poenaru
514:
502:
488:Constantin Lecca
484:
412:Constantin Lecca
316:Romanian Academy
279:terrestrial army
263:Constantin Lecca
255:Haralambie Lecca
240:
235:
74:
50:
48:
33:
19:
4691:
4690:
4686:
4685:
4684:
4682:
4681:
4680:
4616:Christian poets
4421:Symbolist poets
4386:
4385:
4376:Wayback Machine
4364:
4350:
4336:Mihail Straje,
4323:Radu D. Rosetti
4288:Eugen Lovinescu
4242:Ovidiu Papadima
4219:M. Faust-Mohr,
4204:Editura Minerva
4190:Memoria Oltului
4186:Wayback Machine
4174:
4144:
4139:
4119:
4115:
4101:
4097:
4092:
4088:
4083:
4079:
4061:
4057:
4044:
4040:
4031:
4027:
4022:
4018:
4013:
4009:
3997:
3993:
3981:
3977:
3972:
3965:
3960:
3956:
3940:
3939:
3935:
3921:
3917:
3906:
3902:
3893:
3889:
3885:, Nr. 9–10/2010
3872:
3871:
3867:
3853:Călin Căliman,
3850:
3849:
3845:
3824:
3823:
3816:
3807:
3803:
3798:
3794:
3789:
3785:
3780:
3776:
3762:
3758:
3744:
3740:
3735:
3731:
3722:
3718:
3714:Livescu, p. 186
3713:
3709:
3704:
3697:
3688:
3684:
3673:
3669:
3660:
3656:
3652:, December 2003
3636:
3635:
3631:
3622:
3618:
3603:
3599:
3594:
3590:
3572:
3568:
3557:
3553:
3544:
3540:
3529:
3525:
3516:
3512:
3498:
3494:
3489:
3485:
3480:
3476:
3462:
3458:
3453:
3449:
3438:
3434:
3423:
3419:
3410:
3406:
3397:
3393:
3384:
3380:
3375:
3371:
3360:
3356:
3347:
3343:
3338:
3334:
3329:
3325:
3316:
3312:
3300:
3293:
3279:
3275:
3266:
3262:
3257:
3248:
3230:
3226:
3221:
3217:
3212:
3208:
3203:
3199:
3194:
3190:
3185:
3181:
3176:
3172:
3167:
3163:
3147:
3143:
3138:
3134:
3129:
3125:
3120:
3116:
3098:
3089:
3084:
3080:
3075:
3071:
3066:
3062:
3057:
3053:
3048:
3044:
3028:
3024:
3019:
3015:
3010:
3006:
2997:
2993:
2984:
2980:
2975:
2971:
2966:
2962:
2950:Barbu Lăzăreanu
2948:
2944:
2939:
2935:
2930:
2926:
2913:
2906:
2897:
2893:
2888:
2884:
2879:
2875:
2865:Eugen Lovinescu
2863:
2859:
2854:
2850:
2845:
2838:
2819:
2810:
2805:
2801:
2792:
2785:
2780:
2776:
2763:
2759:
2754:
2739:
2734:
2725:
2720:
2711:
2699:Ion Sân-Giorgiu
2697:
2693:
2673:
2672:
2665:
2660:
2653:
2644:
2640:
2626:
2622:
2613:
2602:
2597:
2593:
2572:
2568:
2558:Eugen Lovinescu
2556:
2552:
2541:
2537:
2532:
2525:
2520:
2516:
2501:
2500:
2496:
2485:
2476:
2472:Rosetti, p. 101
2471:
2467:
2462:
2458:
2453:
2449:
2440:
2436:
2427:
2420:
2408:
2404:
2399:
2395:
2372:
2368:
2350:Simona Chițan,
2347:
2346:
2342:
2337:
2333:
2322:
2305:
2300:
2296:
2282:
2273:
2262:
2251:
2246:
2242:
2231:
2224:
2219:
2215:
2210:
2206:
2201:
2192:
2187:
2183:
2173:
2171:
2167:(in Romanian).
2163:
2162:
2158:
2138:
2134:
2129:
2125:
2120:
2116:
2101:
2097:
2084:
2080:
2075:
2071:
2066:
2062:
2057:
2053:
2048:
2044:
2024:
1983:
1974:
1967:
1962:
1958:
1949:
1942:
1929:
1922:
1918:
1908:suggested that
1858:
1764:Zece monologuri
1750:Alphonse Daudet
1653:
1613:Henri Bernstein
1385:
1365:Pompiliu Eliade
1351:Christ returned
1195:Ovid Densusianu
1127:
1119:Cancer la inimă
1045:
1039:Barbu Lăzăreanu
1014:Cancer la inimă
1010:Septima. Câiniĭ
950:
914:his version of
902:Pentru o femeie
883:Ovid Densusianu
867:". During such
837:
836:
835:
834:
833:
830:Septima. Câiniĭ
823:
814:
813:
812:
801:
775:Radu D. Rosetti
720:François Coppée
623:
523:
522:
521:
518:
515:
506:
503:
494:
485:
464:Corona (Brașov)
400:
395:
375:Christian drama
277:'s rank in the
233:
219:
205:
201:
157:Christian drama
98:Câmpeanu, Sybil
76:
72:
58:Romanați County
52:
46:
44:
36:
24:
17:
12:
11:
5:
4689:
4687:
4679:
4678:
4673:
4668:
4663:
4658:
4653:
4648:
4643:
4638:
4633:
4628:
4623:
4618:
4613:
4608:
4603:
4598:
4593:
4588:
4583:
4578:
4573:
4568:
4563:
4558:
4553:
4548:
4543:
4538:
4533:
4528:
4523:
4518:
4513:
4508:
4503:
4498:
4493:
4488:
4483:
4478:
4473:
4468:
4463:
4458:
4453:
4448:
4443:
4438:
4433:
4428:
4423:
4418:
4413:
4408:
4403:
4398:
4388:
4387:
4384:
4383:
4362:
4348:
4334:
4320:
4309:
4295:
4285:
4271:
4257:
4246:Alexandru Piru
4234:
4224:
4217:
4207:
4193:
4172:
4163:
4143:
4140:
4138:
4137:
4113:
4095:
4086:
4077:
4055:
4038:
4025:
4023:Rosetti, p. 94
4016:
4007:
3999:Victor Eftimiu
3991:
3975:
3963:
3954:
3933:
3923:George Ranetti
3915:
3900:
3887:
3865:
3843:
3827:Ștefan Oprea,
3814:
3801:
3792:
3783:
3781:Filotti, p. 70
3774:
3756:
3738:
3729:
3716:
3707:
3695:
3682:
3667:
3654:
3644:"Samarineanul"
3629:
3616:
3597:
3588:
3574:Mihai Codreanu
3566:
3551:
3538:
3523:
3510:
3500:Prințul Ghytza
3492:
3483:
3474:
3456:
3447:
3432:
3417:
3404:
3391:
3378:
3369:
3354:
3341:
3339:Rosetti, p. 97
3332:
3323:
3310:
3302:Sandu Teleajen
3291:
3273:
3260:
3258:Livescu, p. 63
3246:
3224:
3215:
3206:
3197:
3188:
3179:
3177:Livescu, p. 34
3170:
3161:
3141:
3132:
3123:
3114:
3087:
3078:
3069:
3060:
3051:
3042:
3022:
3020:Livescu, p. 62
3013:
3004:
2991:
2978:
2969:
2960:
2942:
2940:Livescu, p. 58
2933:
2924:
2904:
2891:
2882:
2873:
2857:
2848:
2836:
2808:
2799:
2795:Foaia Populară
2783:
2774:
2757:
2755:Florea, p. 955
2737:
2735:Florea, p. 958
2723:
2709:
2691:
2663:
2651:
2638:
2620:
2600:
2591:
2575:Alexandru Dima
2566:
2550:
2535:
2523:
2521:Florea, p. 956
2514:
2494:
2474:
2465:
2456:
2447:
2434:
2418:
2402:
2393:
2378:Sămănătorismul
2366:
2352:"Ieri și azi:
2340:
2331:
2303:
2294:
2271:
2249:
2240:
2222:
2213:
2204:
2190:
2181:
2156:
2139:George Potra,
2132:
2123:
2114:
2095:
2085:George Potra,
2078:
2069:
2060:
2051:
2042:
1981:
1965:
1956:
1940:
1919:
1917:
1914:
1857:
1854:
1850:Bellu Cemetery
1780:Victor Eftimiu
1661:1916 campaigns
1652:
1649:
1495:Mihai Codreanu
1412:Mario Ferrigni
1384:
1381:
1355:"Coco" Ranetti
1206:Victor Anestin
1187:, writing for
1163:Viața Literară
1126:
1125:1900s scandals
1123:
1100:Liviu Rebreanu
1073:: he added to
949:
946:
924:, followed by
824:
817:
816:
815:
802:
795:
794:
793:
792:
791:
767:Alexandru Toma
732:lyrical poetry
659:Aurel Popovici
622:
619:
611:Medical Doctor
587:Sub-lieutenant
555:Mihai Eminescu
535:Dimitrie Lecca
520:
519:
516:
509:
507:
504:
497:
495:
486:
479:
476:
475:
474:
416:boyar nobility
399:
396:
394:
391:
225:
224:
216:
215:Notable awards
212:
211:
196:
192:
191:
189:travel writing
130:
126:
125:
122:
118:
117:
112:
108:
107:
104:
100:
99:
96:
92:
91:
88:Bellu Cemetery
85:
81:
80:
75:(aged 47)
69:
65:
64:
42:
38:
37:
34:
26:
25:
22:
15:
13:
10:
9:
6:
4:
3:
2:
4688:
4677:
4674:
4672:
4669:
4667:
4664:
4662:
4659:
4657:
4654:
4652:
4649:
4647:
4644:
4642:
4639:
4637:
4634:
4632:
4629:
4627:
4624:
4622:
4619:
4617:
4614:
4612:
4609:
4607:
4604:
4602:
4599:
4597:
4594:
4592:
4589:
4587:
4584:
4582:
4579:
4577:
4574:
4572:
4569:
4567:
4564:
4562:
4559:
4557:
4554:
4552:
4549:
4547:
4544:
4542:
4539:
4537:
4534:
4532:
4529:
4527:
4524:
4522:
4519:
4517:
4514:
4512:
4509:
4507:
4504:
4502:
4499:
4497:
4494:
4492:
4489:
4487:
4484:
4482:
4479:
4477:
4474:
4472:
4469:
4467:
4464:
4462:
4459:
4457:
4454:
4452:
4449:
4447:
4444:
4442:
4439:
4437:
4434:
4432:
4429:
4427:
4424:
4422:
4419:
4417:
4414:
4412:
4409:
4407:
4404:
4402:
4399:
4397:
4394:
4393:
4391:
4381:
4377:
4373:
4370:
4365:(in Romanian)
4363:
4360:
4356:
4351:(in Romanian)
4349:
4347:
4343:
4339:
4335:
4332:
4329:. Bucharest:
4328:
4324:
4321:
4318:
4315:. Bucharest:
4314:
4310:
4307:
4304:. Bucharest:
4303:
4299:
4296:
4293:
4289:
4286:
4283:
4280:. Bucharest:
4279:
4275:
4272:
4269:
4266:. Bucharest:
4265:
4261:
4260:Nicolae Iorga
4258:
4255:
4251:
4247:
4243:
4239:
4235:
4232:
4228:
4227:Maria Filotti
4225:
4222:
4218:
4215:
4211:
4208:
4205:
4202:. Bucharest:
4201:
4197:
4194:
4191:
4187:
4183:
4180:
4175:(in Romanian)
4173:
4170:
4169:
4164:
4162:
4161:973-29-0020-2
4158:
4154:
4151:. Bucharest:
4150:
4146:
4145:
4141:
4134:
4130:
4126:
4122:
4117:
4114:
4110:
4109:
4104:
4099:
4096:
4090:
4087:
4081:
4078:
4074:
4073:
4068:
4064:
4059:
4056:
4052:
4048:
4042:
4039:
4035:
4029:
4026:
4020:
4017:
4011:
4008:
4004:
4000:
3995:
3992:
3988:
3984:
3979:
3976:
3970:
3968:
3964:
3958:
3955:
3952:, Nr. 23/2015
3951:
3950:
3945:
3941:(in Romanian)
3937:
3934:
3930:
3929:
3924:
3919:
3916:
3912:
3911:
3904:
3901:
3897:
3891:
3888:
3884:
3883:
3878:
3873:(in Romanian)
3869:
3866:
3862:
3861:
3860:Contemporanul
3856:
3851:(in Romanian)
3847:
3844:
3840:
3839:
3834:
3832:
3825:(in Romanian)
3821:
3819:
3815:
3811:
3805:
3802:
3796:
3793:
3787:
3784:
3778:
3775:
3771:
3770:
3765:
3760:
3757:
3753:
3752:
3747:
3742:
3739:
3733:
3730:
3726:
3720:
3717:
3711:
3708:
3702:
3700:
3696:
3692:
3686:
3683:
3679:
3678:
3671:
3668:
3664:
3658:
3655:
3651:
3650:
3645:
3641:
3640:Florin Faifer
3637:(in Romanian)
3633:
3630:
3626:
3620:
3617:
3613:
3612:
3607:
3601:
3598:
3592:
3589:
3585:
3584:
3579:
3575:
3570:
3567:
3563:
3562:
3555:
3552:
3548:
3542:
3539:
3535:
3534:
3527:
3524:
3520:
3514:
3511:
3507:
3506:
3501:
3496:
3493:
3487:
3484:
3478:
3475:
3471:
3470:
3465:
3460:
3457:
3451:
3448:
3444:
3443:
3436:
3433:
3429:
3428:
3421:
3418:
3414:
3408:
3405:
3401:
3395:
3392:
3388:
3382:
3379:
3373:
3370:
3366:
3365:
3358:
3355:
3351:
3345:
3342:
3336:
3333:
3327:
3324:
3320:
3314:
3311:
3307:
3306:Boabe de Grâu
3303:
3298:
3296:
3292:
3288:
3287:
3282:
3277:
3274:
3270:
3264:
3261:
3255:
3253:
3251:
3247:
3243:
3242:
3237:
3233:
3232:Adrian Marino
3228:
3225:
3219:
3216:
3210:
3207:
3201:
3198:
3192:
3189:
3183:
3180:
3174:
3171:
3165:
3162:
3159:
3155:
3151:
3145:
3142:
3136:
3133:
3127:
3124:
3118:
3115:
3111:
3110:
3105:
3101:
3096:
3094:
3092:
3088:
3082:
3079:
3073:
3070:
3064:
3061:
3055:
3052:
3046:
3043:
3039:
3035:
3031:
3026:
3023:
3017:
3014:
3008:
3005:
3001:
2995:
2992:
2988:
2982:
2979:
2973:
2970:
2964:
2961:
2957:
2956:
2951:
2946:
2943:
2937:
2934:
2928:
2925:
2921:
2917:
2911:
2909:
2905:
2901:
2895:
2892:
2886:
2883:
2877:
2874:
2870:
2866:
2861:
2858:
2852:
2849:
2843:
2841:
2837:
2834:
2830:
2826:
2822:
2817:
2815:
2813:
2809:
2803:
2800:
2796:
2790:
2788:
2784:
2778:
2775:
2771:
2767:
2761:
2758:
2752:
2750:
2748:
2746:
2744:
2742:
2738:
2732:
2730:
2728:
2724:
2718:
2716:
2714:
2710:
2706:
2705:
2700:
2695:
2692:
2688:
2687:
2682:
2678:
2674:(in Romanian)
2670:
2668:
2664:
2658:
2656:
2652:
2648:
2642:
2639:
2635:
2634:
2629:
2624:
2621:
2617:
2611:
2609:
2607:
2605:
2601:
2595:
2592:
2588:
2584:
2580:
2576:
2570:
2567:
2563:
2559:
2554:
2551:
2547:
2546:
2539:
2536:
2530:
2528:
2524:
2518:
2515:
2511:
2507:
2504:Adrian Jicu,
2502:(in Romanian)
2498:
2495:
2491:
2490:
2483:
2481:
2479:
2475:
2469:
2466:
2460:
2457:
2451:
2448:
2444:
2438:
2435:
2431:
2425:
2423:
2419:
2415:
2411:
2410:Nicolae Iorga
2406:
2403:
2397:
2394:
2391:
2390:973-577-159-4
2387:
2383:
2379:
2375:
2370:
2367:
2363:
2362:
2357:
2355:
2348:(in Romanian)
2344:
2341:
2335:
2332:
2328:
2327:
2320:
2318:
2316:
2314:
2312:
2310:
2308:
2304:
2298:
2295:
2291:
2290:
2285:
2280:
2278:
2276:
2272:
2268:
2267:
2260:
2258:
2256:
2254:
2250:
2244:
2241:
2237:
2236:
2229:
2227:
2223:
2217:
2214:
2208:
2205:
2199:
2197:
2195:
2191:
2185:
2182:
2170:
2166:
2160:
2157:
2154:
2153:973-29-0018-0
2150:
2146:
2142:
2136:
2133:
2127:
2124:
2118:
2115:
2111:
2110:
2105:
2099:
2096:
2092:
2088:
2082:
2079:
2073:
2070:
2064:
2061:
2058:Țilică, p. 29
2055:
2052:
2046:
2043:
2040:
2039:973-697-758-7
2036:
2032:
2028:
2022:
2020:
2018:
2016:
2014:
2012:
2010:
2008:
2006:
2004:
2002:
2000:
1998:
1996:
1994:
1992:
1990:
1988:
1986:
1982:
1978:
1972:
1970:
1966:
1960:
1957:
1953:
1947:
1945:
1941:
1937:
1933:
1927:
1925:
1921:
1915:
1913:
1911:
1907:
1903:
1899:
1895:
1890:
1888:
1884:
1880:
1876:
1875:Lucia Sturdza
1872:
1868:
1867:Tony Bulandra
1864:
1855:
1853:
1851:
1847:
1843:
1838:
1836:
1835:socially dead
1832:
1828:
1824:
1820:
1816:
1812:
1808:
1804:
1800:
1795:
1793:
1789:
1785:
1781:
1777:
1773:
1769:
1765:
1761:
1760:
1755:
1751:
1747:
1743:
1739:
1738:
1732:
1730:
1726:
1725:
1720:
1719:
1714:
1713:
1708:
1707:Mihail Sorbul
1704:
1700:
1696:
1692:
1688:
1684:
1680:
1676:
1673:Ahead of the
1668:
1667:
1662:
1657:
1650:
1648:
1646:
1642:
1641:Romain Coolus
1638:
1634:
1633:Leopold Kampf
1630:
1626:
1622:
1618:
1614:
1610:
1606:
1601:
1598:
1594:
1590:
1586:
1581:
1579:
1575:
1570:
1569:Transylvanian
1566:
1562:
1558:
1554:
1549:
1547:
1546:
1541:
1540:
1535:
1531:
1527:
1523:
1522:
1517:
1513:
1512:
1507:
1503:
1498:
1496:
1492:
1491:
1490:Boule de Suif
1486:
1482:
1478:
1477:
1472:
1468:
1464:
1463:
1458:
1454:
1453:
1448:
1444:
1440:
1436:
1431:
1429:
1425:
1421:
1417:
1413:
1409:
1406:'s troupe in
1405:
1401:
1397:
1396:
1395:Final Problem
1391:
1382:
1380:
1378:
1374:
1370:
1366:
1362:
1361:
1356:
1352:
1348:
1343:
1341:
1340:
1335:
1334:
1329:
1326:, 1912), and
1325:
1324:
1319:
1315:
1314:
1309:
1305:
1304:
1299:
1295:
1291:
1287:
1286:
1281:
1277:
1276:
1271:
1267:
1262:
1260:
1256:
1255:method acting
1252:
1248:
1247:Maria Filotti
1244:
1240:
1236:
1235:Vasile Morțun
1232:
1228:
1224:
1218:
1215:
1211:
1207:
1203:
1198:
1196:
1192:
1191:
1186:
1182:
1178:
1177:
1172:
1168:
1164:
1160:
1159:
1154:
1153:
1148:
1147:
1142:
1138:
1137:
1132:
1124:
1122:
1120:
1115:
1111:
1110:
1109:fin de siècle
1105:
1101:
1097:
1092:
1090:
1086:
1082:
1081:
1076:
1072:
1067:
1062:
1059:
1055:
1051:
1044:
1040:
1036:
1032:
1028:
1025:
1024:Gospel-themed
1021:
1020:
1015:
1011:
1007:
1003:
999:
994:
992:
988:
984:
981:
977:
973:
972:
967:
963:
959:
955:
947:
945:
943:
939:
938:
933:
932:
927:
923:
922:
917:
913:
912:
907:
903:
899:
895:
891:
886:
884:
880:
876:
872:
871:
866:
862:
858:
854:
850:
846:
842:
831:
827:
821:
810:
806:
799:
790:
788:
784:
780:
776:
772:
771:Editura Socec
768:
764:
763:Ilarie Chendi
760:
757:
753:
749:
745:
740:
737:
733:
729:
725:
721:
717:
713:
709:
705:
701:
697:
692:
690:
686:
685:
680:
676:
672:
671:D. C. Ascanio
668:
664:
660:
656:
655:
650:
646:
645:
640:
639:Nicolae Iorga
636:
632:
628:
620:
618:
616:
613:degree and a
612:
608:
604:
600:
596:
592:
588:
584:
580:
576:
572:
566:
564:
560:
556:
552:
548:
544:
540:
536:
532:
528:
513:
508:
501:
496:
493:
489:
483:
478:
473:
471:
470:
465:
461:
460:
455:
452:
448:
447:
442:
439:
438:
433:
429:
425:
421:
417:
413:
409:
405:
397:
392:
390:
388:
384:
380:
376:
372:
368:
364:
359:
357:
356:method acting
353:
349:
345:
341:
337:
333:
329:
325:
321:
317:
312:
310:
306:
305:
300:
296:
292:
288:
284:
280:
276:
272:
268:
264:
260:
256:
252:
248:
247:Haralamb Leca
244:
239:
231:
222:
217:
213:
210:
209:
204:
200:
197:
193:
190:
186:
182:
178:
174:
170:
166:
162:
158:
154:
150:
146:
142:
138:
134:
131:
127:
124:ca. 1890–1917
123:
119:
116:
113:
109:
105:
101:
97:
93:
89:
86:
84:Resting place
82:
79:
71:March 9, 1920
70:
66:
63:
59:
55:
43:
39:
35:Lecca in 1912
32:
27:
20:
4379:
4358:
4337:
4326:
4312:
4301:
4291:
4277:
4263:
4249:
4230:
4220:
4213:
4199:
4189:
4166:
4148:
4132:
4128:
4124:
4116:
4106:
4098:
4089:
4080:
4070:
4066:
4063:Felix Aderca
4058:
4050:
4046:
4041:
4033:
4028:
4019:
4010:
4002:
3994:
3986:
3983:B. Fundoïanu
3978:
3957:
3947:
3936:
3926:
3918:
3908:
3903:
3895:
3890:
3880:
3868:
3858:
3846:
3836:
3830:
3809:
3804:
3795:
3786:
3777:
3767:
3759:
3749:
3741:
3732:
3724:
3719:
3710:
3690:
3685:
3675:
3670:
3662:
3657:
3647:
3632:
3624:
3619:
3609:
3605:
3600:
3591:
3581:
3577:
3569:
3559:
3554:
3546:
3541:
3531:
3526:
3518:
3513:
3503:
3495:
3486:
3477:
3467:
3459:
3450:
3440:
3435:
3425:
3420:
3412:
3407:
3399:
3394:
3386:
3381:
3372:
3362:
3357:
3349:
3344:
3335:
3326:
3318:
3313:
3305:
3284:
3276:
3268:
3263:
3241:Manuscriptum
3239:
3227:
3218:
3209:
3200:
3191:
3182:
3173:
3164:
3149:
3144:
3135:
3126:
3117:
3107:
3103:
3100:Felix Aderca
3081:
3072:
3063:
3054:
3045:
3033:
3025:
3016:
3007:
2999:
2994:
2986:
2981:
2972:
2963:
2953:
2945:
2936:
2927:
2919:
2915:
2899:
2894:
2885:
2876:
2868:
2860:
2851:
2824:
2802:
2794:
2777:
2769:
2765:
2760:
2702:
2694:
2684:
2646:
2641:
2631:
2623:
2615:
2594:
2582:
2569:
2561:
2553:
2543:
2538:
2517:
2509:
2497:
2487:
2468:
2459:
2450:
2442:
2437:
2429:
2413:
2405:
2396:
2377:
2369:
2359:
2353:
2343:
2334:
2324:
2297:
2287:
2284:Ludovic Dauș
2264:
2243:
2233:
2216:
2207:
2184:
2172:. Retrieved
2159:
2140:
2135:
2126:
2117:
2107:
2098:
2086:
2081:
2072:
2063:
2054:
2045:
2026:
1976:
1959:
1951:
1935:
1931:
1909:
1902:Emil Nicolau
1893:
1891:
1878:
1870:
1862:
1859:
1839:
1830:
1823:Ludovic Dauș
1819:Podu Iloaiei
1810:
1796:
1787:
1776:Carmen Sylva
1771:
1767:
1763:
1757:
1745:
1735:
1733:
1728:
1722:
1716:
1710:
1703:Leon Popescu
1698:
1690:
1686:
1672:
1664:
1644:
1636:
1620:
1616:
1608:
1602:
1588:
1585:Spiru Hasnaș
1582:
1573:
1565:Noi, Românii
1564:
1553:Noi, Românii
1552:
1550:
1543:
1537:
1533:
1529:
1519:
1509:
1499:
1488:
1474:
1470:
1460:
1450:
1442:
1432:
1427:
1415:
1402:taken up by
1399:
1393:
1386:
1376:
1372:
1358:
1346:
1344:
1337:
1331:
1321:
1311:
1301:
1293:
1283:
1279:
1273:
1263:
1250:
1242:
1222:
1219:
1199:
1188:
1180:
1174:
1170:
1166:
1162:
1156:
1150:
1144:
1134:
1128:
1118:
1113:
1107:
1104:Felix Aderca
1093:
1084:
1078:
1063:
1057:
1053:
1042:
1030:
1017:
1013:
1009:
1005:
1001:
997:
995:
990:
986:
979:
969:
965:
951:
948:Rise to fame
935:
929:
919:
909:
901:
893:
887:
868:
852:
844:
840:
838:
829:
808:
804:
783:Ludovic Dauș
752:Bene Merenti
751:
741:
715:
711:
707:
703:
699:
695:
693:
689:Carmen Sylva
682:
674:
662:
652:
649:Ioan Slavici
642:
634:
631:Revista Nouă
630:
624:
585:. A reserve
567:
524:
472:, was born.
467:
457:
446:aide-de-camp
444:
435:
407:
401:
360:
313:
302:
254:
250:
246:
229:
228:
221:Bene Merenti
220:
206:
133:lyric poetry
73:(1920-03-09)
4536:Dramaturges
4401:1920 deaths
4396:1873 births
4274:Ion Livescu
3841:, July 2012
3764:Emil Fagure
3746:Emil Fagure
3389:, pp. 79–80
3271:, pp. 69–70
2689:, July 2012
2579:Paul Cornea
1737:Père Goriot
1675:Balkan Wars
1645:Cœur à cœur
1625:Emil Fagure
1597:prose poems
1521:Enoch Arden
1506:Jules Verne
1437:; in 1908,
1373:L'Étrangère
1298:Jean Racine
1190:Vieața Nouă
1050:poker table
962:verse drama
926:Victor Hugo
828:in Lecca's
700:Cinci poeme
684:Enoch Arden
667:N. Petrașcu
575:Ion Livescu
441:Leca Racotă
371:prose poems
348:verse drama
275:Sub-Officer
165:short story
141:verse drama
137:tragicomedy
111:Nationality
90:, Bucharest
4390:Categories
4142:References
4072:Sburătorul
3723:Angheluță
3661:Angheluță
3623:Angheluță
3611:Le Gaulois
3561:Luceafărul
3545:Angheluță
3517:Angheluță
3411:Angheluță
3385:Tîlvănoiu
3267:Tîlvănoiu
3109:Sburătorul
2998:Tîlvănoiu
2898:Angheluță
2614:Angheluță
2489:Sburătorul
2441:Angheluță
2428:Angheluță
2174:August 23,
1894:Casta-Diva
1846:A. de Herz
1729:Răzbunarea
1699:Răzbunarea
1637:On the Eve
1539:Luceafărul
1516:Zicu Araia
1430:magazine.
1428:Savremenik
1369:Dumas-fils
1096:parasitism
1080:Zburătorul
1066:naturalism
954:dramaturge
898:mariticide
861:mediumship
724:Symbolists
722:and other
661:'s daily,
635:În cimitir
599:dissection
398:Early life
387:modernists
344:dramaturge
320:naturalism
251:Har. Lecca
203:Naturalism
161:prose poem
103:Occupation
47:1873-02-23
4621:Spiritism
4551:Junimists
4331:Universul
4155:, 1989.
3038:Universul
2833:895492449
2384:, 1998.
2354:Literarul
2165:"Istoric"
1811:Dandanaua
1759:Decameron
1617:Le Détour
1526:Aromanian
1462:Quo Vadis
1316:, 1908),
1306:, 1907),
1296:, 1907),
1288:, 1907),
857:spiritism
571:Bucharest
432:Wallachia
393:Biography
299:Symbolism
199:Symbolism
185:biography
149:melodrama
78:Bucharest
4372:Archived
4248:(eds.),
4182:Archived
3769:Adevărul
3751:Adevărul
2955:Adevărul
2647:Hierasus
2374:Z. Ornea
2033:, 2004.
1809:of his,
1621:Adevărul
1408:Florence
1333:Tartuffe
1294:The Kiss
1027:scenario
980:Junimist
849:epigrams
805:Osĕndita
714:, 1904;
710:, 1901;
706:, 1898;
702:, 1897;
679:Tennyson
644:Adevărul
541:and the
469:Paharnic
426:and the
402:Born in
259:Romanian
257:, was a
115:Romanian
95:Pen name
4346:8994172
4333:, 1931.
4319:, 1927.
4308:, 1956.
4302:Evocări
4284:, 1967.
4270:, 1934.
4256:, 1973.
4231:Teatrul
4206:, 1986.
3928:Furnica
3898:, p. 45
3831:Năpaste
3606:Gaulois
3505:Furnica
3469:Furnica
3364:Furnica
3286:Furnica
3002:, p. 68
2772:, p. 46
2618:, p. 45
2510:Cultura
2432:, p. 46
2235:Familia
1879:I.N.R.I
1790:rival,
1788:Junimea
1772:Ilderim
1718:Năpasta
1687:Dincolo
1578:Pitești
1452:Une vie
1416:Septima
1360:Furnica
1347:Ordinea
1328:Molière
1303:Athalie
1259:prompts
1223:Septima
1167:Falanga
1146:Flacăra
1114:Septima
1075:Heliade
1019:I.N.R.I
971:Junimea
931:Hernani
879:Câmpina
870:séances
811:, 1904.
759:Carol I
704:Secunda
663:Minerva
583:Craiova
527:Oltenia
404:Caracal
342:. As a
304:Junimea
291:macabre
208:Junimea
173:epigram
54:Caracal
4344:
4327:Eri...
4159:
3896:et al.
3829:"Trei
3810:Opinia
3725:et al.
3663:et al.
3625:et al.
3608:", in
3578:Ulcica
3547:et al.
3519:et al.
3413:et al.
3387:et al.
3350:Opinia
3269:et al.
3156:
3040:, 1936
3000:et al.
2918:", in
2900:et al.
2831:
2770:et al.
2616:et al.
2589:, 1968
2443:et al.
2430:et al.
2388:
2151:
2037:
1934:", in
1871:Quinta
1856:Legacy
1831:Simpla
1768:Tertia
1724:Fédora
1691:Opinia
1611:, and
1589:Crăngi
1574:Quarta
1530:Poezii
1502:Bârlad
1400:Quinta
1323:Horace
1251:Opinia
1243:Quinta
1165:, and
1141:serial
1085:Quinta
1058:Quinta
1054:Quarta
1043:Quarta
1031:Quarta
894:Bianca
859:, and
853:Octava
832:, 1902
809:Octava
726:. Per
716:A noua
712:Octava
451:Prince
287:medium
223:(1899)
181:memoir
169:satire
121:Period
4378:, in
4357:, in
4188:, in
4133:Viața
4129:Ioana
4125:Viața
3946:, in
3879:, in
3857:, in
3835:, in
3646:, in
2683:, in
2508:, in
2358:, in
1916:Notes
1910:Ioana
1807:revue
1774:, by
1712:Seara
1545:Facla
1524:into
1181:Scena
1176:Rampa
1046:'
744:meter
708:Sexta
696:Prima
654:Vatra
459:Armaș
430:. In
253:, or
177:essay
153:revue
129:Genre
4342:OCLC
4157:ISBN
3464:Coco
3154:ISBN
2829:OCLC
2386:ISBN
2176:2024
2149:ISBN
2035:ISBN
1827:Iași
1778:and
1746:Jack
1744:and
1465:and
1179:and
1139:, a
1056:and
845:Țara
756:King
669:and
338:and
322:and
243:O.S.
68:Died
41:Born
4123:, "
1756:'s
1748:by
1740:by
1709:of
1635:'s
1615:'s
1508:'s
1469:'s
1459:'s
1449:'s
1441:'s
1392:'s
1353:";
1272:'s
928:'s
918:'s
877:in
681:'s
673:'s
651:'s
629:'s
449:of
437:Aga
408:née
350:by
4392::
4325:,
4300:,
4290:,
4276:,
4262:,
4244:,
4240:,
4212:,
4198:,
4001:,
3966:^
3817:^
3698:^
3642:,
3294:^
3249:^
3234:,
3090:^
3032:,
2907:^
2867:,
2839:^
2823:,
2811:^
2786:^
2740:^
2726:^
2712:^
2679:,
2666:^
2654:^
2603:^
2560:,
2526:^
2477:^
2421:^
2412:,
2376:,
2306:^
2274:^
2252:^
2225:^
2193:^
1984:^
1968:^
1943:^
1923:^
1869:.
1837:.
1794:.
1643:'
1623:,
1455:,
1445:,
1422:,
1371:'
1161:,
1155:,
1149:,
993:.
789:.
781:,
777:,
691:.
617:.
443:,
334:,
330:,
249:,
187:,
183:,
179:,
175:,
171:,
167:,
163:,
159:,
155:,
151:,
147:,
143:,
139:,
135:,
60:,
56:,
2178:.
1669:)
1330:(
1320:(
1310:(
1300:(
1292:(
232:(
49:)
45:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
