144:, turns harewood brown, sometimes with a greyish or greenish hue, which is how the wood now appears on old marquetry. The notion that harewood and other coloured woods can be produced by injecting dyes into the roots of
41:
133:. The use of airwood in this way meant that by the 19th century it was associated specifically with that colour, and at the same time name gradually changed from airwood to harewood.
39:. In 17th-century England it was imported from Germany. The earliest published use of the term is probably that in the 1670 edition of
214:
125:
and silver-grey hues. The reason that airwood was preferred to holly for this colour was that it gave a
148:
appears to be an old wives' tale of some antiquity, perhaps propagated by marqueteurs to protect their
36:
32:
106:
117:
very well, but airwood was employed either in its natural off-white state or stained with
126:
208:
149:
118:
114:
82:
137:
102:
129:
sheen or lustre, while holly dyed by the same process turned a rather dead
122:
145:
141:
110:
35:, with a curled or "fiddleback" figure, used to make the backs of
28:
130:
136:
In a relatively short space of time the action of the
77:and the choicest and finest grain'd Fir for the
101:In the 18th century airwood came to be used by
47:
16:Used to make the backs of stringed instruments
93:is absolutely the Best, and next to that our
8:
49:I would also add something concerning what
161:
81:. A slightly later citation occurs in
170:Sylva, or a Discourse of Forest Trees
7:
14:
198:, 2nd edn., London (1809), p. 9.
61:: We as yet detect few but the
27:originally described a type of
1:
65:Air, which is a species of
231:
196:The Cabinet-Maker's Guide
172:, London (1670), p. 181.
140:, together with natural
53:are observed to be most
185:, London (1676), p. 49.
121:to produce a range of
99:
37:stringed instruments
59:Musical Instruments
107:artificial colours
183:Musick's Monument
87:Musick's Monument
222:
199:
192:
186:
179:
173:
166:
31:wood, including
230:
229:
225:
224:
223:
221:
220:
219:
205:
204:
203:
202:
193:
189:
180:
176:
167:
163:
158:
17:
12:
11:
5:
228:
226:
218:
217:
207:
206:
201:
200:
187:
174:
160:
159:
157:
154:
115:vegetable dyes
113:, which takes
89:of 1676; "The
33:sycamore maple
15:
13:
10:
9:
6:
4:
3:
2:
227:
216:
213:
212:
210:
197:
194:Peter Weber,
191:
188:
184:
181:Thomas Mace,
178:
175:
171:
168:John Evelyn,
165:
162:
155:
153:
151:
150:trade secrets
147:
143:
139:
134:
132:
128:
124:
120:
119:iron sulphate
116:
112:
108:
104:
98:
96:
95:English Maple
92:
88:
84:
80:
76:
72:
68:
64:
60:
56:
52:
46:
44:
43:
38:
34:
30:
26:
22:
215:Wood by type
195:
190:
182:
177:
169:
164:
135:
100:
94:
90:
86:
78:
74:
70:
66:
62:
58:
54:
50:
48:
40:
24:
20:
18:
142:oxidization
105:; for most
103:marqueteurs
83:Thomas Mace
156:References
109:they used
69:, for the
138:chemicals
19:The term
209:Category
127:metallic
91:Air-wood
55:sonorous
21:harewood
79:Bellyes
25:airwood
123:silver
63:German
146:trees
111:holly
75:Viols
71:Rimms
67:Maple
51:Woods
42:Sylva
29:maple
131:grey
57:for
85:'s
73:of
23:or
211::
152:.
97:".
45::
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.