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2023: Jillon
Stoppels Dupree (harpsichord) with Wesley Schulz conducting members of Seattle Baroque Orchestra and Auburn Symphony Orchestra, May 14, 2023, in the auditorium of Federal Way Performing Arts Center, Washington. An "original instrument" performance, using the same harpsichord Ms.Dupree
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The final movement begins with an ecstatic blast from the orchestra, a rapid, major-key theme repeated afterward by the harpsichord. This is followed by playful exchanges between the soloist and the winds; afterward, the strings engage in a complex cycle of triplets with accompaniment by the brass.
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The slower, ten-minute second movement begins with a simple repetitive rhythm by the harpsichord, which after a short duration leads into a lyrical neo-Baroque theme. A brief development ensues. This is followed by a broad statement from the brass, after which the strings and winds introduce the
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before turning decisively into a recognizably Glass-style configuration of triplets. The orchestra is low at this point, and after perhaps forty seconds, enters the scene with short bursts which aid the harpsichord's rapid spins. The movement slows somewhat into a more lyrical second section,
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theme which continues beneath. After a period of approximately two minutes, flutes, bassoon and oboe begin a varied, lengthy partnership while the strings and harpsichord provide a gentle pulse. After a recapitulation of the second theme, the movement draws to a close with a return to the
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dominated by strings. Soon after horns play quietly, allowing for the soloist to reenter. After a period of development the movement, eight minutes in duration, recalls the Bach-like theme introduced at first, and draws to a close.
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2002: Jillon
Stoppels Dupree (Harpsichord) and Ralf GothĂłni (with Northwest Chamber Orchestra), recorded 2006, released 2006 on The Concerto Project Vol. II (Orange Mountain Music) as "Concerto for Harpsichord and Orchestra"
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second theme. The statement is repeated after a tremulous harpsichord interlude. Soon afterwards the harpsichord further develops its opening material; it is later joined by the strings, who present a fluctuating,
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in spring of 2002. It was commissioned for the
Northwest Chamber Orchestra by Charles and Diana Carey and published by Dunvagen Music. Glass wrote the concerto with the
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are a noted reference in this piece's composition. In addition, the middle movement sponsors a fluid introductory theme which again echoes Bach and perhaps
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Rich in counterpoint, this section gives way to a further spiral of brass, with auxiliary support from the harpsichord. The concerto closes in a
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as soloist performing with the
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in mind; however, in order to approach the work in a modern idiom, he calls for a contemporary chamber orchestra to accompany the
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or Haydn). Glass also concludes in a strong major key, a stylistic decision avoided in many of his earlier pieces.
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The work is written in the standard three movement concerto format, with a typical fast-slow-fast progression.
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The concerto opens on a scale and long trill played by the harpsichord, which first seems to resemble
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variation, concluding on a powerful four-note motif Glass also uses to conclude his
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Although Philip Glass has, albeit controversially, often been labeled as
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played at the premiere, with several of the original string players.
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signature concerto ending, also consisting of four rapid notes.
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This concerto calls for a relatively small chamber orchestra:
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The work was premiered on
September 21, 2002, in Seattle's
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628:The Making of the Representative for Planet 8
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320:List of twentieth century classical composers
262:2012: Christopher D. Lewis (Harpsichord) and
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169:. It is probable that Glass was inspired by
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210:This concerto is audibly influenced by the
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26:Concerto for Harpsichord and Orchestra
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251:2011: Elliot Figg (Harpsichord) and
365:"www.philipglass.com/concertonotes"
268:San Francisco Conservatory of Music
44:was premiered in September 2002 in
1218:Compositions for chamber orchestra
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1003:Philip Glass Buys a Loaf of Bread
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58:, a collection in four volumes.
621:The Fall of the House of Usher
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1120:Violin Concerto (withdrawn)
881:Violin Concerto (withdrawn)
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712:Waiting for the Barbarians
635:1000 Airplanes on the Roof
397:www.wisemusicclassical.com
255:November 8, 2010 with the
1208:Concertos by Philip Glass
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182:Departure from minimalism
891:Violin Concerto No. 2 (
148:introductory passages.
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858:Piano Concerto No. 1 (
554:Songs from Liquid Days
257:New Juilliard Ensemble
236:Jillon Stoppels Dupree
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1223:Harpsichord concertos
1132:American Four Seasons
1095:After Lewis and Clark
962:Dennis Russell Davies
940:Philip Glass Ensemble
893:American Four Seasons
886:Violin Concerto No. 1
869:After Lewis and Clark
663:Les Enfants terribles
579:Einstein on the Beach
499:Music in Twelve Parts
216:harpsichord concertos
196:Second Piano Concerto
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1178:Harpsichord Concerto
900:Cello Concerto No. 1
876:Harpsichord Concerto
733:The Perfect American
705:The Sound of a Voice
522:String Quartet No. 4
512:String Quartet No. 2
484:List of compositions
310:The Concerto Project
285:Harpsichord concerto
241:The Concerto Project
167:Tirol Piano Concerto
163:Cello Concerto No. 1
691:In the Penal Colony
670:La Belle et la BĂȘte
300:Sergei Rachmaninoff
234:. The soloist was
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1213:2002 compositions
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967:David Henry Hwang
677:Monsters of Grace
561:Aguas da Amazonia
34:Baroque tradition
28:was completed by
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614:The Juniper Tree
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491:Compositions
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419:. Retrieved
415:the original
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373:. Retrieved
369:the original
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348:. Retrieved
344:the original
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226:Performances
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30:Philip Glass
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20:Philip Glass
992:Terry Riley
987:Steve Reich
914:Film scores
684:White Raven
305:Avant-garde
259:, New York.
206:Neo-Baroque
108:double bass
38:harpsichord
1202:Categories
1157:Naqoyqatsi
750:Symphonies
719:Appomattox
649:The Voyage
586:Satyagraha
506:Glassworks
421:2011-12-30
375:2011-12-30
350:2011-12-30
326:References
295:Minimalism
253:Joel Sachs
188:minimalist
159:Haydnesque
145:minimalist
1060:Concertos
851:Concertos
740:The Trial
533:The Light
315:Modernism
192:classical
117:Structure
1020:Category
781:"Heroes"
600:Akhnaten
540:Passages
279:See also
248:(19:32).
177:Analysis
165:and his
42:concerto
1130:No. 2 (
1093:No. 2 (
1084:No. 1 (
922:Dracula
516:Company
212:Baroque
92:Strings
80:bassoon
48:, with
46:Seattle
925:(1999)
841:Lodger
837:No. 12
832:No. 11
827:No. 10
811:Toltec
791:Choral
726:Kepler
656:Orphée
571:Operas
547:Itaipu
526:Buczak
393:"Home"
220:Handel
200:Mozart
96:violin
78:, one
74:, two
40:. The
1152:No. 1
1125:No. 1
1102:No. 3
1086:Tirol
860:Tirol
822:No. 9
817:No. 8
807:No. 7
797:No. 6
787:No. 5
777:No. 4
772:No. 3
767:No. 2
757:No. 1
104:cello
100:viola
86:horns
76:oboes
72:flute
131:Bach
88:in F
84:two
70:one
24:The
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761:Low
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