148:, for example, was requested by Jonathan Haas, a respected timpanist. Glass stated in 2000: "Jonathan Haas approached me almost ten years ago with an invitation to write a Timpani Concerto for him. It seemed we were in agreement to begin our project when a series of operas and symphonic commissions led to a series of postponements. Now, years later, the work is finally completed, a three movement concerto with cadenza. It has also grown into a "double" concerto requiring two timpanists playing a total of nine timpani between them."
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are occasionally irregular: an uncommon choice for Glass, who usually stays strict to rhythmic pulse. This stray from uncompromising adherence to Glass' branch of minimalism can possibly be interpreted as an indication of a new level of musical progression, as well a statement supporting the
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Along with Glass' recent symphonic work, the pieces mark a certain progression of Glass' musical approach; audibly, it can be seen that the composer has undergone major changes since his earlier, pro-
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tendencies, and has himself described his music as "classicist." These concerti are therefore a high-point of Glass' classical direction: they demonstrate a distinct combination of
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continuation of an ongoing musical evolution. The concerti are considered hallmarks of twenty-first century classical composition, and have been performed many times.
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Some of the concerti were written about the same time as Glass' later symphonies, and distinct similarities can be heard, especially in the
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period. Although Glass' music can still, in some sense, be categorized as "minimalist," the composer appears to have more
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was commissioned by friends of Glass, William and
Rebecca Kreuger, for the fiftieth birthday of renowned cellist
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bridging can be heard as a considerable influence on the contemporary composer's stylistic moves).
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38:. The series was begun in 2000 and contains eight works, the most famous of which is probably the
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at piano and conducting (with the
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methods and older, more conventional repertoire (incidentally, Glass' favorite composer is
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Philip Glass wrote all of the concerti on commission from various ensembles or people; the
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400:(Orange Mountain Music) as "Concerto Fantasy for Two Timpanists and Orchestra" (24:27).
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502:(with the Hague Philharmonic, Residentie Orkest), recorded 2010, released 2011 on
478:(Orange Mountain Music) as "Concerto for Saxophone Quartet and Orchestra" (26:53).
424:(Orange Mountain Music) as "Piano Concerto No. 2: After Lewis and Clark" (35:26).
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517:(Orange Mountain Music) as "Tirol Concerto for Piano and Orchestra" (28:47).
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474:(with Swedish Radio Orchestra Stockholm), recorded 2008, released 2008 on
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These are recordings of the eight concerti within each of the volumes:
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These concerti were all produced by Orange
Mountain Music.
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For more information about the selected works, visit the
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Also discernible is a slight influence from the post-
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274:Learn how and when to remove this message
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199:by rewriting it in
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140:Commission
135:Background
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313:Classical
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256:removed
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