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that allowed greater agility and flexibility in playing. The growing custom was to play with the reed on the bottom lip, as is done today, as opposed to the top lip as had been the previous prevailing style. Baermann was an exponent of this new style of playing, and possessed a modern instrument made
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As with many other virtuosi at the time, Baermann tried his hand fairly successfully at composing for his instrument. Among other works, he wrote a Septet in E-flat major, Op. 23, for clarinet, string quartet, and two ad libitum horns. The Adagio movement from his quintet, op. 25 has
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who is generally considered as being not only an outstanding performer of his time, but highly influential in the creation of several important composers' works for his instrument.
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by
Griesling & Schlott which allowed him to play chromatic passages with far greater ease than traditional 5-keyed instruments. He is said to have had a great dynamic range.
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Numerous composers wrote for
Baermann, who undoubtedly had a great influence on the Romantic clarinet repertoire thereby. Along with lesser-known composers such as
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83:(1744–1811) at the military school in Potsdam. After his prowess came to the attention of the Berlin court in 1804,
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91:(1762–1817). He played in the court orchestra of Munich from 1807 until his retirement in 1834, when his son
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Parallel to
Baermann's rise, the clarinet was undergoing a series of developments in key construction and
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received several recordings as a stand-alone piece, though it was for many years misattributed to
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Baermann, Bärmann and
Barmann redirect here; for Heinrich Baermann's son and grandson, see
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His playing is described in primary sources by the Trio di
Clarone in the preface to
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had the 20-year-old musician pursue his training in Berlin under the guidance of
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ConcertstĂĽck in G minor, Concertino in C minor, Concertino in E-flat major,
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Quartet, clarinet, violin, viola, violoncello, op. 18, B
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and the
Sylvana Variations, Op. 33, but not the
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248:, pp. 94–95, Cambridge University Press, 1995.
52:; 14 February 1784 – 11 June 1847) was a German
315:The Evolution of the Modern Clarinet: 1800–1850
265:. Great Britain: Emerson Edition. p. 139.
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187:Adagio for clarinet and strings in D-flat,
79:. In his youth, Baermann took lessons from
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338:International Music Score Library Project
126:. Mendelssohn most notably wrote the two
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703:Category:Clarinetists by nationality
318:(Bachelor of Arts in Music thesis).
27:German clarinet virtuoso (1784–1847)
245:Cambridge Companion to the Clarinet
808:19th-century German male musicians
189:Academy of St Martin in the Fields
165:Baermann died in Munich, aged 63.
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312:Rasmussen, Audrey (15 May 2011).
85:Prince Louis Ferdinand of Prussia
793:19th-century classical composers
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334:Free scores by Heinrich Baermann
798:German male classical composers
114:, Baermann received works from
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818:18th-century German musicians
803:19th-century German composers
763:German classical clarinetists
263:Clarinet Virtuosi of the Past
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238:Taken from the section by
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768:German Romantic composers
356:Digital Score Collection)
589:Jupiter Band Instruments
46:Heinrich Joseph Baermann
559:Johann Christoph Denner
544:Backun Musical Services
300:(subscription required)
148:Concertino, Op. 26
813:Composers for clarinet
788:Musicians from Potsdam
609:Schwenk & Seggelke
227:Breitkopf & Härtel
130:, Opp. 113, 114 (
112:Peter von Lindpaintner
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783:Musicians from Munich
670:Clarinet-violin-piano
465:Quarter tone clarinet
144:quintet (Op. 34)
75:Baermann was born in
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680:Clarinet-cello-piano
675:Clarinet-viola-piano
455:Contrabass clarinets
450:Contra-alto clarinet
354:Sibley Music Library
291:"Heinrich Baermann."
152:Grand Duo Concertant
120:Carl Maria von Weber
579:Leitner & Kraus
564:Benedikt Eppelsheim
180:Orfeo International
624:Yamaha Corporation
475:Clarinette d'amour
296:Grove Music Online
242:in Colin Lawson's
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645:Clarinet concerto
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584:Howarth of London
489:Fingering systems
183:C 065 011 A, 2001
124:Giacomo Meyerbeer
116:Felix Mendelssohn
41:Heinrich Baermann
16:(Redirected from
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154:(Op. 48).
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708:Mezz Mezzrow
691:Clarinetists
506:Reform Boehm
323:. Retrieved
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778:1847 deaths
773:1784 births
604:Adolphe Sax
599:Iwan MĂĽller
569:Stephen Fox
539:Amati-Denak
480:Basset horn
223:Mendelssohn
140:Op. 74
136:Op. 73
108:Franz Danzi
81:Joseph Beer
757:Categories
435:) clarinet
429:Soprano (B
352:(from the
204:References
169:Recordings
100:embouchure
735:Biography
460:Saxonette
61:Classical
432:♭
424:clarinet
421:♭
413:clarinet
410:♭
391:Clarinet
347:♭
261:(1971).
57:virtuoso
54:clarinet
721:Portals
633:Related
594:Leblanc
340:(IMSLP)
336:at the
325:29 June
284:Sources
77:Potsdam
59:of the
50:Bärmann
18:Barmann
614:Selmer
521:Oehler
516:MĂĽller
511:Mazzeo
496:Albert
269:
199:(2014)
146:, the
501:Boehm
350:major
209:Notes
142:), a
63:and
327:2011
267:ISBN
138:and
122:and
110:and
71:Life
293:in
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195:–
191:,
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118:,
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418:E
407:A
383:e
376:t
369:v
329:.
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34:.
20:)
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