131:
32:
430:
256:
Act two begins with speculation among the visitors about Henry, as well as what he sees in
Matilda, who argues constantly with Belcredi. Henry enters once more and his behaviour is increasingly erratic. Once the visitors arrive Henry declares to his councillors that he is not truly mad, but has been
260:
Upon learning of this revelation the visitors confront Henry, who acts angrily to them, particularly
Belcredi. At the end of the act he grabs Frida, who is dressed as in the portrait in preparation for the Doctor's plan to shock Henry out of his madness. In the ensuing altercation Henry stabs
433:
204:. After he comes to, he believes himself to be Henry. For the next twenty years, his family, including his sister and now his nephew, Marchese Carlo Di Nolli, maintain an elaborate charade in a remote Umbrian villa, decorated to resemble Henry's imperial palace at
211:
De Nolli's dying mother requests that he bring a doctor, Dionisio Genoni, who is referred to as the latest in a succession to try to cure Henry. All the action of the play occurs on the day of the doctor's visit.
257:
aware of the nature of his existence for some time. However he has preferred to stay as he was than to live in the 20th century (the play is set around 1900). His behaviour and speech remain abnormal.
245:
The play begins with the induction of
Berthold into the band of privy councillors. He has prepared for the part by studying the history of the wrong Henry—
219:
Lady
Matilda Spina, (whom Henry loved, unrequited, before the accident), a widow. A portrait of the young Matilda in costume from the pageant, dressed as
466:
651:
49:
666:
515:
590:
531:
661:
609:
396:
115:
96:
68:
499:
459:
53:
75:
507:
354:
208:
and staffed with servants hired to play the roles of Henry's privy councillors and simulate the eleventh-century court.
197:
177:
176:
on 24 February 1922. A study on madness with comic and tragic elements, it is about a man who believes himself to be
82:
42:
452:
249:. The visitors then arrive and are later introduced to Henry. Henry mistakes the disguised Belcredi for the monk
20:
64:
276:
339:
306:
582:
226:
Frida, her daughter, de Nolli's fiancée. Frida is now the spitting image of her mother as she was then.
300:
547:
238:
Four so-called Privy
Counselors: Landolph (Lolo), Harold (Franco), Ordulph (Momo), Berthold (Fino)
188:
starred in a
British production which was translated by Stephen Rich, and went to Broadway in 1973.
656:
539:
628:
246:
220:
89:
344:
edited and
Translated by Martha Witt and Mary Ann Frese Witt (New York: Italica Press, 2016), x.
402:
392:
242:
In the first two acts the visitors play parts from the period whilst interacting with Henry.
574:
476:
165:
156:
146:
319:
261:
Belcredi. The visitors flee, and Henry resumes his regal persona as the curtain falls.
169:
645:
270:
423:
294:
250:
185:
181:
566:
31:
362:
444:
406:
288:
196:
An unnamed
Italian aristocrat falls off his horse while playing the role of
491:
439:
386:
205:
424:
Westinghouse Studio One live television performance of
December 1949
173:
129:
19:
This article is about the play by
Pirandello. For other uses, see
201:
448:
200:
during carnevale festivities, which take place annually before
25:
168:
written in 1921 and premiered to general acclaim at the
130:
180:. It has been adapted and translated into English by
355:"IBDB: The official source for Broadway Information"
620:
601:
558:
483:
56:. Unsourced material may be challenged and removed.
460:
8:
285:Robert Rietty and John Wardle (Calder, 1987)
467:
453:
445:
215:Accompanying de Nolli and the doctor are:
253:and reacts angrily, but is later calmed.
116:Learn how and when to remove this message
331:
516:Six Characters in Search of an Author
341:"Henry IV: Followed by "The License,"
223:hangs on the wall of the throne room.
155:
7:
591:One, No One and One Hundred Thousand
532:The Man with the Flower in His Mouth
229:Baron Tito Belcredi, Matilda's lover
54:adding citations to reliable sources
14:
652:Italian plays adapted into films
428:
30:
41:needs additional citations for
318:The play was adapted into the
273:(E. P. Dutton & Co., 1922)
1:
16:1921 play by Luigi Pirandello
667:Henry IV, Holy Roman Emperor
198:Henry IV, Holy Roman Emperor
178:Henry IV, Holy Roman Emperor
438:public domain audiobook at
391:. London: Faber and Faber.
683:
65:"Henry IV" Pirandello
18:
662:Plays by Luigi Pirandello
297:(Faber & Faber, 2004)
265:Translations into English
157:[enˈriːkoˈkwarto]
375:Pirandello, 2016, p. xi.
235:Giovanni, an old servant
583:The Late Mattia Pascal
385:Stoppard, Tom (2004).
282:Julian Mitchell (1979)
150:
137:
508:The Rules of the Game
388:Pirandello's Henry IV
320:film of the same name
232:Two valets in costume
160:) is an Italian play
133:
548:Tonight We Improvise
50:improve this article
540:Each In His Own Way
500:Così è (se vi pare)
338:Luigi Pirandello,
247:Henry IV of France
221:Matilda of Tuscany
138:
639:
638:
126:
125:
118:
100:
674:
477:Luigi Pirandello
469:
462:
455:
446:
432:
431:
411:
410:
382:
376:
373:
367:
366:
361:. Archived from
351:
345:
336:
301:Anthony Mortimer
184:, among others.
166:Luigi Pirandello
159:
121:
114:
110:
107:
101:
99:
58:
34:
26:
682:
681:
677:
676:
675:
673:
672:
671:
642:
641:
640:
635:
616:
597:
554:
479:
473:
429:
420:
415:
414:
399:
384:
383:
379:
374:
370:
353:
352:
348:
337:
333:
328:
316:
291:(Penguin, 1996)
279:(Penguin, 1960)
267:
194:
122:
111:
105:
102:
59:
57:
47:
35:
24:
17:
12:
11:
5:
680:
678:
670:
669:
664:
659:
654:
644:
643:
637:
636:
634:
633:
624:
622:
618:
617:
615:
614:
605:
603:
599:
598:
596:
595:
587:
579:
571:
562:
560:
556:
555:
553:
552:
544:
536:
528:
520:
512:
504:
496:
487:
485:
481:
480:
474:
472:
471:
464:
457:
449:
443:
442:
426:
419:
418:External links
416:
413:
412:
397:
377:
368:
365:on 2012-10-24.
346:
330:
329:
327:
324:
315:
312:
311:
310:
309:(Sydney, 2023)
307:Justin Fleming
304:
303:(Oxford, 2014)
298:
292:
286:
283:
280:
274:
266:
263:
240:
239:
236:
233:
230:
227:
224:
193:
190:
170:Teatro Manzoni
124:
123:
38:
36:
29:
15:
13:
10:
9:
6:
4:
3:
2:
679:
668:
665:
663:
660:
658:
655:
653:
650:
649:
647:
631:
630:
626:
625:
623:
619:
612:
611:
607:
606:
604:
602:Short stories
600:
593:
592:
588:
585:
584:
580:
577:
576:
572:
569:
568:
564:
563:
561:
557:
550:
549:
545:
542:
541:
537:
534:
533:
529:
526:
525:
521:
518:
517:
513:
510:
509:
505:
502:
501:
497:
494:
493:
489:
488:
486:
482:
478:
470:
465:
463:
458:
456:
451:
450:
447:
441:
437:
436:
427:
425:
422:
421:
417:
408:
404:
400:
398:0-571-22507-1
394:
390:
389:
381:
378:
372:
369:
364:
360:
356:
350:
347:
343:
342:
335:
332:
325:
323:
321:
313:
308:
305:
302:
299:
296:
293:
290:
287:
284:
281:
278:
277:Frederick May
275:
272:
271:Edward Storer
269:
268:
264:
262:
258:
254:
252:
248:
243:
237:
234:
231:
228:
225:
222:
218:
217:
216:
213:
209:
207:
203:
199:
192:Plot overview
191:
189:
187:
183:
179:
175:
171:
167:
163:
158:
154:
153:
148:
144:
143:
136:
132:
128:
120:
117:
109:
98:
95:
91:
88:
84:
81:
77:
74:
70:
67: –
66:
62:
61:Find sources:
55:
51:
45:
44:
39:This article
37:
33:
28:
27:
22:
627:
608:
589:
581:
573:
565:
546:
538:
530:
523:
522:
514:
506:
498:
490:
434:
387:
380:
371:
363:the original
359:www.ibdb.com
358:
349:
340:
334:
317:
295:Tom Stoppard
259:
255:
251:Peter Damian
244:
241:
214:
210:
195:
186:Rex Harrison
182:Tom Stoppard
161:
151:
141:
140:
139:
134:
127:
112:
103:
93:
86:
79:
72:
60:
48:Please help
43:verification
40:
632:(2022 film)
629:Strangeness
621:Works about
314:Adaptations
162:(Enrico IV)
657:1922 plays
646:Categories
326:References
76:newspapers
567:L'Esclusa
475:Works by
289:Mark Musa
152:Enrico IV
135:Enrico IV
106:July 2011
575:The Turn
524:Henry IV
440:LibriVox
435:Henry IV
407:57314471
142:Henry IV
21:Henry IV
147:Italian
90:scholar
613:(1918)
594:(1926)
586:(1904)
578:(1902)
570:(1901)
559:Novels
551:(1930)
543:(1924)
535:(1922)
527:(1922)
519:(1921)
511:(1918)
503:(1917)
495:(1916)
405:
395:
206:Goslar
92:
85:
78:
71:
63:
492:Liolà
484:Plays
174:Milan
97:JSTOR
83:books
403:OCLC
393:ISBN
202:Lent
69:news
610:War
172:in
164:by
52:by
648::
401:.
357:.
322:.
149::
468:e
461:t
454:v
409:.
145:(
119:)
113:(
108:)
104:(
94:·
87:·
80:·
73:·
46:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
