250:, sold their own lithographic process to Mitterer's Institute, this under an agreement that the process remained secret during the life of the contract. The Institute began its work in October 1805, and for a long time, Munich was regarded as the centre for the technical perfection of lithography. The commercial success of the process, which found sales beyond the borders of Germany, contributed significantly to the financial security of the institute. Senefelder objected to this commercialization of the process and in 1806 attempted to have the Institute closed down, however, he only succeeded in having Mitterer's privilege limited to the "production and publishing of such art articles" as related to pattern books and artists' lithographs for teaching purposes.
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on a part-time basis. As he was convinced that the art of drawing was important for technical workers, he applied for a permit to establish an official school. This was granted on 26 March 1792 after which he set up a
Holiday Drawing School. In 1793 another school for similar vocational training and
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Since a previous bar press was unfavourable for chalk printing, Mitterer, with the help of Alois Ramis, the teacher of practical mechanics at the
Feiertagsschule, invented the roller or star press, which ensured uniform pressure and became the model for all later presses, whereby the stone lay on a
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An important task of the institute was the production of suitable wall charts for schools. Printed also were templates for drawing lessons, a special concern of
Mitterer. Thus, on Mitterer's initiative, drawing lessons became compulsory at all Bavarian elementary schools from 1798.
226:'s lithographic process in the chemistry laboratory and mechanical workshop of the Feiertagsschule MĂĽnchen, under support from the directorate and colleagues of the institute. With this improved technique, it was then possible to produce coloured printed matter with fine halftones.
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When, on 27 January 1808, the
Ordinance on Land Surveying in Bavaria was published, the influential civil servant, administrator and entrepreneur for the development of Bavaria, Joseph von Utzschneider, insisted that maps be reproduced not by
206:. Kefer's and Mitterer's schools were merged in 1798, which included artistic and technical drawing for artisans professionals. Mitterer also participated in the founding of the Baugewerksschule (Building Trades School) in Munich.
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Mitterer became curator and
Professor fĂĽr Steingravierkunst (professor of stone engraving), at the Ersten lithographischen Kunstanstalt (Lithographic Art Institute) at Munich, and in 1815 became its administrator.
291:(Instructions on hydraulics for practical artists and master craftsmen with special reference to fountains). Verlag der Feyertags-Schule MĂĽnchen (Publishing House of the Feyertags School Munich)
167:, he became inclined towards mathematics and physics while in Passau where he also received drawing lessons. While in Munich attended the drawing academy of the
298:(Instruction in mechanics for practical artists and master craftsmen with special reference to mill construction). Verlag der Feyertags-Schule MĂĽnchen.
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that were five times as expensive. Until then lithography had only been used for printing sheet music and lettering. In 1798 Mitterer refined
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Hermann
Mitterer was the son of the baker and monastic grocer Anton Mitterer and his wife, Magdalena Krenn, in Altenmarkt (Old market), near
305:(Guide to Civil Architecture and Architectural Drawing Accompanied by the Most Necessary Principles). Verlag der Feyertags-Schule MĂĽnchen.
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312:(The German Carpentry Art as a Continuation of Bourgeois Architecture and Architectural Drawing). Verlag der Feyertags-Schule MĂĽnchen.
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On 7 November 1804, the printers, publishers, and lithographers
Theobald and Geog Senefelder, by contract for an annual fee of 700
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History of the establishment of the first lithographic art institute at the holiday school for artists and technicians in Munich
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and was awarded the greater Medal of Honor by the City of Munich in 1797. Mittererstrasse, in
Ludwigsvorstadt near
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Anleitung zur
Hydraulik fĂĽr praktische KĂĽnstler und Werkmeister mit vorzĂĽglicher Hinsicht auf das Brunnenwesen
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including flowers, figures, portraits, after masters in the hand-drawn manner by significant Munich artists
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created inexpensive templates for drawing lessons, which had previously only been available in the form of
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Anleitung zur
Mechanik fĂĽr praktische KĂĽnstler und Werkmeister mit vorzĂĽglicher Hinsicht auf den MĂĽhlenbau
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From 1791 Mitterer worked as a grammar school drawing teacher in Munich and gave drawing lessons to
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Birth entry for Hermann Mitterer in the church book of the monastery Altenmarkt near Osterhofen
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but by lithography. This map series was produced under Mitterer's instruction and assistance.
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Anleitung zur bürgerlichen Baukunst und Bauzeichnung mit den nöthigsten Grundsätzen begleitet
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Die deutsche Zimmerwerks-Kunst als Fortsetzung der bĂĽrgerlichen Baukunst und Bauzeichnung
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277:(Initial principles of figure drawing in hand drawing manner for self-learning')
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AnfangsgrĂĽnde der Figurenzeichnung in Handzeichnungsmanier zur Selbsterlernung
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Die Handwerks-Gesellen and Männliche Central Holiday School in Munich
330:(ADB), Volume 22, Duncker & Humblot, Leipzig 1885, pp. 23–25
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movable base which is pulled through the press under a fixed roller.
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341:(NDB), Volume 17, Duncker & Humblot, Berlin 1994, p. 582.
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further education was founded in Munich by Mitterer's friend
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Concise Encyclopedic Dictionary for the Educated Estates
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135:(Munich Central Station), is named after him.
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424:, Hermann Joseph Mitterer birth record entry
351:Wurst, Jurgen; "Hermann Josef Mitterer" in
399:Deutsche Biographische Enzyklopädie Online
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37:Death portrait of Hermann Joseph Mitterer
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127:Mitterer was an honorary member of the
189:Original drawing by Herrmann Mitterer
16:Hermann Mitterer, German art educator
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262:Published lithographic illustrations
181:Drawing teacher and school founder
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159:as a choirboy, then schooled at
396:"Mitterer, Hermann Joseph" in
391:First Decade of Holiday School
328:Allgemeine Deutsche Biographie
234:The Lithographic Art Institute
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473:19th-century German educators
468:18th-century German educators
353:Wurst, JĂĽrgen and Langheiter
269:Poisonous Plants for Schools
129:Academy of Fine Arts, Munich
317:Sources and further reading
214:Mitterer's development in
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478:19th-century lithographers
210:Development of lithography
483:People from Lower Bavaria
282:Lithographic Art Products
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335:Mitterer, Hermann Joseph
324:Mitterer, Hermann Joseph
155:. He initially attended
402:, Rudolf Vierhaus (ed.)
175:Johann Jakob von Dorner
106:Hermann Joseph Mitterer
47:Hermann Joseph Mitterer
382:Holg, Johann Nepomuk;
220:copperplate engravings
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445:at Wikimedia Commons
365:Ferchl, Franz Maria;
256:copperplate engraving
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389:Weichselbaumer, M.;
373:Conversation lexicon
339:New German Biography
133:MĂĽnchen Hauptbahnhof
322:Holland, Hyacinth;
139:Childhood and youth
280:1805-1807 - under
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441:Media related to
204:Franz Xaver Kefer
172:landscape painter
120:– 25 April 1829,
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443:Hermann Mitterer
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421:Matricula Online
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224:Alois Senefelder
197:, craftsmen and
153:Osterhofen Abbey
108:(8 October 1762,
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73:(1829-04-25)
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463:1829 deaths
458:1762 births
393:, 1793–1803
216:lithography
199:apprentices
86:Nationality
452:Categories
407:References
361:3886451569
347:3428001982
195:journeymen
114:Osterhofen
110:Altenmarkt
94:Occupation
61:Altenmarkt
53:1762-10-08
248:guilders
169:Bavarian
165:theology
308:1825 –
294:1822 –
287:1820 –
273:1804 –
267:1797 –
379:, 1816
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122:Munich
89:German
79:Munich
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68:Died
43:Born
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