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Hercules and Cacus

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122: 235: 25: 295:, both of whom were champions of Michelangelo and rivals of Bandinelli for Medici patronage. Vasari lamented the change of hands from Michelangelo to Bandinelli, and the change of design. Cellini referred to the emphatic musculature as "a sack full of melons", forgetting that Michelangelo had received similar deprecation previously by 231:
is likely that the Medici did not want such a harsh reminder of their brutal return to power. Vasari stated that Bandinelli had already carved the sculpture as far as the abdomen of Hercules when, in 1527, the pope was taken prisoner in Rome during its sacking, and the Medici were exiled once again from Florence.
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marble finally arrived in Florence in 1525. It has been suggested that the block of marble was not large enough for Bandinelli's design and he was to make a new one, however, the reason for the change may have been purely for symbolic reasons. His first design was extremely active and violent, and it
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for stealing cattle, is the symbol of physical strength, which juxtaposed nicely with David as a symbol of spiritual strength, both symbols desired by the Medici. This marble group shows the basic theme of the victor (the Medici) and the vanquished (the republicans). The pause suggests the leniency
299:. Neither Vasari nor Cellini can be viewed as unbiased due to their rivalry with Bandinelli. The Medici were quite satisfied and rewarded Bandinelli greatly for his efforts with land, money, and he was later placed in charge of all sculptural and architectural programs for the Medici under 282:
Although descriptions of its unveiling in 1534 provided verbal and written criticisms of the marble, most were instead aimed at the Medici family for dissolving the Republic and were not aesthetic. A few of the writers of these hypercritical verses were imprisoned by
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The statue was restored between February 1994 and April 1994. It was then discovered that the club in the hand of Hercules was not the original club, but was made of aluminum instead of the original bronze.
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as a symbol of the republic. But the exceptionally large block did not arrive in Florence, and Michelangelo was soon busy with other projects. In 1512 the Medici returned to power.
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as duke of Florence. Bandinelli then returned and continued his work on the statue. Finally in 1534 the work on the statue was finished transported from his studio to the
257:. This was probably to separate the project from the Medici and was allowed due to Bandinelli, as a supporter of the Medici, having to leave the city. In 1530, Emperor 967: 792: 1673: 1732: 324:
of the Medici to those who would concede to their rule, and served as a warning to those who would not, as this pause can be indefinite or simply temporary.
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assisted the Medici in retaking possession of Florence after a long siege. Pope Clement VII subsequently installed his illegitimate son
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Carving for a Future: Baccio Bandinelli Securing Medici Patronage Through His Mutually Fulfilling and Propagandistic Hercules and Cacus
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from the city and return the marble to Michelangelo. Vasari stated a change in subject, which is substantiated by a terracotta
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It has a complicated and highly political history, but the finished work is by the Florentine sculptor
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Meanwhile, in Florence, the republican enemies of the Medici took advantage of the chaos to expel
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mostly from 1525 to completion in 1534. It was commissioned as a pendant to
287:, further suggesting a political commentary. The two harshest critics were 175:, which had been commissioned by the republican council of Florence, under 492: 435: 431: 312: 300: 272: 226:
by Bandinelli, who received the commission. The quarried block of white
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Hercules and Xena – The Animated Movie: The Battle for Mount Olympus
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Michelangelo: A Reference Guide to His Life and Works
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Michelangelo: A Reference Guide to His Life and Works
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It was meant to complement the 342: 315:, who killed the fire-belching monster 729:Hercules Killing the Stymphalian Birds 1542:The Mighty Hercules (Gold Key Comics) 1092:Hercules and the Conquest of Atlantis 7: 1464:Hercules in the Maze of the Minotaur 1398:Mole Men Against the Son of Hercules 1156:Hercules Against the Sons of the Sun 47:adding citations to reliable sources 1733:Monuments and memorials in Florence 1414:Ulysses Against the Son of Hercules 1180:Hercules and the Tyrants of Babylon 825:Hercules's Dog Discovers Purple Dye 14: 1188:Hercules and the Princess of Troy 911:Hercules and the Erymanthian Boar 849:Landscape with Hercules and Cacus 793:Hercules Fighting the Nemean Lion 1591:Hercules: The Legendary Journeys 1424:Hercules: The Legendary Journeys 690:Statue of Hercules, Dura-Europos 23: 1448:Hercules and the Circle of Fire 1254:The Three Stooges Meet Hercules 1172:Samson and His Mighty Challenge 34:needs additional citations for 1728:Outdoor sculptures in Florence 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slaying Antaeus 646:Hercules and the Wagoner 535:Hercules in ancient Rome 1718:16th-century sculptures 1599:Heracles Chariot Racing 1294:Jason and the Argonauts 1262:Jason and the Argonauts 1164:The Triumph of Hercules 1140:Hercules the Invincible 640:The Labours of Hercules 1723:Sculptures of Heracles 1713:Renaissance sculptures 1659:Xena: Warrior Princess 1559:The Return of Heracles 1353:Hercules: Zero to Hero 1310:The Legend of Hercules 1076:Goliath and the Dragon 992:The Choice of Hercules 952:Ercole su'l Termodonte 903:The Labors of Herakles 801:Hercules and the Hydra 777:The Choice of Hercules 745:The Choice of Hercules 721:Hercules and the Hydra 242: 135: 128:by Baccio Bandinelli, 1689:43.76917°N 11.25583°E 1246:The Warrior's Husband 1148:Hercules Against Rome 1084:The Loves of Hercules 1032:Hercules vs. Vampires 887:Achelous and Hercules 817:The Death of Hercules 713:Hercules and Deianira 520:Creation of Milky Way 387:Zirplol, Lillian H., 349:Zirplol, Lillian H., 285:Alessandro 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852:(c. 1660) 724:(c. 1475) 716:(c. 1470) 708:(c. 1460) 259:Charles V 1636:Hercules 1567:Hercules 1507:Atlantis 1499:Hercules 1484:" (1999) 1345:Hercules 1337:Hercules 1318:Hercules 1278:Hercules 1217:Herakles 1060:Hercules 1016:Déjanire 976:Hercules 686:(c. 125) 601:Herakles 493:Deianira 481:(mother) 475:(father) 436:Heracles 432:Hercules 313:Hercules 301:Cosimo I 277:ringiera 273:pedestal 251:bozzetto 241:(detail) 239:Hercules 224:bozzetto 197:colossus 1477:(1998) 1427:(1995) 499:(wives) 489:Omphale 479:Alcmene 455:Hercule 307:Subject 253:, as a 228:Carrara 153:in the 83:scholar 1610:(2008) 1602:(2007) 1594:(2000) 1586:(1997) 1578:(1997) 1570:(1984) 1562:(1983) 1519:Comics 1510:(2013) 1494:(1998) 1467:(1994) 1459:(1994) 1451:(1994) 1443:(1994) 1435:(1994) 1417:(1962) 1409:(1962) 1401:(1961) 1364:(1998) 1356:(1998) 1348:(1997) 1340:(1995) 1321:(2014) 1313:(2014) 1305:(2011) 1297:(2000) 1289:(1985) 1281:(1983) 1273:(1970) 1265:(1963) 1257:(1962) 1249:(1933) 1228:(1964) 1220:(1962) 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Italian Renaissance sculpture
Piazza della Signoria
Baccio Bandinelli
Michelangelo's David
Piero Soderini
Medici
Michelangelo
Republic of Florence
Medici family
Clement VII
Carrara

Ippolito de' Medici
Charles V
Alessandro de Medici
pedestal
Alessandro de' Medici
Giorgio Vasari

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