415:, he then recorded a portion of the story on tape in 1956. However, when he returned, in 1957 to make a recording of the complete story, Ulang Udig could only recount the Epic of Labaw Donggon; he could no longer recount the much larger Epic of Humadapnon. Weeks later, Ulang Udig introduced Jocano to his aunt, an old babaylan named Udungan. However, the old babaylan could only chant little portions of the Humadapnon Epic. Jocano was then introduced to Udungan's niece, mountain singer named Hugan-an, who, after much cajoling, allowed herself to be taped recounting both her story and the Hinilawod. It took three weeks to complete the recording of the 30-hour epic poem.
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522:(black boat), Labaw Donggon sailed across many seas and flew across the region of the clouds and the Land of Stones before he found himself at the shores of the Eastern Sky and the fortress of Saragnayan. Upon setting foot on the shore, Saragnayan asked who he was and what was his business. When Labaw Donggon expressed his desire to have Saragnayan's young wife Malitong Yawa Sinagmaling Diwata, the Lord of Darkness laughed and told him it was impossible. The young demigod then challenged Saragnayan to a duel.
354:. The term "Hinilawod" generally translates to "Tales From The Mouth of The Halawod River". The epic must have been commonly known to the Visayans of Panay before the conquest, since its main protagonists, like Labaw Donggon, were noted in the accounts of the Islanders' beliefs and recorded by early Spanish colonizers. One of these Westerners' accounts says that the adventures of this ancient hero of Panay were recalled during weddings and in songs. It was noted that there were still native
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Art
Geroche, a local Ilonggo artist and Staff of the West Visayas State College (now a State University), provided a mural painting (oil on canvas) depicting the epic, for the lobby of the Cultural Center. The painting captures the important scenes in the adventures of the heroes of Hinilawod, in one
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After several months of traveling, the two warriors came face to face with a two-headed monster called
Balanakon. The monster guarded the ridge that led to the place where the maiden lived. They managed to kill the monster but were confronted with another kind of monster when they reached the gate of
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The duel lasted for years. Labaw
Donggon held Saragnayan's head underwater for seven years but Saragnayan survived. Labaw Donggon then tied Saragnayan to the top of a rock and beat him hard with a coconut trunk, but this proved futile. Labaw Donggon then hurled Saragnayan upwards towards the sky, yet
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Upon learning of this, Humadapnon asked his sister, Labing Anyag, to use her powers to bring
Nagmalitong Yawa back to life. Seeing how remorseful he is, Labing Anyag agreed. However, Nagmalitong Yawa was so ashamed of agreeing to marry Buyung Sumagulung that she ran away to the underworld and sought
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With the monster
Uyutang dead, Lubay-Lubyok Hanginun si Mahuyokhuyokan was free to marry Dumalapdap. He brought her home and was reunited with his family. Datu Paubari celebrated the return of his three sons with a very big feast. His sons left for different parts of the world after the feast. Labaw
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Humadapnon and
Dumalapdap then searched for their missing brother, finding Labaw Donggon under the fishnet in a deranged state. Labaw Donggon's brothers returned him home to his wives. Anggoy Ginbitinan and Anggoy Doronoon cured Labaw Donggon from his madness and his former strength returned to him.
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Labaw
Donggon won the hand of the Anggoy Doronoon with little difficulty, and also took her home to his mother. Thereafter, the demigod went on third quest to the Eastern Sky. This time the object of his desire is Malitong Yawa Sinagmaling Diwata, the young bride of Saragnayan, the Lord of Darkness.
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Kaptan, king of the Gods, decreed that the beautiful
Alunsina (also called Laun Sina, "Unmarried One") be wed upon reaching maidenhood. Though all the unmarried gods from every corner of the universe tried to win her hand in marriage, she chose to marry the mortal Datu Paubari, ruler of the Halawod.
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who worshipped Labaw
Donggon even until the last years of the Spanish rule in the Philippines. These worshippers would stealthily enter a certain cave in Dingle in the evening of a certain day of the year, in order to render homage and to offer chickens, doves, rice, bananas, and pigs to the ancient
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Humadapnon had to kill an eight-headed serpent in his pursuit of
Nagmalitong Yawa. Then he had to duel with a young man who spirited his wife away. The duel ended when Alunsina intervened and revealed that the young man is also her son, Amarotha. This son died during childbirth and was brought back
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Meanwhile, Labaw Donggon's two wives each gave birth to a son. Anggoy Ginbitinan called her child Aso Mangga, while Anggoy Doronoon called her son Buyung Baranugon. Both sons went in search of their father a few days after they were born. They arrived in the Eastern Sky and asked Saragnayan to free
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When he reached adulthood, Labaw Donggon, the eldest of the triplets, decided to go on a quest to find himself a wife. He heard of the beauty of Anggoy Ginbitinan of Handug and wanted her for a wife. He asked his mother to prepare the things he will need for the journey—a magic cape, hat, belt, and
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Fortunately for Alunsina and her husband, her sister Suklang Malayon (Goddess and Guardian of Happy Homes) discovered the evil plot and warned them of it. Before the flood, the couple sought refuge on higher ground and escaped the gods' wrath undetected. They returned to the plains and settled near
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He met Buyong Makabagting, son of the Datu Balahidyong of Paling Bukid, who was also vying for the hand of Burigadang Pada Sinaklang Bulawan. The two duelled and Humadapnon emerged victorious, the defeated Buyong Makabagting helping the former in his quest. Humadapnon eventually married Burigadang
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Humadapnon rose to the challenge and took off his magic cape. He then used it to lift the huge boulder off the center of the village and hurled it back towards the mountain. Datu Umbaw Pinaumbaw honored his word and gave his daughter's hand in marriage to Humadapnon. The two were married and a big
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It took the brothers seven years to come back from their journey to the Upperworld. They arrived just in time for the ceremony that will have Nagmalitong Yawa married to Buyung Sumagulung, an island fortress ruler, in a ceremony. The brothers were enraged and killed all the guests and the groom.
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Meanwhile, the defeat of Labaw Donggon at the hands of Saragnayan and his subsequent imprisonment angered his brothers Humadapnon and Dumalapdap. Humadapnon swore by the gods of Madya-as that he would seek revenge on all of Saragnayan's kinsmen and followers. He then embarked on a journey to the
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Sensing that death was near, Saragnayan bade a sorrowful farewell to his wife. Buyung Baranugon finally killed Saragnayan by jabbing poisoned arrows into both of Saragnayan's eyes. After the victory, Buyung Baranugon and Aso Mangga failed to find their father, who hid under a fishnet out of fear
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The production was revised to include the participation of then 17-year-old Manilyn "Tata" Glemer, a member of the Panay Bukidnon tribe in Tapaz, Capiz. Glemer knows how to chant the epic. Research was conducted with Glemer's mother, Gemma, the chieftain of their tribe and her grandmother, Lola
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Humadapnon and his men safely traversed a blood-coloured sea with the help of his spirit friends. They landed on an island that was inhabited by beautiful women and headed by the sorceress, Ginmayunan. For seven years, Humadapnon and his crew were imprisoned in the island until Nagmalitong Yawa
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The journey to Handug took several days through plains, valleys, and mountains. When Labaw Donggon finally arrived, he asked for an audience with Anggoy Ginbitinan's mother and asked for her hand in marriage. The marriage was finalized when Labaw Donggon's parents met and discussed with Anggoy
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with them. He thought of a plan to break Piganun's spell over his friend. One evening over dinner, Buyong Matanayon threw seven slices of ginger into the fire. Upon smelling the burning ginger, Piganun fled the room. Buyong Matanayon then struck Humadapnon in the head, rendering the latter
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Shortly after Humadapnon left their home to seek revenge on Saragnayan's family and followers, Dumalapdap embarked on a quest of his own. He decided go to Burutlakan-ka-adlaw and marry the maiden Lubay-Lubyok Hanginun si Mahuyokhuyokon. With him was Dumasig, the most powerful wrestler in
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Humdapnon was visited by his spirit friends Taghoy and Duwindi in his dream and told him of lovely maiden who lived in a village by the mouth of the Halawod River. The demigod left his dominion to look for the maiden named Nagmalitong Yawa. He brought with him a boatful of crew.
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from the dead to keep Alunsina company. Alunsina decided that both Humadapnon and Amarotha deserved a piece of Nagmalitong Yawa so she cut the girl in half and gave a piece each to her sons. Each half turned into a whole live person. Humadapnon brought his wife back to Panay.
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Saragnayan wrestled with Buyung Baranugon, but the Lord of Darkness was no match for him. However, Saragnayan could still not die. Buyung Baranugon sought aid from his grandmother, Alunsina, and learned that Saragnayan's life was housed in the body of a boar in a place called
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their father. Saragnayan instead summoned a host of minions from the underworld to defeat the youths. Wielding bows, Aso Mangga and Buyung Baranugon shot poisoned arrows, that dealt seven wounds with a single shot, slaying the rest until only Saragnayan remained.
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Humadapnon also stabbed his wife because the treachery only to feel remorse later on. He asked his spirit friends and found out that his wife only agreed to marry Buyung Sumagulung because her mother, Matan-ayon, convinced her that Humadapnon is not coming back.
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During the wedding feast, Humadapnon's brother, Dumalapdap fell in love with Huyung Adlaw and asked his brother to help him talk to the parents of the maiden. Humadapnon left his new wife and accompanied his brother to the Upperworld where Huyung Adlaw lived.
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After their wedding, Labaw Donggon and his new bride started on their journey back to his lands. Upon reaching home, Labaw Donggon asked his mother to care for his new wife and announced his intent on another quest, this time to the
404:. He travelled the hinterlands of his home island of Panay with two colleagues collecting folk songs, stories, and riddles. It was during one of those trips to the upland barrios of Lambunao, Maasin, Janiuay, and Calinog in
1021:. The production was directed by Jerry Respeto with composers Jema Pamintuan and Teresa Barrozo, costume and set designer Gino Gonzales, lighting designer Voltaire de Jesus, and choreographers Gio Gahol and Elena Laniog.
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Festival) has used segments and tales of the Hinilawod as performance themes of its competing tribes. Each performance's authenticity is enhanced through the use of authentic Panay Bukidnon (Sulod) costumes, known as
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Angered by this decision, Alunsina's spurned suitors conspired to harm the newlywed couple. Maklium-sa-t'wan, God of the Plains, called a council of the gods. The deities decided to destroy the Halawod by flood.
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476:) on an altar that he had built. He opened the windows of the north side of the room after the ceremony, and in came a cold wind that transformed the infants into strong, mighty, and handsome young men.
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sang and extolled the beauty of Burigadang Pada Sinaklang Bulawan, Goddess of Wealth and Greed. Enchanted by the story, Humadapnon started on a quest to seek the goddess' hand in marriage.
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This epic, which is orally transmitted from one generation to another, is still very much a part of the culture of the Sulod Nation in the mountains of Jamindan, Capiz. In April 1999,
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Immediately after birthing her sons, Alunsina summoned the high priest Bungot-Banwa to perform rites on Mount Madya-as to ensure good health for the triplets. Bungot-Banwa burned some
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Eastern Sky, taking with him Buyong Matanayon of Mount Matiula, a man known for his exceptional swordsmanship. Together, they travelled the same path that Labaw Donggon had taken.
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that his attention was called to a long and popular tale called Hinilawod. Portions of the story were sung to him and his colleague by an old man called Ulang Udig.
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Hinilawod is a 29,000-verse epic that takes about three days to chant in its original form, making it one of the longest epics known, alongside that of Tibet's
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After several months, Alunsina was pregnant with triplets. The couple were ecstatic, and Datu Paubari prepared the things needed for childbirth including the
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during the battle. Believing their father to have returned home before them, the brothers sailed home only to realize that Labaw Donggon was still missing.
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in the Panay-Bukidnon settlement in Brgy. Garangan in Calinog's mountainous areas. Of note is the fact that the town itself sits squarely beside the river
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Little Theater (USALT) has staged its version of the Humadapnon fragment of the Hinilawod titled "Tarangban" ("Cave"). It first staged the play in 2004.
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failed to kill him. The two fought for many years until finally, Labaw Donggon weakened. Saragnayan imprisoned the exhausted demigod under his pig pen.
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It had subsequent stagings of excerpts in 2010 for the "Tanghal 4: The National University and Colleges Theater Festival and Conference" on Feb 2 at
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An abridged version was the first stage performance of the epic during the inauguration of the Cultural Center of Western Visayas on the campus of
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Dumalapdap fought with the Uyutang for seven months. He was able to defeat the monster when he grabbed its ankle and broke it. Then he took his
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UNESCO’s Memory of the World (MOW) Regional Register inscribes 20 new items in recognition of human innovation and imagination in Asia-Pacific
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In 2011, the group staged their production at Tanghalang Nicanor Abelardo of the Cultural Center of the Philippines on September 3 and 4.
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performed the epic before the representatives of the First Lady and the high officials of the Cultural Center of the Philippines.
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Donggon ventured north, Humadapnon went south, and Dumalapdap embarked to the west. Datu Parubari was left to rule in the east.
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the palace where the maiden lived. Called Uyutang, the monster was similar to a bat with sharp, poisonous claws.
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helped them escape by disguising as a boy. Humadapnon and Nagmalitong Yawa were married soon after in Halawod.
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in the Philippines, and is the first documentary heritage outside Manila to receive this honor.
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1225:"MybeautifulILOILO: A Great Literary Show through HIRINUGYAW-SUGUIDANONAY Festival in Calinog"
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381:. This marks Iloilo City's second UNESCO recognition, following its designation as the first
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After seven months in Tarambang Buriraw, Buyong Matanayon recalled that they brought some
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of the town of Calinog in Central Panay (which started in 1988 as an adaptation of the
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In 2010, Hiyas Kayumanggi staged their version of the Hinilawod at Luce Auditorium of
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and recorded by Dr. F. Landa Jocano. The epic is in the original Sulodnon language.
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unconscious. He then dragged his body away from the place and managed to escape.
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Hinilawod Epic Chant Recordings Secured in UNESCO’s Memory of the World Registry
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c. 1983, by Art Geroche, as displayed at the lobby of the Cultural Center of
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1099:(Segunda edición), Manila: 1889, Tipo-Litografía de Chofké y C.a, p. 42.
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the mouth of the Halawod after the floods subsided and lived in secrecy.
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There was also a performance on March 1, 2010, at the USALT auditorium.
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the protection of her uncle Panlinugun, who is lord of the earthquake.
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A concise version of the story of Hinilawod can be found in the book
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Hinilawod was first discovered "by accident" in 1955, when Filipino
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Below are verses from the first two stanzas of the second part of
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and for "Pasinaya Festival" at Tanghalang Huseng Batute of the
1189:. Epic of Central Panay. Metro Manila: PUNLAD Research House.
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brothers: Labaw Donggon, Humadapnon and Dumalapdap of ancient
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recorded the epic as it was chanted by the natives of Sulod.
1148:"The Sulod: A Mountain People In Central Panay, Philippines"
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Pada Sinaklang Bulawan and brought her home to his mother.
1365:"July kicks off Ateneo theater groups' 2012-2013 line-ups"
970:, and the performing tribes' employment of Panay-Bukidnon
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Returning the following year with a radio technician from
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from early inhabitants of a place called Sulod in central
1254:"Arts Month features campus theater groups by Walter Ang"
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Hinilawod Records of Jocano inscribe in the UNESCO MOWCAP
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In 2013, Ateneo Entablado staged Nicanor Tiongson's play
1287:"Theater of the young, the here and now by Walter Ang"
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366:The Hinilawod Epic Chant Recordings, housed at the
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1097:Las Islas Visayas en la Época de la Conquista
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8:
1210:Hinilawod, The Epic of the Hiligaynon Nation
567:feast was held. During the banquet, a guest
426:recounts the story of the exploits of three
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976:Balay Tulun-an Cultural Preservation School
946:Gamak, a binukot and chanter of the tribe.
925:panoramic view within a six by twelve feet
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718:English translation by Dr. F. Landa Jocano
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1272:"Old Panay epic poem becomes dance drama"
986:, the river that gave the epic its name.
905:in March 1983 under the patronage of the
1465:including their mythologies and folklore
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582:(First Narration) of the Sulodnon epic
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1015:Labaw Donggon: Ang Banog ng Sanlibutan
852:, while the other half became Panay.
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1461:Indigenous Philippine folk religions
1339:"Hinilawod: unearthing a Pinoy epic"
1219:
1217:
1077:
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991:De La Salle-College of Saint Benilde
271:Religion in pre-colonial Philippines
1396:Hinilawod: Adventures of Humadapnon
1180:Hugan-an; Jocano, F. Landa (2000).
1095:Isabelo de los Reyes y Florentino,
585:Hinilawod: Adventures of Humadapnon
995:Cultural Center of the Philippines
907:Cultural Center of the Philippines
25:
860:The quest of Humadapnon continues
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951:Hirinugyaw-Suguidanonay Festival
499:Ginbitinan's parents. Using his
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957:where it was then known as the
750:"Well, Taghuy, were I to travel
740:Till and idea came to his mind.
480:The adventures of Labaw Donggon
2131:Da Adventures of Pedro Penduko
1417:, Hesed Adriel, 6 August 2011.
982:the ancient name of which was
792:Meditating he took to his feet
765:Travel around, spread my sails
1:
1736:Witchcraft in the Philippines
1379:"Filipino epic comes to life"
949:Since 2006, the late-January
911:First Lady of the Philippines
895:West Visayas State University
770:I would be alone in my vessel
760:If I scour and cross the seas
468:fronds along with a pinch of
413:Central Philippine University
372:Central Philippine University
39:West Visayas State University
828:The adventures of Dumalapdap
550:The adventures of Humadapnon
400:became interested in native
379:Memory of the World Register
2171:Mga Kuwento ni Lola Basyang
1019:Ateneo de Manila University
817:Because she was a babaylan.
730:The morning breeze was cold
383:Creative City of Gastronomy
2329:
2202:Philippine folk literature
1411:HINILAWOD... the discovery
1323:: CS1 maint: url-status (
1305:"Hiyas Kayumanggi and you"
636:"Ti, Taghuy, ku magsalakay
276:Shrines and sacred grounds
1239:"Tanghal 4 Facebook page"
1146:Jocano, F. Landa (1958).
1136:. Retrieved June-16-2024.
1124:. Retrieved June-16-2024.
1112:. Retrieved June 16-2024.
940:University of San Agustin
656:Bungayong ako sa sarakyan
646:Ku magliali ako sa lawdon
441:Alunsina and Datu Paubari
374:, have been inscribed in
1576:Epic and folklore heroes
1695:Battle of Dolores River
745:Said Buying Humadapnon:
725:The dew was still fresh
666:Waay it panibin-sibin."
2217:Kapampangan literature
2207:Philippine epic poetry
1083:Recuerdos de Filipinas
917:. The cultural group,
802:He went and approached
735:There he sat wondering
611:Yabon-yabon pay tun-og
368:Henry Luce III Library
299:Philippines portal
246:Mythological creatures
68:
50:
2247:Pangasinan literature
2222:Hiligaynon literature
2197:Philippine literature
822:An skilled in charms.
797:The respected master.
780:I have no companion."
755:Supposing I do embark
683:'I ginuong harangdon.
661:Waay ako't panimbang,
631:Ni Buyong Humadapnon:
626:Hangop abi sa domdom.
597:Sugidanun I: Pangayaw
67:
33:
2303:Philippine mythology
1345:on December 28, 2011
1040:authored by Jocano.
1038:Philippine Mythology
708:Sanglit hay singday.
703:Sanglit may babaylan
241:Mythological figures
57:Philippine mythology
27:Philippine epic poem
2242:Mindanao literature
2176:The Mythology Class
2116:Ang Mahiwagang Baul
1628:Malakas and Maganda
1227:. January 29, 2013.
1005:Silliman University
787:And slowly he stood
775:I have no assistant
698:Uwa si Labing Anyag
688:Kambay dato agtunan
651:Maglibot sa layagon
59:
2293:Visayan literature
2257:Tagbanwa mythology
2252:Tagalog literature
2237:Ilokano literature
2212:Cebuano literature
2080:Hudhud hi Aliguyon
1856:Mythical creatures
1152:Philippine Studies
1031:Epic of King Gesar
1017:in Cervini Field,
955:Dinagyang Festival
807:His younger sister
693:Lubayon kamasuswon
678:Mahinay tumimbayug
621:Nagparibung domdom
344:orally transmitted
69:
51:
2308:Philippine poetry
2298:Visayan mythology
2283:Culture of Iloilo
2270:
2269:
2232:Ifugao literature
2227:Ibanag literature
2070:Code of Kalantiaw
1841:Code of Kalantiaw
1824:Legendary objects
1745:Spiritual persons
1700:Negros Revolution
1690:Dagohoy Rebellion
1683:Historical events
1659:Francisco Dagohoy
1647:Historical people
1313:. April 27, 2014.
1196:978-971-622-010-0
641:Abi ako magmamkaw
616:Alimbu pa duyamig
333:
332:
16:(Redirected from
2320:
2262:Waray literature
2190:Literary sources
2121:Aso ni San Roque
1752:Filipino shamans
1726:Pulajan religion
1598:Daragang Magayon
1485:Creation stories
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1406:, 9789716220100.
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1158:(4): 401–436.
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360:Dingle, Iloilo
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1994:Nuno sa punso
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1285:Ang, Walter.
1281:
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1274:. April 2011.
1273:
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1252:Ang, Walter.
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363:Visayan god.
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127:Nuno sa punso
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19:
2166:Luna Mystika
2074:
2034:Tigmamanukan
1795:Mount Lantoy
1780:Mount Arayat
1414:
1410:
1395:
1373:
1359:
1347:. Retrieved
1343:the original
1333:
1308:
1299:
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1280:
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1205:
1182:
1155:
1151:
1141:
1129:
1117:
1105:
1096:
1090:
1082:
1060:Ibalong Epic
1037:
1035:
1028:
1025:Significance
1014:
1012:
1009:
1002:
999:
988:
983:
979:
975:
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962:
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948:
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929:of Geroche.
926:
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536:Paling Bukid
535:
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410:
392:
365:
355:
335:
334:
195:Tigmamanukan
52:
34:
2161:Luna Blanca
1979:Manananggal
1954:Hantu Demon
1815:Mount Pulag
1805:Mount Mayon
1654:Dios Buhawi
1608:Irong-Irong
997:on Feb. 7.
972:Manunuguids
903:Philippines
899:Iloilo City
588:chanted by
580:Sugidanun I
518:Aboard his
352:Philippines
117:Mangkukulam
112:Manananggal
107:Mambabarang
47:Iloilo City
2313:Epic poems
2277:Categories
2085:Juan Tamad
1929:Dalaketnon
1919:Bungisngis
1613:Juan Tamad
1516:Mangindusa
1404:9716220103
1066:References
963:Hirinugyaw
934:Alejo Zata
889:In theatre
491:(a large,
466:alanghiran
102:Juan Tamad
2075:Hinilawod
2039:Tikbalang
2014:Sarimanok
1974:Kumakatok
1909:Berberoka
1904:Berbalang
1874:Amalanhig
1775:Mount Apo
1664:Papa Isio
1633:Sarimanok
1618:Kalantiaw
1603:Datu Daya
1480:Religions
1349:April 30,
1319:cite news
1183:Hinilawod
1164:0031-7837
959:Sirinayaw
470:kamangyan
424:Hinilawod
389:Discovery
336:Hinilawod
190:Tikbalang
170:Sarimanok
87:Berbalang
35:Hinilawod
2136:Dyesebel
2090:Maragtas
2009:Sarangay
2004:Santelmo
1989:Minokawa
1949:Engkanto
1914:Biringan
1884:Anggitay
1879:Amomongo
1669:Pulajans
1588:Aliguyon
1567:Sinukuan
1562:Makiling
1542:Bakunawa
1521:Kabunian
1511:Kan-Laon
1055:Darangen
1044:See also
919:Panayana
835:Madya-as
602:2. Himos
590:Hugan-an
569:minstrel
488:kampilan
428:Suludnon
402:folklore
376:UNESCO's
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2029:Siyokoy
1959:Higante
1939:Duwende
1899:Batibat
1894:Bal-Bal
1623:Lam-ang
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1506:Bathala
1473:General
1310:SunStar
984:Halawud
968:Panubok
961:, then
501:pamlang
474:incense
431:demigod
218:Ama-ron
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2141:Dyosa
2111:Amaya
1999:Pugot
1969:Kataw
1964:Kapre
1924:Busaw
1836:Anito
1731:Hilot
1716:Anito
1557:Cacao
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435:Panay
348:Panay
342:poem
281:Anito
155:Kapre
1944:Ekek
1869:Alan
1864:Agta
1757:Datu
1721:Gabâ
1552:Tala
1400:ISBN
1351:2013
1325:link
1191:ISBN
1160:ISSN
927:opus
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