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86:, putting an end to lavish stained glass commissions. Veit the elder's workshop was then being run by Augustin's elder brother Veit; their father died the same year. The younger Hirschvogel had his own workshop by 1530, and soon formed a partnership with the potters Oswald Reinhart and Hanns Nickel.
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His pen-and-ink landscapes have been described as "strong but light, sure but delicate". The lack of shadow in his landscapes contributes to a tranquil, idyllic mood. Almost 100 drawings are attributed to him; some are likely not his own, but are similar in style to his or
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Hirschvogel took up etching late in his career, and almost all of his prints date from the last decade of his life, when he resided in Vienna. His etchings, numbering about 300, "reflect his concern with
Italianate problems of space, form, and ornament", and include
213:(1502–48). A series of 53 hunting scenes for stained glass are of questionable authorship, but Peters asserts that they are by Hirschvogel. Hirschvogel is credited with the single authentic portrait of the Swiss physician
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108:), returning to Nuremberg in 1543. During this period he produced his earliest known work as a cartographer: maps of Turkish borders (1539) and of
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in 1544, he rendered his services to the city, court, and citizenry. The city employed him in 1547 to develop designs for
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that
Hirschvogel developed. Vienna's council sent him to explain his work to Ferdinand I in
120:(for Franz Igelshofer and Christoph Khevenhüller) show that he had been in contact with the
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Koch, Robert A. (1963). "'Original or Copy?': Two
Renaissance Landscape Drawings".
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Peters, Jane S. (Winter 1979). "Early
Drawings by Augustin Hirschvogel".
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46:(1503 – February 1553) was a German artist, mathematician, and
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Hirschvogel left in 1536 for
Laibach (the German name for
343:. Oxford University Press. Retrieved 10 August 2007.
334:Record of the Art Museum, Princeton University
178:Castle yard, c. 1546. Etching, 140 × 213 mm,
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29:16th-century German artist and cartographer
304:Webster, Charles (Dec. 1998). "Review ".
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82:painter. In 1525, Nuremberg accepted the
339:Peters, Jane S. "Augustin Hirschvogel."
257:Jane S. Peters, "Augustin Hirschvogel".
225:'s work. His art shows the influence of
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272:"Augustin Hirschvogel | Landscape"
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58:, a circle of artists in 16th-century
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380:16th-century German mathematicians
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74:He began work in his birthplace,
405:16th-century German male writers
202:Rerum Moscoviticarum Commentarii
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37:Self Portrait as Cartographer
112:(1542), the latter made for
400:16th-century German writers
166:He died in Vienna in 1553.
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207:Notes on Muscovite Affairs
197:Sigismund von Herberstein
122:Imperial Court of Vienna
50:known primarily for his
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180:National Gallery of Art
385:Artists from Nuremberg
355:(4): 359–392, 429–435.
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116:. His commissions for
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84:Protestant Reformation
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375:German cartographers
44:Augustin Hirschvogel
295:Peters (1979), 359.
199:'s 1549 edition of
370:German printmakers
231:Albrecht Altdorfer
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276:www.metmuseum.org
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48:cartographer
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395:1553 deaths
390:1503 births
193:cartography
189:portraiture
114:Ferdinand I
18:Hirschvogel
364:Categories
327:References
223:Wolf Huber
215:Paracelsus
153:Charles V
145:surveying
124:by 1543.
118:armorials
102:Ljubljana
76:Nuremberg
319:Koch, 2.
281:9 August
163:for it.
157:Augsburg
133:bastions
106:Slovenia
52:etchings
161:florins
151:and to
110:Austria
64:Austria
60:Bavaria
149:Prague
129:Vienna
96:, 1542
39:(1548)
245:Notes
170:Works
307:Isis
283:2021
70:Life
62:and
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