Knowledge (XXG)

Laibach

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is a great ironic spectacle of subtly mocking, making fun of authority and so on. But then, almost always in my experience—I experienced this with my leftist friends—they added a worry: "What if people will not get it properly, what if people would take Laibach too seriously and perceive, or rather mispercieve, what is their ironic spectacle as real celebration of totalitarianism?" No, I think things are much more complex. Laibach is not simply making fun of totalitarianism. Laibach is bringing out the authoritarian feature which is present in most societies, even in the most democratic societies. I think that Laibach is deeply aware of this deep ambiguity of even the most democratic power. And they are trying to bring this authoritarian streak out even with a certain open fascination. There is no distance there. They are not making fun of it. They are openly enjoying it. So that's the traumatic message of Laibach: staging the real of power. Usual left liberal critics or public of Laibach, they are reading Laibach along the lines of this standard humanist gap, searching behind the strict, totalitarian mask of Laibach for warm, humane persons. They want to find behind the mask of Laibach—all this low bass industrial totalitarian music—this guarantee: "Don't be afraid, behind this mask they are just ordinary warm people like ourselves." No, the message of Laibach is just the opposite one. It's not: "Don't be afraid, beneath our totalitarian mask we are warm, normal, compassionate people like you". No, it's—even if we look at our everyday life in the West, like normal, compassionate people, all the disgusting spectacles that we are doing in the West, charity, helping others and so on—we are really what we play to be. We are monsters, there is no humanity behind it. So, you see, it's not about North Korea. You will not learn a lot from Laibach about North Korea. You will learn a lot about our own anxieties and hypocrisies.
1455: 1554: 1654: 5080: 211: 285:, a concept they have preserved throughout their career. Censored and banned in Socialist Yugoslavia and receiving a dissident status and a cult following in their home country, the band embarked on international tours and gradually acquired international fame, which led to wider acceptance in Yugoslavia. After Slovenia became independent in 1991, Laibach's status in the country has turned from rejection by a part of the public to promotion into a national cultural icon. 1934:, the son of well-known Slovenian painter and artist Janez Knez, formed his first band Salte Morale, which evolved into the first incarnation of Laibach in the summer of 1980. This incarnation included Dejan Knez, Srečko Bajda, Andrej Lupinc, Tomaž Hostnik and Marko Košnik. Soon after that, Knez's relative Ivan "Jani" Novak and Milan Fras joined the band. First a quintet, Laibach quickly became a quartet and declared that the group had four members: "Vier Personen". 1864:
much from us. They simply let themselves get inspired by our work, which is absolutely a legitimate process. We are glad that they made it. In a way, they have proven once again that a good 'copy' can make more money on the market than the 'original'. Anyhow, today we share the territory: Rammstein seem to be a kind of Laibach for adolescents and Laibach are Rammstein for grown-ups." Laibach would later provide a remix for the Rammstein single "
826: 473: 484:) gallery in Zagreb. After a number of complaints, the management of the gallery attempted to persuade members of Laibach to remove part of the pieces exhibited, which they refused. Only four days after the opening, the management decides to close the exhibition. The band continued their concert activities with a live appearance in Ljubljana's Freedom Hall, featuring guest performances by the English bands Last Few Days and 1139:. The performances had featured a guest appearance by Jože Pegam on clarinet and trumpet, and recordings of Tito's speeches. On 14 November 1997, at a concert in Belgrade, another Peter Mlakar speech received a decidedly mixed audience reaction (in sharp contrast to the 1989 speech), in which he asked the audience to "eat the pig and digest it once and for all", referring to the then president Slobodan Milošević. 44: 5633: 984:. During the same year, the group emmbarked on a tour across industrial regions of Slovenia. Their concert in Šentjurje was visited by only five people due to poor promotion, but the band nevertheless performed the whole set. The band celebrated their tenth anniversary with a concert held in their hometown, at Trbovlje's thermoelectric power station, on 21 December; 16 years later Chris Bohn of 1119: 602:. They returned to Yugoslavia to hold a concert dedicated to the late Hostnik at the Malči Belič Hall in Ljubljana. Due to the fact that they were still banned from using the name Laibach, they announced the concert with posters featuring only a black cross, the initials of the hall, and date and time of the concert. During that period, the group, with their early collaborators Irwin and the 1402: 1697:). This work features a monochrome silhouette of a figure with a clenched fist holding a hammer aloft. The work could be seen as promoting industrial protest or as a symbol of industrial pride. Another aspect of this woodcut is the large typefaced word LAIBACH, evoking memories of the Nazi occupation of Slovenia. This piece was featured prominently during the 1983 interview for 2249:. The blocky cross on his chest is evocative of the kind of bold symbols used by fascists. Von Bach has the words 'Liebe' (love) and 'Hass' (hate) tattooed on his arms and, in fact, his entire body has been covered with one large tattoo of that dark color that most tattoos become, with his natural flesh color only coming through in the designs on his body". On the 1923: 445:) festival in Ljubljana during the same year. At their performance at the festival, the frontman Tomaž Hostnik appeared in a military uniform, and despite being hit in the face by a bottle, causing him serious injuries, he managed to bring the performance to an end. A part of the Yugoslav music press described the concert as the symbolic end of 312:, Milan Fras, Ervin Markošek and Ivan "Jani" Novak forming the best-known line-up. They have worked with a number of collaborators and guest musicians. During their career, Laibach have also recorded film and theatre music and produced works of visual arts, while the band members have embarked on a number of side projects. 1673:(1984), an image of a black cross that served as a way to advertise Laibach's appearances during a period in the 1980s when the usage of the name Laibach was banned. Cross imagery, and variations on the cross are apparent in many Laibach recordings and publications. Some Laibach releases feature artwork by the 1937:
From mid-1980s to mid-1990s, while the core quartet included Dejan Knez, Milan Fras, Ervin Markošek and Ivan "Jani" Novak, the members frequently used the pseudonyms Dachauer, Keller, Saliger and Eber. The pseudonym Ivo Saliger was originally used by original singer Tomaž Hostnik and more recently by
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band was supposed to be interviewed for the film about the influence Laibach had on their earlier work, but it had to be removed due to the prospect of arrest or a fine from the district court of Berlin towards the makers of the film. This, and the early promotional material for the film suggest that
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Quite often libertarian leftists were embarrassed by Laibach. On the one hand, of course, they had to support Laibach. But they were very uneasy about how to take Laibach. Their primordial fear—which is for me the first sign that they didn't understand anything about Laibach—was to claim that Laibach
1363:"This is a very difficult project because most of it is based on diplomacy," said Laibach's Ivan Novak. "We have said that art is diplomacy that demands fanaticism, and this is exactly what we are doing. Diplomacy is becoming an important part of our projects nowadays, we live in very complex times". 572:
countries. The performances provoked a lot of interest in the European media, especially with the band's totalitarian musical and visual style. The socialist background, effective live appearances and a dissident status in their home country provided the group with a swift increase of interest in the
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On 15 May 1997, the group performed with the Slovenian Symphony Orchestra, conducted by Marko Letonja, and the Tone Tomšič Choir, for the opening ceremony of the Ljubljana European Month of Culture, presenting orchestral versions of their earliest material, which they rarely performed live, arranged
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who was to appear in the film, thus to some extent confirming the connection between these two music groups. When members of Laibach were asked by an interviewer about Rammstein "stealing" from them, they responded: "Laibach does not believe in originality... Therefore, Rammstein could not 'steal'
1750:, a film that mocked Nazism. The members of Laibach are notorious for rarely stepping out of character. Laibach concerts have sometimes aesthetically appeared as political rallies. When interviewed, they often answer in wry manifestos, showing a paradoxical lust for, and condemnation of, authority. 1277:. The announcement and the concert saw large attention of the Western media, which described Laibach's upcoming performance as the first performance of a Western rock band in North Korea, although this was later revealed to be a misinformation. The concerts were the subject of the documentary film 809:
In Yugoslavia, the members of the band were invited to a meeting with Jože Osterman, Secretary of the League of Socialist Working People of Ljubljana, who tried to persuade them to change their name to Ljubljana, as, despite the lifting of the ban on the name Laibach, the group's name still caused
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lyrics, but was delivered in a musical style that left the meaning of the lyrics open to interpretation. Whereas the original is a feel-good pop anthem, Laibach's interpretation twists the melody into a triumphant military march. With the exception of the promotional video, the refrain is at one
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about the ban of the name Laibach was organized in Ljubljana. The discussion featured academics, representatives of political organizations and authorities, including the president of the Assembly of the City of Ljubljana Tina Tomlje. In a TV interview, Tomlje stated that she was informed of the
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vocals of the singer Milan Fras. Initially the lyrics handled war and military themes; later, the focus turned to any highly charged political issue of the moment, sending intentionally ambiguous messages. They recorded several cover versions of popular songs, often turning light melodies into
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in August 2015. The band later confirmed through their website and the website of their record label, Mute Records, that they would perform two concerts on 19 and 20 August 2015 at Kim Won Gyun Musical Conservatory in Nampo-dong, Pyongyang, to coincide with the 70th anniversary of the end of
589:. The statement provoked someone to present them with feces rolled into newspapers on the press conference in Warsaw. At the time of the tour, the song lyrics were mostly in German, but having included cover versions of English language songs, the group started focusing more on the latter. 1838:. The parallel is regularly made between the bands regarding their aesthetics and deep male vocals both groups share and with their respective backgrounds of originating from former socialist countries. When asked about the topic in an interview, the guitar player of Rammstein, 1249:
featuring three songs from the album and one from a 2012 live album. The songs from the new album were also downloadable for limited time for subscribers of their mailing list. In July 2014, Laibach released an EP to coincide with the 70th anniversary of the outbreak of the
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live album, recorded at performances in the three cities in 1982, presenting a document of politically active rock from the group's early career, especially in the songs "Tito-Tito", "Država" ("The State"), and "Rdeči molk" ("Red Silence"). In 1994, they released the album
2245:. In it, he appears dressed in Laibach-style uniform and displays the group's cross tattooed on his chest. He is described as follows: "German-speaking superhuman and would-be dictator is the example of the Hitleresque villain that had so much symbolic importance in the 420:, which was as unpleasant for themselves as for the audience. On their concert in Belgrade the smoke forced part of the audience to escape through the club windows. In Zagreb, the usage of smoke bombs on stage caused a search of the band's equipment conducted by the 1938:
Ivan Novak. The pseudonym Elk Eber has been used by Dejan Knez. Former member Andrej Lupinc has continued to use the pseudonym Keller after leaving the band. Occasionally, other musicians supplemented the core group, some of whom included Oto Rimele (guitarist for
460:. Laibach disapproved of his act of suicide and posthumously expelled Hostnik from the group, returning him to his private identity. Despite this, the group often referred to him and dedicated various projects to him, including an installation entitled 3434: 629:) Ropot label, which did not feature the group name on the album cover, due to its ban, and a sample from a speech by Tito on one of the album tracks was also censored. During the same year, the German label WUS released a compilation album 1096:. In 1995, the group for a while considered splitting into several simultaneous lineups so that they could perform in different places at the same time, but the idea was abandoned. The following year, the group released 488:. The 30-minutes long recording of dogs barking and snarling were used as the concert intro. The day after the performance, the group received considerable media coverage for a concert at the Zagreb Biennale entitled 1066: 3426: 5419: 770:, an anti-Nazi artist. The record was sold secretly in some European countries, as the meaning of the cover was not recognised. The group achieved a commercial success with the cover versions of " 1767:
Laibach's method is extremely simple, effective and horribly open to misinterpretation. First of all, they absorb the mannerisms of the enemy, adopting all the seductive trappings and symbols of
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power, and then they exaggerate everything to the edge of parody... Next they turn their focus to highly charged issues—the West's fear of immigrants from Eastern Europe, the power games of the
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Laibach not only references modern artists through reinterpretation, but also samples or reinvents older musical pieces. For example, their song "Anglia" is based on the national anthem of the
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to sue the group but the case was eventually decided in favour of Laibach. Following the album release, the group embarked on a European tour, during which they stated at a press conference in
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on their posters was determined by the authorities to be "improper and irresponsible", leading to considerable negative reaction in the media and the cancellation of the performance of
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cover, and remixes by Random Logic, Umek, Octex, Iztok Turk and others. The compilation also features a thorough group biography written by Alexei Monroe. The group also released two
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At the time of their concerts in Ljubljana, Belgrade and Zagreb, the name Laibach and the posters with black crosses caused an outrage by a part of the Yugoslav public. The newspaper
404:. For their live performances they used gramophones, radio devices and electronic instruments constructed by themselves, and the group's musical style was characterized by critics as 1509:" with lyrics translated into German under the title '"Geburt einer Nation" ("Birth of a Nation"), revealing the ambiguity of lines like "One race one hope / One real decision". On 1581:, a collection of Laibach's versions of several national anthems. On this album they also included an anthem for their NSK State in Time, based on their song "The Great Seal" from 4015: 329:, a mining-industry town. The members chose 1 June as the official date of the band's formation as it was the date of the 1924 violent clashes between Trbovlje workers and the 2220:
song "Čaše lomim, ruke mi krvave" ("I Break the Glasses, My Hands Are Bleeding"). A promotional video was also recorded for the track, parodying Laibach videos and aesthetics.
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on their 12th congress demanded the ban on the usage of the name Laibach to be lifted, and soon after awarded the band with the Zlata ptica ("The Golden Bird") award on the
3568: 5048: 3959: 3697: 3378: 585:, the group created a unique aesthetic style which could not pass unnoticed by the public. In Poland they provoked the public by declaring themselves the sympathizers of 4775: 4101: 4164: 441:, some youth group to carry a name which forcibly tries to revoke the name Laibach?". The band used this question as an opening for their performance on the Novi rock ( 288:
Early Laibach albums were pure industrial, with heavy rhythms and roaring vocals. Later in the mid-1980s, the sound became more richly layered, featuring samples from
424:. The members of the band stated that they used smoke bombs because they were "dealing with military subjects", which satisfied the officers in charge of the search. 730: 3464: 1842:, claimed Rammstein to have a more emotional approach instead of the more "intellectual" style of Laibach. In the same interview the keyboard player of Rammstein 3318: 4715: 2634: 664:
quality of the band's works and of the success they had achieved abroad, but that they would not be allowed to perform in Ljubljana under the name Laibach.
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band. Laibach recorded two new interpretations of the song, titled "Leben heißt Leben" and "Opus Dei". The first, the opening song on the Laibach album
1088:, resulting in the live and video album of the same name, which featured a selection of recordings from the two-year tour, including the performance in 553:, Jure Pengov, stated: "Maybe now someone will react and ban, exterminate this danger, these horrible ideas and beliefs". After Laibach's appearance in 4555: 3542: 5724: 1685:. The visual imagery of Laibach's art has been described as "radically ambiguous". An early example of this ambiguity would be the woodcut entitled 4681: 1156:. The song lyrics were co-written with Peter Mlakar, and the music was co-written with the producer Iztok Turk (former member of Videosex) and the 5729: 2781: 2318:
was written by Laibach and released as an album. Laibach song "B Mashina" was used in one of the trailers for the film. Continuing with the theme
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that Laibach member Ivan "Jani" Novak told him in March 2015 that the band is a communist group and most of their work is connected to communism.
682: 545:), caused major negative reactions by the public. The members of the band appeared in the program sitting motionlessly, wearing army uniforms and 4525: 2291:, which was released only in the German release of the Special Edition pack, and on the album "The Blair Witch Project: Josh's Blair Witch Mix". 3258: 990:
magazine proclaimed this show as one of the 60 most powerful concerts of all times. On -15°C, the visitors of the concerts were welcomed by a
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and a penis on the screens, the performance was interrupted by the police, and the members of the band were forcibly removed from the stage.
330: 537:("Art is sublime, leading to fanaticism"). The subsequent debut television appearance on 23 June 1983, in the informative-political program 5709: 3348: 857:
program. During the band's performance on a five-meter–high stage, the performance crew roasted an ox on a stake on the hall's balcony. In
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In 1984, the group moved to Great Britain, where they worked as labourers in London, worked at a pier in Belfast and appeared as extras in
3427:"BBC väittää Laibachin olevan ensimmäinen ulkomaalainen yhtye Pohjois-Koreassa – Pötyä, suomalaiset olivat siellä jo vuosikymmeniä sitten" 3400: 4469: 1665:
Although primarily a musical group, Laibach has sometimes worked in other media. In their early years, especially before the founding of
5734: 1942:), Nikola Sekulović (bass player for Demolition Group), Matej Mršnik, and tour drummer Roman Dečman. Slovene singer and radio announcer 5112: 1152:), which, as well as new material, featured the song "Tanz mit Laibach" (German for "Dance with Laibach"), inspired by the German band 5754: 5479: 5275: 4007: 2449: 2329: 1220:. Each cover featured a guest vocalist singing the anthem in their own language. During the same year, on 1 June, the group performed 1153: 452:
Several months after the performance at the Novi rock festival, in December 1982, Hostnik committed suicide by hanging himself from a
373:. At this early stage of their career, Laibach's visuals employed mining iconography. Eventually, the group would add such symbols as 5632: 4067: 5395: 5148: 4954: 4935: 2883: 2759:"Sympathy for the Devil" / "Sympathy for the Devil" / "Sympathy for the Devil" ((picture CD with three versions) Mute, 1988, London) 1441: 1022: 833:
After the performance in Ljubljana, the band went on the European tour, during which they appeared at the end of every concert with
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during their fourth USA tour, directed by Sašo Podgoršek and released on DVD in 2006. During 2006, the group released the album
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was released, featuring recordings of the forbidden concert in the Ljubljana Malči Belič Hall, a February 1985 concert at the
5247: 4522:"Info: Master Class: Ivo Saliger & Elk Eber "Victory Under the Sun - Fiction and Reality" - letsceefilmfestival.com - DE" 4499: 4153: 3909: 3871: 2385: 1423: 644: 603: 4189: 4409: 3057: 1466:
are often used to subvert the original message or intention of the song—a notable example being their version of the song "
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Neue Slowenische Kunst (NSK) – eine Analyse ihrer kuenstlerischen Strategien im Kontext der 1980er Jahre in Jugoslawien
4608:"Musical Nocturne - a sound performance by Laibach - NSK - From Kapital to Capital - Neue Slowenische Kunst Exhibition" 3456: 2536: 2473: 5282: 4585: 3310: 2713:"3. Oktober" / "Geburt einer Nation (live)" ((German-only 12" single) Mute / Intercord Gmbh, 1990, London / Stuttgart) 2457: 1539: 1454: 973: 854: 530: 269:
From the early days, the band was subject to controversies and bans due to their use of iconography with parodies and
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and Milan Fras but considered this to be the only similarity between the two music groups. The documentary film
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In addition to cover songs, Laibach has remixed songs by other bands. These include two songs by the Florida
1115:. The group promoted the album in the United States with an eighteen-date tour, as well as on a German tour. 5562: 5351: 5301: 5222: 5208: 4547: 4353: 2686:"Boji" / "Sila" / "Brat Moj" (L.A.Y.L.A.H. (in association with Les Disques Du Crepuscule), 1984, Bruxelles) 2565: 2504: 2441: 2409: 2281: 1553: 1484:, was sung in German. The second was promoted as a single, and its promotional video (which used the title " 1098: 1732:. When confronted with such accusations, Laibach is quoted as replying with the ambiguous response "We are 5652: 5472: 5424: 5388: 2831: 2734: 2730: 2250: 1831: 1666: 1299: 1274: 1111: 1058: 999: 981: 810:
controversies in their home country. Despite them, the band held a sold-out concert in Ljubljana entitled
714: 608: 517: 350: 263: 251: 89: 3280: 2707:"Sympathy for the Devil" / "Sympathy for the Devil" (picture disc with two versions) (Mute, 1988, London) 2642: 2489: 296:. The band's lyrics, variously written in Slovene, German and English, are usually delivered by the deep 5435: 5141: 4685: 2233: 1586: 1279: 710: 525:, a philosopher, literary historian and one of the magazine editors. In the "manifesto" the band quoted 5567: 4964: 2465: 2217: 2209: 1614: 480:
At the beginning of 1983, the group resumed its activities with an exhibition in the Prošireni mediji (
895:, with the exception of the title track, which they did not record owing to lack of studio time, and " 5657: 5592: 5572: 2272: 1471: 1349: 1323: 1070: 1054: 775: 434: 353:. At the time of formation, the group collaborated with art groups Irwin (painting) and Rdeči Pilot ( 159: 2818:"Ein Schauspieler (live from the N.L. Centrum Amsterdam Church, 1985)" (Staal Tape, 1985, Amsterdam) 1381: 5268: 5043: 3968: 3250: 2874: 2669: 2433: 2041: 2033:
Ervin Markošek – drums, keyboards, electronics (left the band in 1989, returned for the next album
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point translated into German, giving an example of the sensitivity of lyrics to their context. The
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will also have its music done by Laibach, and has used their song "Koran" in two of its trailers.
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by Uroš Rojko and Aldo Kumar with the members of the group. During the same year, the live album
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Alamut premiered at a former Crusader castle in Ljubljana on September 5 and 6, 2022 as part of
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fundraising campaign to augment costs of a tour in the United States which started in May 2015.
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Symphonic Orchestra, conducted by Izidor Leitinger. Laibach's version is titled "VolksWagner".
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and in Belgrade, the NSK philosopher Peter Mlakar held a speech which was a cynical parody of
892: 598: 574: 346: 297: 239: 94: 5618: 5552: 5194: 5134: 3371:"MUTE • Laibach • Announce 'The Liberation Day Tour' – Performing in Pyongyang, North Korea" 2369: 2295: 2193: 1969: 1855: 1843: 1596: 1591: 1558: 1493: 1480: 1377: 1225: 1093: 1074: 754: 485: 429: 366: 243: 104: 79: 2809:"Documents of Oppression (live from N.L. Centrum, Amsterdam)" (Staal Tape, 1984, Amsterdam) 1179:, featured music videos, including a new music video for the song "Das Spiel ist Aus", and 5374: 5308: 5201: 5180: 4928:
Neue Slowenische Kunst (NSK) – an Analysis of their Strategies in the Context of the 1980s
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to be ideal for an interpretation using computers and software. In 2009, Laibach reworked
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pronounced members of the group fourth on the list of Best Dressed Men in Yugoslavia.
640: 236: 210: 185: 164: 5094: 4768:"Various – The Blair Witch Project: Josh's Blair Witch Mix (CD, Comp, Enh) at Discogs" 1163:, Bizzy and Dojaja. The following year, the group released a double compilation album 557:, they were banned from using the name Laibach on their records and live appearances. 5703: 5582: 5542: 5187: 5107: 2821:"Divergences/Divisions (live in Bordeaux, 1986)" (Le Réseau, 1986, Bordeaux/Toulouse) 2361: 2197: 1516: 1046: 969: 738: 734: 726: 678: 669: 656: 526: 5117: 4405: 4038:"Mitä tapahtuu, kun fasismia flirttaileva rock-bändi päätyy kommunistidiktatuuriin?" 1136: 5261: 5254: 2837: 2662: 2425: 2401: 2276: 2264: 2224: 1860: 1737: 1717: 1638: 1627: 1595:. Since this work has no specifications of acquired instruments and is furthermore 1577: 1511: 1502: 1485: 1467: 1307: 1204: 1038: 1029: 946: 803: 783: 771: 749: 569: 534: 302: 154: 4491: 3901: 3879: 2021:
Dejan Knez – keyboards, electronics, drums (forming member, left the band in 2006)
639:). The band toured Germany, the concerts featuring hunting imagery, like axes and 4548:"NSK From Kapital to Capital - Dejan Knez and Ivan Novak - guided tour - MG+MSUM" 3543:"Laibach claim they will be first foreign band to perform in Kyiv since invasion" 3049: 1290:. The songs on the album were originally composed for a theatrical production of 849:", which almost forced organizers to interrupt the concert. Their performance in 357:, theatre). Since its formation, Laibach had been preparing a multimedia project 5215: 3718:
Monroe, Alexei. Interrogation Machine: Laibach and NSK. MIT Press, 2005. p 231
2765:"Panorama" / "Die Liebe" / "Decree" / "Grösste Kraft" (Cherry Red, 1989, London) 2417: 1729: 1634: 1401: 1315: 1311: 1269: 1144: 1017: 950: 927:
on vocals. A part of the recorded material from the album would be broadcast by
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film series), who was also present on the reception, saw this as a provocation.
722: 278: 255: 5429: 4887: 4861: 4649: 4432:"Laibach ] [ Konzert Fuer Das Kreuzschach Und Vier Schauspieler ]" 4123: 3981: 3512: 2867: 2848: 2841: 2298: 2213: 2200:
recorded a Laibach parody song "Samit u burekdžinici Laibach" ("Summit in the
2123: 1943: 1931: 1721: 1520: 1506: 1475: 1463: 1221: 1107: 1062: 995: 991: 962: 943: 916: 900: 896: 779: 742: 417: 309: 282: 135: 5522: 2815:"Live in Hell (live from Hell's-Hertogenbosch, 1985)" (V2, 1985, Bois-le-Duc) 5014: 3659:"The Quietus | News | Laibach Announce Collaboration With Iranian Composers" 3591:"The Quietus | News | Laibach Announce Collaboration With Iranian Composers" 2253:
website, the band states they have "been paid with uncommon honour" by this.
2242: 2238: 2228: 1865: 1835: 1776: 1709: 1674: 1303: 1265: 1258: 1042: 920: 850: 842: 690: 686: 512: 511:
Following the performance at the Zagreb Biennale, the band published their "
446: 393: 342: 289: 270: 20: 5517: 5457: 4577: 1348:
is a symphonic work by Laibach composed by Luka Jamnik, Nima A.Rowshan and
1264:
On 11 June 2015, Laibach announced that they would be performing a show in
437:
which stated: "Is it possible that someone allowed in Ljubljana, the first
5103: 3792: 2704:"Sympathy for the Devil 2" / "Germania, 300.000 V.K." (Mute, 1988, London) 2689:"Panorama" / "Decree" (East-West Trading Comp. (Cherry Red), 1984, London) 5502: 5441: 5315: 5098: 3762: 2701:"Sympathy for the Devil 1" / "Laibach, 300.000 V.K." (Mute, 1988, London) 2520: 2314: 1746: 1705: 1089: 924: 787: 763: 582: 397: 326: 259: 232: 66: 62: 5085: 4708:"Various – Schlecht Und Ironisch – Laibach Tribut (CD, Comp) at Discogs" 4375: 4285: 4255: 4225: 3079: 2695:"Geburt einer Nation" / "Leben heisst Leben (ins.)" (Mute, 1987, London) 5547: 5532: 5121: 5113:
How Laibach and Muslimgauze Made the Last Communist Leader a Music Icon
5089: 4903: 4873: 4655: 4315: 3993: 2635:
Monumental Retro-Avant-Garde – Live at London Tate Modern 14 April 2012
1922: 1753:
Finnish author and nationalist Tuomas Tähti disclosed in his 2019 book
1733: 1713: 1426: in this section. Unsourced material may be challenged and removed. 1319: 1229: 939: 935: 888: 867: 858: 846: 733:. They appeared on the reception wearing their uniforms, and the actor 581:—which provoked the Slovene WW2 Veteran Organization in Yugoslavia—and 546: 457: 453: 409: 374: 4256:"Laibach: A Film from Slovenia-Occupied Europe NATO Tour (Video 2004)" 2762:"Across the Universe" / "Maggie Mae" / "Get Back" (Mute, 1988, London) 2710:"Across the Universe" / "Maggie Mae" / "Get Back" (Mute, 1988, London) 1669:, Laibach produced several works of visual art. A notable example was 5557: 4068:"LIBERATION DAY – INTERVIEW WITH LAIBACH AND DIRECTOR MORTEN TRAAVIK" 3732: 2302: 1600: 1585:. They have also toured with an audio-visual performance centered on 1337:
as a proxy war angered many Ukrainians and the concert was canceled.
1132: 934:
In 1989, the band went on a North American tour. On their concert in
791: 578: 401: 4738:"Various – Command & Conquer – Alarmstufe Rot (2xCD) at Discogs" 496:), during which the group used simultaneous projections of the film 4037: 2812:"Vstajenje v Berlinu (live in Berlin 1984)" (Skuc, 1984, Ljubljana) 1135:
Atonal festival, and the April 1985 performance at the Zagreb club
705:
International breakthrough and acceptance in Yugoslavia (1986–1991)
2201: 2188: 1953:
with their most famous line-up of Knez, Novak, Fras and Markošek.
1921: 1652: 1552: 1453: 1117: 1078: 954: 953:. Their performance in Zagreb started with the Serbian instrument 824: 681:
independent record label Cherry Red. After the album release, the
471: 4345: 1744:". In addition, Laibach also provided most of the soundtrack for 1232:, and their interpretation of the work was released on the album 1191:
concert in Ljubljana on 26 October 1995 and the documentary film
619:
The following year, the group released their debut studio album,
4969:
Empreintes : regards sur la création musicale contemporaine
2771:"Wirtschaft ist tot" / "Wirtschaft ist tot" (Mute, 1992, London) 2716:"Wirtschaft ist tot" / "Wirtschaft ist tot" (Mute, 1992, London) 1678: 1330: 1160: 1034: 504:) and a pornographic film. After the simultaneous appearance of 378: 345:, a name used during the period when Slovenia was a part of the 5461: 5130: 3843:
Monroe, Alexei. Interrogation Machine. MIT Press, 2005. p76.
2267:
song "God Is God" (which was inspired by Laibach's "Opus Dei",
1791:
stated about the group after their performance in North Korea:
861:, the group performed and wrote the music for an adaptation of 786:. The usage of Nazi symbols and the name "Opus Dei" caused the 515:", entitled "Akcija v imenu" ("Action in the Name Of"), in the 3457:"Laibach plays concert dates in North Korea – it's not a joke" 3288: 1830:
Laibach is often cited as an influence for the popular German
1489: 1395: 1172: 689:. The group performed its first legal concert in Slovenia, in 266:(NSK) collective, a group which Laibach helped found in 1984. 5420:
Popular music in the Socialist Federal Republic of Yugoslavia
3561:"Slovenian band Laibach's Ukraine concert canceled amid rift" 377:, deer horns and the Malevich's black cross encircled with a 3401:"Koryo Tours - Travel to the DPRK - Group Tours - Itinerary" 2285:
appears on the second soundtrack disc for the computer game
2057:
Vasja Ulrih – voice on some early tracks and some tracks on
2012: 1550:
song of the same name with seven different interpretations.
667:
Later during the year, the group released its second album,
456:—one of the Slovenian national symbols—near his hometown of 2505:
Krst pod Triglavom – Baptism/Klangniederschrift einer Taufe
1157: 5126: 5073: 2774:"Final Countdown" / "Final Countdown" (Mute, 1994, London) 1527:" as a bombastic disco epic. Other notable covers include 1333:
on March 31, 2023. However, the band's description of the
1283:
by Morten Traavik and Uģis Olte, which premiered in 2016.
439:
Yugoslav city to be awarded the Order of the People's Hero
201: 2698:"Life Is Life" / "Germania" / "Life" (Mute, 1987, London) 1599:, Laibach has argued that the music can be seen as proto- 1302:. On 12 June 2018, Laibach marked the historic summit in 4949:. Frankfurt/Main: Revolver – Archiv für aktuelle Kunst. 2208:
and "Ne, nemoj mi prići" ("No, Do Not Come Near Me") by
1949:
On 20 June 2015, the band performed a sound performance
1370:
and it got its first European tour the following year.
1183:
directed by Sašo Podgoršek. The second DVD was entitled
4828:"Iron Sky Soundtrack by Laibach release date confirmed" 3690:"Slovenia at Frankfurt: Laibach's Sharp-Edged 'Alamut'" 3196:. Belgrade – Zagreb: Rende – Postscriptum. p. 220. 3176:. Belgrade – Zagreb: Rende – Postscriptum. p. 219. 3138:. Belgrade – Zagreb: Rende – Postscriptum. p. 215. 2930:. Belgrade – Zagreb: Rende – Postscriptum. p. 216. 2147:Álvaro Domínguez Vázquez – live orchestral arrangements 1876:
Laibach has been the subject of several documentaries:
2796:"1 VIII 1944" (Narodowe Centrum Kultury, 2014, Warsaw) 1854:
ends with a notice stating that a member of a certain
752:, Laibach started recording their third studio album, 321:
The beginnings: Laibach with Tomaž Hostnik (1980–1982)
3815:"A R T M a r g i n s - Winifred M. Griffin: Review of 887:, featuring cover versions of all the songs from the 384:
The first live appearance and an exhibition entitled
4798:"Montrealska Akropola - A Tribute to Laibach (2004)" 3050:"North Korea allows 'first foreign band to perform'" 1488:") was played extensively on American cable channel 998:. After this concert, the group undertook a tour of 841:
they provoked the audience with the intro stating: "
625:, through the Ljubljana Študentski kulturni center ( 262:
in 1980, Laibach represents the musical wing of the
5671: 5640: 5606: 5510: 5495: 5412: 5366: 5336: 5293: 5232: 5172: 5164: 4094:"Laibach Cares More About Your Freedom Than You Do" 2847:Germania, side project by Laibach, Iztok Turk, and 1084:Following the album release, the group went on the 196: 192: 180: 176: 128: 118: 72: 58: 53: 34: 5006: 3982:"Slavoj Žižek introducing: Laibach in North Korea" 2312:The official soundtrack for the crowd-funded film 1492:. "Opus Dei" retained some of the original song's 3233: 3231: 3229: 3227: 3225: 3223: 3029: 3027: 3025: 3023: 3021: 3019: 3017: 3015: 3013: 3011: 3009: 3007: 3005: 3003: 3001: 2999: 2997: 2995: 2993: 2991: 2989: 2987: 2985: 2983: 2981: 2979: 2977: 2975: 2973: 2971: 2969: 2967: 2965: 2963: 2961: 2959: 2957: 1913:(2016), directed by Ugis Olte and Morten Traavik. 1893:(1993), directed by Daniel Landin and Chris Bohn, 1818:, were influential on certain artists within the 1724:. They were also accused of being members of the 1200:The Divided States of America – Laibach 2004 Tour 308:The band has seen numerous line-up changes, with 3935:(in Finnish). Espoo: Tuomas Tähti. p. 145. 3487:"The Quietus - News - LISTEN: New Laibach Track" 3221: 3219: 3217: 3215: 3213: 3211: 3209: 3207: 3205: 3203: 2955: 2953: 2951: 2949: 2947: 2945: 2943: 2941: 2939: 2937: 2856:600.000 V.K., responsible for the music for the 2692:"Die Liebe" / "Grösste Kraft" (Cherry Red, 1985) 1020:. The following year, Mute Records released the 1006:Slovenian independence and beyond (1992–present) 4930:]. Regensburg: Museum Ostdeutsche Galerie. 2806:"Laibach/Last Few Days" (Skuc, 1983, Ljubljana) 2784:" / "God Is God" (Mute, 7 October 1996, London) 1793: 1765: 1069:" (renamed to "National Reservation"), and the 729:they were invited to a reception hosted by the 573:Western countries. By combining the imagery of 4192:. Archived from the original on 18 August 2004 2777:"In the Army Now" / "War" (Mute, 1995, London) 1352:, and based on a traditional Persian story of 1195:, directed by Daniel Landin and Peter Vezjak. 977:, an album of different cover versions of the 709:In London, the group recorded three songs for 5473: 5142: 4124:"Rammstein VIVA JAM Interview 1997 (English)" 1905:Divided States of America – Laibach 2004 Tour 1728:movement, which reincarnates modern ideas of 1458:Laibach live in Budapest, Hungary, April 2014 875:, which was eventually released on the album 766:consisting of four bloodied axes designed by 8: 2027:Andrej Lupinc – electronics (forming member) 1704:Laibach has frequently been accused of both 1356:and the eponymous novel by Slovenian author 1016:, an album dealing with their own vision of 4888:"John Oliver – Laibach goes to North Korea" 4858:"John Oliver – Laibach goes to North Korea" 4462:"Tomaž Hostnik 08. 11. 1961 – 21. 12. 1982" 3167: 3165: 3129: 3127: 3125: 3080:"Tomaž Hostnik 08. 11. 1961 – 21. 12. 1982" 2921: 2919: 2740:"God Is God" (Mute, 7 October 1996, London) 2307:Montrealska Akropola – A Tribute to Laibach 2256:In 1999, a tribute album to Laibach titled 2024:Srečko Bajda – electronics (forming member) 1991:Marina Mårtensson - vocals, acoustic guitar 1846:drew a parallel between the deep voices of 968:The following year, the group released the 5507: 5480: 5466: 5458: 5169: 5149: 5135: 5127: 5078: 4636: 4008:"Radio Swiss Jazz - Music database - Band" 3311:"Laibach to release Warsaw Rising tribute" 3237: 3187: 3185: 3183: 3163: 3161: 3159: 3157: 3155: 3153: 3151: 3149: 3147: 3145: 3123: 3121: 3119: 3117: 3115: 3113: 3111: 3109: 3107: 3105: 3033: 2917: 2915: 2913: 2911: 2909: 2907: 2905: 2903: 2901: 2899: 2726:" / "Final Countdown" (Mute, 1994, London) 2153:– orchestral and choir arrangements (from 2144:Anže Rozman – live orchestral arrangements 1988:Ivan "Jani" Novak – bandleader, light show 1657:Laibach live in Riga, Latvia at the club " 468:Dissident status in Yugoslavia (1983–1985) 464:, created around Hostnik's self-portrait. 209: 31: 3731:. Laibach. 9 October 2006. Archived from 2870:avant-garde electronic music side project 2844:avant-garde electronic music side project 2227:modeled after Milan Fras, appears in the 1810:Some early material by Laibach and later 1442:Learn how and when to remove this message 1286:In July 2017, Laibach released the album 762:The inner sleeve of the cover featured a 721:. With Clark's company they performed in 4990:(in Serbian). Belgrade: self-published. 3251:"Laibach - Laibachkunstderfuge BWV 1080" 2790:"Das Spiel ist aus" (Mute, 2004, London) 2746:"Das Spiel ist aus" (Mute, 2004, London) 1814:releases by the band, such as the album 1245:, previously announced by the EP record 881:. In 1988, the group released the album 647:, the group performed in their own play 606:, founded the informal art organization 568:, which included sixteen dates in eight 560:The group then started an international 5009:Interrogation Machine – Laibach and NSK 2895: 2787:"Tanz mit Laibach" (Mute, 2004, London) 2743:"Tanz mit Laibach" (Mute, 2004, London) 1306:between President of the United States 1045:. The album featured cover versions of 1037:pact, filtered through their vision of 4203: 3866: 3864: 3688:Anderson, Porter (18 September 2023). 2627:Volk Tour London CC Club 16 April 2007 2333:talks about Laibach's plan to play at 2258:Schlecht und Ironisch – Laibach Tribut 2068:Janko Novak – voice on some tracks on 1712:political stances due to their use of 1384:, who made the 2006 Laibach tour film 1142:In 2003, the group released the album 5037:Wolfson, Richard (4 September 2003). 4718:from the original on 2 September 2009 4662:from the original on 10 November 2021 4412:from the original on 22 December 2010 4170:from the original on 28 November 2021 4134:from the original on 10 November 2021 4018:from the original on 12 February 2019 3653: 3651: 3620: 3618: 3616: 3571:from the original on 28 February 2023 3523:from the original on 10 November 2021 3437:from the original on 23 November 2018 3044: 3042: 788:Catholic institution of the same name 683:League of Socialist Youth of Slovenia 521:literary magazine, largely thanks to 396:club FV, followed by performances in 351:World War II occupation of Yugoslavia 331:Organization of Yugoslav Nationalists 325:Laibach was formed on 1 June 1980 in 226: 7: 5051:from the original on 5 February 2022 4894:from the original on 11 January 2023 4588:from the original on 8 November 2010 4472:from the original on 2 December 2014 4386:from the original on 14 October 2016 4236:from the original on 20 January 2015 4048:from the original on 9 November 2020 3513:"Laibach - Arirang (Official Audio)" 3341:"Laibach Tour America, Need Funding" 2179:In 1989, on his second studio album 2039:, and appears on press photos until 1424:adding citations to reliable sources 1329:Laibach was scheduled to perform in 1241:In 2014, Laibach released the album 899:", which was replaced by the German 531:Artists are engineers of human souls 392:) took place in January 1982 at the 5663:Trbovlje–St. Martin's Parish Church 4618:from the original on 18 August 2017 4558:from the original on 18 August 2017 4326:from the original on 8 January 2009 4226:"Laibach: Pobeda pod suncem (1988)" 3261:from the original on 18 August 2017 2665:" / "Germania" (Mute, 1987, London) 2105:Nataša Regovec – vocals, percussion 1946:has also performed with the group. 1907:(2006), directed by Sašo Podgoršek, 1901:(1996), directed by Michael Benson, 1641:that appear on the Morbid Angel EP 1515:, Laibach also memorably re-worked 1257:In April 2015, Laibach launched an 416:, the group used original military 5760:Musical groups established in 1980 5720:Slovenian dark wave musical groups 4988:EX YU ROCK enciklopedija 1960-2006 4778:from the original on 16 April 2010 4748:from the original on 23 March 2010 4356:from the original on 28 March 2017 3912:from the original on 10 April 2022 3700:from the original on 16 March 2024 3636:from the original on 19 March 2024 3321:from the original on 11 April 2015 3090:from the original on 2 August 2015 2521:Iron Sky – The Original Soundtrack 2330:Last Week Tonight with John Oliver 2120:Iztok Turk – electronics, composer 2102:Eva Breznikar – vocals, percussion 1092:on the date of the signing of the 14: 5715:Slovenian industrial music groups 4971:(in French). Paris: L’Harmattan. 4296:from the original on 29 July 2015 4104:from the original on 25 June 2020 3933:Nationalistin henkinen horisontti 3626:"Laibach: Alamut | Cankarjev dom" 3467:from the original on 13 June 2015 3060:from the original on 15 July 2015 2884:Slovene National Theatre, Maribor 1755:Nationalistin henkinen horisontti 1649:Aesthetics, image and controversy 1086:Occupied Europe NATO Tour 1994-95 5725:Slovenian post-punk music groups 5631: 4808:from the original on 5 June 2011 4502:from the original on 21 May 2015 4266:from the original on 3 July 2024 3669:from the original on 3 July 2024 3601:from the original on 3 July 2024 3381:from the original on 9 July 2015 3351:from the original on 3 July 2024 2573:Gesamtkunstwerk – Dokument 81–86 2288:Command & Conquer: Red Alert 2129:Jože Pegam – various instruments 2077:Roman Dečman – drums (1986—2006) 2008:Former members and collaborators 1801:Legacy, influence and innovation 1775:, the analogies between Western 1597:based on mathematical principles 1400: 549:with black crosses. The host of 502:The Revolution is Still Going On 367:Kazimir Malevich's black crosses 42: 19:Laibach is a historical name of 4838:from the original on 1 May 2012 4154:"LIBERATION-DAY-PRESS-KIT-2016" 4074:. The Psychotronic Cinema. 2017 3761:. 18 April 2009. Archived from 1501:album also features a cover of 1411:needs additional citations for 1275:Japanese colonial rule in Korea 938:, they were joined on stage by 5730:Industrial rock musical groups 2600:The Occupied Europe Tour 83-85 2596:(1985, re-release on CD, 2003) 2174:Appearances in popular culture 2141:Svetozar Mišić – documentation 1881:Laibach: Victory Under the Sun 837:. On their performance at the 645:Scipion Nasice Sisters Theatre 604:Scipion Nasice Sisters Theatre 341:name of the Slovenian capital 1: 5358:An Introduction To... Laibach 4947:Irwin: Retroprincip 1983-2003 3902:"Iron Sky (2012) Soundtracks" 2793:"Anglia" (Mute, 2006, London) 2749:"Anglia" (Mute, 2006, London) 2579:An Introduction to... Laibach 2482:Sketches of the Red Districts 2305:released a tribute EP called 1957:Official members (pseudonyms) 1891:Laibach: A Film from Slovenia 2866:Baron Carl von Reichenbach, 2108:Sašo Vollmaier – synthesizer 2086:Dragoslav Radojković – drums 1667:Neue Slowenische Kunst (NSK) 1603:. Therefore, the band found 1198:In 2004, the group recorded 1187:, with a recording from the 1010:In 1992, the group released 562:The Occupied Europe Tour '83 143:Walter Ulbricht Schallfolien 5710:Slovenian rock music groups 4682:"Laibach among superheroes" 4316:"Sašo Podgoršek – Director" 2834:– Slovenian arts collective 2117:Damjan Bizilj – synthesizer 2030:Bine Zerko (forming member) 1965:Saliger (after Ivo Saliger) 855:European Capital of Culture 695:Krvava gruda, plodna zemlja 5781: 5735:Yugoslav rock music groups 4986:Janjatović, Petar (2007). 3931:Tähti, Tuomas (May 2019). 2327:In July 2015, the TV show 2048:Marko Košnik – electronics 1994:Vitja Balžalorsky – guitar 1626:in collaboration with the 1537:. The ensuing maxi-single 1533:, reinterpretation of the 909:Was Gleicht Wohl Auf Erden 794:that their influences are 390:Victims of an Air Accident 242:group associated with the 18: 5755:Wax Trax! Records artists 5629: 4210:: CS1 maint: unfit URL ( 3857:. MIT Press. p. 161. 2880:East West Theatre Company 2537:Iron Sky: The Coming Race 2321:Iron Sky: The Coming Race 2263:Laibach's version of the 2247:Golden Age of comic books 2003:Rok Lopatič – synthesizer 2000:Luka Jamnik – synthesizer 1624:The Ride Of The Valkyries 1386:Divided States Of America 1189:Occupied Europe NATO Tour 699:Bloody Land, Fertile Soil 627:Students' Cultural Center 41: 5489:Municipality of Trbovlje 5403:Volk Tour London CC Club 5396:Ljubljana–Zagreb–Beograd 5345:Rekapitulacija 1980-1984 4945:Arns, Inke, ed. (2003). 3511:YouTube (12 June 2018). 2607:Ljubljana-Zagreb-Beograd 2552:Rekapitulacija 1980–1984 2212:and the chorus from the 1023:Ljubljana–Zagreb–Beograd 905:Auf der Lüneburger Heide 873:Deutsches Schauspielhaus 758:, working with composer 719:No Fire Escape from Hell 637:Recapitulation 1980–1984 632:Rekapitulacija 1980–1984 349:, as well as during the 169:Abbey Road Live Here Now 25:Laibach (disambiguation) 5740:Yugoslav musical groups 5323:Also Sprach Zarathustra 5209:Jesus Christ Superstars 5039:"Warriors of weirdness" 5005:Monroe, Alexei (2005). 4376:"Liberation Day (2016)" 4286:"Prerokbe Ognja (1996)" 3962:5 February 2022 at the 3957:"Warriors of weirdness" 3853:Monroe, Alexei (2005). 3694:Publishing Perspectives 2529:Also Sprach Zarathustra 2410:Jesus Christ Superstars 2335:National Liberation Day 2282:Jesus Christ Superstars 2138:Sašo Podgoršek – videos 2135:Peter Mlakar - speeches 2092:Borut Kržišnik – guitar 2080:Nikola Sekulović – bass 1561:, Russia, December 2013 1535:eponymous Beatles album 1288:Also Sprach Zarathustra 1099:Jesus Christ Superstars 737:(known for his role of 653:A Baptism Under Triglav 5425:Neue Slowenische Kunst 5389:M.B. December 21, 1984 5248:Sympathy for the Devil 4072:psychotroniccinema.com 3987:19 August 2023 at the 3194:Leksikon YU mitologije 3174:Leksikon YU mitologije 3136:Leksikon YU mitologije 2928:Leksikon YU mitologije 2832:Neue Slowenische Kunst 2782:Jesus Christ Superstar 2737:" (Mute, 1995, London) 2676:" (Mute, 1988, London) 2620:The John Peel Sessions 2386:Sympathy for the Devil 2223:Von Bach, a fictional 2018:Tomaž Hostnik – vocals 1997:Bojan Krhlanko – drums 1962:Eber (after Elk Eber) 1927: 1798: 1787:Slovenian philosopher 1785: 1662: 1562: 1540:Sympathy for the Devil 1459: 1300:novel of the same name 1292:Thus Spoke Zarathustra 1123: 1112:Jesus Christ Superstar 1000:Bosnia and Herzegovina 974:Sympathy for the Devil 830: 609:Neue Slowenische Kunst 477: 422:Yugoslav People's Army 386:Žrtve letalske nesreče 264:Neue Slowenische Kunst 254:genres. Formed in the 90:neoclassical dark wave 54:Background information 23:. For other uses, see 5500:Administrative seat: 3855:Interrogation Machine 3755:"Laibach Volkswagner" 2614:M.B. 21 December 1984 2083:Matej Mršnik – guitar 2054:– vocals, synthesizer 1925: 1656: 1587:Johann Sebastian Bach 1556: 1457: 1318:, by sharing a track 1129:M.B. 21 December 1984 1121: 1102:, a reference to the 1055:Bolland & Bolland 982:song of the same name 931:before his concerts. 911:". Their version of " 828: 717:dance company's play 713:and performed in the 655:) at the Ljubljana's 475: 224:German pronunciation: 16:Slovenian music group 5750:Mute Records artists 5573:Retje nad Trbovljami 4382:. 19 November 2016. 4352:. 19 November 2016. 4262:. 29 November 2004. 4190:"Interview: Laibach" 3567:. 27 February 2023. 3565:The Associated Press 3192:Megla, Maja (2015). 3172:Megla, Maja (2015). 3134:Megla, Maja (2015). 2926:Megla, Maja (2015). 2878:, theatre show with 2111:Boris Benko – vocals 1980:Current touring band 1883:(1988), directed by 1763:wrote of the group: 1420:improve this article 1376:is the subject of a 1350:Idin Samimi Mofakham 1324:Korean reunification 1193:A Film from Slovenia 659:. Durig the year, a 414:special effect smoke 160:The Grey Area (Mute) 5269:Laibachkunstderfuge 5044:The Daily Telegraph 4965:Humbertclaude, Éric 4922:Arns, Inke (2002). 4864:on 2 September 2015 4163:. VFS FILMS. 2016. 4161:liberationday.film/ 3969:The Daily Telegraph 3872:"Laibach Biography" 3765:on 28 November 2009 3735:on 27 November 2009 3549:. 22 February 2023. 3285:Spectre.laibach.org 2860:theatre productions 2670:Across the Universe 2643:We forge the future 2490:Love Is Still Alive 2434:Laibachkunstderfuge 2095:Oto Rimele – guitar 2089:Dare Hocevar – bass 1985:Milan Fras – vocals 1898:Predictions of Fire 1832:Neue Deutsche Härte 1525:The Final Countdown 1335:Russo-Ukrainian War 1296:Friedrich Nietzsche 1235:Laibachkunstderfuge 1104:Andrew Lloyd Webber 1051:The Final Countdown 913:Across the Universe 863:William Shakespeare 818:). Zagreb magazine 587:Wojciech Jaruzelski 498:Revolucija še traja 494:We Forge the Future 490:Mi kujemo bodočnost 5447:Slavko Avsenik Jr. 5382:Slovenska Akropola 5337:Compilation albums 5276:The Sound of Music 4915:Additional sources 4442:on 14 October 2009 4350:Liberationday.film 4292:. 2 October 1996. 4130:. VIVA JAM. 1997. 3997:, 4 September 2003 3972:, 4 September 2003 3795:on 29 January 2009 2559:Slovenska Akropola 2545:Compilation albums 2450:The Sound of Music 2279:") from the album 2210:Desanka Maksimović 2151:Slavko Avsenik Jr. 1928: 1820:martial industrial 1663: 1605:Die Kunst der Fuge 1592:Die Kunst der Fuge 1572:God Save the Queen 1563: 1460: 1368:Ljubljana festival 1310:and the leader of 1228:" in his hometown 1124: 1067:Indian Reservation 959:Slobodan Milošević 831: 760:Slavko Avsenik Jr. 748:Having signed for 731:British ambassador 687:Yugoslav Youth Day 649:Krst pod Triglavom 478: 301:sinister-sounding 110:electro-industrial 85:martial industrial 5697: 5696: 5627: 5626: 5455: 5454: 5332: 5331: 5294:Soundtrack albums 5118:Laibach explained 5024:978-0-262-63315-4 4997:978-86-905317-1-4 4978:978-2-296-06979-4 4688:on 1 January 2008 4408:. the Slovenian. 4320:Sasopodgorsek.com 4012:Radioswissjazz.ch 3955:Richard Wolfson, 3942:978-952-94-1815-2 3291:on 14 August 2015 2474:Wir sind das Volk 2466:Laibach Revisited 2170: 2169: 1452: 1451: 1444: 1322:dedicated to the 1077:" ("March on the 1071:Stanislav Binički 711:John Peel session 675:The New Acropolis 599:Full Metal Jacket 575:socialist realism 564:, with the group 347:Habsburg monarchy 273:of elements from 240:avant-garde music 228:[ˈlaɪbax] 217: 216: 5772: 5745:Musical quintets 5653:Trbovlje Chimney 5635: 5508: 5482: 5475: 5468: 5459: 5413:Related articles 5170: 5151: 5144: 5137: 5128: 5082: 5077: 5076: 5074:Official website 5060: 5058: 5056: 5028: 5012: 5001: 4982: 4960: 4941: 4908: 4907: 4901: 4899: 4884: 4878: 4877: 4871: 4869: 4860:. Archived from 4854: 4848: 4847: 4845: 4843: 4834:. 3 April 2012. 4824: 4818: 4817: 4815: 4813: 4794: 4788: 4787: 4785: 4783: 4764: 4758: 4757: 4755: 4753: 4734: 4728: 4727: 4725: 4723: 4704: 4698: 4697: 4695: 4693: 4684:. Archived from 4678: 4672: 4671: 4669: 4667: 4646: 4640: 4634: 4628: 4627: 4625: 4623: 4604: 4598: 4597: 4595: 4593: 4574: 4568: 4567: 4565: 4563: 4544: 4538: 4537: 4535: 4533: 4524:. Archived from 4518: 4512: 4511: 4509: 4507: 4488: 4482: 4481: 4479: 4477: 4458: 4452: 4451: 4449: 4447: 4438:. 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5160: 5155: 5072: 5071: 5068: 5063: 5054: 5052: 5036: 5025: 5004: 4998: 4985: 4979: 4963: 4957: 4944: 4938: 4921: 4917: 4912: 4911: 4897: 4895: 4886: 4885: 4881: 4867: 4865: 4856: 4855: 4851: 4841: 4839: 4826: 4825: 4821: 4811: 4809: 4796: 4795: 4791: 4781: 4779: 4766: 4765: 4761: 4751: 4749: 4736: 4735: 4731: 4721: 4719: 4706: 4705: 4701: 4691: 4689: 4680: 4679: 4675: 4665: 4663: 4648: 4647: 4643: 4637:Janjatović 2007 4635: 4631: 4621: 4619: 4606: 4605: 4601: 4591: 4589: 4576: 4575: 4571: 4561: 4559: 4546: 4545: 4541: 4531: 4529: 4528:on 4 March 2016 4520: 4519: 4515: 4505: 4503: 4490: 4489: 4485: 4475: 4473: 4460: 4459: 4455: 4445: 4443: 4430: 4429: 4425: 4415: 4413: 4404: 4403: 4399: 4389: 4387: 4374: 4373: 4369: 4359: 4357: 4344: 4343: 4339: 4329: 4327: 4314: 4313: 4309: 4299: 4297: 4284: 4283: 4279: 4269: 4267: 4254: 4253: 4249: 4239: 4237: 4224: 4223: 4219: 4202: 4195: 4193: 4188: 4187: 4183: 4173: 4171: 4167: 4156: 4152: 4151: 4147: 4137: 4135: 4122: 4121: 4117: 4107: 4105: 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412:as a source of 406:industrial rock 339:German language 323: 318: 294:classical music 275:totalitarianism 223: 200: 172: 119: 114: 49: 48:Laibach in 2011 37: 28: 17: 12: 11: 5: 5778: 5776: 5768: 5767: 5762: 5757: 5752: 5747: 5742: 5737: 5732: 5727: 5722: 5717: 5712: 5702: 5701: 5695: 5694: 5692: 5691: 5686: 5681: 5675: 5673: 5672:Notable people 5669: 5668: 5666: 5665: 5660: 5655: 5650: 5644: 5642: 5638: 5637: 5630: 5628: 5625: 5624: 5622: 5621: 5616: 5610: 5608: 5604: 5603: 5601: 5600: 5595: 5590: 5585: 5580: 5575: 5570: 5565: 5560: 5555: 5550: 5545: 5540: 5535: 5530: 5525: 5520: 5514: 5512: 5499: 5497: 5493: 5492: 5487: 5485: 5484: 5477: 5470: 5462: 5453: 5452: 5450: 5449: 5444: 5439: 5436:Liberation Day 5432: 5427: 5422: 5416: 5414: 5410: 5409: 5407: 5406: 5399: 5392: 5385: 5378: 5370: 5368: 5364: 5363: 5361: 5360: 5355: 5348: 5340: 5338: 5334: 5333: 5330: 5329: 5327: 5326: 5319: 5312: 5305: 5297: 5295: 5291: 5290: 5288: 5287: 5279: 5272: 5265: 5258: 5251: 5244: 5236: 5234: 5230: 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Yle. 2017. 4043: 4039: 4033: 4030: 4017: 4013: 4009: 4003: 4000: 3996: 3995: 3990: 3986: 3983: 3978: 3975: 3971: 3970: 3965: 3961: 3958: 3952: 3949: 3944: 3938: 3934: 3927: 3924: 3911: 3907: 3903: 3897: 3894: 3881: 3877: 3873: 3867: 3865: 3861: 3856: 3849: 3846: 3840: 3837: 3824: 3820: 3818: 3810: 3807: 3794: 3790: 3786: 3785:"Discography" 3780: 3777: 3764: 3760: 3756: 3750: 3747: 3734: 3730: 3724: 3721: 3715: 3712: 3699: 3695: 3691: 3684: 3681: 3668: 3664: 3660: 3654: 3652: 3648: 3635: 3631: 3627: 3621: 3619: 3617: 3613: 3600: 3596: 3592: 3586: 3583: 3570: 3566: 3562: 3556: 3553: 3548: 3544: 3538: 3535: 3522: 3518: 3514: 3507: 3504: 3492: 3488: 3482: 3479: 3466: 3462: 3461:Side-line.com 3458: 3452: 3449: 3436: 3432: 3428: 3422: 3419: 3406: 3402: 3396: 3393: 3380: 3376: 3372: 3366: 3363: 3350: 3346: 3342: 3336: 3333: 3320: 3316: 3312: 3306: 3303: 3290: 3286: 3282: 3276: 3273: 3260: 3256: 3252: 3246: 3243: 3240:, p. 128 3239: 3234: 3232: 3230: 3228: 3226: 3224: 3222: 3220: 3218: 3216: 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1758: 1756: 1751: 1749: 1748: 1743: 1739: 1735: 1731: 1727: 1723: 1719: 1715: 1711: 1707: 1702: 1700: 1696: 1692: 1688: 1684: 1680: 1676: 1672: 1668: 1661:", March 2015 1660: 1655: 1648: 1646: 1644: 1640: 1636: 1631: 1629: 1625: 1621: 1617: 1616: 1610: 1606: 1602: 1598: 1594: 1593: 1588: 1584: 1580: 1579: 1574: 1573: 1568: 1560: 1555: 1551: 1549: 1545: 1542: 1541: 1536: 1532: 1531: 1526: 1522: 1518: 1514: 1513: 1508: 1504: 1500: 1495: 1491: 1487: 1483: 1482: 1477: 1473: 1469: 1465: 1456: 1446: 1443: 1435: 1432:November 2018 1425: 1421: 1415: 1414: 1409:This section 1407: 1403: 1398: 1397: 1392:Musical style 1391: 1389: 1387: 1383: 1379: 1375: 1371: 1369: 1364: 1361: 1359: 1355: 1354:Hasan-i Sabah 1351: 1347: 1340: 1338: 1336: 1332: 1327: 1325: 1321: 1317: 1313: 1309: 1305: 1301: 1297: 1293: 1289: 1284: 1282: 1281: 1276: 1271: 1267: 1262: 1260: 1255: 1253: 1248: 1244: 1239: 1237: 1236: 1231: 1227: 1223: 1219: 1215: 1212:, German for 1211: 1207: 1206: 1201: 1196: 1194: 1190: 1186: 1182: 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Index

Ljubljana
Laibach (disambiguation)
Laibach in 2011
Trbovlje
Slovenia
Industrial
martial industrial
neoclassical dark wave
avant-garde
experimental
electronic
electro-industrial
Staalplaat
Cherry Red
Mute
The Grey Area (Mute)
Dallas
members
www.laibach.org
Edit this at Wikidata
[ˈlaɪbax]
Slovenian
Yugoslav
avant-garde music
industrial
martial
neo-classical
mining town
Trbovlje
Neue Slowenische Kunst

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