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Born in Japan in 1965, Ms. Kaneko graduated from the composition class at Toho Gakuen School of Music in 1988, and completed postgraduate studies in 1994. She went to study in France with a French
Government scholarship in 1990. She then began to study at the Paris Conservatoire. She also attended
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the Summer Music
Festivals in Avignon and Darmstadt with scholarships in 1992. In September 1997, she went to Paris to study at IRCAM. She is at present a full-time professor of Toho Gakuen School of Music.
322:呼吸（いき）I - a, b, c, d, e, f Respiration I - a, b, c, d, e, f (for Clarinet solo)(1996/98): a(1996): 1'30" / b(1998): 3' / c(1996): 3'30" / d(1996/97): 5'15" / e(1998): 1'30" / f(1998): 1'30"
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252:悲しみの自乗 Tristesse (for orchestra)(1989)(First Prize and the E. Nakamichi Prize at the 59th Japan Music Competition, 1990): 8'
104:
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76:
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391:二人静 Futari Shizuka, une recitation des vers du No (for Yo(voice), Nokan, Shooko, flute and Percussion)(2001/02): 18'40"
505:
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403:呼吸（いき） III ?孤独の共存 Respiration III - Coexistence des isolements (for Oboe, Clarinet and Bassoon)(2002): 12'35"
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72:
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355:呼吸（いき）II - 中断の継続 Respiration II - Continuation de l'interruption (for Flute and Violin)(1999): 11'
61:
532:
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451:わが作曲技法とコンピュータとの関係 On the relationship between My Compositional Method and the Computer (2002)
97:
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276:祝典序曲《新しい生命（いのち）に》 Ouveture De Fete "Pour une nouvelle vie" (for Orchestra)(2001/02): 10'
352:連歌 II Renga II (for Flute, Clarinet, Percussion, Violin, Cello and Piano)(1999): 13'30"
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First Prize in the 6th
Competition of French-Japanese Contemporary Composition (1988)
307:エスパス／レゾナンス Espace / Resonance (for Harp, Violin, Viola and Double bas)(1992): 10'15"
373:捩じれた時 IV - 感覚の時間 Le Temps Tordu IV - le temps du sens (for Percussion)(2001): 8'50"
331:小鳥は飛び立とうとしている... Le Petit Oiseaux Va Sortir... (for Piccolo and Trombone)(1997): 6'
273:大好き木島平 Our Favorite Kijima-Daira (for children's chorus and Orchestra)(2000): 4'40"
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Miyabi (for two flutes)(1991) RUGGINENTI EDITORE／RUSSY CLASSICA／RUS-555019. 2DDD
431:シェルターの中で Dans L'abri (Revised Version for Piano and Computer)(1997/2002): 14'56"
428:分解 II：ゲートの向こうで Decomposition II - Beyond the gate (for Computer)(1999): 6'
364:垂直の歌 Le Chant Vertical (for Shakuhachi and the Computer)(2000/01): 16'12"
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270:木島平讃歌 Hymn To Kijima-Daira (for Mixed Chorus and Orchestra)(2000): 4'45"
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Kehai (for shakuhachi and orchestra)(1998) GREEN CONCERTS／OCD-98113-1
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Concerto (for flute and orchestra)(1995) DEUTSCHE GRAMMOPHON／POCG-1947
358:フーガの方法 L'expression Methodique D'une Fugue (for Piano)(2000): 6'-7'30"
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First Prize for
Composition in the 59th Japan Music Competition (1990)
406:小さな星 La Petite Etoile (for children's chorus and guitar)(2003): ca.3'
310:緑の光線 Rayon Vert (for Violin, Viola, Violoncello and Piano)(1993): 16'
267:グリゼイの墓 Le Tombeau de Gerard Grisey (for Chamber Orchestra)(2000): 20'
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L'expression methodique d'une fugue (for piano)(2000) ZEN-ON/ZP-2000
422:捩じれた時 II Le Temps Tordu II (for Miburi and Three Dancers)(1997): 8'
370:流線型の時 Le Temps Carene (for Oboe, Violin and Cello)(2000/01): ca.16'
264:気配 尺八とオーケストラのための Kehai (for Shakuhachi and Orchestra)(1998): 24'39"
397:アリラン変奏曲 Variations Sur Un Theme D'arirang (for Piano)(2002): 5'20"
376:
M.Y.のための誕生日の歌 Anniversary Song For Y.M. (for
Doublebass)(2001): 2'
343:捩じれた時 III Le Temps Tordu III (for 2 Congas and 2 Bongos)(1998): 6'
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349:残響 La Reverberation (for Violin, Violoncello and Piano)(1998): 9'
425:分解 I：導入 Decomposition I - Introduction (for Computer)(1998): 3'
328:交叉 Le Croisement (for Oboe, Violin and Double bass)(1997): 24"
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from the article and its talk page, especially if potentially
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Read at the 17th
Congress of the International Association of
340:空間／霧 Espace / Brume (for Marimba and Bass Clarinet)(1998): 7'
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Empirical
Aesthetics(IAEA), on 5 August 2002, in Takarasuka.
446:
Published in
Quarterly magazine "ExMusica" Vol.3, March 2001
319:捩じれた時 I Le Temps Tordu I (for Tom-tom and Marimba)(1996): 4'
441:「方法の表現」まで／から Up to and/or From 'Expressive Method' (2001)
382:音の彫刻 La Sculpture Sur Les Sons (for Marimba)(2001): 7'38"
346:連歌 I Renga I (for Shakuhachi, Violin and Harp)(1998): 17'
292:ソナタ Sonata (for Flute, Violoncello and Piano)(1987): 14'
385:気泡 La Bulle (for Alto Saxophone and Piano)(2001): 9'30"
316:幻影の空間 Espace / Vision (for Horn and Trumpet)(1996): 6'
304:ある日ピアノと Un Jour Avec Le Piano (for Piano)(1992): 5'30"
258:フルート協奏曲 Concerto (for Flute and Orchestra)(1995): 14'
298:プロメテウス Promtheus (for Flute and Piano)(1988): 10'30"
388:軽井沢の午後 Afternoon in Karuizawa (for Piano)(2001): 3'
379:捩じれた時 V Le Temps Tordu V (for Percussion)(2001): 5'
337:磁界 Champ Magnetique (for String Quartet)(1997): 14'
286:ヴァイオリン・ソナタ Sonata (for Violin and Piano)(1985): 17'
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361:アルプスの調べ Accord Des Alpes (for Piano)(2000/01): 3'
334:クネヒト＝ループレヒト Knecht Ruprecht (for Piano)(1997): 3'
261:ル・プロセシュス Le Processus (for 15 Players)(1996): 15'
400:うた うた うた Song, Song, Song (for Piano)(2002): 3'
301:雅 Miyabi(= elegance) (for two Flutes)(1991): 7'
237:Awarded the 9th Muramatsu Prize (January 1997)
601:Academic staff of Toho Gakuen School of Music
501:Hitomi Kaneko (Zen-On Contemporary Composers)
255:ラ・ピエス La Piece (for 15 Players)(1993/94): 10'
8:
531:. University of Chicago Press. p. 30.
367:くじらのダンス Whale's Dance (for Piano)(2000): 4'
325:シェルターの中で Dans L'abri (for Piano)(1997): 10'
313:遠心 Centrifuge (for Flute solo)(1994/96): 7'
295:呼び声 Appel (for string quartet)(1988): 7'15"
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419:エチュード II Etude II (for Tape)(1992): 12'
591:21st-century Japanese women musicians
576:20th-century Japanese women musicians
394:流れ The Stream (for Strings)(2002): 5'
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528:Composing Japanese Musical Modernity
416:エチュード I Etude I (for Tape)(1991): 3'
289:弦楽四重奏曲 String Quartet(1986): 16'30"
626:Toho Gakuen School of Music alumni
616:Japanese women classical composers
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234:E. Nakamichi Prize (1990)
631:Women in classical music
525:Wade, Bonnie C. (2014).
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200:(金子 仁美) is a female
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464:Discography
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560:Categories
512:References
214:Background
188:Occupation
154:1965-11-02
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469:Orchestra
114:June 2014
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