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War, crime, and other forms of social violence came with civilization and humans started preying on each other, but by and large daily life calmed down. We began to feel restless, to feel something missing: the excitement of living on the edge, the tension between hunter and hunted. So we told each other stories through the long, dark nights. when the fires burned low, we did our best to scare the daylights out of each other. The rush of adrenaline feels good. Our hearts pound, our breath quickens, and we can imagine ourselves on the edge. Yet we also appreciate the insightful aspects of horror. Sometimes a story intends to shock and disgust, but the best horror intends to rattle our cages and shake us out of our complacency. It makes us think, forces us to confront ideas we might rather ignore, and challenges preconceptions of all kinds. Horror reminds us that the world is not always as safe as it seems, which exercises our mental muscles and reminds us to keep a little healthy caution close at hand.
536:
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1435:). These are what can be collectively referred to as "children's horror". Although it is unknown for sure why children enjoy these movies (as it seems counter-intuitive), it is theorized that it is, in part, grotesque monsters that fascinate kids. Tangential to this, the internalized impact of horror television programs and films on children is rather under-researched, especially when compared to the research done on the similar subject of violence in TV and film's impact on the young mind. What little research there is tends to be inconclusive on the impact that viewing such media has.
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1571:) to quickly share, collate, and act upon new information is what leads to the destruction of the vampire. This is one of many interpretations of the metaphor of only one central figure of the canon of horror fiction, as over a dozen possible metaphors are referenced in the analysis, from the religious to the
1447:, or physical response within readers that causes them to react with fear. One of H. P. Lovecraft's most famous quotes about the genre is that: "The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown." the first sentence from his seminal essay, "
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takes place before an event happens, horror is a feeling of revulsion or disgust after an event has happened. Radcliffe describes terror as that which "expands the soul and awakens the faculties to a high degree of life," whereas horror is described as that which "freezes and nearly annihilates them."
1030:(1925), in which a mad doctor performs experimental head transplants and reanimations on bodies stolen from the morgue and which was first published as a magazine serial before being turned into a novel. Later, specialist publications emerged to give horror writers an outlet, prominent among them was
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month," 20.8% "Several times a month," 7.3% "Once a week," and 10.2% "Several times a week." Evidently, then, most respondents (81.3%) claimed to use horror media several times a year or more often. Unsurprisingly, there is a strong correlation between liking and frequency of use (r=.79, p<.0001).
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In addition to those essays and articles shown above, scholarship on horror fiction is almost as old as horror fiction itself. In 1826, the gothic novelist Ann
Radcliffe published an essay distinguishing two elements of horror fiction, "terror" and "horror." Whereas terror is a feeling of dread that
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The horror genre has ancient origins, with roots in folklore and religious traditions focusing on death, the afterlife, evil, the demonic, and the principle of the thing embodied in the person. These manifested in stories of beings such as demons, witches, vampires, werewolves, and ghosts. European
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The old "fight or flight" reaction of our evolutionary heritage once played a major role in the life of every human. Our ancestors lived and died by it. Then someone invented the fascinating game of civilization, and things began to calm down. Development pushed wilderness back from settled lands.
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Art-horror requires evaluation both in terms of threat and disgust. ... some emotional states are the cognitive-evaluative sort. And, of course, I would hold that art-horror is one of these. ... The audience's psychological state, therefore, diverges from the psychological state of characters in
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To assess frequency of horror consumption, we asked respondents the following question: "In the past year, about how often have you used horror media (for example, horror literature, film, and video games) for entertainment?" 11.3% said "Never," 7.5% "Once," 28.9% "Several times," 14.1% "Once a
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are literary awards for outstanding achievement in the literature of psychological suspense, horror, and the dark fantastic works. Other important awards for horror literature are included as subcategories within general awards for fantasy and science fiction in such awards as the
624:. Athenodorus was cautious since the house seemed inexpensive. While writing a book on philosophy, he was visited by a ghostly figure bound in chains. The figure disappeared in the courtyard; the following day, the magistrates dug in the courtyard and found an unmarked grave.
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Taken together with the rapture and tribulation themes in evangelical apocalyptic horror movies, this zombie connection testifies to the variety of ways that
Revelation feeds into deep, largely repressed correspondences between religion and horror in contemporary
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has stated, "In the simplest sense, a horror story is one that scares us" and "the true horror story requires a sense of evil, not in necessarily in a theological sense; but the menaces must be truly menacing, life-destroying, and antithetical to happiness."
518:... which shocks, or even frightens the reader, or perhaps induces a feeling of repulsion or loathing". Horror intends to create an eerie and frightening atmosphere for the reader. Often the central menace of a work of horror fiction can be interpreted as a
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Brian
Stableford, "Non-supernatural horror stories tend to be psychological thrillers, often involving criminals of an unusually lurid stripe." "The Discovery of Secondary Worlds:Some Notes on the Aesthetics and Methodology of Heterocosmic Creativity", in
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There are many theories as to why people enjoy being scared. For example, "people who like horror films are more likely to score highly for openness to experience, a personality trait linked to intellect and imagination."
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image of dusty and unused gold, coins from many nations and old unworn jewels, immediately connects
Dracula to the old money of a corrupt class, to a kind of piracy of nations and to the worst excesses of the
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blossomed into the genre that modern readers today call horror literature in the 19th century. Influential works and characters that continue resonating in fiction and film today saw their genesis in the
833:. A significant amount of horror fiction of this era was written by women and marketed towards a female audience, a typical scenario of the novels being a resourceful female menaced in a gloomy castle.
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1289:. Beginning in the 1970s, King's stories have attracted a large audience, for which he was awarded by the U.S. National Book Foundation in 2003. Other popular horror authors of the period included
2461:(1971) were all released within a few years of one another...and their immense combined sales indicted to many publishers that horror was now a profitable marketing niche." Simmons, David,
779:. In fact, the first edition was published disguised as an actual medieval romance from Italy, discovered and republished by a fictitious translator. Once revealed as modern, many found it
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If these books were arranged in a bookstore, one would find all the women writers under 'science fiction.' The
Apocalyse, on the other hand, would be found under 'horror literature.'
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Stephen King, brand-name writer, master of the horror story and e-book pioneer, has received an unexpected literary honor: a
National Book Award for lifetime achievement.
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1483:, its implications of the mortality of humanity, and the gruesome end that bodies inevitably come to. In horror fiction, the confrontation with the gruesome is often a
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A menace that is impure — that violates the generally accepted schemes of cultural categorization. "We consider impure that which is categorically contradictory".
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in
Ungaria suis cum regibus compendia data, Typis Academicis Soc. Jesu per Fridericum Gall. Anno MCCCXXIX. Mense Sepembri Die 8. p 188-193, quoted by Farin
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and subgenres that continues to this day. Up until the graphic depictions of violence and gore on the screen commonly associated with 1960s and 1970s
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A menace that is threatening — either physically, psychologically, socially, morally, spiritually, or some combination of the aforementioned.
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respect of belief, but converges on that of characters with respect to the way in which the properties of said monsters are emotively assessed.
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One can see the confrontation of ideas that readers and characters would "rather ignore" throughout literature in famous moments such as
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2316:"Unknown". in: M.B. Tymn and Mike Ashley, Science Fiction, Fantasy, and Weird Fiction Magazines. Westport: Greenwood, 1985. pp.694-698.
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Kiernan, Dr. Jas. G. "Sexual
Perversion, and the Whitechapel Murders." The Medical Standard: IV.5. G. P. Engelhard and Company: Chicago.
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2010:
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Some writers of fiction normally classified as "horror" tend to dislike the term, considering it too lurid. They instead use the terms
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Stephanie
Demetrakopoulos (Autumn 1977). "Feminism, Sex Role Exchanges, and Other Subliminal Fantasies in Bram Stoker's "Dracula"".
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Pearce, Laura J.; Field, Andy P. (2016). "The Impact of "Scary" TV and Film on
Children's Internalizing Emotions: A Meta-Analysis".
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1429:. Additionally, many movies for young audiences, particularly animated ones, use horror aesthetics and conventions (for example,
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Influential horror writers of the early 20th century made inroads in these mediums. Particularly, the venerated horror author
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991:(1897). Each of these works created an enduring icon of horror seen in later re-imaginings on the page, stage, and screen.
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Modern scholarship on horror fiction draws upon a range of sources. In their historical studies of the gothic novel, both
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In her essay "Elements of Aversion", Elizabeth Barrette articulates the need by some for horror tales in a modern world:
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could not provide. This imagery made these comics controversial, and as a consequence, they were frequently censored.
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Pliny the Younger (1909–14). "LXXXIII. To Sura". In Charles W. Eliot. Letters, by Pliny the Younger; translated by
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A proliferation of cheap periodicals around the turn of the century led to a boom in horror writing. For example,
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before it became a novel in 1910. One writer who specialized in horror fiction for mainstream pulps, such as
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tale dealing with the motif of the living dead harks back to works including H. P. Lovecraft's stories "
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2048:. Lives of Great Religious Books. Princeton: Princeton University Press (published 2018). p. 197.
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Best-selling book series of contemporary times exist in genres related to horror fiction, such as the
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1397:(1993 onward). Horror also serves as one of the central genres in more complex modern works such as
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Raymond T. McNally and Radu R. Florescu (1972). "In Search of Dracula." Houghton Milton. Pages 8–9.
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genre. It drew on the written and material heritage of the Late Middle Ages, finding its form with
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Early cinema was inspired by many aspects of horror literature, and started a strong tradition of
724:". The motif of the vampiress is most notably derived from the real-life noblewoman and murderer,
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2042:(23 October 2018). "Left Behind Again: The Rise and Fall of Evangelical Rapture Horror Culture".
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Menacing villains and monsters in horror literature can often be seen as metaphors for the fears
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that is intended to disturb, frighten, or scare. Horror is often divided into the sub-genres of
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1207:(1954) influenced an entire genre of apocalyptic zombie fiction emblematized by the films of
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2369:. The A to Z Guide Series. Vol. 100. Lanham, MD: The Scarecrow Press, Inc. p. 72.
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2029:; revised by F. C. T. Bosanquet. The Harvard Classics. 9. New York: P.F. Collier & Son.
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and supernatural horror, which are in the realm of speculative fiction. Literary historian
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as an evil and outdated notion to be defeated. The depiction of a multinational band of
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pamphlets. A 1499 pamphlet was published by Markus Ayrer, which is most notable for its
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3030:"Horror, personality, and threat simulation: A survey on the psychology of scary media"
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When the Dead Rise: Narratives of the Revenant, from the Middle Ages to the Present Day
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Halberstram articulates a view of Dracula as manifesting the growing perception of the
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514:, in 1984, defined the horror story as "a piece of fiction in prose of variable length
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In the late 1960s and early 1970s, the enormous commercial success of three books -
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was presented annually to works of horror and dark fantasy from 1995 to 2008. The
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Prometheus, none of the ancient myths about Prometheus is itself a horror tale.
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In a sense similar to the reason a person seeks out the controlled thrill of a
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Much horror fiction derives from the cruellest personages of the 15th century.
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Clasen, Mathias; Kjeldgaard-Christiansen, Jens; Johnson, John A. (July 2020).
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2007:
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1510:. But this is merely one of many interpretations of the metaphor of Dracula.
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2334:"Medieval Studies and the Ghost Stories of M. R. James By Patrick J. Murphy"
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1942:"Even Ancient Greeks and Romans Enjoyed Good Scary Stories, Professor Says"
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Paperbacks from Hell: The Twisted History of '70s and '80s Horror Fiction
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One defining trait of the horror genre is that it provokes an emotional,
1351:(2005 onward). Horror elements continue to expand outside the genre. The
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Knowing Fear: Science, Knowledge and the Development of the Horror Genre
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3018:, ed. G.R. Thompson (Pullman: Washington State University Press, 1974).
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Achievements in horror fiction are recognized by numerous awards. The
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influenced the slasher theme in horror fiction of the 1970s. In 1981,
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2190:"The Castle of Otranto: The creepy tale that launched gothic fiction"
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1174:) in the 1950s satisfied readers' quests for horror imagery that the
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S. L. Varnado, "The Idea of the Numinous in Gothic Literature," in
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Whyte, Chelsea (9 February 2019). "The benefits of being scared".
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Death and Desire: The Rhetoric of Gender in the Apocalypse of John
1526:
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686:". Anonymous writers penned two werewolf stories, "Biclarel" and "
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It is a now commonly accepted view that the horror elements of
1411:. There are many horror novels for children and teens, such as
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Supernatural Fiction Writers: Contemporary Fantasy and Horror.
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for the problems facing the current generation of the author.
787:, or simply in poor taste, but it proved immediately popular.
44:"Supernatural horror" redirects here. For the film genre, see
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Supernatural Fiction Writers: Contemporary Fantasy and Horror
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Supernatural Fiction Writers: Contemporary Fantasy and Horror
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American Horror Fiction: From Brockden Brown to Stephen King
2086:. Wipf and Stock Publishers (published 2021). p. 105.
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A recent survey reports how often horror media is consumed:
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The Countess Yolande commissioned a werewolf story titled "
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One of the best-known late-20th century horror writers is
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Vlad III "The Impaler", the inspiration for Count Dracula.
30:
This article is about the genre. For the film genre, see
1625:" was originally used to describe religious experience.
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K.A. Laity, "Ramsey Campbell", in Richard Bleiler, ed.
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American Horror Fiction and Class: From Poe to Twilight
544:
horror-fiction became established through works of the
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as akin to Frankenstein's monster, in the wake of the
1537:: An English editorial cartoonist conceives the Irish
2775:. Berkeley Heights, NJ : Wildside Press, 1999.
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Science Fiction, Fantasy, and Weird Fiction Magazines
2249:
St. James Guide to Horror, Ghost & Gothic Writers
2583:"Stephen King receives honorary National Book Award"
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postulates that a modern piece of horror fiction's "
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3478:
2211:
Gothic: 1500 Years of Excess, Horror, Evil and Ruin
1617:and S. L. Varnado make reference to the theologian
37:"Horror story" redirects here. For other uses, see
2614:K.A. Laity "Clive Barker" in Richard Bleiler, ed.
1516:Technologies of Monstrosity: Bram Stoker's Dracula
912:The Mummy!: Or a Tale of the Twenty-Second Century
1864:. New York, NY: Routledge. pp. 28, 36, 53.
761:The 18th century saw the gradual development of
1520:
1461:
3347:The Monster Show: A Cultural History of Horror
2771:Schweitzer, Darrell, "Why Horror Fiction?" in
716:imagery. The alleged serial-killer sprees of
4152:
3443:
2295:, "Weird Tales" in M.B Tymn and Mike Ashley,
476:
8:
3070:. Horror Writers Association. Archived from
2862:(3). University of Nebraska Press: 104–113.
1650:for Superior Achievement, named in honor of
3159:(p. 204), Scarecrow Press, Plymouth. 2005.
2427:"Banned Books Week: Comics and Controversy"
1285:, and several dozen other novels and about
627:Elements of the horror genre also occur in
4734:
4461:
4180:
4159:
4145:
4137:
3450:
3436:
3428:
2534:"A Beginner's Guide to Stephen King Books"
2185:
2183:
2181:
2179:
651:has been viewed as an early horror story.
588:The Lives of the Noble Grecians and Romans
483:
469:
71:
1355:of more traditional historical horror in
1064:transformed and popularized the genre of
773:'s seminal and controversial 1764 novel,
3254:Errickson, Will; Hendrix, Grady (2017).
1365:sits on bookstore shelves next to genre
757:(1764), initiating a new literary genre.
3005:(New York: Russell & Russell, 1966.
1848:
876:Frankenstein; or, The Modern Prometheus
720:have been seen as the inspiration for "
598:, Damon, who himself was murdered in a
594:, the author describes the spirit of a
560:was greatly influenced by the story of
83:
3293:. New York: Carroll & Graf, 1998.
2485:, "Rosemary's Baby", in Pringle (ed.)
1514:postulates many of these in his essay
1189:" (1925), "In The Vault" (1926), and "
1121:. The crimes committed in 1969 by the
1024:popularized these themes in his story
4084:Internet Speculative Fiction Database
2856:Frontiers: A Journal of Women Studies
2655:
2653:
1924:Fantasy: The Literature of Subversion
1662:Australian Horror Writers Association
1654:, author of the seminal horror novel
1139:. In 1988, the sequel to that novel,
950:Strange Case of Dr Jekyll and Mr Hyde
422:Internet Speculative Fiction Database
7:
2273:Encyclopedia of Pulp Fiction Writers
1987:* Edward P. Coleridge, 1891, prose:
1952:from the original on 13 October 2020
3207:Horror Literature: A Reader's Guide
2954:from the original on 6 January 2019
2581:Hillel Italie (18 September 2003).
2487:Modern Fantasy: The 100 Best Novels
2465:. London: Palgrave Macmillan 2017
2457:(1971), and William Peter Blatty's
2401:"11 Most Controversial Comic Books"
2045:The Book of Revelation: A Biography
1531:Illustration from an 1882 issue of
433:The Encyclopedia of Science Fiction
3227:. Jefferson, NC: McFarland, 2008.
2593:from the original on 16 April 2021
2559:, "Stephen King" in: Bleiler, Ed.
2508:"The 25 Best Stephen King Stories"
2344:from the original on 17 March 2020
1897:. Harmondsworth: Penguin. p.
1895:The Penguin Book of Horror Stories
1837:List of horror television programs
25:
3330:Supernatural Horror in Literature
3313:. New York: Everest House, 1981.
2532:Jackson, Dan (18 February 2016).
2275:. New York: Facts On File, 2002.
1719:Speculative fiction/Horror portal
1449:Supernatural Horror in Literature
1115:, inspired by the murders, wrote
655:stories were popular in medieval
101:List of alternate history fiction
5039:
5038:
5026:
4118:
4107:
4106:
3373:American Philosophical Quarterly
3333:, 1927, rev. 1934, collected in
3242:. New York: St. Martin's, 1990.
3157:The A to Z of Fantasy Literature
3094:"IHG Award Recipients 1994–2006"
3034:Evolutionary Behavioral Sciences
2753:from the original on 16 May 2013
2639:. New York: Thomson/Gale, 2003.
2618:. New York: Thomson/Gale, 2003.
2506:Barone, Matt (8 November 2011).
2425:Hansen, Kelli (1 October 2012).
2299:. Westport, CT: Greenwood, 1985.
2251:(London: St. James Press, 1998)
2209:Richard Davenport-Hines (1998).
2137:from the original on 1 June 2023
1711:
1670:International Horror Guild Award
1072:is credited with redefining the
620:, who bought a haunted house in
572:wrote plays based on the story,
452:
75:
3380:Horror Fiction: An Introduction
3134:from the original on 2 May 2015
2692:from the original on 1 May 2019
2660:Lester, Catherine (Fall 2016).
1701:" for non-supernatural horror.
1372:Pride and Prejudice and Zombies
697:can be traced to the Prince of
556:'s well-known 1818 novel about
522:for larger fears of a society.
3375:, 51:1 (2014), pp. 39–50.
2563:New York: Thomson/Gale, 2003,
2227:Nightmare: The Birth of Horror
1827:List of horror fiction writers
1817:LGBTQ themes in horror fiction
1479:'s musings about the skull of
1197:'s "Strange Conflict" (1941).
1091:of various murderers, such as
1:
3382:. New York: Continuum, 2005.
3336:Dagon and Other Macabre Tales
3260:. Philadelphia: Quirk Books.
2977:On the Supernatural in Poetry
2890:"Technologies of Monstrosity"
2833:10.1016/S0262-4079(19)30224-6
2224:Christopher Frayling (1996).
2199:. BBC. Retrieved 15 July 2017
1697:for supernatural horror, or "
1506:for sexuality in a repressed
1451:". Science fiction historian
613:
39:Horror Story (disambiguation)
4305:Apocalyptic/post-apocalyptic
3420:Resources in other libraries
2713:Human Communication Research
2662:"The Children's Horror Film"
2547:. Retrieved 5 February 2019.
2523:. Retrieved 5 February 2019.
2440:. Retrieved 5 February 2019.
2416:. Retrieved 5 February 2019.
667:is a werewolf story titled "
27:Genre of speculative fiction
3209:. New York: Garland, 1990.
3181:. Wildside Press LLC, 2007
3124:"IHG Award Recipients 2007"
2922:"Lecture Notes for Dracula"
2366:The A to Z of Horror Cinema
2123:. D.S. Brewer. p. 43.
1407:(2000), a finalist for the
1164:such as those published by
922:The Hunchback of Notre-Dame
903:The Legend of Sleepy Hollow
440:The Encyclopedia of Fantasy
427:List of Japanese SF writers
5088:
4931:Reproduction and pregnancy
4606:Folklore mythology (based)
3349:. New York: Norton, 1993.
2773:Windows of the Imagination
1922:Jackson, Rosemary (1981).
1644:Horror Writers Association
1083:became a recurring theme.
960:The Picture of Dorian Gray
43:
36:
29:
5022:
4102:
3465:
3415:Resources in your library
2489:. London, Grafton, 1988.
2363:Hutchings, Peter (2008).
1858:The Philosophy of Horror
1666:Australian Shadows Awards
1605:Scholarship and criticism
3068:"The Bram Stoker Awards"
2989:The New Monthly Magazine
2406:18 December 2018 at the
2213:. London: Fourth Estate.
1970:Though the sub-title of
1621:, whose concept of the "
1142:The Silence of the Lambs
810:The Mysteries of Udolpho
46:Supernatural horror film
3833:Fire-breathing monsters
2587:Ellensburg Daily Record
2539:7 February 2019 at the
2513:7 February 2019 at the
2453:(1967), Thomas Tyron's
2432:7 February 2019 at the
1832:List of horror podcasts
1797:History of horror films
1638:Awards and associations
1027:Professor Dowell's Head
616:113) tells the tale of
574:Hippolytos Kalyptomenos
3291:Horror: 100 Best Books
3016:The Gothic Imagination
2982:8 January 2023 at the
2794:"Elements of Aversion"
2438:University of Missouri
2117:Livermore, C. (2021).
1930:. pp. 53–5, 68–9.
1862:Paradoxes of the Heart
1856:Carroll, Noël (1990).
1699:psychological thriller
1674:Shirley Jackson Awards
1635:
1552:
1525:
1466:
1254:
1053:
965:Sir Arthur Conan Doyle
945:Robert Louis Stevenson
853:
758:
679:
631:texts, notably in the
540:
69:
3736:Organ transplantation
3339:. Arkham House, 1965.
2666:The Velvet Light Trap
2243:, "Robbins, Tod", in
2080:Pippin, Tina (1992).
2006:* John Dryden, 1683:
1994:12 April 2006 at the
1889:Cuddon, J.A. (1984).
1630:
1543:Phoenix Park killings
1530:
1250:
1048:
1006:Le Fantôme de l'Opéra
935:(1847), the works of
844:
776:The Castle of Otranto
754:The Castle of Otranto
743:
677:
649:William of Malmesbury
618:Athenodorus Cananites
538:
56:
2399:(28 February 2013).
2230:. London: BBC Books.
2013:12 June 2018 at the
1583:Philosophy of Horror
1232:William Peter Blatty
1171:Tales From The Crypt
927:Thomas Peckett Prest
894:Melmoth the Wanderer
684:Guillaume de Palerme
568:revives from death.
508:psychological horror
57:An illustration of
5072:Speculative fiction
4769:Television programs
4684:Legendary creatures
4546:Tolkien's influence
4168:Speculative fiction
3518:Television programs
3470:Speculative fiction
3367:17 May 2021 at the
2800:on 28 February 2013
2195:3 July 2019 at the
1822:List of ghost films
1770:Speculative fiction
1422:The Monstrumologist
1409:National Book Award
1399:Mark Z. Danielewski
1137:Dr. Hannibal Lecter
1060:, and his enduring
504:speculative fiction
178:Legendary creatures
85:Speculative fiction
4694:Magician (fantasy)
4398:Parallel universes
3635:Zombie pornography
3046:10.1037/ebs0000152
2928:on 25 October 2012
2725:10.1111/hcre.12069
2397:Collins, Max Allan
1760:Monster literature
1648:Bram Stoker Awards
1553:
1453:Darrell Schweitzer
1389:(1993 onward) and
1377:historical fantasy
1255:
1054:
1012:All-Story Magazine
932:Varney the Vampire
854:
804:A Sicilian Romance
759:
708:were published in
680:
633:Book of Revelation
590:in the account of
541:
412:Fictional universe
70:
5054:
5053:
4901:Fictional species
4884:
4883:
4876:Zombie apocalypse
4724:
4723:
4651:Sword and sorcery
4451:
4450:
4300:Alternate history
4134:
4133:
4089:Bram Stoker Award
3828:Extraterrestrials
3788:Zombie apocalypse
3746:Postmodern horror
3401:Library resources
3362:"Horror and Mood"
3360:Andrea Sauchelli
2992:7 (1826): 145–52.
2950:. Dating Ghosts.
2747:"Golden Proverbs"
2376:978-0-8108-6887-8
2281:978-0-8160-4578-5
2130:978-1-84384-576-8
1802:Horror convention
1685:Alternative terms
1563:using the latest
1353:alternate history
1287:200 short stories
1145:, was published.
1095:, and lesser so,
1085:Yellow journalism
1022:Alexander Belyaev
978:The Invisible Man
899:Washington Irving
867:Hänsel und Gretel
726:Elizabeth Bathory
657:French literature
645:Witch of Berkeley
610:Pliny the Younger
493:
492:
417:Fictional species
362:Fiction magazines
280:Fiction magazines
151:Fiction magazines
94:Alternate history
16:(Redirected from
5079:
5042:
5041:
5030:
4911:Japanese authors
4896:Authors of color
4834:Occult detective
4735:
4716:Occult detective
4462:
4181:
4161:
4154:
4147:
4138:
4122:
4110:
4109:
4063:Vulgar auteurism
3731:Occult detective
3672:Southern Ontario
3598:Dark Romanticism
3452:
3445:
3438:
3429:
3279:
3238:Brian Docherty,
3190:
3174:
3168:
3153:Brian Stableford
3150:
3144:
3143:
3141:
3139:
3120:
3114:
3113:
3111:
3109:
3104:on 22 April 2009
3100:. Archived from
3090:
3084:
3083:
3081:
3079:
3074:on 10 March 2007
3064:
3058:
3057:
3025:
3019:
3012:
3006:
3003:The Gothic Flame
3001:Devendra Varma,
2999:
2993:
2970:
2964:
2963:
2961:
2959:
2948:"Horror Stories"
2944:
2938:
2937:
2935:
2933:
2924:. Archived from
2918:
2912:
2911:
2909:
2907:
2901:
2895:. Archived from
2894:
2886:
2880:
2879:
2851:
2845:
2844:
2816:
2810:
2809:
2807:
2805:
2796:. Archived from
2790:
2784:
2769:
2763:
2762:
2760:
2758:
2743:
2737:
2736:
2708:
2702:
2701:
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2578:
2572:
2571:. (pp. 525-540).
2554:
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2383:
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2353:
2351:
2349:
2338:www.psupress.org
2330:
2324:
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2241:Brian Stableford
2238:
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1957:
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1919:
1913:
1912:
1886:
1880:
1879:
1853:
1730:Christmas horror
1721:
1716:
1715:
1664:presents annual
1498:'s portrayal of
1339:werewolf fiction
1303:Graham Masterton
1209:George A. Romero
1199:Richard Matheson
941:Sheridan Le Fanu
858:Gothic tradition
850:Richard Rothwell
799:William Beckford
747:wrote the first
730:Tragica Historia
704:, whose alleged
615:
517:
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5050:
5018:
5004:Techno-thriller
4954:Science fantasy
4942:
4880:
4838:
4778:
4720:
4699:Norse mythology
4689:Magic (fantasy)
4660:
4562:
4529:
4513:
4447:
4417:
4408:Utopia/dystopia
4378:Africanfuturism
4364:
4310:Climate fiction
4286:
4260:
4228:
4176:Science fiction
4170:
4165:
4135:
4130:
4098:
4067:
4009:
3980:Science fiction
3965:Fantasy fiction
3943:
3792:
3630:Monster erotica
3534:
3474:
3461:
3456:
3426:
3425:
3424:
3409:
3408:
3404:
3397:
3369:Wayback Machine
3325:H. P. Lovecraft
3268:
3253:
3199:
3197:Further reading
3194:
3193:
3175:
3171:
3155:, "Horror", in
3151:
3147:
3137:
3135:
3128:HorrorAward.org
3122:
3121:
3117:
3107:
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3098:HorrorAward.org
3092:
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2984:Wayback Machine
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2596:
2594:
2580:
2579:
2575:
2557:Richard Bleiler
2555:
2551:
2541:Wayback Machine
2531:
2527:
2515:Wayback Machine
2505:
2501:
2481:
2477:
2451:Rosemary's Baby
2448:
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2434:Wayback Machine
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2408:Wayback Machine
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2027:William Melmoth
2024:
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2015:Wayback Machine
2005:
2001:
1996:Wayback Machine
1986:
1982:
1974:references the
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1765:Mystery fiction
1726:Related genres
1717:
1710:
1707:
1687:
1640:
1607:
1546:
1539:Fenian movement
1512:Jack Halberstam
1441:
1439:Characteristics
1404:House of Leaves
1335:
1323:Ramsey Campbell
1217:Rosemary's Baby
1195:Dennis Wheatley
1093:Jack the Ripper
1081:serial murderer
1076:in that era.
1058:H. P. Lovecraft
1050:H. P. Lovecraft
1003:serialized his
997:
939:, the works of
937:Edgar Allan Poe
889:Charles Maturin
839:
738:
661:Marie de France
641:
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4069:
4068:
4066:
4065:
4060:
4055:
4050:
4045:
4044:
4043:
4033:
4028:
4023:
4017:
4015:
4011:
4010:
4008:
4007:
4002:
3997:
3992:
3987:
3982:
3977:
3972:
3967:
3962:
3957:
3951:
3949:
3948:Related genres
3945:
3944:
3942:
3941:
3936:
3935:
3934:
3929:
3924:
3919:
3914:
3909:
3899:
3898:
3897:
3892:
3885:Therianthropes
3882:
3877:
3872:
3867:
3862:
3857:
3852:
3847:
3846:
3845:
3840:
3830:
3825:
3820:
3819:
3818:
3813:
3802:
3800:
3794:
3793:
3791:
3790:
3785:
3784:
3783:
3778:
3773:
3763:
3758:
3753:
3748:
3743:
3741:Penny dreadful
3738:
3733:
3728:
3727:
3726:
3721:
3716:
3706:
3701:
3696:
3691:
3690:
3689:
3684:
3679:
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3644:
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3627:
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3590:
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3530:
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3515:
3510:
3505:
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3503:
3493:
3488:
3482:
3480:
3476:
3475:
3473:
3472:
3466:
3463:
3462:
3459:Horror fiction
3457:
3455:
3454:
3447:
3440:
3432:
3423:
3422:
3417:
3411:
3410:
3406:Horror fiction
3399:
3398:
3396:
3395:External links
3393:
3392:
3391:
3388:978-0826415615
3376:
3358:
3355:978-0859652117
3340:
3322:
3319:978-0896960763
3302:
3280:
3266:
3251:
3248:978-0333461297
3236:
3233:978-0786432738
3221:Jason Colavito
3218:
3215:978-0824043476
3198:
3195:
3192:
3191:
3169:
3145:
3115:
3085:
3059:
3040:(3): 213–230.
3020:
3007:
2994:
2965:
2939:
2913:
2902:on 12 May 2013
2881:
2846:
2811:
2785:
2764:
2738:
2703:
2649:
2647:(pp. 177–188.)
2628:
2607:
2573:
2549:
2525:
2499:
2475:
2442:
2418:
2389:
2375:
2355:
2325:
2309:
2307:(pp. 727–736).
2285:
2283:(pp. 223–224).
2261:
2233:
2216:
2201:
2175:
2166:
2157:
2148:
2129:
2109:
2092:
2072:
2054:
2031:
2018:
1999:
1980:
1963:
1933:
1914:
1907:
1891:"Introduction"
1881:
1870:
1847:
1846:
1844:
1841:
1840:
1839:
1834:
1829:
1824:
1819:
1814:
1812:Horror podcast
1809:
1804:
1799:
1794:
1793:
1792:
1787:
1782:
1777:
1772:
1767:
1762:
1757:
1755:Gothic fiction
1752:
1747:
1742:
1737:
1732:
1723:
1722:
1706:
1703:
1695:Gothic fantasy
1686:
1683:
1679:Aurealis Award
1639:
1636:
1615:Devendra Varma
1606:
1603:
1602:
1601:
1598:
1470:roller coaster
1440:
1437:
1359:'s 2007 novel
1345:Kitty Norville
1334:
1331:
1315:Richard Laymon
1193:" (1926), and
1168:(most notably
1158:splatter films
1135:, introducing
1089:sensationalism
1062:Cthulhu Mythos
1039:Unknown Worlds
996:
993:
907:Jane C. Loudon
863:Brothers Grimm
838:
835:
771:Horace Walpole
745:Horace Walpole
737:
734:
718:Gilles de Rais
640:
637:
550:Ancient Romans
546:Ancient Greeks
532:
529:
527:
524:
491:
490:
488:
487:
480:
473:
465:
462:
461:
448:
447:
444:
443:
436:
429:
424:
419:
414:
408:
405:
404:
401:
400:
397:
396:
391:
386:
381:
376:
375:
374:
364:
359:
354:
349:
343:
340:Horror fiction
338:
337:
334:
333:
330:
329:
324:
319:
314:
309:
304:
299:
298:
297:
287:
282:
277:
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163:
158:
153:
148:
143:
138:
132:
127:
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123:
122:
119:
118:
113:
111:Sidewise Award
108:
103:
97:
92:
91:
88:
87:
81:
80:
26:
24:
14:
13:
10:
9:
6:
4:
3:
2:
5084:
5073:
5070:
5068:
5065:
5064:
5062:
5047:
5046:
5037:
5035:
5034:
5029:
5025:
5024:
5021:
5015:
5012:
5010:
5007:
5005:
5002:
5000:
4997:
4995:
4994:Magic realism
4992:
4990:
4987:
4985:
4984:Technofantasy
4982:
4980:
4977:
4975:
4972:
4970:
4967:
4965:
4962:
4960:
4957:
4955:
4952:
4951:
4949:
4945:
4939:
4936:
4932:
4929:
4927:
4926:Homosexuality
4924:
4923:
4922:
4919:
4917:
4914:
4912:
4909:
4907:
4904:
4902:
4899:
4897:
4894:
4893:
4891:
4887:
4877:
4874:
4872:
4869:
4865:
4864:
4860:
4859:
4858:
4855:
4853:
4850:
4849:
4847:
4845:
4841:
4835:
4832:
4830:
4827:
4825:
4822:
4820:
4817:
4815:
4814:Psychological
4812:
4810:
4809:Mass hysteria
4807:
4805:
4802:
4800:
4799:
4795:
4793:
4790:
4789:
4787:
4785:
4781:
4775:
4772:
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4767:
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4758:
4757:
4753:
4752:
4751:
4748:
4746:
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4742:
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4736:
4733:
4731:
4727:
4717:
4714:
4710:
4707:
4705:
4702:
4701:
4700:
4697:
4695:
4692:
4690:
4687:
4685:
4682:
4680:
4677:
4675:
4674:Fantasy races
4672:
4671:
4669:
4667:
4663:
4657:
4654:
4652:
4649:
4647:
4644:
4642:
4639:
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4634:
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4627:
4624:
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4614:
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4609:
4607:
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4602:
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4584:
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4579:
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4500:
4497:
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4490:
4487:
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4479:
4478:
4475:
4473:
4470:
4469:
4467:
4463:
4460:
4458:
4454:
4442:
4441:
4437:
4436:
4435:
4432:
4430:
4427:
4426:
4424:
4420:
4414:
4413:Space pirates
4411:
4409:
4406:
4404:
4401:
4399:
4396:
4394:
4391:
4389:
4386:
4384:
4381:
4379:
4376:
4375:
4373:
4371:
4367:
4361:
4358:
4356:
4355:Space Western
4353:
4351:
4348:
4346:
4343:
4341:
4338:
4336:
4333:
4331:
4328:
4325:
4321:
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4308:
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4280:
4278:
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4208:
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4199:
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4182:
4179:
4177:
4173:
4169:
4162:
4157:
4155:
4150:
4148:
4143:
4142:
4139:
4127:
4126:
4121:
4117:
4115:
4114:
4105:
4104:
4101:
4095:
4094:Video nasties
4092:
4090:
4087:
4085:
4082:
4080:
4079:Pulp magazine
4077:
4076:
4074:
4070:
4064:
4061:
4059:
4056:
4054:
4051:
4049:
4046:
4042:
4039:
4038:
4037:
4034:
4032:
4029:
4027:
4024:
4022:
4021:Grand Guignol
4019:
4018:
4016:
4012:
4006:
4003:
4001:
3998:
3996:
3993:
3991:
3988:
3986:
3983:
3981:
3978:
3976:
3973:
3971:
3968:
3966:
3963:
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3956:
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3928:
3925:
3923:
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3913:
3910:
3908:
3905:
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3903:
3900:
3896:
3893:
3891:
3888:
3887:
3886:
3883:
3881:
3878:
3876:
3873:
3871:
3868:
3866:
3863:
3861:
3858:
3856:
3853:
3851:
3848:
3844:
3841:
3839:
3836:
3835:
3834:
3831:
3829:
3826:
3824:
3821:
3817:
3814:
3812:
3809:
3808:
3807:
3804:
3803:
3801:
3799:
3795:
3789:
3786:
3782:
3779:
3777:
3774:
3772:
3769:
3768:
3767:
3766:Weird fiction
3764:
3762:
3759:
3757:
3754:
3752:
3751:Psychological
3749:
3747:
3744:
3742:
3739:
3737:
3734:
3732:
3729:
3725:
3722:
3720:
3717:
3715:
3712:
3711:
3710:
3707:
3705:
3702:
3700:
3697:
3695:
3692:
3688:
3685:
3683:
3680:
3678:
3675:
3673:
3670:
3668:
3665:
3663:
3660:
3659:
3658:
3655:
3653:
3650:
3648:
3645:
3643:
3640:
3636:
3633:
3631:
3628:
3626:
3623:
3622:
3621:
3618:
3614:
3611:
3609:
3606:
3604:
3601:
3599:
3596:
3595:
3594:
3591:
3589:
3586:
3584:
3581:
3577:
3574:
3573:
3572:
3569:
3567:
3564:
3562:
3559:
3557:
3554:
3552:
3549:
3547:
3544:
3543:
3541:
3537:
3529:
3526:
3525:
3524:
3521:
3519:
3516:
3514:
3511:
3509:
3506:
3502:
3499:
3498:
3497:
3494:
3492:
3489:
3487:
3484:
3483:
3481:
3477:
3471:
3468:
3467:
3464:
3460:
3453:
3448:
3446:
3441:
3439:
3434:
3433:
3430:
3421:
3418:
3416:
3413:
3412:
3407:
3402:
3394:
3389:
3385:
3381:
3378:Gina Wisker,
3377:
3374:
3370:
3366:
3363:
3359:
3356:
3352:
3348:
3344:
3343:David J. Skal
3341:
3338:
3337:
3332:
3331:
3326:
3323:
3320:
3316:
3312:
3311:
3310:Danse Macabre
3306:
3303:
3300:
3296:
3292:
3288:
3284:
3283:Stephen Jones
3281:
3277:
3273:
3269:
3267:9781594749810
3263:
3259:
3258:
3252:
3249:
3245:
3241:
3237:
3234:
3230:
3226:
3222:
3219:
3216:
3212:
3208:
3204:
3201:
3200:
3196:
3188:
3184:
3180:
3173:
3170:
3166:
3165:0-8108-6829-6
3162:
3158:
3154:
3149:
3146:
3133:
3129:
3125:
3119:
3116:
3103:
3099:
3095:
3089:
3086:
3073:
3069:
3063:
3060:
3055:
3051:
3047:
3043:
3039:
3035:
3031:
3024:
3021:
3017:
3011:
3008:
3004:
2998:
2995:
2991:
2990:
2985:
2981:
2978:
2974:
2973:Mrs Radcliffe
2969:
2966:
2953:
2949:
2943:
2940:
2927:
2923:
2917:
2914:
2898:
2891:
2885:
2882:
2877:
2873:
2869:
2865:
2861:
2857:
2850:
2847:
2842:
2838:
2834:
2830:
2826:
2822:
2821:New Scientist
2815:
2812:
2799:
2795:
2789:
2786:
2782:
2781:9781880448601
2778:
2774:
2768:
2765:
2752:
2748:
2742:
2739:
2734:
2730:
2726:
2722:
2719:(1): 98–121.
2718:
2714:
2707:
2704:
2691:
2687:
2683:
2679:
2675:
2672:(78): 22–37.
2671:
2667:
2663:
2656:
2654:
2650:
2646:
2645:9780684312507
2642:
2638:
2632:
2629:
2625:
2624:9780684312507
2621:
2617:
2611:
2608:
2604:
2592:
2588:
2584:
2577:
2574:
2570:
2569:9780684312507
2566:
2562:
2558:
2553:
2550:
2546:
2542:
2538:
2535:
2529:
2526:
2522:
2521:
2516:
2512:
2509:
2503:
2500:
2496:
2492:
2488:
2484:
2483:Pringle,David
2479:
2476:
2472:
2471:9781137532800
2468:
2464:
2460:
2456:
2452:
2449:"Ira Levin's
2446:
2443:
2439:
2435:
2431:
2428:
2422:
2419:
2415:
2414:
2409:
2405:
2402:
2398:
2393:
2390:
2378:
2372:
2368:
2367:
2359:
2356:
2343:
2339:
2335:
2329:
2326:
2323:
2322:0-313-21221-X
2319:
2313:
2310:
2306:
2305:0-313-21221-X
2302:
2298:
2294:
2289:
2286:
2282:
2278:
2274:
2270:
2265:
2262:
2258:
2254:
2250:
2246:
2245:David Pringle
2242:
2237:
2234:
2229:
2226:
2220:
2217:
2212:
2205:
2202:
2198:
2194:
2191:
2186:
2184:
2182:
2180:
2176:
2170:
2167:
2161:
2158:
2152:
2149:
2136:
2132:
2126:
2122:
2121:
2113:
2110:
2106:
2095:
2093:9781725294189
2089:
2085:
2084:
2076:
2073:
2069:
2057:
2055:9780691145839
2051:
2047:
2046:
2041:
2040:Beal, Timothy
2035:
2032:
2028:
2022:
2019:
2016:
2012:
2009:
2003:
2000:
1997:
1993:
1990:
1984:
1981:
1977:
1973:
1967:
1964:
1951:
1947:
1943:
1937:
1934:
1929:
1925:
1918:
1915:
1910:
1908:0-14-006799-X
1904:
1900:
1896:
1892:
1885:
1882:
1878:
1873:
1871:0-415-90145-6
1867:
1863:
1859:
1852:
1849:
1842:
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1835:
1833:
1830:
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1815:
1813:
1810:
1808:
1805:
1803:
1800:
1798:
1795:
1791:
1788:
1786:
1785:Analog horror
1783:
1781:
1780:Weird fiction
1778:
1776:
1773:
1771:
1768:
1766:
1763:
1761:
1758:
1756:
1753:
1751:
1750:Ghost stories
1748:
1746:
1743:
1741:
1738:
1736:
1735:Crime fiction
1733:
1731:
1728:
1727:
1725:
1724:
1720:
1714:
1709:
1704:
1702:
1700:
1696:
1692:
1684:
1682:
1680:
1675:
1671:
1667:
1663:
1659:
1658:
1653:
1649:
1646:presents the
1645:
1637:
1634:
1629:
1626:
1624:
1620:
1616:
1611:
1604:
1599:
1596:
1595:
1594:
1592:
1588:
1584:
1580:
1576:
1574:
1570:
1566:
1562:
1558:
1551:of a society.
1550:
1544:
1540:
1536:
1535:
1529:
1524:
1519:
1518:. He writes:
1517:
1513:
1509:
1508:Victorian era
1505:
1501:
1497:
1492:
1488:
1486:
1482:
1478:
1473:
1471:
1465:
1460:
1457:
1454:
1450:
1446:
1445:psychological
1438:
1436:
1434:
1433:
1428:
1424:
1423:
1418:
1414:
1410:
1406:
1405:
1400:
1396:
1392:
1388:
1387:
1382:
1381:horror comics
1378:
1374:
1373:
1368:
1364:
1363:
1358:
1354:
1350:
1349:Carrie Vaughn
1346:
1343:
1342:urban fantasy
1340:
1332:
1330:
1328:
1324:
1320:
1316:
1312:
1308:
1307:James Herbert
1304:
1300:
1296:
1292:
1288:
1284:
1283:
1278:
1277:
1272:
1271:
1266:
1265:
1260:
1253:
1249:
1245:
1243:
1239:
1238:
1233:
1229:
1228:
1223:
1219:
1218:
1212:
1210:
1206:
1205:
1200:
1196:
1192:
1188:
1184:
1179:
1177:
1176:silver screen
1173:
1172:
1167:
1163:
1159:
1155:
1154:slasher films
1151:
1146:
1144:
1143:
1138:
1134:
1133:
1128:
1127:Thomas Harris
1124:
1123:Manson Family
1120:
1119:
1114:
1110:
1106:
1102:
1101:Fritz Haarman
1098:
1094:
1090:
1086:
1082:
1077:
1075:
1071:
1067:
1066:cosmic horror
1063:
1059:
1051:
1047:
1043:
1041:
1040:
1035:
1034:
1029:
1028:
1023:
1019:
1015:
1013:
1008:
1007:
1002:
1001:Gaston Leroux
994:
992:
990:
989:
984:
980:
979:
974:
970:
966:
962:
961:
956:
952:
951:
946:
942:
938:
934:
933:
928:
924:
923:
918:
914:
913:
908:
904:
900:
896:
895:
890:
886:
882:
881:John Polidori
878:
877:
872:
868:
864:
859:
851:
847:
843:
836:
834:
832:
831:Matthew Lewis
828:
827:
822:
821:Ann Radcliffe
818:
817:
812:
811:
806:
805:
800:
796:
795:
790:
786:
782:
781:anachronistic
778:
777:
772:
768:
767:Gothic horror
764:
756:
755:
750:
746:
742:
735:
733:
731:
727:
723:
719:
715:
711:
707:
703:
700:
696:
691:
689:
685:
676:
672:
670:
666:
662:
658:
654:
650:
646:
638:
636:
634:
630:
625:
623:
619:
611:
607:
605:
601:
597:
593:
589:
585:
581:
580:
575:
571:
567:
563:
559:
555:
551:
547:
537:
530:
525:
523:
521:
513:
509:
505:
501:
497:
486:
481:
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467:
466:
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463:
460:
455:
450:
449:
442:
441:
437:
435:
434:
430:
428:
425:
423:
420:
418:
415:
413:
410:
409:
406:Miscellaneous
403:
402:
395:
392:
390:
387:
385:
382:
380:
377:
373:
370:
369:
368:
365:
363:
360:
358:
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350:
348:
345:
344:
341:
336:
335:
328:
325:
323:
320:
318:
315:
313:
310:
308:
305:
303:
302:Organizations
300:
296:
293:
292:
291:
288:
286:
283:
281:
278:
274:
271:
269:
266:
265:
264:
261:
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227:
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219:
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209:
206:
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201:
199:
196:
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191:
189:
186:
184:
181:
179:
176:
172:
171:Early history
169:
168:
167:
164:
162:
159:
157:
154:
152:
149:
147:
144:
142:
139:
137:
134:
133:
130:
125:
124:
117:
114:
112:
109:
107:
106:Retrofuturism
104:
102:
99:
98:
95:
90:
89:
86:
82:
78:
74:
73:
68:
64:
60:
55:
51:
47:
40:
33:
19:
5043:
5031:
4861:
4829:Urban legend
4819:Splatterpunk
4804:Lovecraftian
4796:
4754:
4729:
4586:Contemporary
4541:High fantasy
4494:Fantasy film
4438:
4383:Afrofuturism
4315:Comic/comedy
4241:
4214:
4200:
4123:
4111:
4005:Urban legend
3990:Supernatural
3955:Black comedy
3776:Weird menace
3704:Lovecraftian
3613:Splatterpunk
3593:Dark fantasy
3458:
3405:
3379:
3372:
3346:
3334:
3328:
3308:
3305:Stephen King
3290:
3256:
3239:
3224:
3206:
3178:
3172:
3156:
3148:
3136:. Retrieved
3127:
3118:
3106:. Retrieved
3102:the original
3097:
3088:
3076:. Retrieved
3072:the original
3062:
3037:
3033:
3023:
3015:
3010:
3002:
2997:
2987:
2968:
2956:. Retrieved
2942:
2930:. Retrieved
2926:the original
2916:
2904:. Retrieved
2897:the original
2884:
2859:
2855:
2849:
2824:
2820:
2814:
2802:. Retrieved
2798:the original
2788:
2783:(p. 64, 67).
2772:
2767:
2755:. Retrieved
2741:
2716:
2712:
2706:
2694:. Retrieved
2669:
2665:
2636:
2631:
2626:(pp. 61–70).
2615:
2610:
2602:
2597:12 September
2595:. Retrieved
2586:
2576:
2560:
2552:
2528:
2518:
2502:
2486:
2478:
2462:
2459:The Exorcist
2458:
2454:
2450:
2445:
2421:
2411:
2392:
2380:. Retrieved
2365:
2358:
2346:. Retrieved
2337:
2328:
2312:
2296:
2288:
2272:
2264:
2259:(pp. 480–1).
2248:
2236:
2228:
2225:
2219:
2210:
2204:
2169:
2160:
2151:
2139:. Retrieved
2119:
2112:
2104:
2097:. Retrieved
2082:
2075:
2066:
2059:. Retrieved
2044:
2034:
2021:
2002:
1983:
1972:Frankenstein
1971:
1966:
1954:. Retrieved
1945:
1936:
1923:
1917:
1894:
1884:
1875:
1861:
1857:
1851:
1790:Space horror
1740:Dark fantasy
1691:dark fantasy
1688:
1655:
1641:
1631:
1627:
1612:
1608:
1582:
1579:Noël Carroll
1577:
1565:technologies
1561:protagonists
1554:
1532:
1523:aristocracy.
1521:
1515:
1493:
1489:
1474:
1467:
1462:
1458:
1442:
1430:
1420:
1402:
1391:Mike Mignola
1384:
1375:(2009), and
1370:
1360:
1336:
1333:21st century
1327:Peter Straub
1319:Clive Barker
1299:Brian Lumley
1295:Shaun Hutson
1280:
1274:
1268:
1262:
1261:, known for
1259:Stephen King
1256:
1252:Stephen King
1242:Thomas Tryon
1235:
1227:The Exorcist
1225:
1215:
1213:
1202:
1191:The Outsider
1180:
1169:
1150:horror films
1147:
1140:
1130:
1116:
1113:Robert Bloch
1097:Carl Panzram
1078:
1055:
1037:
1031:
1025:
1010:
1004:
998:
995:20th century
986:
981:(1897), and
976:
958:
948:
930:
920:
910:
892:
874:
871:Mary Shelley
855:
846:Mary Shelley
837:19th century
824:
814:
808:
802:
792:
788:
774:
760:
752:
749:Gothic novel
736:18th century
729:
692:
681:
642:
626:
608:
587:
578:
573:
558:Frankenstein
554:Mary Shelley
542:
512:J. A. Cuddon
495:
494:
438:
431:
339:
67:Gustave Doré
50:
18:Horror novel
4989:Fantastique
4774:Video games
4596:Dying Earth
4403:Time travel
4350:Space opera
4330:Dying Earth
4324:derivatives
4277:Definitions
4053:Horror host
4036:LGBT themes
4031:Conventions
3960:Fantastique
3875:Sea monster
3823:Evil clowns
3583:Creepypasta
3523:Video games
3203:Neil Barron
3179:Heterocosms
2827:(3216): 8.
2757:15 December
1956:2 September
1807:Horror film
1745:Death metal
1652:Bram Stoker
1619:Rudolf Otto
1573:antisemitic
1567:(such as a
1557:aristocracy
1427:Rick Yancey
1413:R. L. Stine
1357:Dan Simmons
1311:Dean Koontz
1270:The Shining
1204:I Am Legend
1181:The modern
1162:comic books
1111:. In 1959,
1105:Albert Fish
1074:ghost story
1070:M. R. James
1033:Weird Tales
1018:Tod Robbins
983:Bram Stoker
973:H. G. Wells
969:Lot No. 249
955:Oscar Wilde
917:Victor Hugo
885:The Vampyre
816:The Italian
785:reactionary
763:Romanticism
539:Athenodorus
531:Before 1000
357:Conventions
268:Conventions
203:Superheroes
146:Fantasy art
32:Horror film
5061:Categories
4999:Slipstream
4916:Masquerade
4871:Werewolves
4798:Goosebumps
4704:Magic item
4631:Lost world
4626:Historical
4553:Literature
4509:Television
4499:Literature
4422:Subculture
4224:Television
4058:Horrorcore
4041:characters
3975:Paranormal
3895:Werewolves
3860:Killer toy
3781:Weird West
3299:0786705523
3289:, (eds.),
3287:Kim Newman
3276:1003294393
3187:0809519070
3138:30 October
3108:30 October
2932:2 November
2906:2 November
2804:2 November
2497:(p.103-5)
2495:0246132140
2382:29 October
2269:Lee Server
2257:1558622063
1926:. London:
1843:References
1432:ParaNorman
1419:series or
1417:Goosebumps
1386:Hellblazer
1362:The Terror
1220:(1967) by
1132:Red Dragon
971:" (1892),
905:" (1820),
887:" (1819),
869:" (1812),
829:(1797) by
819:(1796) by
797:(1786) by
706:war crimes
669:Bisclavret
663:'s twelve
639:After 1000
579:Hippolytus
562:Hippolytus
389:Television
317:Television
208:Television
183:Literature
5014:Crossover
4959:Superhero
4921:Sexuality
4784:Subgenres
4764:Magazines
4601:Fairytale
4568:Subgenres
4504:Magazines
4482:Fantastic
4434:Gathering
4429:Community
4360:Tech-noir
4320:Cyberpunk
4292:Subgenres
4210:Magazines
4000:Tokusatsu
3922:Skeletons
3850:Gargoyles
3771:New weird
3682:Tasmanian
3566:Christmas
3508:Magazines
3189:(p. 200).
3054:149872472
2958:6 January
2841:126647318
2733:1468-2958
2686:194468640
2545:Thrillist
2455:The Other
2008:full text
1989:full text
1569:telegraph
1549:incarnate
1504:metaphors
1500:vampirism
1347:books by
1291:Anne Rice
1237:The Other
1222:Ira Levin
1201:'s novel
1166:EC Comics
852:(1840–41)
791:inspired
722:Bluebeard
699:Wallachia
659:. One of
604:Chaeronea
600:bathhouse
570:Euripides
566:Asclepius
63:The Raven
5045:Category
4857:Vampires
4852:Gargoyle
4646:Romantic
4641:Medieval
4576:Bangsian
4518:Creators
4345:Military
4335:Feminist
4233:Creators
4113:Category
3995:Thriller
3927:Vampires
3890:Werecats
3798:Monsters
3756:Survival
3724:Werewolf
3714:Jiangshi
3709:Monsters
3694:Japanese
3677:Suburban
3667:Southern
3662:American
3608:Grimdark
3603:Faustian
3561:Cannibal
3513:Podcasts
3365:Archived
3132:Archived
3078:13 April
2980:Archived
2952:Archived
2751:Archived
2690:Archived
2591:Archived
2537:Archived
2511:Archived
2473:(p.119)
2430:Archived
2413:HuffPost
2404:Archived
2348:17 March
2342:Archived
2193:Archived
2135:Archived
2068:culture.
2011:Archived
1992:Archived
1950:Archived
1946:phys.org
1775:Thriller
1705:See also
1623:numinous
1485:metaphor
1383:such as
1369:such as
1367:mash ups
1187:Cool Air
963:(1890),
953:(1886),
925:(1831),
915:(1827),
897:(1820),
879:(1818),
826:The Monk
813:(1794),
807:(1790),
765:and the
702:Vlad III
653:Werewolf
629:Biblical
596:murderer
584:Plutarch
520:metaphor
384:Podcasts
307:Podcasts
295:Timeline
188:Podcasts
4964:Western
4947:Related
4889:General
4611:Gaslamp
4558:Sources
4534:Studies
4525:Authors
4457:Fantasy
4282:History
4265:Studies
4256:Editors
4251:Authors
4072:Related
4048:Macabre
4026:Writers
3970:Mystery
3939:Witches
3932:Zombies
3917:Mummies
3880:Piranha
3865:Mutants
3843:Dragons
3838:Chimera
3719:Vampire
3501:History
2876:3346355
2520:Complex
2247:, ed.,
2099:9 April
2061:9 April
1928:Methuen
1657:Dracula
1591:villain
1587:monster
1496:Dracula
1395:Hellboy
1109:Ed Gein
1052:in 1915
988:Dracula
789:Otranto
714:woodcut
695:Dracula
612:(61 to
564:, whom
526:History
394:Writers
372:History
327:Writers
290:History
273:Fanzine
258:Editors
243:Artists
218:Writers
166:History
116:Writers
5033:Portal
5009:LitRPG
4906:Gender
4844:Tropes
4745:Comics
4730:Horror
4666:Tropes
4489:Comics
4388:Aliens
4370:Themes
4272:Awards
4191:Comics
4125:Portal
3985:Shenmo
3912:Ghosts
3902:Undead
3816:Ghouls
3811:Devils
3806:Demons
3761:Techno
3699:Korean
3657:Gothic
3652:Giallo
3620:Erotic
3588:Cosmic
3576:Zombie
3571:Comedy
3491:Comics
3403:about
3386:
3353:
3317:
3297:
3274:
3264:
3246:
3231:
3213:
3185:
3163:
3052:
2874:
2839:
2779:
2731:
2684:
2643:
2622:
2567:
2493:
2469:
2373:
2320:
2303:
2279:
2255:
2141:1 June
2127:
2090:
2052:
1905:
1868:
1668:. The
1660:. The
1481:Yorick
1477:Hamlet
1325:, and
1282:Misery
1264:Carrie
1234:, and
1183:zombie
1129:wrote
1118:Psycho
1103:, and
1068:, and
823:, and
794:Vathek
710:German
688:Melion
622:Athens
516:
496:Horror
459:Portal
379:Genres
352:Awards
322:Themes
285:Genres
263:Fandom
248:Awards
213:Worlds
193:Quests
161:Genres
141:Fandom
4979:Pulps
4974:Crime
4938:Women
4824:Queer
4750:Films
4738:Media
4709:Quest
4656:Urban
4581:Comic
4472:Anime
4465:Media
4196:Films
4184:Media
4014:Other
3907:Death
3870:Ogres
3855:Kaiju
3687:Urban
3647:Ghost
3551:Black
3539:Types
3496:Films
3486:Anime
3479:Media
3050:S2CID
2900:(PDF)
2893:(PDF)
2872:JSTOR
2837:S2CID
2696:1 May
2682:S2CID
1976:titan
1534:Punch
592:Cimon
582:. In
500:genre
498:is a
367:Films
347:Anime
238:Anime
198:Magic
156:Films
136:Anime
65:" by
59:Poe's
4969:Noir
4863:list
4792:Body
4756:list
4621:High
4616:Hard
4591:Dark
4440:list
4243:list
4216:list
4202:list
3642:Folk
3625:Guro
3556:Body
3528:list
3384:ISBN
3351:ISBN
3315:ISBN
3295:ISBN
3285:and
3272:OCLC
3262:ISBN
3244:ISBN
3229:ISBN
3211:ISBN
3183:ISBN
3161:ISBN
3140:2014
3110:2014
3080:2010
2960:2019
2934:2012
2908:2012
2806:2012
2777:ISBN
2759:2012
2729:ISSN
2698:2019
2641:ISBN
2620:ISBN
2599:2010
2565:ISBN
2491:ISBN
2467:ISBN
2384:2015
2371:ISBN
2350:2020
2318:ISBN
2301:ISBN
2277:ISBN
2253:ISBN
2143:2023
2125:ISBN
2101:2021
2088:ISBN
2063:2021
2050:ISBN
1958:2020
1903:ISBN
1866:ISBN
1502:are
1379:and
1156:and
1087:and
1079:The
1036:and
1016:was
967:'s "
901:'s "
883:'s "
865:'s "
856:The
665:lais
643:The
576:and
548:and
312:Film
4636:Low
4477:Art
3546:Art
3042:doi
2986:",
2975:, "
2864:doi
2829:doi
2825:241
2721:doi
2674:doi
1693:or
1589:",
1581:'s
1425:by
1415:'s
1401:'s
1393:'s
1240:by
1230:by
985:'s
957:'s
947:'s
929:'s
919:'s
909:'s
891:'s
873:'s
848:by
690:".
671:".
647:by
602:in
586:'s
502:of
5063::
4393:AI
3371:,
3345:,
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3270:.
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3126:.
3096:.
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2870:.
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2749:.
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2670:78
2668:.
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2178:^
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1944:.
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1893:.
1874:.
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