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177:" I walked to his London studio and he was talking of an haute couture show, "I tried to please them and I fucked it up so I'm going to do my own thing". For the creation of the garments, McQueen applied classic patterns to "street-wear fabrics", resulting on leather and denim frock coats. He also experimented with structures, creating higher and wider shoulders, irregular cuts and sharp tailoring. He also added taxidermy pieces as crocodile heads or antelope alters; some of the pieces had hair stuck to it: "The idea of this piece is that a beast has eaten a lovely blond girl and she is trying to get out" (Alexander McQueen the works ). Some of the pieces included prints of
587:
know, I regretted it after, but I wanted to change the look so quickly, so fast, to break a complete look from
Galliano to McQueen and, the reason we did it in white was that the people could choose the colours, so we gave them a blank page to work on and just the structure. But fashion people are not that intelligent, they want to see all the colours all the time. You know, if you tell them "I give you a blank page, choose your colour, chose your fabric," they are not intelligent to do that; I learned that fast.
118:
know, I regretted it after, but I wanted to change the look so quickly, so fast, to break a complete look from
Galliano to McQueen and, the reason we did it in white was that the people could choose the colours, so we gave them a blank page to work on and just the structure. But fashion people are not that intelligent, they want to see all the colours all the time. You know, if you tell them "I give you a blank page, choose your colour, chose your fabric," they are not intelligent to do that; I learned that fast.
205:. Bashed-up cars were installed, along with heaters and bleachers at the sides of the catwalk. The whole budget for the show was $ 100.000 and a group of 100 helpers were needed to build the set. Simon Chauduoir, who was in charge of the lighting and sound, used red lightning to create a sinister atmosphere during the previous moments of the show's beginning and used faint lightning during the show with degradation, to resemble fabric's dye. The show included music from
68:. Fur, silk, leather and acid-washed denim were used for the confection of the garments; additionally, some of the pieces featured antlers and taxidermy crocodile heads, human hair and iron jewellery. Acclaimed by the press, this collection restated McQueen as one of the leading figures in fashion after his highly criticized debut with Givenchy. In 2011, several pieces were displayed in the exhibition dedicated to the designer's career,
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it lasts a few months. And that's how I see human life, in the same way, you know, we all can be discarded quite easily and, nothing depicts it more honestly than the way animals are. And, I was trying also say the fragility of a designer's time in the press, you're there, you're gone; It's a jungle out there!
166:
it lasts a few months. And that's how I see human life, in the same way, you know, we all can be discarded quite easily and, nothing depicts it more honestly than the way animals are. And, I was trying also say the fragility of a designer's time in the press, you're there, you're gone; It's a jungle out there!
226:
gazelle's markings, and some of them included shapes that resembled animal ears. Most of the fabrics used in this show were fur, leather and silk, although cotton was used in the pieces with Campin's painting prints. Some of the looks included pieces of jewellery like iron horns, hands and claws. The model
822:
The whole show's feeling was about
Thomson's Gazelle; it is a poor little creature. Their markings are lovely; It has got these dark eyes, and the white belly with the black lines, tan and the horns in the back. But it is the food chain on Africa, as soon as it is born is dead; I mean you're lucky if
586:
The reason I did that is that there had to be a major break between me and John
Galliano; because John has got such a… you know, a vision of his own. For me to take over, I wanted it to be a complete break. And another reason why we did the whole collection in white and gold was, I mean, I feel… you
176:
The collection was crafted between
January and February 1997, in McQueen's studio in London. The designer intended to take the toughness and irreverence of McQueen's London, in opposition to the wealthy and elegant atmosphere of Givenchy. According to Sebastian Pons, his design assistant at the time:
165:
The whole show's feeling was about
Thomson's Gazelle; it is a poor little creature. Their markings are lovely; It has got these dark eyes, and the white belly with the black lines, tan and the horns in the back. But it is the food chain on Africa, as soon as it is born is dead; I mean you're lucky if
117:
The reason I did that is that there had to be a major break between me and John
Galliano; because John has got such a… you know, a vision of his own. For me to take over, I wanted it to be a complete break. And another reason why we did the whole collection in white and gold was, I mean, I feel… you
150:
In the midst of the controversy created by his
Givenchy debut, McQueen found the inspiration for his next collection in nature; "I get a lot of inspiration from nature itself, it comes a lot in my work really; I mean, it is a big aesthetic for me so, I work on that a lot". In that aesthetic, McQueen
198:
The show was set in the
Borough Market which, at the time, according to Simon Costin was a "rough" area. Costin used the galleries of the market as the catwalk and built an iron backdrop with fake bullet holes to create a gritty atmosphere; he found inspiration for this idea in the ending scene of
100:
as the creative director of
Givenchy was made in October 1996, McQueen started to work on what it would be his first collection with the French couture house. McQueen and his team created a collection of 55 looks in 25 days; he found inspiration for the collection in Givenchy's logo and used the
225:
The hair and makeup were created to make the models look like animals. The markings of Thompson's gazelle's eyes were recreated and also some models wore white contact lenses intending to make them look more "animalistic". The hairstyles were mostly influenced by mullet or mohawks style, dyed as
128:
The pieces displayed McQueen's precise structures. Most of the pieces were made of white and golden fabrics, some of them included details of golden embroidery or bone feathers. The models exhibited big hairstyles in the shape of horns and butterfly wings, at times, decorated with headdresses or
256:
During the show, the pile of crashed cars was set on fire after a group of people destroyed the barricades trying to get in made the heaters fall. According to Debra Shaw, "Had that not been rectified, that whole tent, all the top fashion editors and models would have been history". Despite the
243:
which was made of brown leather and denim; it also included crocodile taxidermy in the shoulders. There were fur dresses and see-through pieces with human hair attached. The show closed with the models Debra Shaw, wearing a pony-skin jacket with impala horns over the shoulders, and
267:
The women's wear got stuck in customs at Heathrow Airport 48 hours before the show. Katy England, McQueen's stylist, left the studio by night and came back in the early morning with the pieces. They spent 24 hours working on the pieces to get them ready for the show.
276:
The collection has been remembered as the one which reaffirmed McQueen's figure as one of the most important designers of the 1990s. In 2011, some of the pieces that were part of this collection were used in the retrospective exhibition
234:
dress with patterned floral shapes cut over the fabric, leather gloves and iron jewellery which covered her cheekbones, so the light made her face resemble a Thompson's gazelle. The collection would include pieces like acid-washed
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141:
stated that the designer "made a brave and admirable move". The collection has been considered a "failure" in McQueen's career, even the British designer confessed that he felt it "unsuccessful" for himself.
135:
qualified the collection as "vulgar" and "hostile". The French fashion editors criticized the election of McQueen as the creative director of Givenchy while the British press defended McQueen's work;
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113:
in Paris on January 19, 1997, as part of the Paris Fashion Week. The garments were made in white and gold (as Givenchy's label colours), but in the words of the British designer:
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709:"Givenchy Swings Back to the Future: Alexander McQueen, the maverick designer, has created a clear- cut, modern, first haute couture collection"
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601:"Givenchy Swings Back to the Future:Alexander McQueen, the maverick designer, has created a clear- cut, modern, first haute couture collection"
239:
coats and jeans, leather tailoring jackets, silk dresses and tops etc. In some cases, the clothes mixed different fabrics as the piece worn by
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I get a lot of inspiration from nature itself, it comes a lot in my work really; I mean, it is a big aesthetic for me so, I work on that a lot
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The menswear had all arrived from the factories in Italy as expected, but the women's wear samples got stuck in customs at Heathrow.
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One of the models arrived late and was fired. During the years, numerous McQueen biographers have pointed out that the model was
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155:. According to Simon Costin, set designer for McQueen's shows, "his mood boards were covered with blow-ups of images of
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his mood boards were covered with blow-ups of images of National Geographic of gazelles being torn apart by lions
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Had that not been rectified, that whole tent, all the top fashion editors and models would have been history
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379:"The Nature of Alexander McQueen: The Aesthetics of Fashion Design as a Site of Environmental Change"
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found an analogy between his experience with the press after the Givenchy debut and nature in the
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The idea of this piece is that a beast has eaten a lovely blond girl and she is trying to get out
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946:] (Youtube). England: rawanimal2002. Event occurs at 00:13:29 – 00:13:35. Archived from
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910:] (Youtube). England: rawanimal2002. Event occurs at 12:14–12:30. Archived from
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risks, McQueen did not stop the show and kept sending the models out to the catwalk.
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64:(Southwark, London) in February 1997 and it featured a total of 75 looks inspired by
53:
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1040:(Internet). England: Ian Bonhôte Andee Ryder. Event occurs at 00:55:24 – 00:55:33
878:(Internet). England: Ian Bonhôte Andee Ryder. Event occurs at 00:55:24 – 00:55:33
1232:(Internet). England: Ian Bonhôte Andee Ryder. Event occurs at 00:54:48-00:54:55
548:(Internet). England: Ian Bonhôte Andee Ryder. Event occurs at 00:46:16-00:47:29
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44:(Autumn/Winter 1997) is the tenth collection of the British fashion designer
661:(DVD). England: Ian Bonhôte Andee Ryder. Event occurs at 00:46:16-00:47:29
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I tried to please them and I fucked it up so I'm going to do my own thing
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57:
1662:
Gods and Kings: The Rise and Fall of Alexander McQueen and John Galliano
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484:"Savage Beauty: The strange and stunning fashions of Alexander McQueen"
231:
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1285:"Renegades Of Fashion: Alexander McQueen — "It's a Jungle Out There"
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BBC Documentary 'The Works' - Alexander McQueen 'Cutting Up Rough'
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BBC Documentary 'The Works' - Alexander McQueen 'Cutting Up Rough'
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BBC Documentary 'The Works' - Alexander McQueen 'Cutting Up Rough'
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BBC Documentary 'The Works' - Alexander McQueen 'Cutting Up Rough'
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1145:(Youtube). England: thekinolibrary. Event occurs at 00:30 –03:27
576:(Internet). England: Charlie Rose. Event occurs at 07:49 – 08:30
1173:(Youtube). England: fashiongirl22. Event occurs at 17:36 –18:15
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BBC Documentary 'The Works' Alexander McQueen 'Cutting Up Rough'
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BBC Documentary 'The Works' Alexander McQueen 'Cutting Up Rough'
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BBC Documentary 'The Works' Alexander McQueen 'Cutting Up Rough'
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BBC Documentary 'The Works' Alexander McQueen 'Cutting Up Rough'
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1997 Alexander McQueen, It's A Jungle Out There, Catwalk Rushes
812:(Youtube). England: rawanimal2002. Event occurs at 23:22–24:08
776:(Youtube). England: rawanimal2002. Event occurs at 22:57–23:04
743:(Internet). England: Charlie Rose. Event occurs at 07:38–07:45
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Alexander McQueen Fall/Winter 1997, "It's a Jungle Out There"
96:
After the announcement that Alexander McQueen would replace
52:) after his debut as the creative director of the French
510:"Alexander McQueen: The Fashion Show That Made His Name"
458:"Alexander McQueen:The Fashion Show That Made His Name"
302:"Alexander McQueen:The Fashion Show That Made His Name"
1256:"20 Years Ago, Alexander McQueen Made Fashion History"
1193:"Alexander McQueen Fall 1997 Ready-To-Wear Slide Show"
1112:"20 Years Ago, Alexander McQueen Made Fashion History"
1086:"20 Years Ago, Alexander McQueen Made Fashion History"
1002:"20 Years Ago, Alexander McQueen Made Fashion History"
837:"20 Years Ago, Alexander McQueen Made Fashion History"
432:"Alexander McQueen Fall 1997 Ready-To-Wear Slide Show"
353:"20 Years Ago, Alexander McQueen Made Fashion History"
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682:"Among Couture Debuts, Galliano's Is the Standout"
248:wearing a dark fur coat with a golden necklace.
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105:to create the whole concept. The collection,
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129:jewellery. The reaction was mostly negative;
8:
1715:Super Bowl XXXVIII halftime show controversy
16:1997 fashion collection by Alexander McQueen
327:"Alexander McQueen Fall 1997 Ready-to-Wear"
217:", lion roars were also used for the show.
109:(Spring/Summer 1997), was presented at the
1765:February 1997 events in the United Kingdom
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161:of gazelles being torn apart by lions".
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1164:Alexander McQueen (27 February 1997).
1136:Alexander McQueen (27 February 1997).
734:Alexander McQueen (17 November 1997).
567:Alexander McQueen (17 November 1997).
60:. The collection was presented at the
7:
48:, and the first one released (under
183:The Bad Thief to the Left of Christ
1406:Jack the Ripper Stalks His Victims
1310:"Alexander McQueen: Savage Beauty"
976:"Alexander McQueen: Savage Beauty"
936:Alexander McQueen (20 July 1997).
900:Alexander McQueen (20 July 1997).
798:Alexander McQueen (20 July 1997).
762:Alexander McQueen (20 July 1997).
407:"Alexander McQueen: Savage Beauty"
14:
1218:Alexander McQueen (8 June 2018).
1026:Alexander McQueen (8 June 2018).
864:Alexander McQueen (8 June 2018).
652:Alexander McQueen (8 June 2018).
534:Alexander McQueen (8 June 2018).
221:The collection: stylistic aspects
76:in New York and, in 2015, at the
1653:Alexander McQueen: Savage Beauty
280:Alexander McQueen: Savage Beauty
230:opened the show wearing a black
70:Alexander McQueen: Savage Beauty
1576:The Girl Who Lived in the Tree
1:
1770:Alexander McQueen collections
1526:The Dance of the Twisted Bull
627:"Givenchy Spring 1997 Coture"
1409:(1992 graduation collection)
146:Concept and creative process
107:Search for the Golden Fleece
91:Search for the Golden Fleece
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1386:(former creative director)
1289:Fashion Industry Broadcast
78:Victoria and Albert Museum
74:Metropolitan Museum of Art
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1684:(2018 documentary film)
1476:It's a Jungle Out There
103:Jason and the Argonauts
41:It's a Jungle Out There
27:It's a Jungle Out There
1566:The Widows of Culloden
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1610:Illusion of Kate Moss
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1734:†A/W = Autumn/Winter
1729:‡S/S = Spring/Summer
688:. The New York Times
111:École des Beaux-Arts
1060:"Long Live Mc@ueen"
707:Blanchard, Tamsin.
599:Blanchard, Tamsin.
482:Alleyne, Allyssia.
209:"Witch Doktor" and
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132:The New York Times
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377:Slone, Isabel.B.
306:Fashion Telegraph
211:Kool and the Gang
207:Armand van Helden
153:Thomson's gazelle
66:Thomson's gazelle
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1384:Sarah Burton
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1197:Vogue Runway
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1708:Shaun Leane
1674:(2015 play)
1429:(S/S 1994)‡
1419:(A/W 1993)†
1416:Taxi Driver
1396:Collections
713:Independent
605:Independent
252:Curiosities
80:in London.
1749:Categories
1579:(A/W 2008)
1569:(A/W 2006)
1559:(S/S 2006)
1549:(A/W 2004)
1539:(S/S 2003)
1529:(S/S 2002)
1519:(S/S 2001)
1509:(S/S 2000)
1499:(A/W 1999)
1489:(A/W 1998)
1479:(A/W 1997)
1469:(A/W 1996)
1459:(S/S 1996)
1456:The Hunger
1449:(A/W 1995)
1439:(S/S 1995)
1319:4 November
1314:Met Museum
1294:4 November
1265:22 October
1236:1 November
1203:22 October
1177:4 November
1149:4 November
1121:4 November
1095:4 November
1069:4 November
1044:1 November
1011:4 November
985:22 October
980:Met Museum
957:2 November
921:2 November
882:1 November
846:2 November
816:2 November
780:2 November
747:1 November
719:4 November
692:4 November
665:1 November
637:3 November
611:4 November
580:1 November
552:1 November
519:22 October
493:22 October
467:22 October
441:22 October
416:22 October
411:Met Museum
391:22 October
362:22 October
336:26 October
311:22 October
287:References
241:Jaime King
171:A. McQueen
123:A. McQueen
84:Background
1436:The Birds
386:uwaterloo
72:, at the
50:his brand
35:, V&A
1644:In media
1426:Nihilism
246:Alek Wek
185:, 1430.
169:—
121:—
101:myth of
58:Givenchy
1693:Related
1681:McQueen
1671:McQueen
1603:Bumster
1588:Designs
1556:Neptune
1230:(Video)
1226:McQueen
1221:McQueen
1199:. VOGUE
1171:(Video)
1143:(Video)
1038:(Video)
1034:McQueen
1029:McQueen
951:(Video)
915:(Video)
876:(Video)
872:McQueen
867:McQueen
810:(Video)
774:(Video)
741:(Video)
659:(Video)
655:McQueen
633:. VOGUE
574:(Video)
546:(Video)
542:McQueen
537:McQueen
232:leather
194:Setting
1627:finale
1625:No. 13
1228:]
1064:Tumblr
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272:Legacy
56:house
1536:Irere
1466:Dante
1369:Label
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382:(PDF)
237:denim
1516:Voss
1486:Joan
1321:2020
1296:2020
1267:2020
1238:2020
1205:2020
1179:2020
1151:2020
1123:2020
1097:2020
1071:2020
1046:2020
1013:2020
987:2020
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582:2020
554:2020
521:2020
495:2020
469:2020
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364:2020
338:2020
313:2020
1506:Eye
488:CNN
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