497:
470:
402:, an urban settlement which was perfectly symmetrical, proportioned, spacious, elegant, grand and beautiful. No city in Italy truly reached this state, but many, such as Florence, Vicenza, Pienza and Rome became very similar, and were geometric and planned, full of palazzi and gardens. Scientific thought was also highlighted in the Renaissance, with new scientists such as
492:
and wood, these chests were often dark and elaborate, and their grandness depended on people's different classes (wealthier people had more sumptuous ones, whilst poorer classes' chests were often far simpler). The best decorators and sculptors in Italy often produced grand and beautiful chests for
570:
as an alternative to the portico. This can most simply be described as a recessed portico, or an internal single storey room, with pierced walls that are open to the elements. Occasionally a loggia would be placed at second floor level over the top of a loggia below, creating what was known as a
414:). At the same time of this period of urbanisation and artistic thought, interior design was heavily affected too, changing nearly completely from that of the Middle Ages. The sumptuous palazzi of noblemen and the middle-classes began to be decorated with
351:). Along with this new movement, a whole new set of architectural principles were put in place, and the old Medieval and Gothic styles were neglected, and Classical designs were preferred. Cities such as
539:
were considered symbols of wealth, and the wealthiest families had them made very sumptuous and grand. Poorer people's chairs had x-shaped backs, and some could only afford plain three-legged stools.
488:) or marriage chests, were the most desired and common features of homes, and despite the fact that they were expensive, were bought by nearly all the social classes. Made with
395:
began to be influenced by these new styles, often constructing elegant piazzas, beautiful palaces and re-designing some of the cluttered urban arrangements of the Middle Ages.
496:
469:
493:
some of the most important noble families of the time. Even though these chests were used to put objects inside of them, many were used simply for decoration.
216:
562:
were built on all sides so that occupants could fully appreciate the countryside while being protected from the sun, similar to many
American-style
291:
204:
335:
artistic, cultural and social movement which swept across Europe and revolutionized
European thought and philosophy. The Renaissance ended the
61:
558:, facades were frequently designed to be of equal value so that occupants could have fine views in all directions. Also, in such cases,
533:
became popular at the time, and were made out of marble (the rich people used them as legs to their dining tables). Chairs such as the
594:
517:, and was usually rich in style, with many inlays of ivory, gold, stone, marble or other precious materials, often decorated with
339:
and began a period of intensive learning, cultural appreciation and thought which still influences modern politics and society (
51:
555:
551:
56:
121:
656:
284:
447:
96:
446:
had their palaces decorated with grand marble sculptures and beautiful paintings, representing wealth, power and
179:
651:
575:
has as its focal point a loggia rather than a portico, plus loggias terminating each end of the main building.
661:
277:
20:
340:
571:
double loggia. Loggias were sometimes given significance in a facade by being surmounted by a pediment.
411:
312:
165:
258:
590:
130:
426:
and lavish furniture. The most powerful
Italian families of the time, such as the Florentine
431:
199:
101:
547:
439:
435:
427:
403:
160:
135:
521:. Much furniture was also relatively grotesque (a French variation of the Italian word
407:
348:
211:
150:
140:
28:
645:
228:
223:
344:
66:
443:
336:
332:
155:
71:
572:
399:
518:
419:
243:
145:
535:
530:
526:
415:
398:
The architectural aim of the 15th and 16th centuries was to construct an
352:
324:
263:
76:
559:
473:
464:
364:
328:
248:
170:
307:
refers to interior decorations, furnishing and the decorative arts in
567:
514:
510:
423:
380:
376:
372:
360:
233:
563:
495:
468:
392:
388:
384:
368:
308:
253:
238:
356:
500:
Chair with velvet upholstery and bone, horn, and boxwood inlay
554:
with reference to their setting. If on a hill, such as
587:
Furniture: world styles from classical to contemporary
623:
621:
619:
617:
615:
613:
529:
and monsters to make these items seem more amusing.
315:period (c. mid-14th century – late-16th century).
509:Furniture was mainly made out of wood, often
285:
8:
292:
278:
15:
609:
525:), often creating sculpted odd-looking
406:, and the first ever female doctorate,
27:
7:
566:of today. Palladio sometimes used a
305:Italian Renaissance interior design
319:History, background and influences
14:
331:, was the founding nation of the
343:was mainly inspired by that of
1:
505:Furniture and decorative work
219:Postgraduate School of Design
122:Fashion designers of Florence
678:
462:
97:History of Italian fashion
180:List of Italian designers
585:Miller, Judith (2005).
501:
477:
410:(who graduated at the
341:Renaissance philosophy
207:il Disegno Industriale
627:Miller (2005) p.28-29
499:
476:from the 15th century
472:
323:Italy, in particular
550:always designed his
438:, the Italo-Spanish
657:Italian Renaissance
412:University of Padua
313:Italian Renaissance
259:Dolce & Gabbana
636:Copplestone, p.251
502:
478:
166:Valentino Garavani
589:. DK Publishing.
459:(Marriage) Chests
442:and the Urbinese
302:
301:
131:Donatella Versace
669:
637:
634:
628:
625:
600:
294:
287:
280:
205:Associazione per
102:Fashion in Milan
16:
677:
676:
672:
671:
670:
668:
667:
666:
652:Interior design
642:
641:
640:
635:
631:
626:
611:
607:
597:
584:
581:
548:Andrea Palladio
545:
507:
467:
461:
456:
434:, the Milanese
404:Galileo Galilei
321:
298:
269:
268:
218:
206:
195:
194:
185:
184:
176:
175:
161:Roberto Cavalli
136:Ettore Sottsass
126:
117:
116:
107:
106:
92:
91:
82:
81:
42:
41:
39:
38:Interior design
12:
11:
5:
675:
673:
665:
664:
662:Italian design
659:
654:
644:
643:
639:
638:
629:
608:
606:
603:
602:
601:
595:
580:
577:
544:
541:
506:
503:
463:Main article:
460:
457:
455:
452:
408:Elena Piscopia
349:Ancient Greece
320:
317:
300:
299:
297:
296:
289:
282:
274:
271:
270:
267:
266:
261:
256:
251:
246:
241:
236:
231:
226:
221:
217:Domus Academy,
214:
212:Cassina S.p.A.
209:
202:
196:
192:
191:
190:
187:
186:
183:
182:
174:
173:
168:
163:
158:
153:
151:Giorgio Armani
148:
143:
141:Gianni Versace
138:
133:
127:
125:
124:
118:
114:
113:
112:
109:
108:
105:
104:
99:
93:
89:
88:
87:
84:
83:
80:
79:
74:
69:
64:
59:
54:
49:
43:
37:
36:
35:
32:
31:
29:Italian design
25:
24:
13:
10:
9:
6:
4:
3:
2:
674:
663:
660:
658:
655:
653:
650:
649:
647:
633:
630:
624:
622:
620:
618:
616:
614:
610:
604:
598:
596:0-7566-1340-X
592:
588:
583:
582:
578:
576:
574:
569:
565:
561:
557:
553:
549:
542:
540:
538:
537:
532:
528:
524:
520:
516:
512:
504:
498:
494:
491:
487:
483:
475:
471:
466:
458:
453:
451:
449:
445:
441:
437:
433:
429:
425:
421:
417:
413:
409:
405:
401:
396:
394:
390:
386:
382:
378:
374:
370:
366:
362:
358:
354:
350:
346:
342:
338:
334:
330:
326:
318:
316:
314:
310:
306:
295:
290:
288:
283:
281:
276:
275:
273:
272:
265:
262:
260:
257:
255:
252:
250:
247:
245:
242:
240:
237:
235:
232:
230:
229:Valentino SpA
227:
225:
224:Memphis Group
222:
220:
215:
213:
210:
208:
203:
201:
198:
197:
189:
188:
181:
178:
177:
172:
169:
167:
164:
162:
159:
157:
154:
152:
149:
147:
144:
142:
139:
137:
134:
132:
129:
128:
123:
120:
119:
111:
110:
103:
100:
98:
95:
94:
86:
85:
78:
75:
73:
70:
68:
65:
63:
60:
58:
55:
53:
50:
48:
45:
44:
34:
33:
30:
26:
22:
18:
17:
632:
586:
579:Bibliography
546:
543:Palladianism
534:
522:
508:
489:
485:
481:
479:
430:, the Roman
397:
355:, and later
345:Ancient Rome
322:
304:
303:
62:Neoclassical
46:
556:Villa Capra
444:Montefeltro
337:Middle Ages
333:Renaissance
311:during the
156:Renzo Piano
72:Art Nouveau
47:Renaissance
646:Categories
605:References
573:Villa Godi
484:(singular
420:sculptures
416:tapestries
400:ideal city
531:Caryatids
527:gargoyles
523:grottesco
519:marquetry
454:Furniture
244:Ferragamo
146:Gio Ponti
115:Designers
40:by period
560:porticos
536:sgabello
448:prestige
353:Florence
325:Florence
264:Moschino
77:Art Deco
21:a series
19:Part of
564:porches
486:cassone
482:cassoni
474:Cassone
465:Cassone
432:Farnese
424:frescos
365:Vicenza
329:Tuscany
249:Versace
171:Zanussi
90:Fashion
52:Baroque
593:
568:loggia
552:villas
515:willow
511:walnut
480:Large
440:Borgia
436:Sforza
428:Medici
381:Naples
377:Pienza
373:Verona
361:Venice
234:Armani
200:Alessi
67:Empire
57:Rococo
490:gesso
393:Siena
389:Milan
385:Turin
369:Padua
309:Italy
254:Prada
239:Gucci
193:Other
591:ISBN
391:and
357:Rome
347:and
327:and
513:or
648::
612:^
450:.
422:,
418:,
387:,
383:,
379:,
375:,
371:,
367:,
363:,
359:,
23:on
599:.
293:e
286:t
279:v
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.