Knowledge (XXG)

Iftah Ya Simsim

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and one of the private corporations that sponsored the new show. The participants took into consideration the educational changes that had occurred in the region in the previous 20 years, including a more diverse and complicated world and a need for more creativity to educate young children. The seminar focused on the education needs of children throughout the Arab world, the possible effects of the show's return, and how to provide educational resources and technology to children in the 21st century. The seminar participants recommended the creation of an advisory council, consisting of education experts and media professionals, as well as expanding to new media forms other than TV, and including important Arab celebrities as guests on the show, all components that the American show used.
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dropping out of the studies. In 1981, however, the JPPI invited children from Arab countries to Kuwait to access how they assimilated the program. Their attitudes about the show were assessed by education, social, and media specialists, who found that most viewers had benefited from watching it. Parents reported that their children's language use and ability improved, and the JPPI received many letters of appreciation and was commended for their efforts in producing the show. In 1984, in one of the first studies conducted researching the show's effects on its young viewers, Ibrahim Al-Khulaifi compared the relationship between the viewing behavior by the Kuwaiti preschooler of
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should be used sparingly, like passive verb forms, and what features they wanted to completely avoid, such as some prepositions. According to Versteegh, "These principles have been followed rather closely". Children who appeared on the show made few grammatical errors in MSA, and although colloquialisms were used rarely, there was an informal quality in their conversations and speech patterns. Versteegh postulated that it was due to the use of intonation patterns and interjections, instead of the use of grammatical and lexical items from the vernacular use of the language. He also said that
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illiteracy adversely affected their children's educational and social development. Half of Kuwaitis who lived in the rural areas of the country were illiterate. Literacy rates for women and girls were worse: UNESCO reported in 2005 that they "account for two thirds of the region's illiterates". In 2000, before the revived show aired, the Arab region had some of the world's lowest adult literacy rates, at a little over 62%, which was well below the world average of 84% and in developing countries (almost 76.5%). The Kuwaiti 1980 census also showed that even though
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Arabic language. As with the original, outreach was an important part of the new show. Even before the show aired, four characters from the original toured the region, educating young children and their families about road and car safety. The cast and crew took a break from filming for a few months for "constant live events" to interact with their young viewers. Books, DVDs, CDs, online material and outreach programs for children, parents, and teachers were produced.
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Arab history through segments which, for example, showed castles that were the center of historic battles. Geography was highlighted, especially the location of countries and their cities and capitals, which had the secondary effect of helping children increase their feelings of belonging and feeling proud of their Arab heritage. Children's social awareness, especially their comprehension of social roles and their functions, was also emphasized.
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Kassem, Asma Alshamsi, Natheer Khawaldeh, Maher Mozawak, Noura Sadaka, and Michel Jabali. Actors appearing on the show with the muppets included Abdulla Rafa (in the role of Rashid) and Fatma Al Taei (as Amal). The educational content of the show is directed by the Educational Advisory Committee and the representatives of the Arab Bureau of Education for the Gulf States (ABEGS).
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interaction. According to researchers Misbah Al-Khayr and Hashim Al-Samira'i, the program reinforced "the values and ethics that are derived from the teaching of orthodox Islam ... to help children develop a sound moral vision on the basis of which they will build their family relationships, and which will reinforce the values of cooperation, love, and justice".
779: 663:, the Arab Bureau of Education for the Gulf States and Bedia Media. Along with live shows at schools, the show interacted with fans by means of Facebook, a YouTube channel, and Instagram accounts. The show announced its focus on regional traditions, culture, values, customs, and manners with the characters speaking in classical Arabic. 33: 413:. The show was tested on different socioeconomic groups of children, between the ages of three and six, in kindergartens and preschools in four representative cities from Arab countries. The team proposed curriculum goals based upon the research and, during a seminar, Arab and CTW educators agreed on ten final goals. 249:
from watching it. In 2010, efforts began to revive the show for a new generation of young viewers in the Arab world. In late 2013, fifteen writers and producers from Bidaya Media attended training about its educational methodology and production techniques from the staff of the American show in New York.
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In February 2017 Bidaya Media started production on season two of the relaunch of Iftah Ya Simsim, Noura Sadaka and Natheer Khawaldeh didn't come back for the new season. In addition, two new Muppets were introduced to the cast, Ka'aki (Cookie Monster) and Elmo. Puppeteer and Voice actor Ammar Sabban
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The reboot saw the return of many characters from the 1979 original, like No'man the camel and the bird muppet Melsoon, and the appearance of new muppets: "Shams, a quick witted 6-year-old girl who is full of energy and loves to express herself". Six puppeteers were involved with season one: Abdullah
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became one of the most popular and successful programs for children in many Arab states. Critics called it "one of the most successful pan-Arab collaborations of educators, creators, writers and artists from the Middle East". The show inspired many studies, which demonstrated that children benefited
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became one of the most popular and successful programs for children in many Arab states". Critics called it "one of the most successful pan-Arab collaborations of educators, creators, writers and artists from the Middle East". The show continued to trigger nostalgia in its fans, some of whom watched
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A seminar was held in 2011 to design the show's curriculum and educational framework. The seminar, also attended by ABEGS representatives, was sponsored by the GCC Joint Program Production Institution (GCC-JPPI) and Saudi Basic Industries Corporation (SABIC), a manufacturing company based in Riyadh
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The producers wanted to present the characteristics of the Arabic language and its alphabet. Because pre-production research showed that, although many dialects are spoken in the region, 90% of Arab children were able to understand Modern Standard Arabic (MSA), it was chosen as the show's language.
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Other curriculum topics chosen during the seminar included Arabic culture and heritage, school readiness, health and wellness, and female education. The seminar participants decided to use MSA, like the producers had done for the original show, citing an even greater need to expose children to the
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was "based on an explicit didactic and linguistic concept". The show's developers decided to use specific aspects of the language. Despite the absence of case endings in the dialects spoken by many of its users, the producers used them and other features of MSA. They also spelled out what features
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was in pre-production in March 2014, and that the first phase of auditions took place in April 2014, after, according to Al-Sharhan, a year of designing the show, "with input from child development experts, educators and cultural consultants". A casting call for a competitive search of performers
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proved that it was "possible to use an informal register of Modern Standard Arabic". Versteegh reported that although the show was criticized in some Arab countries, Egypt in particular, for containing too many colloquialisms, he thought the criticism was biased and that "the selection of lexical
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emphasized scientific thinking and the effects of technology on society. It sought to provide children with experiences that enriched their knowledge about their environment and improved their reasoning, through teaching them mathematical and geometric concepts. The show introduced its viewers to
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co-production in addition to creating several children's TV shows. The JPPI formed a team, which visited the CTW in New York to negotiate the production of 130 30-minute programs, purchasing the rights to create an Arab version for US$ 2.5 million, and bringing in experts from throughout the
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specializing in puppeteering, voice, singing, and movement was sent to universities, theaters, and cultural centers in Abu Dhabi, where it was filmed, and through social media. They cast Arabic-speaking performers, although no prior acting experience was required. Dina al Saleh, a puppeteer from
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There were three stages in the production of the show. The first stage was pre-production research, which identified basic education needs for children under the age of six. The second stage involved the creation of a pilot reel to test children on the show's effects and for review by educators,
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Kuwaiti educators had reason to be interested in an Arabic co-production. Kuwait's 1980 census, conducted shortly after the original show's premiere, showed that 48% of its citizens were "either totally illiterate or ... barely read or write". Several studies in Kuwait showed that parents'
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After a 25-year hiatus, the show was relaunched in September 2015, appearing on nine regional stations with Abu Dhabi Al Emarat TV and Sharjah TV among them. At the time of the re-launch the show was expected to reach 45 million viewers. The production was a collaboration between the Abu Dhabi
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inspired "a flood of studies", from scientific research to doctoral or masters theses submitted to Arab, European, and American universities. No studies were conducted during the show's first five years, largely due to lack of government cooperation and unsuccessful attempts marred by subjects
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covered the topic of spirituality because of the importance of religion in Arab culture, so the producers' goals included teaching children about Islamic principles, positive social behavior, personal manners, and the importance of traits like honesty, respect for parents, loyalty, and social
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In 1976, the Arab fund for Social and Economic Development held a series of workshops and seminars, attended by educators, mass media officers, and social planners, about preschool education in the region. In 1978, educators, mass media officers, and social planners agreed to adopt
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and certain developmental and environmental variables. He found that variables such as socioeconomic status, parental education (especially that of the mother), sex, age, year in school, birth order, and family attitudes about the show influenced the frequency of viewing.
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in the late 1960s. The GCC considered creating a co-production for many years, so consultations were held among its member countries regarding how to do so. Many of the early co-productions were simple, dubbed versions with local language voice-overs and instructional
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sociologists, psychologists, and other experts, who were invited to a seminar. Finally, the series was filmed and aired. Research began in August 1977; the team was led by an educator and included a linguist and a psychologist, all of whom were on the faculty of
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was approached by German public television officials about a year after the US version debuted. Many years later, Cooney recalled, "To be frank, I was really surprised, because we thought we were creating the quintessential American show. We thought the
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viewers' knowledge about language, general information, mathematics, science, and moral principles. The study found that 85% of all children residing in Baghdad had watched it and that they interacted with and were attached to many of its characters.
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stopped production. It was broadcast in 22 Arab countries, and continued to be well-known decades after it went off the air. In June 2010, the Sesame Workshop and the Arab Bureau of Education for the Gulf States (ABEGS), a regional
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was free for its citizens, 30% of children aged 3 to 5 attended; the number was much lower for the 12 million preschoolers in the Arab world, at about 2%. Girls attended school less commonly than boys in Arab countries.
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In 2010, the Sesame Workshop and the Arab Bureau of Education for the Gulf States (ABEGS), which recognized "the deep love for the program" felt throughout the Arab world, started talks about relaunching
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representative at the GCC, stated, "It is a public/private sector partnership and we will need the support of all to extend the communication channels and continue producing more educational products".
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and other Arabs to become more involved in filmmaking and, more importantly, it focused on "locally relevant Arabic-language content that will seek to educate present and future generations".
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and playing in playgrounds and ancient alleyways before running into a white fort that had its gates open wide. The show's set consisted of an intricately traditional Arab neighborhood called
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were created, inspired by cultural traditions in the Arab world, from the shadow puppets of Syria to the puppets of Egypt, some of the oldest puppets in the world. These characters included a
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In late 2013, fifteen writers and producers from Bidaya Media attended training about its education methodology and production techniques from the staff of the American show in New York. The
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Al-Khulaifi, Ibrahim Mohammed (1984). An Investigation of the Viewing Behavior toward Iftah Ya Simsim by Kuwaiti Kindergartners (PhD). Ohio State University. Retrieved July 2, 2014.
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The series features three original Muppet characters to the series: Basma, Jad, and Ma'zooza. In addition to human cast members, the series also includes localized versions of
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Al-Khayr, Misbah; Hashim Al-Samira'i (1995). "Iftah Ya Simsim (Open Sesame) and Children in Baghdad". Translated by Ahmed Sweity. In Elizabeth Warnock Fernea (ed.).
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executive Mike Dann, who left commercial television to become her assistant, as a CTW vice-president. One of Dann's tasks was to field offers to produce versions of
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The show's viewers demonstrated an increase in their understanding and knowledge in all areas, especially information about their social and natural environment.
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Cole, Charlotte F.; Beth A. Richman and Susan A. McCann Brown (2001). "The World of Sesame Street Research". In Shalom M. Fisch and Rosemarie T. Truglio (eds.).
1217: 798: 287: 638:, the Egyptian co-production, screened the first group of candidates, and then the final cast of seven puppeteers were chosen after ten days of workshops with 2155: 1572: 591:, the investment vehicle of the Abu Dhabi government. The production company Bidaya Media was chosen to produce the show; in 2013, the company was housed at 1707: 220: 1686: 1434: 690:
was hired to replace Natheer Khawaldeh as Gargour and was also chosen to play Ka'aki, and Abdullah Rafa also joined the puppeteer team to play Elmo.
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In 2017, the show launched a special, 12-minute version of the show for the month of Ramadan. Thirty episodes were produced and regularly feature
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was in pre-production in March 2014, and the first phase of auditions took place in April 2014. The new series debuted on September 1, 2015.
1679: 2099: 595:, the United Arab Emirates version of public television. The show was supported by organizations all over the world; Feras Al-Maddah, 1401: 1614: 1597: 1227: 312:
in other countries. By summer 1970, he had made the first international agreements for what the CTW came to call "co-productions".
345: 286:(CTW, later the Sesame Workshop, or "the Workshop"), the organization responsible for the show's production, to create and produce 113: 237:
on September 14, 1979, and was broadcast in 22 Arabic-speaking countries, running until June 23, 1989, due to the outbreak of the
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The show's opening included a song alongside footage of children across the Arab world running past familiar landmarks like the
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The show focused on Arab heritage, like the wedding rituals of countries in the region, and included Arabic poems and songs.
749: 1504: 335:, in 1985. Cooney was surprised that other countries were interested in producing their own versions of the American show. 302:
were quintessentially American, and it turns out they're the most international characters ever created". She hired former
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Arab world "to introduce an all encompassing Arabic curriculum that would teach and cultivate Arab values and culture".
257: 1233: 1377:"Saudi Minister of Education endorses Iftah Ya Simsim Educational plan at the Arab Bureau of Education Awards event" 2044: 539:...because it offered an alternative way of learning that hardly existed in the Arab world at the time, just as 535:
claimed "No Arabic children's television show was as popular and influential in the Middle East in the 1980s as
1532: 358: 1558: 930: 2083: 2036: 503:, were transposed into Arabic versions: Kaaki, Bader and Anees, Gharghour, and Kamil. The show's version of 1466: 1896: 377: 1533:"Straight from the Muppet's mouth: Jordanian artist Natheer Khawaldeh talks Gargur and "Iftah Ya Simsim"" 140: 1255:
Gettas, Gregory J. (December 1, 1990). "The Globalization of Sesame Street: A Producer's Perspective".
2091: 1979: 745: 394: 361:(GCC) organization dedicated to education, research, and development, agreed to bring back the show. 216: 1848: 1888: 639: 2020: 400:
They established the Joint Program Production Institute (JPPI) to work with the CTW to create a
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as a feasible and economical solution for the low attendance in preschools. They approached the
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The third and final season premiered in May 2019 with 52 episodes. The show was succeeded by
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was the first children's educational TV program of its kind in the Arab world and the first
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premiered in Kuwait in September 1979, and was broadcast in all Arabic-speaking countries.
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and other Sesame Workshop puppeteers from New York. According to an editorial in
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with a long nose named Yagut, and a large purple ribbon-wearing cat called Abla.
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in the US, producers from several countries all around the world approached the
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items in any pan-Arabic programme will probably never satisfy everybody".
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Knowlton, Linda Goldstein and Linda Hawkins Costigan (producers) (2006).
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Misbah Al-Khayr and Hashim Al-Samira'i, in an article from the 1995 book
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Map of the Middle East, where the original and revived versions of
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co-production in the region. It was the first co-production to use
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Non-American television series based on American television series
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Sesame Street: A Celebration—Forty Years of Life on the Street.
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According to researcher Ibrahim Al-Khulaifi, "In a few months,
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Its development was similar to that of the American version of
1592:. Austin, Texas: University of Texas Press, pp. 464–468. 799:"Arabic 'Sesame Street' Returns for First Time Since Gulf War" 303: 279: 1348:"20 years on, 'Iftah Ya Simsim' coming back to educate Gulf" 905:"Arabic-language Sesame Street returns after 25-year hiatus" 1650:
Hammoud, Hassan R. (2005). "Illiteracy in the Arab world".
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kept his distinctive laugh and accent when speaking MSA.
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premiered in Kuwait in 1979 and ran until 1989, when the
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38, no. 4 (1990). http://www.jstor.org/stable/30218572.
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Street Gang: The Complete History of Sesame Street.
175: 150: 136: 131: 105: 95: 90: 79: 71: 55: 47: 39: 23: 1609:Mahweh, New Jersey: Lawrence Erlbaum Publishers. 2151:Television series with live action and animation 1559:"Iftah Ya Simsim launches after 25-year hiatus" 1402:"Count-down for return of children's favourite" 1300:Educational Technology Research and Development 1257:Educational Technology Research and Development 931:"Iftah Ya Simsim launches after 25-year hiatus" 686:campaign, as well as interviews with children. 1195: 1193: 1191: 1189: 1131: 1129: 1127: 1125: 1098: 1096: 1094: 1092: 1090: 531:its reruns well into the 1990s. Rym Ghazal of 1687: 1379:(Press release). ME News Wire. April 16, 2012 1371: 1369: 1110:. Manama, Bahrain. ME NewsWire. June 27, 2010 1050: 1048: 1046: 1044: 1042: 1040: 1038: 1036: 223:of the American children's television series 8: 1211: 1209: 1207: 1205: 1080: 1078: 1008: 1006: 487:Characters from the American show, like the 480:named Malsoon (مَلْسون), a lavender-colored 1526: 1524: 1522: 1460: 1458: 1456: 1454: 1452: 1396: 1394: 2146:Sesame Street international co-productions 1735: 1694: 1680: 1672: 1490: 1488: 1341: 1339: 1337: 1335: 872: 870: 868: 866: 864: 862: 748:and is produced in collaboration with the 476:named Nu'man (نُعمان), a green and yellow 256:The reboot is a collaboration between the 31: 20: 1104:"Deal signed to relaunch Iftah Ya Simsim" 744:The series is funded by a grant from the 1437:(Press release). Zawya.com. May 31, 2011 1429: 1427: 1425: 1423: 929:Al Subaihi, Thamer (September 1, 2015). 101:30 minutes / 15 minutes (revival series) 1557:Thamer Al Subaihi (September 1, 2015). 1329:Al-Khayr & Al-Samira'i, pp. 465—468 1222:. New York: Columbia University Press. 972:(documentary). Participant Productions. 770: 722:that premiered on February 2, 2020, on 2166:Mass media in the United Arab Emirates 1639:New York: Black Dog & Leventhal. 1263:(4). Kluwer Academic Publishers: 56. 1143: 1141: 903:Dickson, Jeremy (September 2, 2015). 272:A few months after the 1969 debut of 7: 970:The World According to Sesame Street 2156:Television shows featuring puppetry 1497:"Iftah Ya Simsim calls for casting" 1467:"Sesame Street's Arab casting call" 212: 1590:Children in the Muslim Middle East 1199:Al-Khayr & Al-Samira'i, p. 465 1183:Al-Khayr & Al-Samira'i, p. 468 1165:Al-Khayr & Al-Samira'i, p. 467 1156:Al-Khayr & Al-Samira'i, p. 466 1135:Al-Khayr & Al-Samira'i, p. 464 560:Children in the Muslim Middle East 543:had previously done in the West". 14: 2100:Bert and Ernie's Great Adventures 1575:. Sesame Workshop. February 2015. 1531:Khalifeh, Arwad (June 26, 2014). 1465:Sinclair, Kyle (March 26, 2014). 797:Barone, Joshua (September 2015). 450:stated that the language used in 244:A few months after its premiere, 2115: 2114: 1495:Yahya, Samar (March 31, 2014). 1055:Ghazal, Rym (October 7, 2013). 293:in their countries. Co-creator 1503:. Saudi Arabia. Archived from 1346:Hawari, Walaa (June 5, 2011). 884:. Abu Dhabi. December 14, 2013 750:International Rescue Committee 346:Children's Television Workshop 284:Children's Television Workshop 114:Children's Television Workshop 80: 1: 1868:(Kuwait/United Arab Emirates) 99:28 minutes (original series) 1708:international co-productions 707:Ahlan Simsim (co-production) 589:Mubadala Development Company 43:"Iftah Ya Simsim Theme Song" 258:Abu Dhabi Education Council 221:international co-production 2182: 704: 437:Unlike the American show, 2112: 1793:(Mexico/Hispanic America) 1714: 30: 1635:Gikow, Louise A. (2009). 1624:New York: Viking Press. 1216:Versteegh, Kees (2001). 682:, and segments from the 680:Cookie's Crumby Pictures 359:Gulf Cooperation Council 16:Arabic television series 2037:Rruga Sesam/Ulica Sezam 1620:Davis, Michael (2008). 741:from Iftah Ya Simsim. 1537:Albawawa Entertainment 1298:“Volume Information.” 737:(Cookie Monster), and 612: 378:Modern Standard Arabic 336: 51:various closing themes 606: 327: 61:United Arab Emirates 2161:Mass media in Kuwait 2092:The Furchester Hotel 1980:Monstruos Supersanos 1311:Al-Khulafi, pp. 9—10 1147:Al-Khulaifi, pp. 7—8 837:. December 25, 2012. 746:MacArthur Foundation 522:Legacy and influence 106:Production companies 1849:Galli Galli Sim Sim 1561:. The National UAE. 1320:Al-Khulaifi, p. 108 1219:The Arabic Language 659:Education Council, 233:. It premiered in 2000:(Northern Ireland) 1889:Sabai Sabai Sesame 1269:10.1007/BF02314645 1174:Al-Khulaifi, p. 42 982:Davis, pp. 209—210 778:Al Doshi, Bandar. 613: 337: 2128: 2127: 2071: 2070: 1652:Literacy for Life 1645:978-1-57912-638-4 1630:978-0-670-01996-0 1289:Al-Khulaifi, p. 8 1030:Al-Khulaifi, p. 6 1000:Al-Khulaifi, p. 3 991:Al-Khulaifi, p. 2 597:Iftah Ya Simsim's 411:Kuwait University 200: 199: 154:14 September 1979 72:Original language 56:Country of origin 2173: 2118: 2117: 1736: 1696: 1689: 1682: 1673: 1577: 1576: 1569: 1563: 1562: 1554: 1548: 1547: 1545: 1543: 1528: 1517: 1516: 1514: 1512: 1507:on July 14, 2014 1492: 1483: 1482: 1480: 1478: 1462: 1447: 1446: 1444: 1442: 1431: 1418: 1417: 1415: 1413: 1406:Abu Dhabi Weekly 1398: 1389: 1388: 1386: 1384: 1373: 1364: 1363: 1361: 1359: 1343: 1330: 1327: 1321: 1318: 1312: 1309: 1303: 1296: 1290: 1287: 1281: 1280: 1252: 1246: 1245: 1243: 1241: 1236:on July 14, 2014 1232:. 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Abu Dhabi 635:Alam Simsim 331:co-creator 217:Open Sesame 215:; meaning " 141:Syndication 121:Bidya Media 83:of episodes 2135:Categories 2048:(Portugal) 2045:Rua Sésamo 1924:(Pakistan) 1892:(Cambodia) 1758:(Tanzania) 1719:Characters 914:October 8, 784:Al Arabiya 733:(Grover), 464:Characters 384:Production 231:Arab world 193:2019-09-05 183:2015-09-01 168:1989-06-23 158:1979-09-14 91:Production 2076:Spin-offs 2016:(Germany) 1937:Zhima Jie 1766:(Nigeria) 1728:Original 1352:Arab News 1277:1042-1629 940:March 10, 909:KidScreen 853:Al Riyadh 835:aleqt.com 697:in 2020. 661:twofour54 593:Twofour54 505:the Count 446:Linguist 262:Twofour54 145:Spacetoon 2121:Category 2064:(Russia) 2056:(Poland) 2040:(Kosovo) 2032:(Sweden) 2024:(Turkey) 1992:(Norway) 1975:(Spain) 1967:(France) 1959:(France) 1929:Sisimpur 1908:(Israel) 1884:(Israel) 1860:(Jordan) 1809:(Brazil) 1801:(Canada) 1782:Americas 1542:June 30, 1441:June 30, 1412:June 30, 1383:June 30, 1358:June 30, 1240:July 12, 756:Episodes 654:Relaunch 648:Emiratis 568:Baghdadi 512:Pyramids 395:cutaways 354:Gulf War 65:Morocco 1940:(China) 1900:(Japan) 1852:(India) 1841:Sesame! 1750:(Egypt) 1666:on 1511:July 1, 1477:July 2, 1114:July 1, 1067:July 1, 888:July 2, 578:Revival 566:on its 482:monster 470:Muppets 423:Content 380:(MSA). 300:Muppets 268:History 191: ( 187: – 181: ( 176:Release 166: ( 162: – 156: ( 151:Release 137:Network 123:Mubdala 59:Kuwait 1948:Europe 1739:Africa 1643:  1628:  1613:  1596:  1275:  1226:  958:p. 148 956:et al. 731:Gargur 501:Kermit 499:, and 497:Grover 478:parrot 235:Kuwait 209:Arabic 75:Arabic 1730:show 954:Cole 766:Notes 735:Kaaki 724:MBC 3 474:camel 63:Iraq 2095:(UK) 1817:Asia 1641:ISBN 1626:ISBN 1611:ISBN 1594:ISBN 1544:2014 1513:2014 1479:2014 1443:2014 1414:2014 1385:2014 1360:2014 1273:ISSN 1242:2014 1224:ISBN 1116:2014 1069:2014 942:2017 916:2020 890:2014 739:Elmo 468:New 1265:doi 817:NPR 304:CBS 280:PBS 278:on 86:390 81:No. 2137:: 1535:. 1521:^ 1499:. 1487:^ 1469:. 1451:^ 1422:^ 1404:. 1393:^ 1368:^ 1350:. 1334:^ 1271:. 1261:38 1259:. 1204:^ 1188:^ 1140:^ 1124:^ 1106:. 1089:^ 1077:^ 1059:. 1035:^ 1005:^ 933:. 907:. 880:. 861:^ 851:. 833:. 815:. 782:. 726:. 678:, 674:, 495:, 491:, 260:, 211:: 1695:e 1688:t 1681:v 1647:. 1632:. 1617:. 1546:. 1515:. 1481:. 1445:. 1416:. 1387:. 1362:. 1279:. 1267:: 1244:. 1118:. 1071:. 944:. 918:. 892:. 855:. 819:. 801:. 786:. 207:( 195:) 185:) 170:) 160:)

Index


Children's Television Workshop
Sesame Workshop
Syndication
Spacetoon
Arabic
Open Sesame
international co-production
Sesame Street
Arab world
Kuwait
first Gulf War
Abu Dhabi Education Council
Twofour54
Sesame Street
PBS
Children's Television Workshop
versions of Sesame Street
Joan Ganz Cooney
Muppets
CBS
Sesame Street
Kindergarten
Black and white photo of a smiling woman about fifty years of age and wearing a jacket and tied-up scarf
Joan Ganz Cooney
Children's Television Workshop
Gulf War
Gulf Cooperation Council
Modern Standard Arabic
cutaways

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