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a mole on her breast which he then describes to
Posthumus as proof that he had slept with her. Posthumus plots to kill his wife, but the designated killer reveals the plot to Imogen and advises her to hide; she escapes to the woods dressed as a man and falls in with a family who helps her. Taking a drug, she falls into a coma and is presumed dead by the family, who cover her body and sing a song over her. When she wakes she finds the headless body of Cloten, a brutish character who had planned to rape her while wearing Posthumus's clothes, but had been killed in a fight with one of the men who took her in. She mistakes the headless body for that of her husband. After the battle at the climax of the play she confronts Iachimo who confesses his lies. She is reunited with Posthumus, and her father (King Cymbeline), and discovers two of the men who took her in are actually her long lost brothers.
211:, in order to describe the character of the poet: "The poetical character has no self—it is everything and nothing—it has no character and enjoys light and shade; it lives in gusto, be it foul or fair, high or low, rich or poor, mean or elevated—it has as much delight in conceiving an Iago as an Imogen. What shocks the virtuous philosopher delights the chameleon poet... A poet is the most unpoetical of anything in existence because he has no identity, he is continually filling some other body."
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Imogen is princess of
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231:, Imogen becomes a much more assertive figure in line with Shaw's feminist views. She continually questions both Iachimo and Postumus at the end, refusing to forgive them before finally saying that she will "go home and make the best of it, as other women must".
177:, referring to the episode in which Iachomo observes the mole on her breast: "Ravisher and ravished, what he would, but would not, go with him from Lucrece's bluecircled ivory globes to Imogen's breast, bare, with its mole cinquespotted."
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Academic consensus suggests that
Shakespeare named the character Innogen, and the spelling "Imogen" is an error which arose when the manuscripts were first committed to print. Shakespeare probably took the name from the
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Imogen is also alluded to in
Nathaniel Hawthorne's short story "The Antique Ring": "Or, who knows, but it is the very ring which Posthumus received from Imogen?"
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mentions Imogen: "Imogen was true, but how was she rewarded? Her lord believed her to be the paramour of the first he who came near her in his absence."
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in 1611 consistently spells Imogen's name as "Innogen", leading scholars to conclude that the spelling of the character's name as "Imogen" in the 1623
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appears to have been a result of "scribal or compositorial error". As a result, some modern editions of
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Who's Who in
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