389:
654:
41:
122:
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620:
831:"climaxing now with its rising fragment of some ancient scale, voices overlapping three- and fourfold, up, echoing, filling the entire hollow of the church—no counterfeit baby, no announcement of the Kingdom, not even a try at warming or lighting this terrible night, only, damn us, our scruffy obligatory little cry, our maximum reach outward—
307:(1618–19), No 34: a festive multi-choir version with large instrumental support including trumpets and timpani. It can be executed by 7, 12, 16 or 20 voices in 5 choirs (three vocal, one chapel- and one instrumental choir) and general bass. The Praetorius settings were widely adapted in Protestant continental Europe.
241:
Now this same angel came up to the
Servant (Suso) brightly, and said that God had sent him down to him, to bring him heavenly joys amid his sufferings; adding that he must cast off all his sorrows from his mind and bear them company, and that he must also dance with them in heavenly fashion. Then
835:—for you to take back to your war-address, your war-identity, across the snow’s footprints and tire tracks finally to the path you must create by yourself, alone in the dark. Whether you want it or not, whatever seas you have crossed, the way home. . . ." (p. 136)
360:. It is inconceivable that anyone of any real musical culture should have lent himself to this tinkering with a perfect tune for the sake of fitting it perforce to works of inferior merit." He goes on to cite a more appropriate English translation from 1567 by
325:
There have been a number of translations of the Latin/German poem into
English. The most popular that keeps the macaronic structure is R. L. de Pearsall's 1837 translation, which retains the Latin phrases and substitutes English for German. A 2008 survey by
322:; the first two verses are in four-part harmony, the third and fourth verses are concatenated and in eight-part harmony. Carols for Choirs Vol. 4 contains simpler four- and three-part alternative arrangements.
351:
which led to the repeated "News, news" and "Joy, joy" phrase. In 1921, H. J. Massé wrote that it was an example of "musical wrong doing ... involving the mutilation of the rhythm of that grand tune
1471:
943:
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87:
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237:
circa 1328. According to folklore, Seuse heard angels sing these words and joined them in a dance of worship. In his biography (or perhaps autobiography), it was written:
672:
1289:
314:(1795–1856), this being later adapted for four voices, the most commonly performed version, by William Joseph Westbrook (1831–1894). A widely used arrangement in
1711:
742:
as a chorale prelude. Commentators agree, however, that BWV 751 is too simple and undeveloped to be the work of Bach. Since the 1984 rediscovery of the
1576:
1546:
254:
dating from c. 1400, although it has been suggested that the melody may have existed in Europe prior to this date. In print, the tune was included in
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673:
1741:
1606:
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1441:
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1223:
29:
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274:, printed in Leipzig. The melody was also popular elsewhere in Europe, and appears in a Swedish/Latin version in the 1582 Finnish songbook
1616:
1591:
1491:
1476:
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1411:
883:
828:. The singing, presided over by a nameless Jamaican countertenor, is described as "the War's evensong" (p. 130), and culminates thus:
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found this to be the second most popular choral
Christmas carol with British cathedral organists and choirmasters.
251:
242:
they drew the
Servant by the hand into the dance, and the youth began a joyous song about the infant Jesus ...
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is more complimentary, saying that the mistaken repeated note is what makes that version of the tune memorable.
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864:
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750:. Bach also used the opening phrase of the melody as a fugal subject for two other choral preludes, BWV 703 (
671:
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767:
199:
1516:
786:
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361:
207:
83:
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Still another
English translation, made in the 19th century by Arthur T. Russell and featured in several
743:
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339:
titles the work "Good
Christian Men, Rejoice". This translation is often criticised;
267:
231:
92:
56:
1011:
Carols for Choirs 1 – Recorded by the King's
College Choir and the Cambridge Singers
1686:
805:
790:
in the movement entitled "Die Hirten an der Krippe" (The
Shepherds at the Manger).
711:
259:
76:
822:
uses the carol as the choral centrepiece of the Advent episode in his 1973 novel,
670:
299:
VI (1609) nos. 28, 29, 31 resp. 32, 33 all for 4 voices; and 5 part setting from
1105:
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802:
composed a setting of "In dulci jubilo" for unaccompanied SATB choir in 1976.
774:. This voluntary was first introduced to the service in 1938 by organ scholar
724:
set this melody several times: as a chorale in BWV 368; and then for organ in
691:
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1381:
1350:
1097:
211:
196:
1028:
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759:
376:
843:
An instrumental arrangement of the
Pearsall version by English musician
808:
included both "Good
Christian Men, Rejoice" (Neale version, 1853) and "
725:
707:
703:
884:""In Dulci Jubilo" string quartet/quintet by trad. arr. Glynn Davies"
628:
619:
758:). BWV 729, written by Bach to accompany congregational singing in
710:
in 1683 for soprano, alto and bass accompanied by two violins and
168:
138:
1354:
1083:, Vol. 2, No. 1 (January 1921), Oxford University Press, p. 67.
34:
637:
Autograph manuscript of "In dulci jubilo", BWV 608, from the
303:(1597). And a vocal–instrumental version from his collection
126:
The melody as published in the 1582 Finnish music collection
652:
258:, a 1533 Lutheran hymnal by Joseph Klug. It also appears in
1333:
1269:, Cambridge Studies in Music, Cambridge University Press,
1267:
The Organ Music of J.S. Bach, Volume II: BWV 599–771, etc.
394:
Audio playback is not supported in your browser. You can
379:
hymnals, renders the work as "Now Sing We, Now Rejoice".
250: 4947, first appears in Codex 1305, a manuscript in
230:
German and Latin, is thought to have been written by the
335:
Alternatively, a looser translation produced in 1853 by
266:
of 1537. In 1545, another verse was added, possibly by
944:
Die Melodien der deutschen evangelischen Kirchenlieder
280:, a collection of sacred and secular medieval songs.
195:'s 1837 macaronic translation is a mainstay of the
144:
137:
114:
310:A polyphonic arrangement for 8 voices was made by
82:for phonetic transcriptions, with an appropriate
762:, is traditionally performed as the first organ
183:. Subsequent translations into English, such as
1077:Henri Jean Louis Joseph Massé, "Old Carols" in
291:II (1607) no. 5, a motet Ă 8 for double choir;
1160:(London: Chatto & Windus, 1914), pp. 206–7
1366:
816:, with accompaniment for orchestra or organ.
8:
601:Christ is born today! Christ is born today.
295:V (1607) nos. 80–82 (for 2, 3 or 4 voices);
1157:Ancient English Christmas Carols: 1400–1700
576:
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488:
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283:The tune appears in several collections by
171:for "In sweet rejoicing") is a traditional
1373:
1359:
1351:
1290:"Festival of Nine Lessons and Carols 2008"
175:. In its original setting, the carol is a
132:, which alternates the Latin with Swedish.
111:
179:text of German and Latin dating from the
408:
270:. This was included in Valentin Babst's
1216:Dieterich Buxtehude: organist in LĂĽbeck
1073:
1071:
875:
136:
1048:
1046:
917:"In Dulci Jubilo – Notes on the Carol"
784:included the carol in his piano suite
689:
206:'s chorale prelude based on the tune (
21:For the version by Mike Oldfield, see
911:
909:
907:
905:
343:made a mistake when transcribing the
191:" have increased its popularity, and
30:Good Christians All, Rejoice and Sing
7:
305:Polyhymnia Caduceatrix et Panegyrica
794:uses the theme as the basis of his
522:Now let us sing with joy and mirth,
1025:"Bleak Midwinter named best carol"
72:for transliterated languages, and
52:of its non-English content, using
14:
1218:, University of Rochester Press,
746:, BWV 751 has been attributed to
318:, Vol. 1 is Pearsall's edited by
886:. Sibelius Music. Archived from
690:Problems playing this file? See
668:
627:
618:
589:With heart, and soul, and voice;
545:Alpha is and O, Alpha is and O.
368:in his radio documentary series
120:
39:
1195:. Hymns and Carols of Christmas
1173:. Hymns and Carols of Christmas
1136:. Hymns and Carols of Christmas
1056:. Hymns and Carols of Christmas
919:. Hymns and Carols of Christmas
718:for organ (BuxWV 197) c. 1690.
1243:Chorale preludes BuxWV 177–224
1102:A Cause for Caroling (omnibus)
766:at the end of the Festival of
568:And like a bright star shineth
524:In honour of our Lordes birth,
405:First verse textual comparison
88:multilingual support templates
23:In Dulci Jubilo / On Horseback
1:
1054:"Good Christian Men, Rejoice"
812:" in his 1910 choral fantasy
810:God Rest You Merry, Gentlemen
595:Jesus Christ was born to-day:
435:
419:
1193:"Good Christian Men Rejoice"
947:. Vol. III. GĂĽtersloh:
599:And He is in the manger now.
591:Give ye heed to what we say:
427:English literal translation
391:
851:", reached number 4 in the
796:Variants on a Medieval Tune
587:Good Christian men, rejoice
364:as a more "worthy effort".
210:729) is also a traditional
189:Good Christian Men, Rejoice
16:Traditional Christmas carol
1819:
1793:Christmas carols in German
1332:. EveryHit. Archived from
1214:Snyder, Kerala J. (2007),
1171:"Pearsall In Dulci Jubilo"
1120:"Now Sing We, Now Rejoice"
597:Ox and ass before Him bow,
507:And it shines like the sun
480:Und leuchtet wie die Sonne
450:Good Christian Men Rejoice
358:Good Christian Men Rejoice
252:Leipzig University Library
222:The original song text, a
27:
20:
1798:Christian hymns in German
1392:
1245:, Dover, pp. 54–55,
1013:, Oxford University Press
999:, Oxford University Press
977:, Oxford University Press
772:King's College, Cambridge
664:In dulci jubilo (BWV 608)
560:Our heart's joy reclineth
469:Nun singet und seid froh!
152:
119:
1265:Williams, Peter (1980),
865:List of Christmas carols
312:Robert Lucas de Pearsall
218:History and translations
214:for Christmas services.
28:Not to be confused with
1301:University of Cambridge
768:Nine Lessons and Carols
558:Let us our homage show!
526:Our heart's consolation
460:
396:download the audio file
200:Nine Lessons and Carols
1330:"Mike Oldfield search"
752:Gottes Sohn ist kommen
657:
577:
571:
563:
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539:
536:And shines as the sun,
530:
489:
483:
475:
464:
244:
1098:"Forging a Tradition"
756:Gott durch deine GĂĽte
744:Neumeister Collection
722:Johann Sebastian Bach
656:
501:now sing and be glad!
356:to the English words
239:
1239:Buxtehude, Deiterich
1096:(13 December 2013).
714:(BuxWV 52) and as a
702:set the melody as a
679:For organ, from the
509:in the mother's lap.
471:Unsers Herzens Wonne
370:A Cause for Caroling
86:. Knowledge (XXG)'s
50:specify the language
48:This article should
1336:on 17 February 2007
1080:Music & Letters
997:Carols for Choirs 4
975:Carols for Choirs 1
798:for wind ensemble.
748:Johann Michael Bach
738:and in BWV 729 and
700:Dieterich Buxtehude
505:lies in the manger;
499:In sweet rejoicing,
287:, for voices only:
1788:14th-century hymns
1310:on 5 November 2010
1031:. 27 November 2008
658:
610:Influence in music
329:BBC Music Magazine
285:Michael Praetorius
1775:
1774:
1225:978-1-58046-253-2
1134:"In Dulci Jubilo"
855:in January 1976.
833:praise be to God!
825:Gravity's Rainbow
792:Norman Dello Joio
674:
607:
606:
572:Matris in gremio.
484:Matris in gremio.
412:German/Latin text
400:
345:mensural notation
316:Carols for Choirs
272:Geistliche Lieder
256:Geistliche Lieder
161:
160:
115:"In dulci jubilo"
110:
109:
90:may also be used.
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1303:. Archived from
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890:on 24 March 2004
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853:UK Singles Chart
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554:In dulci jubilo,
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540:Matris in gremio
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320:Reginald Jacques
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849:In Dulci Jubilo
841:
754:) and BWV 724 (
716:chorale prelude
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503:Our hearts' joy
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443:Translation by
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430:Translation by
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366:Jeremy Summerly
362:John Wedderburn
354:In dulci jubilo
301:Musae Sionae VI
226:alternation of
220:
193:Robert Pearsall
173:Christmas carol
165:In dulci jubilo
133:
106:
100:
97:
91:
79:
73:
69:
67:transliteration
63:
59:
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26:
17:
12:
11:
5:
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1803:Piae Cantiones
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349:Piae Cantiones
341:Thomas Helmore
277:Piae Cantiones
235:Heinrich Seuse
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260:Michael Vehe
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1340:22 November
1314:26 November
1199:26 November
1177:26 November
1140:26 November
1106:BBC Radio 4
993:John Rutter
951:. pp.
949:Bertelsmann
800:Ronald Corp
782:Franz Liszt
593:News! News!
531:in præsepio
439: 1567
423: 1328
181:Middle Ages
1782:Categories
1727:8013–8018a
1637:5403–5404a
1602:4440–4441a
1587:4431–4432a
1577:4427–4429a
1532:2460b–2465
1382:Hymn tunes
871:References
839:Recordings
692:media help
643:J. S. Bach
432:Wedderburn
264:Gesangbuch
246:The tune,
204:J. S. Bach
157: 4947
1672:6634–6635
1607:4442–4443
1597:4437–4438
1592:4434–4435
1572:4360–4361
1507:1976–1978
1492:1887–1889
1467:1217–1222
764:voluntary
224:macaronic
197:Christmas
177:macaronic
1241:(2006),
1029:BBC News
995:(1980),
973:(1961),
941:(1890).
859:See also
760:Arnstadt
712:continuo
445:Pearsall
377:Lutheran
248:Zahn No.
228:Medieval
212:postlude
155:Zahn No.
145:Language
1707:7445a–b
1427:345–346
1417:294–295
1060:24 July
1035:24 July
953:244–245
923:24 July
894:24 July
740:BWV 751
732:in his
726:BWV 608
708:cantata
704:chorale
456:, 1853
447:, 1837
93:See why
1422:297a–c
1273:
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153:Tune:
1757:8405a
1632:5385a
1567:4297a
1512:2029a
1477:1689a
1308:(PDF)
1293:(PDF)
728:as a
528:Lies
473:Leit
454:Neale
169:Latin
1767:8652
1762:8584
1752:8359
1747:8326
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1737:8244
1732:8032
1722:7971
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1502:1951
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1482:1706
1472:1576
1462:1174
1342:2010
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1271:ISBN
1247:ISBN
1220:ISBN
1201:2010
1179:2010
1142:2010
1062:2008
1037:2008
925:2008
896:2008
383:Tune
139:Song
57:lang
1457:983
1452:624
1442:423
1437:352
1432:350
1412:198
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1384:by
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