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and began her career as a professional concert pianist at the young age of 12 after studying piano with
Antonio Quartero. She later became interested in opera and began studying singing with
191:. During this time she also frequently performed throughout Italy and in South America where she gained a big following. She notably sang the title role in South America's premiere of
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in Milan. She gave her first professional performance as a vocalist in a concert in London in 1906. She made her professional operatic début two years later in
Bologna as Philine in
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as Gretel with
Conchita Supervia, mementos of their association in both operas at La Scala. She also recorded the role of Gilda in the first complete recording of
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in addition to appearances on the international stage. Although popular in Italy, she had a particularly devoted fanbase throughout South
America. A
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Ferraris was among the first generation of musicians to be recorded. Most notably she can be heard on highlight recordings of
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in Rome in 1914. She remained at La Scala for over 20 years, singing numerous roles mostly from the
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A concise biographical dictionary of singers; from the beginning of recorded sound to the present
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with a pure and agile voice, Ferraris sang a wide repertoire that encompassed the
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under whom she sang numerous parts at La Scala including
Violetta in Verdi's
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407:"Ines Maria Ferraris biography from Operissimo.com (In German)"
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in 1920-1921 and 1924, including the role of Gilda in
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Comune di Milano. "Grave locator app "Not 2 4get"".
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234:In 1916 Ferraris sang the role of Violetta at the
209:. Her other roles in that house include Oscar in
35:Ines Maria Ferraris photographed in Milan, 1912
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252:. She also made several appearances at the
353:ed. L. Macy (Accessed November 17, 2008),
293:Her remains are at the Riparto 202 of the
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479:20th-century Italian women opera singers
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272:Conservatorio Giovanni Battista Martini
74:who sang for more than two decades at
165:repertoire. She became a favorite of
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181:. She was also a close friend of
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137:In 1911 Ferraris debuted at
489:20th-century women pianists
295:Cimitero Maggiore di Milano
280:Accademia Musicale Chigiana
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141:as Carolina in Cimarosa's
454:Italian operatic sopranos
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349:: "Ina Maria Ferraris",
175:and Nannetta in Verdi's
56:– 11 December 1971, in
474:Italian women pianists
236:Teatro Massimo Palermo
484:20th-century pianists
355:(subscription access)
228:Une éducation manquée
198:Il segreto di Susanna
144:Il matrimonio segreto
469:Musicians from Turin
286:, and lastly at the
250:Opéra de Monte-Carlo
215:, the title role in
212:Un ballo in maschera
193:Ermanno Wolf-Ferrari
16:Italian opera singer
325:in the title role.
254:Teatro di San Carlo
80:light lyric soprano
46:Ines Maria Ferraris
23:Ines Maria Ferraris
360:2008-05-16 at the
351:Grove Music Online
288:Milan Conservatory
50:Ina Maria Ferraris
314:Hansel and Gretel
308:Der Rosenkavalier
188:Hänsel und Gretel
183:Conchita Supervia
150:Der Rosenkavalier
52:; 6 May 1882, in
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464:1971 deaths
459:1882 births
347:J.B. Steane
172:La traviata
92:grand opera
443:Categories
417:2008-11-25
301:Recordings
245:La rondine
109:La rondine
98:, and the
86:operas of
319:Rigoletto
259:Rigoletto
163:soubrette
112:in 1917.
60:) was an
383:(1969).
358:Archived
222:La Wally
217:Catalani
178:Falstaff
139:La Scala
76:La Scala
65:operatic
329:Sources
276:Bologna
248:at the
240:Puccini
201:at the
88:Puccini
84:verismo
72:pianist
68:soprano
62:Italian
278:, the
270:, the
268:Venice
131:Mignon
116:Career
48:(also
284:Siena
96:Verdi
58:Milan
54:Turin
161:and
70:and
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