Knowledge (XXG)

Iranian modern and contemporary art

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scholar Karim Emami's articles on “Saqqā-ḵāna Paintings,” he defined in which a, "combined religious imagery and traditional decorative elements with modern painting techniques, played a significant role in drawing the attention of the media and art connoisseurs to the genre". A visual language was created by drawing on the history of the Shi'a Islamic culture, specifically the saqqakhana, a small public area in which water is given to strangers often decorated with symbols and offerings. The artists of this genre were re-appropriating these symbolic traditions associated with the saqqakhana but with a
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and the anatomical form of a precise and elaborate species, the combination of human and animal limbs or the deformation of the body can be seen in his paintings. He was ruled but did not accept it. He also won an honorary diploma in handicrafts from Bangalore, India, from the Asian Cultural Exchange. His oil paintings have been exhibited in the Surrealists' Exhibition at the Persepolis Gallery at the Shiraz Art Festival.
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was the first to bring surrealist painting to Iran. For this reason, some consider him the father of surrealist painting in Iran. He had a special style in this school. Rezai's paintings range from surrealist and symbolic works to so-called black and thoughtful humorous cartoons. The political theme,
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in the mid-20th century. Although these groups of artists emerged independently across North Africa and the Middle East, the common thread was that each searched for ways to integrate tradition and modernity in a way that would contribute to a distinctive local visual language. Each of these groups
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visual elements. The word Saqqakhaneh originally referred to a type of water-fountain shrine found locally, and came to represent a movement characterised heavily by symbolism. Other motifs found throughout the region were incorporated into the artistic movement – the hand being a prime example. In
701:(One Dimension Group). The movement was known as the Old Khartoum School in Sudan, where artists rejected Western art traditions and focused on Islamic calligraphy, West African motifs and local traditions in the pursuit of indigenous compositions. In Sudan, the movement was known. 417:
in the 1950s, signaled a commitment to the creation of a form of modern art grounded in Iran. Grigorian found influence for his art in popular Iranian culture, specifically a coffee-house storyteller culture and the visual language of dry earth and mud.
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Art movements, such as Saqqakhaneh, were significant precursors to the school of calligraphic painting. In Iran, the calligraphic art movement was known as Naqqashi-Katt (or Naqqashikatt). It was one of a number of art movements that emerged across the
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Saqqakhaneh artists’ fascination with signs and talismans has recently moved beyond avantgarde art and found its way into women's fashion where its motifs are used in scarves, shawls, shirts and the like.
501:, zodiac signs, astrolabes, amulets and talismans in order to devise a distinctly local visual language. Religious motifs, such as the hand or a bowl, also featured prominently in Saqqakhaneh works. 524:
in 1977. The Tehran Museum of Contemporary Art boasting an important collection of both Western and Iranian artists. The Iranian revolution by 1979 halted the dynamics of the Iranian arts scene.
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Abbas Daneshvari, “Seismic Shifts Across Political Zones in Contemporary Iranian Art: The Poetics of Knowing, Knowledge and Identity” in: S.G. Schweiwiller ed.,
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reveals that social, political and economic conditions have always played a major role in the emergence of new artistic currents and styles. As an example
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By the late 1960s into the 1970s he Saqqakhaneh school artists of Iran had international prominence and this helped pave the way for the opening of the
390:) served as an important place for students interested in modern art. The earliest College of Fine Arts students graduated in 1946, this group included 342: 1233: 1339: 1907: 1513: 89: 1743:
Alireza Doostdar, “The Iranian Metaphysicals: Explorations in Science, Islam and the Uncanny “, Princeton University Press, 2018, pp 84-85
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likened his art and his teacher, Tanavoli, to the kind of objects found in saqqakhanas, coining term, the "Saqqakhaneh school".
1622:"Years Leading to the Iranian Revolution, 1960–79 | Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art" 1412:"Artists of the Saqqakhana Movement (1950s–60s) | Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art" 1142: 773: 579: 562:
in New York City. The exhibition was the first major exhibition of modern art from Iran, featuring 26 artists which included
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Keshmirshekan, Hamid (2005-12-01). "Neo-traditionalism and modern Iranian painting: The Saqqa-khaneh school in the 1960s".
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in Iran had its genesis in the late 1940s and early 1950s. This was the period after the death of famous Persian painter,
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Keshmirshekan, Hamid (Summer 2010). "The Question of Identity vis-à-vis Exoticism in Contemporary Iranian Art".
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by Morteza Katouzian is showing the marginalized people who have no freedom as result of political changes. In
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The Scientific Journal of NAZAR Research Center (NRC) for Art, Architecture & Urbanism
1218:[A review on "Water Paintings" by Ahmed Esfandiari in the Art Center Gallery of]. 1137: 1115: 1110: 1095: 1090: 964: 948: 883: 850: 830: 783: 763: 647: 619: 536: 494: 466: 465:(also known as Saqqā-ḵāna, Saqqa-khaneh, Saqakhaneh, Sahakhanah) was pioneered by artists 430: 402:, and Ahmad Esfandiari; all of which went on to continue their painting studies in Paris. 301: 296: 291: 278: 259: 204: 194: 60: 41: 1844:
Dadi. I., "Ibrahim El Salahi and Calligraphic Modernism in a Comparative Perspective,"
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Dadi. I., "Ibrahim El Salahi and Calligraphic Modernism in a Comparative Perspective,"
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Dadi. I., "Ibrahim El Salahi and Calligraphic Modernism in a Comparative Perspective,"
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Performing the Iranian State: Visual Culture and Representations of Iranian Identity
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modern art that is found in Iran, rooted in a history of coffee-house paintings and
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One of Grigorian and Tanavoli's students at the College of Decorative Arts (now
318: 209: 1721:"'Iran Modern' - The First Major Exhibition of Iranian Modern Art (1950-1970)" 1593: 1033: 563: 535:(which posed similar questions), was the Saqqakhaneh movement affected by the 509: 434: 413:
by Mahmoud Javadipour and other colleagues, and the emergence of artists like
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Ninety Years of Innovation in Iranian Visual Arts, Javad Mojabi; Figure: 1395
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Performing the State: Visual Culture and Representations of Iranian Identity
1325:(in Persian). Intishārāt-i Rādyū Tilivīzyūn-i Jumhūrī-i Islāmī-i Īrān. 2004. 1001: 514: 1195:
The Met’s Heilbrunn Timeline of Art History, The Metropolitan Museum of Art
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art styles influenced by folk art history, abstract art, and calligraphy.
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The Iranian Metaphysicals: Explorations in Science, Islam and the Uncanny
1661:"The Saqqa-khaneh School: Post-Colonialism or Orientalism Perspective?" 183: 662:. The exhibition was divided into sections including Saqqakhaneh and 410: 1972: 527:
It has been debated by various scholars after the publication of
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In the 1950 and 1960s, a new subgenre of Iranian art called the
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In Jordan, the movement emerged in the 1950s and was known as
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Khorshidian, Raika; Zahedi, Heidar (November 2017).
386:The College of Fine Arts at Tehran University (now 1797: 1795: 1216:"احمد اسفندیاری، ما گذشته را از منظر حال می‌بینیم" 1973:Biggest Directory of Iranian Contemporary Artists 1537:: CS1 maint: bot: original URL status unknown ( 1340:"امین الله رضایی - ویکیجو | دانشنامه آزاد پارسی" 758:Modern artists of the second wave (1950s–1960s) 690:went by a different labels at the local level. 1957:Iran makes bow at Madrid contemporary art fest 1875:The Cambridge Companion to Modern Arab Culture 1770:Modern Islamic Art: Development and Continuity 1189:Sardar, Marika; Ekhtiar, Maryam (2004-10-01). 1862:Modern Arab Art: Formation of Arab Aesthetics 336: 8: 1644:: CS1 maint: multiple names: authors list ( 1490:"Saqqakhaneh art pieces showcased in Tehran" 1452:, Princeton University Press, 2018, pp 84-85 1434:: CS1 maint: multiple names: authors list ( 1334: 1332: 1803:A Companion to Islamic Art and Architecture 1626:The Met’s Heilbrunn Timeline of Art History 1416:The Met’s Heilbrunn Timeline of Art History 867:Later modern artists (1970s to present-day) 697:. while in Iraq, the movement was known as 1877:, Cambridge University Press, 2015, p. 202 1864:, University Press of Florida, 2007, p. 30 1772:, University of Florida Press, 1997, p. 52 1520:. Archived from the original on 2021-04-23 956:, the Hans Christian Andersen Award (2002) 810:Saqqakhaneh movement artists (1950s–1960s) 343: 329: 28: 1850:https://doi.org/10.1215/00382876-2010-006 1820:https://doi.org/10.1215/00382876-2010-006 1787:https://doi.org/10.1215/00382876-2010-006 539:view of Iran or rather, did it intensify 1620:Rooney, Authors: Maryam Ekhtiar, Julia. 1410:Rooney, Authors: Maryam Ekhtiar, Julia. 1363:سقراطی, ‌سید‌امیر (February 23, 2010). 1174: 274: 227: 152: 134: 116: 98: 40: 1715: 1713: 1637: 1530: 1427: 1365:"کاریکاتور: جرقه ای میان بادهای زمانه" 1896:Scheiwiller, Staci Gem (2014-11-01). 1891: 1889: 1887: 1885: 1883: 1801:Flood, F.B. and Necipoglu, G. 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Anthem Press. p. 102. 1163:List of Iranian women artists 429:, who under the influence of 1696:10.1080/00210862.2010.495566 1952:Iranian Academy of the Arts 1831:Tuohy, A. and Masters, C., 1552:Bregman, Alexandra (2013). 554:co-curated the exhibition, 2015: 1835:, Hachette UK, 2015, p. 56 1756:Anthem Press, 2014, p. 108 1514:"The Saqqakhaneh Movement" 1387:"SAQQĀ-ḴĀNA SCHOOL OF ART" 1296:"بنیانگذار مکتب سورئالیسم" 750: 677: 1594:10.1080/00210860500338408 1994:Iranian contemporary art 1846:South Atlantic Quarterly 1833:A-Z Great Modern Artists 1816:South Atlantic Quarterly 1783:South Atlantic Quarterly 1158:List of Iranian painters 423:Tehran University of Art 405:The 1949 opening of the 1153:List of Iranian artists 769:Mir Abdolrez Daryabeigi 736:Mohsen Vaziri-Moghaddam 1805:, Wiley, 2017, p. 1294 993:, Turner Prize nominee 652:Mohsen Vaziri-Moqaddam 1725:Islamic Arts Magazine 1391:Encyclopaedia Iranica 1266:Encyclopaedia Iranica 753:Fighting Cock Society 437:worship. The scholar 1518:TabriziGalleries.com 873:Abbas (photographer) 804:Noureddin Zarrinkelk 789:Leyly Matine-Daftary 612:Leyly Matine-Daftary 558:(2013) shown at the 457:Saqqakhaneh movement 388:University of Tehran 90:World Heritage Sites 1558:Asian Art Newspaper 1036:painter, printmaker 980:Khosrow Hassanzadeh 628:Houshang Pezeshknia 1979:Poetryinbronze.com 1448:Alireza Doostdar, 1121:Alfred Yaghobzadeh 991:Shirazeh Houshiary 954:Behrouz Gharibpour 856:Hossein Zenderoudi 779:Mahmoud Farshchian 680:Hurufiyya movement 660:Hossein Zenderoudi 616:Ardeshir Mohassess 471:Hossein Zenderoudi 463:Saqqakhaneh school 445:Surrealism in Iran 427:Hossein Zenderoudi 218:Miniature painting 210:Visual art history 18:Iranian modern art 1909:978-1-78308-328-2 1860:Nada M. 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Kami 695:Hurufiyaa 608:Reza Mafi 566:, Abbas, 546:In 2013, 515:modernist 126:Astronomy 103:Mythology 85:Festivals 71:Languages 1640:cite web 1533:cite web 1430:cite web 1375:(1): 28. 1127:See also 517:stance. 431:Tanavoli 139:Religion 108:Folklore 34:a series 32:Part of 1822:Online: 1789:Online; 1294:Sadra. 371:History 279:Cuisine 266:Jewelry 260:Pottery 205:Gardens 195:Theater 184:Dastgah 80:Symbols 61:History 1977:Film: 1906:  1702:  1600:  1322:Surūsh 658:, and 425:) was 411:Tehran 361:Flight 255:Carpet 200:Cinema 66:People 36:on the 1964:(BBC) 1700:S2CID 1598:S2CID 1369:تندیس 190:Dance 180:Music 1904:ISBN 1646:link 1539:link 1436:link 550:and 493:and 365:Iran 157:Arts 1692:doi 1590:doi 1373:169 409:in 357:art 1990:: 1927:. 1882:^ 1794:^ 1761:^ 1723:. 1712:^ 1698:. 1688:43 1686:. 1669:14 1667:. 1663:. 1642:}} 1638:{{ 1624:. 1610:^ 1596:. 1586:38 1584:. 1572:^ 1556:. 1535:}} 1531:{{ 1516:. 1492:. 1481:^ 1465:. 1432:}} 1428:{{ 1414:. 1389:. 1367:. 1342:. 1331:^ 1298:. 1264:. 1253:^ 1193:. 1177:^ 654:, 650:, 646:, 642:, 638:, 634:, 630:, 626:, 622:, 618:, 614:, 610:, 606:, 602:, 598:, 594:, 590:, 586:, 582:, 578:, 574:, 570:, 543:. 489:, 485:, 481:, 477:, 473:, 469:, 398:, 394:, 216:, 1937:. 1912:. 1733:. 1706:. 1694:: 1648:) 1634:. 1604:. 1592:: 1566:. 1541:) 1527:. 1502:. 1475:. 1438:) 1424:. 1399:. 1352:. 1309:. 1274:. 1247:. 1222:. 1203:. 344:e 337:t 330:v 262:, 220:) 212:( 186:) 182:( 20:)

Index

Iranian modern art
a series
Culture of Iran

History
People
Languages
Symbols
Festivals
World Heritage Sites
Mythology
Folklore
Philosophy
Astronomy
Religion
Irreligion
Arts
Architecture
Literature
Music
Dastgah
Dance
Theater
Cinema
Gardens
Visual art history
Modern art
Miniature painting
Handicrafts
Embroidery

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