67:
152:
435:
78:. He graduated with his bachelor's degree in 1880. After graduating from El Real Colegio de Belén he decided to enroll in the Havana University School of Law. He started in 1881 but was forced to drop out shortly after because of family financial difficulties. After he dropped out, he pursued his writing career and began working as a finance minister.
57:
Casal was born in Havana, Cuba. The family of Julián del Casal was not wealthy, but they lived comfortably. His mother, a Cuban native named Maria del Carmen de la Lastra y Owens, died in 1868 when Casal was four years old. He was raised by his father, a
Spaniard known as Julián del Casal y Ugareda,
229:
includes forty-nine poems and is considered an example of Casal's early writing style. The poems in this collection are topical in nature and often refer to contemporary events. A few of them were even characterized as "imitations" and show the influence of other writers. The work was well received
274:
58:
who died later in 1885 when Casal was twenty-two years old. Casal was born into a
Catholic family and was baptized on December 23 at two months old, in La iglesia del Santo Angel Custodio, by his godparents Don José de la Lastra and Doña Matilde de la Lastra y Owens.
294:
in which he talked about premonitions he was having about death. Not too long after this, Casal was at a colleague's home when he suffered a hemorrhage during conversation after dinner. He died due to this and was buried in his family pantheon. His final book,
20:
224:
was never completed while he was alive, however it appeared in 1893 shortly after his death with the help of Casal's friend, Enrique Hernández
Miyares. It differs from his earlier works because it contains both prose and poetry.
281:
Julián del Casal continued publishing works up until his death in
October 1893. Earlier that year, he wrote an article about his colleague Rubén Darío, the famous father of Modernism, in the Cuban magazine
138:
to Casal. In 1893 he had a lot of contact with Dario including an article he wrote about Dario and a letter that Casal sent to Dario towards the end of his life.
411:
86:
At the early age of fourteen, Casal began his own newspaper press with a fellow high school alumna, Arturo Mora. They titled their newspaper
265:
was met with some critical success, although most contemporaries in Cuba felt that Julián del Casal's themes were too dark and pessimistic.
173:
475:
90:. After he graduated high school, he published his first work in a science, arts and literature weekly journal. Casal titled the poem
233:
Casal continued to publish poems in various Cuban periodicals and in 1892 he compiled many of these pieces in his second collection,
460:
331:
199:
94:
and it was the first publication from a poet to be seen in a Cuban press. In this same year, he also began working as a clerk at
34:. He started his writing career at a young age and later in life was known as an important forebear of modernistic expression in
365:
257:, contains sixteen sonnets that all reflect his fears and concerns about life in general. The fifth and final section titled
177:
162:
75:
237:. Divided into five sections, the poems in this collection are categorized according to theme. The first section,
181:
166:
465:
299:
was finished by his colleague and friend
Enrique Hernández Miyares and published shortly after Casal's death.
98:(The Treasury Department). His writing career began to pick up when in 1885, Casal began publishing works in
408:
455:
450:
470:
114:. In 1889 Casal returned to his homeland of Cuba where he started to assist with meetings with the
103:
420:
361:
327:
323:
317:
291:
42:
273:
415:
381:
246:
444:
111:
35:
241:, includes poems inspired by pagan and Judeo-Christian thought; the second section,
66:
31:
134:
was published in 1892; the same year he met Ruben Dario and when Dario dedicated
151:
19:
360:(1st ed.). Madrid, Spain: Las Americas Publishing Company. pp. 7–9.
46:
74:
In 1870, Julián del Casal began his education at a very formal school named
249:, with whom Julián had an ongoing correspondence with. The third section,
245:, is famous because the poems contained in it were inspired by the art of
41:
He took his influence from the French poetic styles of the day and later,
429:
230:
by his contemporaries as an early offering by a poet with much promise.
425:
253:, is a collection of well-known Spanish word pictures. The fourth,
272:
65:
18:
212:
Casal only published two poetry collections during his lifetime,
261:, completes the collection with seventeen miscellaneous poems.
145:
30:(November 7, 1863 – October 21, 1893) was a poet from
319:
118:In 1890 he published his first book which he named
322:. Detroit: Wayne State University Press. pp.
102:, a Cuban magazine that acted as a medium for the
88:El Estudiante, periódico clandestino y manuscrito
28:José Julián Herculano del Casal y de la Lastra
106:of that time. In 1888, he began working with
8:
290:. Before his death, Casal wrote a letter to
180:. Unsourced material may be challenged and
126:The following year he started working with
286:. Casal also began writing his final book
277:Casal's friend and colleague, Rubén Darío.
200:Learn how and when to remove this message
110:as well. Later that year, he traveled to
308:
7:
358:Julian del Casal Vida y Obra Poetica
351:
349:
347:
345:
343:
178:adding citations to reliable sources
70:University of Havana in Havana, Cuba
14:
433:
150:
421:Julián del Casal author profile
382:"Julián del Casal | Cuban poet"
1:
432:(public domain audiobooks)
136:El Clavicordio de la Abuela
492:
409:Julián del Casal Criticism
476:19th-century male writers
426:Works by Julián del Casal
356:Cabrera, Rosa M. (1970).
316:Garfield, Evelyn (1991).
96:El Ministerio de Hacienda
461:19th-century Cuban poets
76:El Real Colegio de Belén
16:Cuban writer (1863–1893)
386:Encyclopedia Britannica
220:. His last collection,
278:
71:
24:
276:
69:
22:
259:La gruta del ensueño
174:improve this section
128:La Habana Literaria
122:and helped to edit
414:2011-05-27 at the
284:La Habana Elegante
279:
130:. His second book
116:Galeria Literaria.
104:Modernist movement
100:La Habana Elegante
72:
25:
210:
209:
202:
23:Julián del Casal.
483:
466:Cuban male poets
437:
436:
396:
395:
393:
392:
378:
372:
371:
353:
338:
337:
313:
251:Cromos españoles
239:Bocetos antiguos
205:
198:
194:
191:
185:
154:
146:
491:
490:
486:
485:
484:
482:
481:
480:
441:
440:
434:
416:Wayback Machine
405:
400:
399:
390:
388:
380:
379:
375:
368:
355:
354:
341:
334:
315:
314:
310:
305:
271:
255:Marfiles viejos
227:Hojas al viento
214:Hojas al viento
206:
195:
189:
186:
171:
155:
144:
120:Hojas al Viento
84:
64:
55:
17:
12:
11:
5:
489:
487:
479:
478:
473:
468:
463:
458:
453:
443:
442:
439:
438:
423:
418:
404:
403:External links
401:
398:
397:
373:
366:
339:
332:
307:
306:
304:
301:
297:Bustos y Rimas
288:Bustos y Rimas
270:
267:
247:Gustave Moreau
243:Mi museo ideal
222:Bustos y rimas
208:
207:
158:
156:
149:
143:
140:
83:
80:
63:
60:
54:
51:
15:
13:
10:
9:
6:
4:
3:
2:
488:
477:
474:
472:
469:
467:
464:
462:
459:
457:
454:
452:
449:
448:
446:
431:
427:
424:
422:
419:
417:
413:
410:
407:
406:
402:
387:
383:
377:
374:
369:
363:
359:
352:
350:
348:
346:
344:
340:
335:
333:0-8143-1864-9
329:
325:
321:
320:
312:
309:
302:
300:
298:
293:
289:
285:
275:
268:
266:
264:
260:
256:
252:
248:
244:
240:
236:
231:
228:
223:
219:
215:
204:
201:
193:
190:November 2018
183:
179:
175:
169:
168:
164:
159:This section
157:
153:
148:
147:
141:
139:
137:
133:
129:
125:
124:La Discusiónn
121:
117:
113:
112:Madrid, Spain
109:
105:
101:
97:
93:
89:
81:
79:
77:
68:
61:
59:
52:
50:
48:
44:
39:
37:
36:Latin America
33:
29:
21:
389:. Retrieved
385:
376:
357:
318:
311:
296:
287:
283:
280:
262:
258:
254:
250:
242:
238:
234:
232:
226:
221:
217:
213:
211:
196:
187:
172:Please help
160:
135:
131:
127:
123:
119:
115:
107:
99:
95:
91:
87:
85:
73:
56:
40:
32:Havana, Cuba
27:
26:
456:1893 deaths
451:1863 births
292:Rubén Darío
142:Major works
43:Rubén Darío
471:Modernismo
445:Categories
391:2018-11-20
367:9688650137
303:References
269:Later life
53:Early life
47:Modernismo
161:does not
108:El Figaro
92:El Ensayo
62:Education
430:LibriVox
412:Archived
182:removed
167:sources
364:
330:
82:Career
263:Nieve
235:Nieve
218:Nieve
132:Nieve
362:ISBN
328:ISBN
216:and
165:any
163:cite
45:and
428:at
324:259
176:by
447::
384:.
342:^
326:.
49:.
38:.
394:.
370:.
336:.
203:)
197:(
192:)
188:(
184:.
170:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
