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Julius Reisinger

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150: 128: 303:. This not only suggests the confidence they had invested in Reisinger, but also confirms that in his first two years in Russia he had clearly won the authority of the Imperial Theatre Directorate. It was with this artistic background that the choreographer approached the first production of 258:
story) to Muhldorfer's music, which Yuri Bakhrushin referring to original sources, notes as quite successful. In 1873, finding himself in the post of Director of the Moscow Ballet, he created successive multiple-act productions such as
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was considered unsuccessful by contemporary critics, although the ballet was popular enough among the general public that it was kept in the active repertoire of the
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It is commonly thought that none of Reisinger's ballets was successful but facts contradict this. An example of this would be
263:, where, as confirmed again by Yuri Bakhrushin, the choreographer successfully developed the Russian theme. He also produced 105: 175: 171: 124:
in the position of choreographer. This was the first time a Czech theatre was headed by a Czech choreographer.
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where he directed the ballet company from 1864 to 1872? Large-scale works were presented there, such as
121: 89: 381: 376: 83:, rising to the position of leading soloist. In 1850, he was the partner of the famous dancer 299:, the Theatre Directorate allotted what was (for that time), the very large sum of 40,000 80: 61: 43: 350: 300: 272: 230: 211: 84: 35: 283:
Muhldorfer and Gerber) used the music of Gerber. At the same time, in the last two (
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as well as the production of the first ballet performance for the opening of the
292: 38:. He created more than twenty works on various European stages and directed the 16: 254: 210:, a classical ballet that is still being performed today. Why then was such a 305: 48: 291:), Reisinger reworked elements of ancient art according to the dictates of 127: 326: 280: 227: 215: 117: 113: 95: 245: 241: 234: 71:. He was also known by translations of his name as Vaclav or Jules. 68: 39: 32: 178:. Statements consisting only of original research should be removed. 126: 15: 248:
historians, the first one being a staging of the five-act ballet
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In 1852, Reisinger secured an eight-year engagement on the
233:, Muhldorfer. And from Leipzig, Reisinger was invited to 120:
stages. In 1860 he returned to his native Prague to the
46:. Reisinger choreographed the first stage production of 244:
endeavors are readily found in the writings of several
167: 99:(as Hilarion). He also danced the part of Diavolino in 20:
Julius Reisinger, original choreographer of the ballet
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for seven years and was performed over thirty times.
79:He began his professional life as a dancer in the 8: 194:Learn how and when to remove this message 318: 67:Reisinger was born in February 1828 in 295:. Added to that, in the production of 271:(in tandem with Imperial Balletmaster 131:Original sketch design for the ballet 7: 14: 148: 31:(1828 – 1893) was a Czech 279:, which he staged with the two 106:Catarina or La Fille du Bandit 1: 357:Russian ballet choreographers 367:People from Austria-Hungary 240:Indications of Reisinger's 174:the claims made and adding 398: 29:Julius Wentsel Reisinger 275:). All ballets (except 252:(1871, a ballet of the 54:Prague National Theatre 136: 56:in 1884. His work on 25: 214:invited to brilliant 130: 19: 226:to the music of the 224:Interrupted Solitude 250:The Crystal Slipper 327:"Vaclav Reisinger" 159:possibly contains 137: 122:Nove Mesto Theatre 26: 204: 203: 196: 161:original research 93:(as Phoebus) and 389: 341: 340: 338: 337: 323: 199: 192: 188: 185: 179: 176:inline citations 152: 151: 144: 397: 396: 392: 391: 390: 388: 387: 386: 347: 346: 345: 344: 335: 333: 325: 324: 320: 315: 200: 189: 183: 180: 165: 153: 149: 142: 81:corps de ballet 77: 62:Bolshoi Theatre 44:Bolshoi Theatre 42:company of the 12: 11: 5: 395: 393: 385: 384: 379: 374: 372:Russian ballet 369: 364: 362:Ballet masters 359: 349: 348: 343: 342: 317: 316: 314: 311: 202: 201: 156: 154: 147: 141: 138: 76: 73: 13: 10: 9: 6: 4: 3: 2: 394: 383: 380: 378: 375: 373: 370: 368: 365: 363: 360: 358: 355: 354: 352: 332: 328: 322: 319: 312: 310: 308: 307: 302: 298: 294: 290: 286: 282: 278: 274: 273:Marius Petipa 270: 266: 262: 257: 256: 251: 247: 243: 238: 236: 232: 231:kapellmeister 229: 225: 221: 217: 213: 212:choreographer 209: 198: 195: 187: 177: 173: 169: 163: 162: 157:This article 155: 146: 145: 139: 134: 129: 125: 123: 119: 115: 110: 108: 107: 102: 98: 97: 92: 91: 86: 85:Lucille Grahn 82: 74: 72: 70: 65: 63: 59: 55: 51: 50: 45: 41: 37: 36:choreographer 34: 30: 23: 18: 334:. Retrieved 330: 321: 304: 296: 288: 284: 276: 268: 264: 260: 253: 249: 239: 223: 219: 207: 205: 190: 181: 158: 132: 111: 104: 101:Jules Perrot 94: 90:La Esmeralda 88: 78: 66: 57: 47: 28: 27: 21: 382:1893 deaths 377:1828 births 293:Biedermeier 351:Categories 336:2024-01-16 331:www.aha.ru 313:References 255:Cinderella 220:Saltarello 168:improve it 103:'s ballet 306:Swan Lake 281:composers 208:Swan Lake 184:June 2019 172:verifying 140:Criticism 133:Swan Lake 58:Swan Lake 49:Swan Lake 22:Swan Lake 277:Kastchei 261:Kastchei 118:Austrian 301:roubles 297:Ariadne 289:Ariadne 269:Ariadne 246:Russian 228:Leipzig 216:Leipzig 166:Please 135:in 1877 96:Giselle 24:in 1877 285:Stella 265:Stella 242:Moscow 235:Russia 114:German 75:Career 69:Prague 40:Moscow 33:ballet 287:and 267:and 222:and 116:and 170:by 87:in 353:: 329:. 309:. 237:. 109:. 339:. 197:) 191:( 186:) 182:( 164:.

Index


ballet
choreographer
Moscow
Bolshoi Theatre
Swan Lake
Prague National Theatre
Bolshoi Theatre
Prague
corps de ballet
Lucille Grahn
La Esmeralda
Giselle
Jules Perrot
Catarina or La Fille du Bandit
German
Austrian
Nove Mesto Theatre

original research
improve it
verifying
inline citations
Learn how and when to remove this message
choreographer
Leipzig
Leipzig
kapellmeister
Russia
Moscow

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